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Through 80 chronological vignettes divided into five dated segments, all set to a lilting prose, Jeannine Atkins brings to life the poignant story of a half Native American, half African-American artist’s persistent journey to greatness. While Edmonia Lewis is best known as a neoclassical sculptor as well as for her affiliation with Oberlin College, details of her life remain a mystery. Regardless of the lack of data, Atkins offers a believable fictionalized biography in Stone Mirrors: The Sculpture and Silence of Edmonia Lewis

In 1862, while attending the recently racially integrated Oberlin College, Edmonia is falsely accused of poisoning two of her classmates. Days later, she is viciously raped and beaten. Although acquitted of the poisoning charges, Edmonia is accused of stealing art supplies, and her one-year stay at the historic college is terminated and she is sent to Boston. While working as a housekeeper, Edmonia is given the opportunity to learn sculpture. During the next two years, Edmonia hones her craft and travels to Rome, the “City of Marble.” Over the course of 10 years, Edmonia creates a grand piece she titles “The Death of Cleopatra,” which she presents at the 1876 Centennial Exhibition in Philadelphia.

Combining imagination and the power of words, Atkins’ powerful narrative aptly highlights the harsh indifference and discrimination that Edmonia faces as she forges ahead to fulfill her dreams. Stone Mirrors provides a window into the achievements of a tenacious woman of color in a white man’s world.

 

This article was originally published in the January 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Through 80 chronological vignettes divided into five dated segments, all set to a lilting prose, Jeannine Atkins brings to life the poignant story of a half Native American, half African-American artist’s persistent journey to greatness. While Edmonia Lewis is best known as a neoclassical sculptor as well as for her affiliation with Oberlin College, details of her life remain a mystery. Regardless of the lack of data, Atkins offers a believable fictionalized biography in Stone Mirrors: The Sculpture and Silence of Edmonia Lewis.
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BookPage Teen Top Pick, January 2017

Julian and Adam are friends turned brothers by way of tragedy. Though years apart in age and on opposite ends of the personality spectrum, the boys bond over their shared disabilities, their respect for one another’s differences and the fact that they save each other’s lives—more than once.

Adam is a charismatic high school senior with ADHD. Julian is his shy and sweet former foster brother, an incoming freshman with dyslexia. Prior to the start of school, the last time they’d seen each other was five years ago, when Julian’s parents died in a sudden and horrific car accident. Back then, Adam cared for Julian like an older, patient brother, helping him cope with his tragic loss. That was until Julian’s uncle showed up out of nowhere and ripped him from the safe and healthy life he’d had with his foster family. Julian’s strict uncle has no patience for his “odd” behavior, his quietness or his appreciation for children’s books. And even though everything looks fine to outsiders, all of Julian’s pain is boxed up and pushed beneath the surface. When Adam finally begins to notice the signs, it falls to him to save the sensitive Julian from a dangerous home.

Debut author Robin Roe drew from experiences counseling and mentoring at-risk teens to create A List of Cages. In the same vein as The Perks of Being a Wallflower, this is a raw and eye-opening story, destined to spark important and necessary conversations.

 

ALSO IN BOOKPAGE: Read a Q&A with Robin Roe for A List of Cages.

Justin Barisich is a freelancer, satirist, poet and performer living in Atlanta. More of his writing can be found at littlewritingman.com.

This article was originally published in the January 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Julian and Adam are friends turned brothers by way of tragedy. Though years apart in age and on opposite ends of the personality spectrum, the boys bond over their shared disabilities, their respect for one another’s differences and the fact that they save each other’s lives—more than once.

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Set in modern-day Baltimore and steeped in the racial inequalities and police brutalities that have long plagued the city, AIR is the story of an unlikely hero who discovers himself, his inner peace and his truest power through high-octane sports, used as a unique form of civil disobedience.

Grey Monroe is 17 years old when his father murders his mother in their Colorado home, and soon after her funeral, his family splits him up from his younger siblings and sends him to live with his aunt in Baltimore. Days later, Grey befriends Akil Williams, a secretive teen who lives nearby with dirt bikes in his den. That same night, Akil convinces Grey to take a wild ride with him through the streets of downtown Baltimore, and from then on, Grey is absolutely hooked on the freedom and adrenaline the bike brings.

