Lena Haloway is a typical 17-year-old girl. She loves hanging out with her best friend, Hana. She likes to go for long runs and spend time on the beach, and she reluctantly performs household chores for her aunt. She is anxiously awaiting her next birthday, because she is looking forward to being “cured.”

In other words, Lena Haloway is a typical 17-year-old girl in a future United States where love is considered a disease, and everyone is cured—via brain surgery—on their 18th birthdays.

Since it is too dangerous (likely deadly) to have the surgery prior to full maturity, kids hope not to be afflicted with “the deliria” before being cured. Symptoms of “amor deliria nervosa” include difficulty focusing, periods of euphoria and despair, erratic behavior and even emotional or physical paralysis. It’s not hard to understand why the government identified love as a disease and a threat to humanity.

Yet when Lena herself falls in love—the thing she has always dreaded—the deliria forces her to question everything she has been taught. Is love really a life-threatening disease? Or is it actually the most wonderful experience a person can have?

Lena must face her fear and decide if she is strong enough to defy overwhelming authority. Will she risk everything for love, and will she actually find that the binds of her dystopian society are more suffocating than protecting? As author Lauren Oliver answers these gripping questions within the pages of her second novel, the reader is transported to a futuristic world filled with oppression and abusive control.

In this intense and exciting page-turner, Oliver more than lives up to the promise of her acclaimed debut, Before I Fall. Her sophomore novel is a big genre departure from her first, but the artfulness of her prose and her ability to build excruciating tension are still very much present in Delirium.

Every 16-year-old girl gets one—the XVI tattoo. It’s for protection, it’s a symbol of female status, or it’s a curse, depending on whom you ask. To 15-year-old Nina, it’s dangerous; if she could drag her feet a little more and slow time, she would. XVI means girls are legal, and while this means most “sex-teens” can finally lure in guys, Nina knows it comes with serious sacrifices.

After Nina’s family is shattered by her mother’s death, what little protection she had left as a 15-year-old evaporates. With her dying breath, Nina’s mom tells her to find her father, who was supposed to be dead, and to keep her little sister Dee away from Ed, a violent government official who holds a little too much sway over Nina’s family.

Nina soon finds herself flirting with the world of the rebel NonCons. Though being a NonCon will get you killed, Nina’s connection to these hidden denouncers of the Governing Council cannot be avoided. She turns to her friends for help, but a mysterious boy named Sal seems to be the only one who can help her hide in a world where no one is hidden, not even their thoughts.

Julia Karr’s Orwellian novel, XVI, depicts a world where present problems have been pushed to their extremes. Society is dominated by whatever the media says, girls are too blinded by the rush to impress and reel in boys, and sometimes it feels as though technology has left no privacy in the world. Karr’s novel is perfect for girls who have begun to ask questions about themselves and about how they are supposed to act under the barrage of sexual influences. Our heroine Nina lives within every girl who is willing to fight to define herself all on her own.

In Tantalize, Cynthia Leitich Smith introduced readers to Quincie Morris, the budding vampire and plucky teenage owner of Austin’s hottest dining spot, Sanguine’s: A Very Rare Restaurant. In Eternal, she introduced them to Zachary, a guardian angel in mourning for his lost love. Now, in Blessed, Smith brings these two stories together, as Quincie—with Zachary’s invaluable assistance—must delve into one of the oldest, most classic tales of vampire lore.

Just before he disappeared (hopefully) forever, Sanguine’s chef and secret vampire Bradley Sanguini served dozens of adventurous restaurant-goers his signature dessert—baby squirrels simmered in orange brandy and covered with a honey cream sauce. This delicacy was also laced with the infection that would turn these unknowing diners into vampires in a matter of weeks. Inspired by her new chef—who is also Zachary’s mentor—Quincie turns to Bram Stoker’s Dracula for clues about how to reverse the effects of the infection. Of course, this is only one of her problems. What with the protests of the Bat Anti-Defamation League, the struggles to find decent help and her own insatiable thirst for human blood, Quincie feels like she’s up to her neck in problems. If only she could get a little divine intervention….

