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The first book in a new series from 19-year-old author Lucy Saxon, Take Back the Skies offers readers an incredibly fast-paced mixture of fantasy and steampunk. It’s full of twists and turns that will shock even the most ardent fantasy fan.

Fourteen-year-old Cat Hunter has lived a privileged, sheltered life on Tellus, a world where children approaching adolescence are “collected” to fight in a far-off war. Cat’s father, Nathaniel, is a high-ranking government official, so, unlike the commoners, their family escapes all of the hardships that come with living in a war-torn country. Her life isn’t all champagne and caviar, however. Nathaniel is a cruel, sometimes abusive father, and has promised Cat’s hand in marriage to a boy she finds loathsome. To free herself from the oppressive environment, Cat disguises herself as a boy and becomes a stowaway on the skyship Stormdancer.

After she boards the ship, nothing prepares her for what she learns about her home country and her father. And then there’s Fox, a fiery redhead with a personality she loves to hate. Soon Cat must choose between saving her father and saving the world. Will her new skyship family embrace her and go along with her insane scheme, or will they leave her in the far-flung country of Siberene?

With action on every page, Take Back the Skies is great for fans of Scott Westerfeld and Cherie Priest. With five more books to come in the series, readers won’t have to wait long to read more about this fascinating world.

The first book in a new series from 19-year-old author Lucy Saxon, Take Back the Skies offers readers an incredibly fast-paced mixture of fantasy and steampunk. It’s full of twists and turns that will shock even the most ardent fantasy fan.

If Meg Cabot wrote an episode of “Downton Abbey,” it might end up being this delightful debut novel in which two teenage girls inadvertently switch roles at an English estate in 1938.

Hannah Morgenstern is a Jewish cabaret singer who performs nightly at her parent’s club in Berlin. A chatty girl with an operatic voice, she is the darling of the Nazi customers until Kristallnacht destroys her parents’ club and her safety. Hannah’s mother sends her to live with some distant relatives at Starkers, an English estate, but there’s a mix-up and Hannah is assumed to be the new kitchen maid rather than family. Hannah, having been warned of her relatives’ odd behavior, takes it all in stride. She dons the uniform and tries her best, even as she commits every conceivable service faux pas.

Meanwhile, Anna Morgan arrives to Starkers as a spy for her Nazi-sympathizing father. She’s sent as the kitchen maid, but with her charming good looks and diplomatic airs, she’s mistaken as the German cousin. Anna may not know German, but she can use her good looks to snag the interest of the wealthy heir, Teddy. Anna does catch Teddy’s eye, but it’s Hannah who he meets nightly in the yews for meaningful conversations in German. Except, in the dark, Teddy thinks he’s speaking to his cousin and not the spritely kitchen maid.

Readers have to suspend their belief, as the major plot twist can easily be cleared up if Hannah would just come out of the dark yews so Teddy can see her in the light. The cast of characters is a charming, oddball lot, and the tension of World War II is eased with the silliness of the situations at hand. Happy endings all around make this novel a fun read in dark times.

 

Kimberly Giarratano is the author of Grunge Gods and Graveyards, a young adult paranormal mystery.

If Meg Cabot wrote an episode of “Downton Abbey,” it might end up being this delightful debut novel in which two teenage girls inadvertently switch roles at an English estate in 1938.

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BookPage Teen Top Pick, May 2014

When 16-year-old Laureth receives an email stating that her writer father’s notebook (which he’s never without) has been found in New York, rather than in Switzerland or Austria (where she thought he was), she suspects that something very bad has happened to her dad. Her mother doesn’t seem to care about the missing notebook, or about her father’s inability to return voicemails. So Laureth takes matters into her own hands, enlisting her 7-year-old brother Benjamin (and his inseparable stuffed raven named Stan) to help her travel from London to New York in search of their father.

Why does she need her younger brother’s help? Because Laureth is blind, and although she can quite capably navigate the landmarks of her home, school and neighborhood, she knows she can’t negotiate international travel on her own without seeming helpless or vulnerable—the very last things she wants to be.