On a later ride, Grey and Akil end up saving Kurtis—an internet-famous, motorsports daredevil who blurs the lines between social activism and criminal behavior—during one of his stunts. The three teens grow closer, but when Akil is run down by a vindictive police officer, something shifts inside Grey, and he becomes an urban rebel with a bigger cause than he ever could have imagined.

In AIR, author Ryan Gattis (of All Involved critical acclaim) once again captures the pulse and plights of America’s urban youth, particularly those trying to survive in black and brown bodies. Crucially, his characters are more than just caricatures, and they must do anything they can to fight an establishment that seeks to eliminate them under the guise of safety—despite whatever freedoms, or however many breaths, it may steal from them.

 

Justin Barisich is a freelancer, satirist, poet and performer living in Atlanta. More of his writing can be found at littlewritingman.com.

Set in modern-day Baltimore and steeped in the racial inequalities and police brutalities that have long plagued the city, AIR is the story of an unlikely hero who discovers himself, his inner peace and his truest power through high-octane sports, used as a unique form of civil disobedience.

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To strangers, growing up the daughter of rock stars Meg and Kieran Ferris seems like a life of fame and adventure. But high school senior Phoebe, who would rather write a lyric than carry a tune, feels both caught in the middle and left out of the talent and drive of her musical family. In Janet McNally’s debut novel, Phoebe searches for her place within her broken family and the world beyond.

Finding out the truth about herself is difficult, however, when her mother remains silent on why she left the rock world and notoriety to raise children in Buffalo, New York; she hears her father’s new songs on the radio but hasn’t seen him in three years; and her older sister, Luna, appears to be following their mother’s footsteps, dropping out of college to tour with her own band.

Just before school starts, Meg sends Phoebe to New York City to try to convince Luna to return to her studies. Instead, Phoebe spends this time reconnecting with Kieran and trying to figure out love, loss, family and friendship. It’s all great fodder for lyrics, which the teen’s secretly sending to the bassist—and potential boyfriend—in Luna’s band. Periodic chapters told in Meg’s voice further reveal that Phoebe may be more like her mother than she ever considered.

In this beautifully layered story with understated imagery, McNally’s biting realism leaves readers with hope and resilience to ponder rather than solve all of Phoebe’s unanswered questions.

To strangers, growing up the daughter of rock stars Meg and Kieran Ferris seems like a life of fame and adventure. But high school senior Phoebe, who would rather write a lyric than carry a tune, feels both caught in the middle and left out of the talent and drive of her musical family. In Janet McNally’s debut novel, Phoebe searches for her place within her broken family and the world beyond.

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Dennaleia has been training all her life to leave her home in Havemont, marry Prince Thandilimon and become Queen of Mynaria. So when she arrives in her new home and her fire Affinity—a forbidden magical power she’s kept hidden for years—grows unwieldy, she fears the life she’s trained for is about to be ripped out from under her. What’s more, shortly after her arrival in Mynaria, an assassination attempt on the King leaves the kingdom in shock. When Dennaleia joins forces with her betrothed’s sister, Mare, to find the culprit, the friendship becomes something more than she’d bargained for, and she begins to question whether the life she’s always envisioned is the life she wants after all.

Audrey Colthurst’s debut novel, Of Fire and Stars, is a captivating story that follows the young royals as they grapple with the roles they’ve been assigned and their true passions. Dennaleia and Mare are a compelling pair—both whip smart in their own ways, with complementary talents and plenty to teach one another. Supporting characters, from palace guards to Dennaleia’s fiancé, are complex and relatable, and grow over the course of the novel.

If Colthurst’s world is a bit underdeveloped—the rules of both physics and magic are sometimes unclear—she makes up for it in sharp prose and characters whose spirit, tenacity and deep humanity drive the story from beginning to end. 

Dennaleia has been training all her life to leave her home in Havemont, marry Prince Thandilimon and become Queen of Mynaria. So when she arrives in her new home and her fire Affinity—a forbidden magical power she’s kept hidden for years—grows unwieldy, she fears the life she’s trained for is about to be ripped out from under her.

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In Tara Sim’s young adult debut novel, Timekeeper, time does wait for man—and one man in particular. To keep the balance in this steampunk Victorian London world, special people who can sense the fibers of time are trained to be mechanics who keep the clocks in the towers running spritely.