As in the previous installments of this smart, sexy trilogy, Cynthia Leitich Smith doses every page with winking pop-culture references and groan-worthy one-liners. In this final volume, her homage to Stoker’s classic novel is most apparent, as she uses the book’s characters for inspiration, its plot for structure and its themes for a rich background that will lead many readers to (re)discover the original Dracula even as they enjoy this darkly humorous send-up.

Sophomore and rising basketball star Scotty Weems is going through the motions of a typical school day when the first signs of a blizzard appear in southern New England. As seven lingering students wait for a ride home from Tattawa High School (“in the boondocks, the sticks, the butt-end of nowhere”), readers of Michael Northrop’s nail-biting Trapped learn on the first page that some of the kids “weren’t going to get picked up, not on that day and maybe not ever.”

The nor’easter stalls over three states, gaining strength instead of weakening and dumping nonstop snow for days. There are no warm Breakfast Club moments as students from all social levels are forced together. Marooned at the school with Scotty are his best friends Jason, who’s secretly building a go-kart in the shop wing, and Pete, an all-around “normal” guy; school thug Les; strange, antisocial Elijah; and attractive freshman Krista and her good friend Julie.

What starts out as a novelty—a night at school with no adults, with the most annoying aspect being the inability to access Mafia Wars via cell phone—turns to sheer survival as one by one they lose communication, light, heat and food. With boredom, fatigue, fear and desperation mounting as fast as the snow, Scotty and readers alike begin to wonder if and how they’ll die, especially when some of the students begin getting injured and disappearing.

Readers will continuously change their minds about potential suspects as Northrop spins a series of fast-paced twists and turns. They’ll also want to make sure they have plenty of time to read this thriller, because once they sink into it, they won’t want to surface until they reach the dramatic ending.

After stealing a sandwich from an attendant and also beating her face in the process, 17-year-old Shavonne has earned herself more time in the juvenile correction center. And after spending the last three birthdays in different lock-ups and giving birth to a daughter who doesn’t even know her now, she wonders if it’s even possible to wish for a better life.

With gritty details, Shavonne observes the covert injustice and violence toward her and her fellow inmates, many of whom are pregnant or mentally challenged—or both—and all of whom come from broken homes and long for a mother or simply a kind word or touch. She copes with the day-to-day oppression by scheming outlandish plans and lashing out whenever her temper starts to rise. As she nears her 18th birthday, Shavonne is running out of options and faces transfer to an adult facility with no end date in sight.

When Mr. Delpopolo, a man with a troubled past of his own, takes over as her new counselor, Shavonne just may have found the path to the hope she’s been searching for. With a blend of compassion and a no-nonsense attitude, Mr. D. gives her writing exercises that force her to confront her guilt, destructive behaviors and a secret so haunting that she fears she’ll never deserve forgiveness. If Shavonne can prove her worthiness within the Center—and to herself—she may have a shot at making her hope a reality. Shawn Goodman’s intense young adult debut, Something Like Hope, is a painful reminder of America’s teens in trouble and the difference one individual can make.

Over the course of her high school career—and three previous novels—Ruby Oliver has developed quite a reputation, at least in her own mind. She’s the unstable girl, the one who has to see a shrink, the constant worrier who’s prone to panic attacks. As readers have also discovered, however, Ruby’s also very, very funny, a hyper-verbal observer of high school and family life, and a vulnerable, endearing heroine who’s both realistically flawed and thoroughly likable.

Not surprisingly, as Ruby starts her senior year in Real Live Boyfriends, her life is in crisis yet again. Senior year’s scary for everyone; Ruby compares it to being on the edge “of this precipice . . . of the end of high school, of college, of love, of scary, complicated, adult-type relationships.” As if that weren’t frightening enough, her parents are both acting less mature than Ruby herself, her friends can’t be trusted, and her very own “real live boyfriend” has come back from New York all cagey and weird. When Ruby’s the most level-headed person in her life, something must be very wrong. Or maybe Ruby’s just discovering that she might have to rewrite her own opinion of herself after all.