Soon Laureth and Benjamin are involved in a tense and risky search. Even after they find their dad’s notebook, which is filled with increasingly cryptic and disordered notes about the power and limits of coincidence, they can’t find the man himself—and it appears they may not be the only ones trying to track down his trail.

Sedgwick’s remarkable novel is reminiscent of Siobhan Dowd’s The London Eye Mystery in its sensitive and perceptive portrayal of difference, as well as its recognition that all kinds of people can investigate mysteries and solve problems. The narration from Laureth’s point of view manages to be rich and detailed without relying on visual descriptions. Most importantly, Laureth is depicted as a complex and vibrant character quite apart from her blindness, a fully realized person for whom courage is a daily decision rather than an extraordinary virtue. She Is Not Invisible is not only a compelling thriller; it’s also a portrayal of disability that is neither patronizing nor aggrandizing, but rather exquisitely sympathetic and true.

 

This article was originally published in the May 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

BookPage Top Pick in Teen Books, May 2014

When 16-year-old Laureth receives an email stating that her writer father’s notebook (which he’s never without) has been found in New York, rather than in Switzerland or Austria (where she thought he was), she suspects that something very bad has happened to her dad.

With books meant for younger readers, it can be far too easy to tell where a story is going. There are certain tropes that telegraph the ending, like evil being vanquished, the protagonist struggling with a quest and so on. One of the best things about Rebecca Hahn’s A Creature of Moonlight is that the story doesn’t go where you think it might, and yet it still flows naturally.

The plot sounds like something you might expect in a fantasy: Young country girl Marni comes of age and must decide if she will challenge the evil king for her royal birthright or remain at home. Should she exact revenge on the king for killing her princess mother? Will she follow the voices into the woods and join her dragon father? Both? Neither? Marni must decide whether to find her place in the “normal” world at court or follow her heart and become a wild, magical thing—or maybe those aren’t really the choices. Maybe life is more complicated than that.

What makes Hahn’s story so satisfying is that all of her characters are truly human. Sure, some of them possess a kind of magic, but they are whole people—neither all bad nor all good—who experience internal as well as external conflicts, who make mistakes and bad choices and learn to live with them.

Hahn’s prose is slow and delicious, building to a denouement that is both thrilling and surprising. It’s also exciting to know this is her first novel. I don’t expect her to write about these particular characters again, as A Creature of Moonlight doesn’t have the sense of being part of a series, but whatever she writes will be worth the read—and hopefully will be full of more surprises.

 

Jennifer Bruer Kitchel is the librarian for a Pre-K through eighth level Catholic school.

This article was originally published in the May 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

With books meant for younger readers, it can be far too easy to tell where a story is going. There are certain tropes that telegraph the ending, like evil being vanquished, the protagonist struggling with a quest and so on. One of the best things about Rebecca Hahn’s A Creature of Moonlight is that the story doesn’t go where you think it might, and yet it still flows naturally.

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In 1951, adopted teenager Lily’s Chinese features attract the wrong kind of attention from classmates at her Kansas City high school. The United States is at war, defending South Korea from the invasion of Chinese Communists via North Korea. Propaganda designed to gain American support for the war features evil, slanted-eyed Commies eager to destroy any nation that blocks its path to supremacy, including the U.S. Lily wonders why her Chinese birth mother, whom she now thinks of as “Gone Mom,” could have abandoned her daughter to this fate of ethnic isolation.

In today’s world, Chinese daughters thrive all over the U.S. But in Lily’s time, the rules of segregation reign. Mr. Howard, a black man who works as a janitor at Lily’s school, witnesses her anguish and steps in as a mentor, helping her cope with prejudice. Author Barbara Stuber captures Lily’s isolation beautifully: “I am a Chinese character without a plot.” Lily’s white parents seem shallow, concerned only with appearances, but her half-brother Ralph, with his jug ears and stinking feet, comes alive as Lily’s one true ally. A subplot involving a potential romance with an artist named Elliot pales in comparison to Ralph’s exuberant love for his sister.