At 17, Danny is the youngest person to become a fully instated mechanic. Although Danny has achieved this milestone, his life is angst-filled and complicated. Danny has had the recent misfortune to be working on a clock when it inexplicitly explodes. The scar on his chin from the accident is minor compared to the mental scars he tries to hide. He is fearful of being in another explosion—or worse, trapped like his father in a town where time stopped because the clock spirit abandoned the tower.

Furthermore, the first love of Danny’s life is forbidden, not because the object of his affection is a male, but because the boy is a clock spirit. Danny knows the romance is dangerous and tries to stay away from the spirit, but life puts them together in unexpected heart- and time-stopping ways. Since no one will believe Danny, he must race against time itself to save those he loves and those to whom he has a responsibility.

This is an enjoyable start to a promising new trilogy.

In Tara Sim’s young adult debut novel, Timekeeper, time does wait for man—and one man in particular. To keep the balance in this steampunk Victorian London world, special people who can sense the fibers of time are trained to be mechanics who keep the clocks in the towers running spritely.

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All her short life, Neen has heard the rumors. They say her mother was a mermaid, a merrow. They say that when her father drowned, her mother followed him back to her home on the ocean floor. Neen’s tight-lipped Auntie Ushag swears there’s nothing to the gossip, but Neen isn’t so sure. The sea’s swelling waves beckon her in a way she doesn’t quite understand. And if her mother were a merrow, it would certainly explain the strange, almost scaly skin condition that covers both her arms. 

Packed with adroitly selected physical details and stirring, folklore-inspired nested narratives, Ananda Braxton-Smith’s Merrow follows Neen on her journey of discovery and self-realization. From skeletons in caves to colloquial yarns about local sea monsters, each encounter forces Neen to reconsider her world and her place in it. Is her island home full of merrows and other fantastical beings, or just everyday people struggling to understand their everyday lives? Is she the offspring of a mermaid returned to sea, or just the daughter of a depressed widow who couldn’t bear to live without her husband? 

As Neen tries to parse the real from the imaginary and the mythic from the mundane, she comes to understand the power of stories—how they can bind and destroy us, or shape and sustain us.

 

This article was originally published in the November 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

All her short life, Neen has heard the rumors. They say her mother was a mermaid, a merrow. They say that when her father drowned, her mother followed him back to her home on the ocean floor. Neen’s tight-lipped Auntie Ushag swears there’s nothing to the gossip, but Neen isn’t so sure. The sea’s swelling waves beckon her in a way she doesn’t quite understand. And if her mother were a merrow, it would certainly explain the strange, almost scaly skin condition that covers both her arms.

Set in distant space in a galactic empire, The Diabolic is narrated by Nemesis, a humanoid teenage girl born and bred to be a weapon. Her only job is to protect Sidonia, a senator’s daughter, which she will do at any cost. When Sidonia’s father is suspected of treason, the Emperor orders Sidonia to the capital as a hostage, but Nemesis goes in her place. Upon arrival, Nemesis quickly makes enemies, but she also forms a shaky alliance with the enigmatic Tyrus, who is playing his own dangerous political game. After a tragedy, Nemesis must put her life—and the fate of the empire—into the hands of people she doesn’t fully comprehend.

Nemesis isn’t the most compelling character here. That distinction goes to Tyrus, who has been brought up in a royal household lorded over by a ruthless grandmother akin to King Richard III. His methods of survival and his ability to strategize are impressive, leaving readers to wonder if he can really be trusted.

Like a Primanti Brothers sandwich, there’s a lot stuffed inside the covers of this book: political sabotage, intergalactic travel, planetary negotiations, chemical warfare, feminism, murder, romance and religion. This isn’t science fiction with an emphasis on science, even though a major theme of the book is how the empire manipulates religion and withholds technology in order to subjugate its people. It’s an ambitious page-turner fueled by plot twists, character deaths and high-stakes action.

 

Kimberly Giarratano is the author of Grunge Gods and Graveyards, a young adult paranormal mystery.