E. Lockhart’s novels featuring Ruby Oliver have all been startlingly perceptive, genuinely poignant and extremely funny. Ruby’s genuine empathy and whip-smart narration belie her many self-doubts. Readers long ago figured out that, in spite of everything, Ruby Oliver was going to be just fine; now, in the fourth and final volume in her story, Ruby’s finally figuring that out, too.

If teenage June seems a bit sophisticated for her age, it’s because she’s had to be. Her father, who bails out sinking companies for a living, has relocated his wife and daughter to cities all over the country, most recently Chicago and now Minneapolis—or, more truthfully, the same-everywhere suburbs of these cities. Within days of starting at her new school, June figures out whom to befriend and whom to avoid. She’s not conniving about it, just self-protective, if a little jaded.

But this isn’t only her story. From the first page we get to know both June and Wes, a floppy-haired boy who’s lived in this particular suburb his whole life. National Book Award-winning author Pete Hautman has made them the co-stars of this powerful first-love story by switching between their perspectives every few paragraphs. The transitions are smooth, in part because the two are simpatico.

As a character, June is a gift, a funny-sad girl who is so realistically drawn it almost feels a shame to think of her as a character. Wes is different from the “dark and moody Chuck Palahniuk/Kurt Vonnegut/Life-Sucks-and-Then-You-Die brooders” she’s met before, but he’s private and quiet too, and his feelings for June soon become intense.
With its lovely but underplayed creation-of-the-universe metaphor, The Big Crunch is evocative of their attraction to each other, viscerally so—it’s stomach-flipping at times. June’s father’s job threatens to separate them, which complicates things and gives the novel a plot to hang on. But the salient detail here isn’t story but feelings, that magnet-pull of first love.

Amy was supposed to spend 300 years as a cryogenically frozen passenger on the spaceship Godspeed. She was supposed to sail through space, unaware of her arrested state, until finally being awoken on a new planet. She was supposed to see her parents again. But everything goes wrong when someone wakes her up 50 years before the scheduled landing—and nearly kills her in the process.

Amy finds herself trapped on Godspeed, desperate to see the sky and smell real air again. But it’s not long before she discovers that these are the least of her worries, as most of the passengers on Godspeed follow their leader, Eldest, without a single thought in their own heads. Fortunately, Amy is not alone in this Brave New World scenario. Eldest’s rebellious protégé, Elder, is supposed to be spending all his time learning to be the next leader of the ship, but his interest in Amy seems to highlight more and more of Eldest’s secrets. Now Amy and Elder must race an unknown murderer to save the rest of the cryo-passengers, while Eldest’s thick sheen of lies grows thinner and thinner.

Beth Revis’ debut novel, Across the Universe, pushes the boundaries for teens who feel trapped, whether literally or figuratively. The world Amy encounters lacks the civil values that every teenager should learn as they grow up in modern society, such as free thought, respect for all races and the power of every person’s voice. On Godspeed, Revis’ characters and young readers alike must think for themselves or risk the silent, and deadly, consequences.

Eddie Reeves’ father took his own life, and she found his body. Her mother is catatonic with grief, and family friend Beth has moved into the house to restore order, largely by yelling at Eddie, who only wants some answers. In the quest to understand her dad’s death, Eddie is taking bigger and more dangerous chances with her safety. When she finds out her dad had a photography student, Culler Evans, who also wants to understand what happened, it seems like perfect timing. Maybe too perfect.

Fall For Anything flirts with being a mystery—when Eddie and Culler find messages that Eddie’s dad may have left behind as clues about his suicide, coded in a series of photos he took, they feel compelled to follow the trail. The darkness in the pictures is amplified when Eddie and Culler visit their locations; looking at these abandoned buildings and collapsed churches with a photographer’s eye for the quality of the light gives everything an extra coating of film noir grime. (A fleabag motel they crash in is not just grungy—there’s even a used condom behind the bed.) There’s also a bit of a love triangle, or love trapezoid: Though Eddie’s best friend Milo might be going out with another girl for the summer, he still feels threatened by Culler’s presence in Eddie’s life. Jealousy skews in all directions, which complicates relationships and leaves Eddie more isolated when she’s most in need of a friend.