Girl in Reverse is a worthy follow-up to Stuber’s 2010 debut, Crossing the Tracks, a finalist for the William C. Morris Debut Award. There are many pieces that must come together to reveal Lily’s past: a box in the attic containing things left by Gone Mom; Elliot’s perceptive artwork; the owners of a Chinese restaurant; and the recollections of Sister Evangeline from the orphanage. The integration of all these pieces strains the story’s pace and requires near-magical coincidences, but it is in keeping with Sister Evangeline’s comment, “A complicated past is best understood a bit at a time.”

 

Diane Colson works at the Nashville Public Library. She has long been active in the American Library Association's Young Adult Library Association (YALSA), serving on selection committees such as the Morris Award, the Alex Award and the Excellence in Nonfiction for Young Adults Award.

This article was originally published in the May 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

In 1951, adopted teenager Lily’s Chinese features attract the wrong kind of attention from classmates at her Kansas City high school. The United States is at war, defending South Korea from the invasion of Chinese Communists via North Korea. Propaganda designed to gain American support for the war features evil, slanted-eyed Commies eager to destroy any nation that blocks its path to supremacy, including the U.S. Lily wonders why her Chinese birth mother, whom she now thinks of as “Gone Mom,” could have abandoned her daughter to this fate of ethnic isolation.

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Mermaid princess Serafina is nervous. Today’s the day she’ll prove herself a true descendant of her famous ancestor Merrow in the royal family’s traditional Dokimí ceremony. She’ll demonstrate her worthiness to rule through “songcasting” a complex musical spell, and the day will end with her formal betrothal to the handsome but rebellious crown prince Mahdi.

But when a surprise attack interrupts the ceremony, Serafina and her friend Neela must flee the kingdom of Miromara and swim for their lives into unknown waters. Using both magic and their wits to escape their pursuers, they encounter a variety of fantastical sea creatures—some allies and some enemies. They also learn of political plots and secret alliances, and most importantly, they discover that they, along with four other teenage mer, are destined to find a series of hidden talismans to save the world’s oceans from an ancient monster.

Like many tales set in imaginary landscapes, Deep Blue is full of invented words. Author Jennifer Donnelly’s twist is to openly acknowledge the various languages from which these terms derive, especially Latin and Greek (for example, a velo spell confers speed, and a canta magus is a powerful singer). Puns and ocean-based details abound: Teens sneak out at night to go shoaling, and trade initiatives involve the exchange of “currensea.” The action is well paced, and many chapters end with cliffhangers that draw readers further into the story.

The first book in a planned quartet, Deep Blue combines fantasy adventure, court intrigue and even a touch of teenage sarcasm in an accessible, fast-moving narrative that will leave readers eagerly awaiting the next installment of the Waterfire Saga.

 

Jill Ratzan reviews for School Library Journal and works as a school librarian at a small independent school in New Jersey. She learned most of what she knows about YA literature from her terrific graduate students.

This article was originally published in the May 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

Mermaid princess Serafina is nervous. Today’s the day she’ll prove herself a true descendant of her famous ancestor Merrow in the royal family’s traditional Dokimí ceremony. She’ll demonstrate her worthiness to rule through “songcasting” a complex musical spell, and the day will end with her formal betrothal to the handsome but rebellious crown prince Mahdi.

Review by

For Rose, summers at Awago Beach are a constant. She and her parents have been renting a cottage there for as long as she can remember, and none of the changes in her life can alter the yearly trip to the beach—not even her parents’ sudden surge of fights. She’s reunited with her best beach friend Windy, and at first everything falls into the usual rhythm. But her mother won’t join in the fun, no matter how hard Rose and her father try to pull her in, and the year-and-a-half age gap that separates Rose from Windy seems bigger than before.

As things between her parents get worse and Windy seems more and more irritating, Rose focuses on the drama surrounding the local DVD rental store and the cute boy who works behind the counter. She and Windy discover that his girlfriend is pregnant, but Rose is certain her crush isn’t at fault.

This One Summer effortlessly captures the moment when the adult world begins to seep into childhood’s summertime rituals.