This article was originally published in the November 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Set in distant space in a galactic empire, The Diabolic is narrated by Nemesis, a humanoid teenage girl born and bred to be a weapon. Her only job is to protect Sidonia, a senator’s daughter, which she will do at any cost. When Sidonia’s father is suspected of treason, the Emperor orders Sidonia to the capital as a hostage, but Nemesis goes in her place. Upon arrival, Nemesis quickly makes enemies, but she also forms a shaky alliance with the enigmatic Tyrus, who is playing his own dangerous political game. After a tragedy, Nemesis must put her life—and the fate of the empire—into the hands of people she doesn’t fully comprehend.
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It’s the second semester of senior year at Janus Academy, an exclusive performing arts school, and five friends are preparing for the rest of their lives while struggling with the demands of the present. Joy’s dream is ballet, but the odds of success are slim—as her parents keep reminding her. Liv is stringing Ethan along by starring in his play (though she really likes her co-star Dave) and has a secret that threatens to be her undoing. Diego has been Joy’s friend forever but is ready for more. By the end of You in Five Acts, one of them will be dead.

Author Una LaMarche beautifully captures street scenes in New York City and breathes life into the school setting. It may be prestigious, but everything is a work in progress, from the cobbled-together theater sets to the students themselves. Each chapter, narrated in turn by one of the five characters, ends with an ominous reminder that someone is going to die. Clues feint one way or another, then lead to an unexpected conclusion. This structure creates the unusual problem of making the reader impatient for the tragedy to strike, and when it does, the reader doesn’t have time to process it.

Perhaps the strongest elements of You in Five Acts are the friendships between these characters and the different ways their dedication to art can be a saving grace or a curse. Book clubs will have a lot to say about the choices made regarding the ending and the references to current events, such as the use of excessive force by police against people of color.

 

This article was originally published in the November 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

It’s the second semester of senior year at Janus Academy, an exclusive performing arts school, and five friends are preparing for the rest of their lives while struggling with the demands of the present. Joy’s dream is ballet, but the odds of success are slim—as her parents keep reminding her. Liv is stringing Ethan along by starring in his play (though she really likes her co-star Dave) and has a secret that threatens to be her undoing. Diego has been Joy’s friend forever but is ready for more. By the end of You in Five Acts, one of them will be dead.
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Hairy all over and rapidly approaching seven feet tall, 15-year-old Dylan resents how perfectly he fits his nickname: Beast. After a particularly bad first day of sophomore year, Dylan climbs out onto his roof to get some peace and quiet, and wakes up in the hospital. His leg is broken, and he’s been enrolled in group therapy for self-harmers. Though he’s determined to stay detached in group, to say nothing and hear nothing, he can’t help but notice beautiful, confident Jamie—and she notices him, too. The two connect in a way Dylan’s never connected with another person before—let alone a girl—but Jamie has a secret. It shouldn’t change anything, but it changes everything.

Brie Spangler’s young adult debut offers a smart, sensitive approach to finding your place when all you can do is stand out. Dylan and Jamie are both radically different from their high school classmates, but Spangler’s just-right touch reveals their complexities as outsiders. Jamie is completely in tune with the challenges she faces as a transgender girl, yet this one aspect of herself does not define her. In the same way, Dylan is much more than his nickname. Both protagonists have a lot to learn from each other about acceptance—of others and of themselves.

Sometimes touching, often funny, always honest and human, Spangler’s Beast is a powerful debut and a wonderful read.

 

This article was originally published in the November 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Hairy all over and rapidly approaching seven feet tall, 15-year-old Dylan resents how perfectly he fits his nickname: Beast. After a particularly bad first day of sophomore year, Dylan climbs out onto his roof to get some peace and quiet, and wakes up in the hospital. His leg is broken, and he’s been enrolled in group therapy for self-harmers. Though he’s determined to stay detached in group, to say nothing and hear nothing, he can’t help but notice beautiful, confident Jamie—and she notices him, too.

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British writer Arthur Ransome returns to Russia as a reporter during World War I but finds his job description somewhat altered after the Bolshevik Revolution of 1917. Having built relationships with a variety of Bolshevik leaders, including Karl Radek and Leon Trotsky, Arthur is able to pass valuable intelligence to British officials. The Bolsheviks also make subtle offers and attempts to gain Arthur’s assistance for their cause. But the strongest temptation is Evgenia, Trotsky’s secretary and the love of Arthur’s life. Arthur wants to remain in Russia to be with her, but must stay in the good graces of both the British and the Bolsheviks in order to do so. Arthur straddles this line as best he can, until the turmoil becomes too great. The Bolsheviks struggle to maintain control of a fragmenting country while royalists gather forces and reclaim territory. In order to get himself and Evgenia out of Russia, Arthur must navigate this dangerous no-man’s-land between warring sides one last time. 

