When feminist, scholar, media critic and author Susan J. Douglas (The Mommy Myth, Where the Girls Are) writes, “So here we are, on our puppet strings,” she is addressing “women of a certain age”—and she means it not as a wail of surrender but as a call to arms. Her book In Our Prime: How Older Women Are Reinventing the Road Ahead will inflame the hearts of both those who participated in the feminist movement of the 1970s and those who cut their teeth on #MeToo.

This rallying cry hearkens back to a long history of gender and age discrimination, from the patriarchal laws of colonial America that denied women their property rights, to the suffragists’ long fight for the right to vote, to the “coiling together of ageism and misogyny [that] served as a powerful weapon against Hillary Clinton in 2016.” From such “turnstile moments” have come history’s inspiring activists: FDR’s Labor Secretary Frances Perkins; Dolores Huerta of the National Farm Workers Association; co-founder of Ms. magazine Gloria Steinem; the Gray Panthers’ founder Maggie Kuhn; and Supreme Court Justice Ruth Bader Ginsburg. Now is the time, Douglas urges her aging contemporaries, to pass the feminist-activist torch to the next generation.

Thanks to the constant barrage of print, television and social media, ageism (or anti-aging) seems to be everywhere. It’s rampant across advertising campaigns, thriving in the largely unregulated cosmetics industry and inherent in Big Pharma marketing, where “age itself is a condition that needs treatment.” Without vigilance and action, Douglas warns, prejudicial attitudes can become government policies.

She pays special attention to current perspectives on the fate of Social Security. With statistical evidence always in hand, Douglas points out that women tend to outlive men while earning less over their lifetimes and so are more vulnerable to changes in this long-standing retirement benefit. The personal can become political: Keep an eye on your future, she advises her younger counterparts, and share your awareness with others. The collective consciousness-raising of the 1970s needs a comeback.

Inspiration can also come from celebrity “visibility revolts,” as when ageist stereotypes are demolished on screen in shows like “Grace and Frankie,” which follows in the footsteps of “The Golden Girls.” With humor and aplomb, Douglas makes a convincing case for how to end the war on older women and reinvent what aging can mean.

Although there are more women CEOs today than there were at the beginning of the 1970s, complaints of workplace harassment and threats toward women who speak out have remained largely unchanged. But author and activist Mikki Kendall explains that the feminist movement has an even larger failure to contend with: the way that it has left behind women of color as white women grab more power. Hood Feminism: Notes From the Women That a Movement Forgot critiques the dangers of this exclusionary brand of feminism and exhorts those who support changing it for the better.

Throughout the book, Kendall points toward political arenas that historically haven’t been tied to feminism, like food insecurity, gun violence and access to education—issues that largely affect communities of color. Kendall not only details the ways in which ignoring these issues has turned feminism into white feminism but also explains how these missteps have resulted in the failure of feminism as a whole. She convincingly demonstrates how this exclusionary behavior, intended to protect the interests of white women who “cling to the agency and selfhood they feel they have fought so hard to achieve,” in fact results in an outcome that threatens those interests: a strengthening of the patriarchy that actively works against the goal of equality.

Hood Feminism addresses a world that has abandoned marginalized people in favor of creating more opportunity for those who are already in power. For Kendall, the work of feminism is not the achievement of female success but rather the achievement of a larger ideal: genuine equality. If that is the goal, the work of feminism is far from over. 

In fact, with rising income inequality, surging gentrification and shrinking social services, the work of feminism has only just begun.

Under the rules of the patriarchy, an angry woman is a more than a minor inconvenience: She is a problem. When a woman expresses her anger, she betrays the parameters of femininity imposed by a society that views men as humans and women as passive objects. Our society still operates on tired gender roles and misogynistic stereotypes that routinely silence, shame and demean women. Anger is regarded as a positive trait when associated with masculinity, yet it is simultaneously seen as the antithesis of what is acceptable behavior for women.

In the age of the #MeToo movement, the concept of recognizing and validating women’s anger has reached a palpable sense of urgency. For too long, women have been told that they should not only regulate their emotions but bury them while society encourages men to disregard emotion in favor of physical aggression. Soraya Chemaly’s Rage Becomes Her: The Power of Women’s Anger is part cultural analysis and part call to arms. Chemaly—an award-winning author, activist and the Director of the Women’s Media Center Speech Project—writes with clear-eyed conviction. Using an arresting combination of personal anecdotes, interviews and heavily researched data, Chemaly argues that women should reclaim their anger. She acknowledges that this process varies between women of different races, namely the ways in which white women can weaponize their privilege and anger against black women. While white women are routinely treated as “fragile” and “delicate” damsels in distress (see “Missing White Woman Syndrome”), black women’s anger is pathologized as dangerous, volatile—even criminal.

Nevertheless, women have historically been forced to undertake immense emotional labor that comes at the expense of their mental, emotional and physical health. For Chemaly, a liberated woman is one who can freely find strength in her rage.