Written and illustrated by the team behind the critically acclaimed graphic novel Skim (2008), This One Summer perfectly captures the comfort of returning to a safe place steeped in tradition, and the dawning realization that no matter how static a place may stay, the process of growing up forces a change in feelings and perceptions. Author Mariko Tamaki does a masterful job of tackling issues often shied away from in young adult novels, such as the instinct to blame a girl for an unplanned pregnancy rather than the boy, either out of jealousy or a sense of societal norms. Tamaki also excels at weaving in questions of bodies and boys in an authentic preteen voice.

Illustrator Jillian Tamaki’s artwork complements the story perfectly, slowing it down when the pace needs to be calmed and focusing on unusual details—such as what it’s like to look through a gummy candy—to really connect the reader to the scenes.

This One Summer is a beautiful book in more ways than one and will have readers eager for summer vacation. Its illustrations will stay with you as much as the unique-yet-relatable narrative.

 

This article was originally published in the May 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

For Rose, summers at Awago Beach are a constant. She and her parents have been renting a cottage there for as long as she can remember, and none of the changes in her life can alter the yearly trip to the beach—not even her parents’ sudden surge of fights. She’s reunited with her best beach friend Windy, and at first everything falls into the usual rhythm. But her mother won’t join in the fun, no matter how hard Rose and her father try to pull her in, and the year-and-a-half age gap that separates Rose from Windy seems bigger than before.

Gretchen Müller is a Nazi darling. Ever since her father died protecting Adolf Hitler in 1923, Uncle “Dolf” and his National Socialist cronies look out for Gretchen and her family. It’s Uncle Dolf who gets Gretchen’s mother a job running a Munich boarding house and indoctrinates Gretchen’s brother into the Nazi party. And it’s Uncle Dolf whom Gretchen loves like a father. Then one fateful night in 1931 she meets Daniel Cohen, a Jewish reporter, who claims he has information that Gretchen’s father was not martyred for the Nazi cause, but was murdered for the cause. At first Gretchen refuses to believe him. After all, she’s been taught that Jews are dangerous subhumans. But the more information she digs up about her father’s death, the more she sees Daniel as an ally, one she finds both attractive and kind. When a brutal assault leaves her abandoned by the Nazis who are supposed to protect her, Gretchen finally sees her beloved Uncle Dolf for the man history knows him to be: a psychopath.

Anne Blankman’s masterful debut novel is a suspenseful mystery involving the most notorious and nefarious historical figures of the 20th century. Blankman portrays Hitler as one would imagine him to be: charismatic but manipulative, cruel and deeply disturbed (his relationship with his half-niece is highly unnerving).

With Prisoner of Night and Fog, readers shouldn’t expect an alternate history. The outcome will still be the same: the eventual extermination of 10 million innocent people, 6 million of them Jews. But what readers can expect is the transformation of a teenage girl entrenched in Nazi propaganda into a young woman determined to expose the Nazi’s true plans in hopes of changing the world for the better. A sequel set in 1933 is forthcoming.

 

Kimberly Giarratano is the author of Grunge Gods and Graveyards, a young adult paranormal mystery.

This article was originally published in the May 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

Gretchen Müller is a Nazi darling. Ever since her father died protecting Adolf Hitler in 1923, Uncle “Dolf” and his National Socialist cronies look out for Gretchen and her family. It’s Uncle Dolf who gets Gretchen’s mother a job running a Munich boarding house and indoctrinates Gretchen’s brother into the Nazi party. And it’s Uncle Dolf whom Gretchen loves like a father.

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Set on the beaches of a fictional island located off the coast of Connecticut, What I Thought Was True is the story of a young woman learning firsthand of the mystifying intricacies of love, lust, luxury and loyalty—and how each can change drastically for her friends, her family and herself.

High school junior Gwen Castle is the half-Portuguese daughter of a divorced housecleaner and an off-brand fast-food restaurant owner. She lives in a cramped house on Shell Island with nearly her entire family, all of whom work multiple jobs to help pay the bills. Gwen’s life couldn’t differ more from that of Cassidy Somers, an attractive, wealthy boy and her own personal Kryptonite. Cassidy is the picture of wealth and class—just another one of the stereotypical, WASP-y “summer people” who escape to Gwen’s island to enjoy her beaches for the warmer months. But when he takes a summer job as a lawn boy—work typically reserved for the regulars of the island—Gwen begins to think that there could be more to Cassidy than his family’s money and prestige, and that their random hookup from last year just might have something more hidden within it than simple carnal release.