In contrast to most young adult historical fiction—especially war narratives—Marcus Sedgwick’s novel is refreshingly oblique. There is no clear good or evil side, or even a definitive right and wrong, but simply a well-intentioned character using his best judgment to help himself and others. The fairy-tale theme highlights this sense of paradox: Multiple stories, or truths, may exist about the same thing. With a challenging three-part format, beautiful language and a unique adult male narrator, this dazzling novel based on true events should be the next historical fiction young readers reach for.

 

This article was originally published in the November 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

In contrast to most young adult historical fiction—especially war narratives—Marcus Sedgwick’s novel is refreshingly oblique. There is no clear good or evil side, or even a definitive right and wrong, but simply a well-intentioned character using his best judgment to help himself and others. The fairy-tale theme highlights this sense of paradox: Multiple stories, or truths, may exist about the same thing.
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BookPage Teen Top Pick, November 2016

Meant to be doesn’t have to mean forever.” That’s the sentiment that runs through nearly every page of Nicola Yoon’s new novel about a chance meeting between two strangers, which delivers repercussions not only in their lives, but also in the lives of perhaps countless others.

When Natasha was 8, her family moved to New York City from Jamaica. More than anything, she longs to stay in this country, go to college and study science. Daniel, on the other hand, isn’t sure whether he wants to go to college at all. The son of Korean immigrants, he feels immense pressure to go to an Ivy League school and study medicine, but all he wants to do is make sense of the world by writing poetry.

When the two meet and start to talk, both feel an undeniable connection, even if Natasha is skeptical about Daniel’s insistence that their meeting is destined, even if she feels compelled to push him away because she’s an undocumented immigrant and her dad’s recent arrest for a DUI has resulted in the family’s deportation. Imminently. As in, that night.

The Sun Is Also a Star, with its condensed chronology, NYC setting and rapid-fire love story, may remind some readers of Nick and Norah’s Infinite Playlist, but here the stakes are higher. Suspense builds, not only surrounding Daniel and Natasha’s romance, but also concerning their individual futures, which, like everything else in this satisfying story, are shaped by the power of love.

 

RELATED CONTENT: Read a Behind the Book essay by Nicola Yoon on The Sun Is Also a Star.

This article was originally published in the November 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Meant to be doesn’t have to mean forever.” That’s the sentiment that runs through nearly every page of Nicola Yoon’s new novel about a chance meeting between two strangers, which delivers repercussions not only in their lives, but also in the lives of perhaps countless others.
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After being double-crossed by rich merchant Jan van Eck at the end of Six of Crows, Kaz Brekker and his crew are more determined than ever to get the money they are owed—and their revenge. There are other forces in play, however, and the first attempt to best Van Eck crumbles in the face of rival gang interference, dangerous winged soldiers and a mysterious mercenary. Furthermore, something is hunting the Grisha of Ketterdam, putting Nina and Jesper in extra danger and inspiring Nina to insist on a Grisha rescue mission in tandem with the plot against Van Eck. In this epic novel, the young outlaws Kaz, Nina, Inej, Jesper, Matthias and Wylan must pull off one more major scheme, this time with all of Ketterdam—from the government to the gangs—aligned against them.

In contrast to the previous installment, Leigh Bardugo strikes a better balance between her characters’ ruthless determination and their youthful insecurities. Parental relationships—both in the main plot and in backstory—add welcome depth to the characters Inej, Jesper and Wylan. Jesper and Wylan also shine brightly in their romantic scenes. Bardugo maintains her excellent knack for writing tense passages. Moments such as Inej’s high-wire break-in are particularly gripping, sprinkled with beautifully written backstory in between the wonderfully nerve-wracking descriptions of walking the wire. Just as violent and thrilling as Six of Crows but tempered with more mature, quiet moments, Crooked Kingdom is an immensely satisfying follow-up.

After being double-crossed by rich merchant Jan van Eck at the end of Six of Crows, Kaz Brekker and his crew are more determined than ever to get the money they are owed—and their revenge. There are other forces in play, however, and the first attempt to best Van Eck crumbles in the face of rival gang interference, dangerous winged soldiers and a mysterious mercenary.

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