Motherhood, in all its magical and messy incarnations, is at the heart of Lisa Tucker’s The Winters In Bloom, a story that skates gracefully amid wonder, terror and redemption. Indeed, Tucker’s sixth novel is impossible to categorize, bending the confines of the psychological thriller with an eloquent literary narrative of tangled family ties between not only mother and child, but sisters, ex-spouses and even former in-laws.

Without exception, the characters that populate The Winters In Bloom are fatally flawed from damaged childhoods, yet Tucker’s mastery of voice, time and place prevents their stories from sounding clichéd. Abandoned by their mother and raised by an emotionally distant father and stepmother, sisters Amy and Kyra forge an intense sibling relationship when they are forced to parent one another. Kyra’s husband David was blessed with a loving, albeit long-suffering mother, but he struggles to suppress bad memories of an abusive father and is haunted by the ghosts from his first marriage to the mentally unstable Courtney, whose own maternal experiences bear the imprimatur of Greek tragedy. Still, Kyra and David manage to create a happy life together—until their five-year-old son, Michael, goes missing from their backyard.

If all this angst sounds confusing, stereotypical or even onerous, rest assured, The Winters In Bloom is exquisitely rendered and incredibly addictive. It will resonate with—and terrify—any parent who lies anxiously awake at night, fretful of the maladies and mayhem that can befall a child. This is a beguiling novel, alternately infused with despair and hope, and above all, the redemptive power of love.

A request from an old family friend lures Madeline Stone from her stale life as a Chicago waitress to Lake Superior’s coast. McAllaster, Michigan, is only 500 miles from home, but to Madeline, who just lost her adoptive mother, the landscape feels further from anything she’s experienced before: Icebergs bob and waves lash a town that time forgot.

As she cares for a sweet elderly woman—and butts heads with the woman’s stubborn sister—Madeline discovers the town hasn’t forgotten her. Nor has it forgotten the young, wild mother who abandoned her. Madeline learns bit by bit of her family’s connection to the land—and to the shuttered Hotel Leppinen, which she is sneakily using as a nighttime painting studio.

South of Superior is a story about home, what people are willing to fight for, the weight of friendships and continued ambition. Despite Madeline’s move to a one-stoplight town, she never stops dreaming: She wants to sell paintings, illustrate books and run a destination hotel. A romantic storyline takes a backseat to allow for Madeline’s self-actualization, and it’s a treat to read a book starring such a stirring female lead. Ellen Airgood, who has spent the last 19 years in the Upper Peninsula, knows small-town life and portrays its positive and negative aspects with affection and feeling. Readers will tear through this engrossing story.

Jennifer Weiner’s latest novel, Then Came You, opens with a scene her readers would expect from this best-selling author—but it unfolds unlike any other she’s ever written. In the first pages of Then Came You, a man walks over to a woman having lunch and asks to sit down. He compliments her, tries to buy her meal, and then, just when readers expect him to fish for her phone number, he poses a question: “How would you like to make twenty thousand dollars?” He’s talking about egg donation, and just like that, Then Came You instantly veers off the ordinary path and dives headlong into a very modern story of motherhood.

Beautiful and athletic Princeton grad Jules, courted by a rep from the fertility center, considers how the hefty reward could buy her father another much-needed round of rehab. Jules’ story intersects with Annie’s, a stay-at-home mom of two boys who is considering surrogacy to make ends meet. India, the newly wedded second wife of wealthy, older Marcus, needs both Jules and Annie to help her conceive a child.

Bettina, Marcus’ daughter, is incensed when she gets the news that she’ll have to graft a half-sister onto her fractured family tree. She does her best to expose India as a Botoxed, gold-digging phony. But Bettina grapples with her own insecurities, especially when it comes to making her life count for something outside of her work. Though India’s maternal instincts surface for seemingly obvious reasons—to secure her inheritance—her backstory is slowly revealed. By the book’s end, readers will discover her true motivation.

Weiner has a history of turning out lighthearted and romance-infused reads like Good In Bed and Best Friends Forever. Then Came You is something different for her, offering an eye-opening perspective on parenthood in an age where the family is ever evolving.

A near-perfect marriage is tested by an indecent proposal in Victoria Christopher Murray’s latest, The Deal, the Dance, and the Devil. Evia and Adam Langston have been in love since they were 12, and their devotion and determination have carried them through a teenage pregnancy and out of stifling poverty to a six-figure income and a 4,000-square-foot home. But while their commitment to each other seems unshakeable, money troubles vex them: Adam lost his job 18 months ago and he and Evia haven’t told the kids. As bill collectors descend, Evia’s seductive boss, Shay-Shaunte, makes a shocking offer: five million dollars for a weekend in Adam’s arms. While Evia balks, Adam is desperate to keep up the façade that he is still employed—and when a promising job offer falls through, the pair wonder how much damage 48 hours could really do to their marriage. The answer, it turns out, is a lot. Murray’s characters are extremely likable and the eponymous deal’s psychological effects on Evia are stirring. Shay-Shaunte gives “evil woman” special meaning—especially in the final chapter, which might try some readers’ patience. But while Murray’s fiction is Christian, it’s not saccharine, and this page-turning take on the Faustian theme should satisfy fans and newcomers alike. 

Many stories set in rapidly transforming India feature heroes and heroines with Whitmanesque contradictions—characters who are struggling to maintain their connections to the past while coping with their nation’s surge to the future. In the spirit of Aravind Adiga’s The White Tiger, Bharati Mukherjee’s Miss New India features a young Indian woman trapped between her provincial lower-income life and the career promised to her in Bangalore, a city obsessed with its own growth and inevitable Americanization.

Mukherjee, an award-winning American writer born in India, introduces readers to Anjali Bose, a rebellious 19-year-old who flees an arranged marriage in search of her own future in the booming metropolis at the cusp of its digital age. With help from her secretly gay American teacher, Anjali finds refuge in the remains of the once-great Bagehot House, a boarding house which holds the memories of a colonized India and the wounds Britain once inflicted on the nation. The girls who lease rooms there are the new women of India, competent and eternally hopeful. Unfortunately, Anjali’s promised call center job does not live up to its expectations, and her search for a suitor never wanes, even when her own career begins to crumple.

Miss New India is a brilliant, seismic coming-of-age story that encourages hope in the “Photoshop world” of today’s India, a country buoyed by incredible promise, but still burdened by false hopes.