Huntley Fitzpatrick worked as an editor for Harlequin publishing for many years before penning her first novel, My Life Next Door, which was a RITA Award finalist and a YALSA Best Fiction for Young Adults title. What I Thought Was True, her second novel, continues on the same path, tempering young love and attraction with the realities of human existence—something writers too often forget when crafting their idyllic stories of young love. It also reminds us how the facets of class and money can alter, sometimes unfairly, our perceptions of people, including ourselves.

 

Justin Barisich is a freelancer, satirist, poet and performer living in Atlanta. More of his writing can be found at littlewritingman.com.

This article was originally published in the May 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

Set on the beaches of a fictional island located off the coast of Connecticut, What I Thought Was True is the story of a young woman learning firsthand of the mystifying intricacies of love, lust, luxury and loyalty—and how each can change drastically for her friends, her family and herself.

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Ava Lavender was born with a pair of wings. Her twin brother, Henry, rarely speaks and hates to be touched. In the rainy Seattle spring of 1944, these two siblings become the newest members of a family already known for its mysterious powers: Their grandmother can smell feelings and bake them into bread; their great-aunt once turned herself into a canary to attract the attention of her ornithologist beau; and their murdered great-uncle haunts his family in the hopes of delivering an important message.

Using detailed imagery and an almost mythical storytelling style, teenage Ava tells the history of four generations of her family. Readers learn of Ava’s great-grandparents’ emigration to the American city of “Manhatine,” of her grandparents’ acquisition of a house believed to be haunted by a frail and peculiar child, and of the various loves that her mother and grandmother have found, lost, guarded against, found again and then lost again over the years. Ava’s narration connects these past events to her current struggles to live a normal teenage life despite the huge and mostly useless wings that set her apart from her peers. A final, violent event brings together ghostly warnings, Henry’s unsuspected talents and the darkly twisted effect that Ava’s angelic appearance has on those around her.

Teens picking up The Strange and Beautiful Sorrows of Ava Lavender in hopes of a similar read to Amelia Atwater-Rhodes’ Hawksong or Patrice Kindl’s Owl in Love may have to adjust their expectations; author Leslye Walton’s debut novel is less of an adventure story about a winged girl and more of an atmospheric, poetic work of multigenerational history and magical realism. However, those willing to enter Ava’s world on its own terms will find themselves richly rewarded.

 

Jill Ratzan reviews for School Library Journal and works as a school librarian at a small independent school in New Jersey. She learned most of what she knows about YA literature from her terrific graduate students.

Ava Lavender was born with a pair of wings. Her twin brother, Henry, rarely speaks and hates to be touched. In the rainy Seattle spring of 1944, these two siblings become the newest members of a family already known for its mysterious powers: Their grandmother can smell feelings and bake them into bread; their great-aunt once turned herself into a canary to attract the attention of her ornithologist beau; and their murdered great-uncle haunts his family in the hopes of delivering an important message.

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Best friends Hannah and Zoe understand each other, “like we’re some kind of Siamese twins connected at the soul.” Zoe is there when Hannah’s abusive father sends her out in a bikini to sell hot dogs, ostensibly to raise money for college. Hannah is there when Zoe bounces between moods of elation and despair, and makes sure Zoe stays properly clothed and relatively safe.

While Hannah is root-bound and comfortable living near the lake in their New Jersey town and crushing on Danny, the kid who drives the ice cream truck, Zoe is ready to fly. But after her father steals her hot dog money, Hannah reacts with uncharacteristic haste and agrees to take off on a road trip with Zoe.

The plot has a deliberately outlandish feel as Zoe sets out to teach practical Hannah about intangible qualities such as insouciance (by sleeping in an IKEA store) and audacity (by releasing the Kermit balloon before the Macy’s Thanksgiving Day parade.) But realism isn’t the point of The Museum of Intangible Things. It’s the steady flow of offbeat humor as well as Hannah and Zoe’s genuine bond that keeps readers fully invested in their story.

Secondary characters, such as Danny, Zoe’s younger brother; Noah, who has an “Asbergery thing”; and Hannah’s awful father are loosely sketched around the central drama of Zoe’s bipolar disorder. As the girls make their way west, Zoe burns as bright as the title character from John Green’s Looking for Alaska, and her exploits spin further from credulity. Hannah meets up with Danny at a gas station in Wyoming where their long-awaited romance ignites, leaving Zoe with enough freedom to complete her mad scheme. Quirky and bittersweet, this story will appeal to readers who have shared their lives with a best friend.

 

Diane Colson works at the Nashville Public Library. She has long been active in the American Library Association's Young Adult Library Association (YALSA), serving on selection committees such as the Morris Award, the Alex Award and the Excellence in Nonfiction for Young Adults Award.

Best friends Hannah and Zoe understand each other, “like we’re some kind of Siamese twins connected at the soul.” Zoe is there when Hannah’s abusive father sends her out in a bikini to sell hot dogs, ostensibly to raise money for college. Hannah is there when Zoe bounces between moods of elation and despair, and makes sure Zoe stays properly clothed and relatively safe.

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If you think you know all about Dorothy and her trip to Oz, you may be surprised to discover you only know half the story. Much like A.G. Howard did to Alice in Wonderland in Splintered, Danielle Paige turns a beloved tale and movie into an intriguing novel of dark magic for older teens.

Amy Gumm’s father abandoned the family; her alcoholic mother has become despondent; and she’s often the victim to a high school bully. Amy at least finds protection in her Flat Hill, Kansas, trailer park. But when the first hint of a tornado swirls, it’s no surprise where her mobile home lands.

Of course a yellow brick road awaits Amy, but so does a dramatically different Land of Oz. What most readers don’t know is that Dorothy came back and took control of Oz’s magic. To maintain her power, the now Goth-garbed Dorothy steals and mines the countryside of its magic. Dorothy’s famous friends still vow to help her, but now the Scarecrow performs diabolical experiments, the Tin Woodman is building an army of hybrid tin humans, and the Lion commands the creatures of the forest by stealing their fear.

As she tries to make sense of this new world, Amy unwittingly becomes bound to the Revolutionary Order of the Wicked, a band of renegade wicked witches determined to restore magic to Oz before Dorothy drains it all. They look to Amy as their new hero to take down Dorothy. As this second girl from Kansas trains with a possible love interest, learns to use magic and prepares to sneak into the Emerald City, she discovers her own abilities and learns to rely on herself for the first time. Fans of the original story will relish the Tim Burton-like twists along the way.

If you think you know all about Dorothy and her trip to Oz, you may be surprised to discover you only know half the story. Much like A.G. Howard did to Alice in Wonderland in Splintered, Danielle Paige turns a beloved tale and movie into an intriguing novel of dark magic for older teens.

In her searing new novel, National Book Award finalist Beth Kephart paints a vivid picture of a divided Berlin and the wall that separates friends, lovers and families.

It’s 1983, and Ada scrapes out an existence in West Berlin. Her world is full of secrets: A childcare worker by day, she spends her nights roaming the city armed with a can of spray paint. Her best friend is hiding a pregnancy, and a little boy in her care is also harboring a secret, a dangerous and terrible one. But perhaps Ada’s greatest secret is Stefan, the boy on the other side of the Berlin Wall whom she loves and begs to cross over, and to do it now.

For his part, Stefan must balance his desire for freedom and to be with Ada with his responsibilities to his grandmother. He knows full well the consequences of a failed escape attempt, and so he makes lists of all the tiny things that could go wrong. Then he meets Lucas, and his plans start to become reality.

Inspired by a trip the author took to Berlin in 2011, Going Over is told in alternating chapters by Ada and Stefan, giving us a glimpse of life on both sides of the Wall. Kephart gets under the reader’s skin, raising questions and leaving us unsettled, unsure. And that, in the end, is just what graffiti artists are after.

 

Deborah Hopkinson lives near Portland, Oregon. Her most recent book for young readers is The Great Trouble.

In her searing new novel, National Book Award finalist Beth Kephart paints a vivid picture of a divided Berlin and the wall that separates friends, lovers and families.

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