Author Courtney Summers is not afraid to tackle dark subject matter, and balance it with equally dark humor. Things get much harder for Eddie before there’s any hope on the horizon, and even then there are no pat solutions to the problems she’s facing. Fall For Anything is full of hard truths and short on happy endings, but it is a relentless and captivating novel for older teens.

High school senior Piper wasn’t born deaf, but by the age of six she’d all but lost her hearing, which has left her reliant on hearing aids and lip reading—and made some aspects of teenage life difficult. It’s especially challenging, then, when the lead singer of Dumb, the hottest (and only) band at school, asks her to be its manager.

Author Antony John opens the book powerfully by describing Dumb’s first concert at school, all from Piper’s point of view. It isn’t until the end of the chapter, when she tells us she’s deaf, that we realize everything she’s described has been visual: the crowd’s reaction, the bassist’s spiky hair, the lead singer’s gyrations.

No doubt about it, it’s an interesting scenario. John has endowed his likable main character with a good, snarky sense of humor, and he set her story in a great town for music: Seattle. But he also handles her pain with grace and sensitivity, understanding that some aspects of her situation might be really problematic rather than simply an interesting challenge. Her father, for instance, has never fully accepted her deafness, and he refuses to learn sign language, her preferred method of communication.

Since she can’t really hear what Dumb sounds like (other than “loud”), Piper has to get creative in order to whip them into shape. She lays down a beat for them by watching a metronome and banging out its rhythm on the floor with a broom—just like the 17th-century composer Lully, who conducted his orchestra by beating a baton on the ground, as we learn from Piper’s nerdy friend Ed. (Fun details about the history of rock, punk and grunge come courtesy of guitarist Kallie.)

At nearly 350 pages, the novel is a bit longer than the story calls for, and debut novelist John asks us to suspend our disbelief that a high school cover band could get interviews on radio and TV shows, not to mention recording time in a professional studio. But with Five Flavors of Dumb, John has given us an entertaining, sensitive story that makes his own allegiance to music touchingly clear. From the moment Piper and the rest of Dumb visit the music mecca that is Kurt Cobain’s house, the power of rock makes Piper just a little more daring, a little more rebellious—a little more herself.

In The Curse of the Wendigo, orphan Will Henry continues his work as the indispensable assistant to the “monstrumologist” of Rick Yancey’s series. When Dr. Pellinore Warthrop’s old mentor tries to prove the existence of the mythical Wendigo, Warthrop is determined to stop him, fearing his life’s work will be devalued. Then a woman from Warthrop’s past appears at his door with the news that her husband is lost in the woods, a trip he made in search of both the Wendigo and the doctor’s respect. Now young Will and Warthrop must journey deep into the Canadian forest, the tenements of New York City and a posh hotel or two to look for answers. What they find is anything but pretty.

Yancey’s latest follows the playbook established in The Monstrumologist (gothic atmosphere, plenty of gore, real history mixed with mythology, a highly unstable parental figure to an orphaned boy, and let me emphasize again: it’s gory!), but adds some twists, including a degree of depth for Dr. Warthrop. Introducing the other two thirds of a love triangle from his past show a whole man with a broken heart, which make his quick temper and contrarianism feel more realistic. He even manages a few moments of observable tenderness toward Will . . . but don’t worry, they don’t last long. There’s plenty of time for eviscerations, face-peeling (not the cosmetic kind), a mind-bendingly scatological crime scene, beating hearts snacked on like apples—and really, what book would be complete without a pocket full of eyeballs?

That Yancey can work real science and history into this mix shows his deft hand as an author; that he worked a plausible love story into a book so filled with nightmarish imagery may indicate the need for professional help. Whatever the case, The Curse of the Wendigo will thrill existing fans and draw newcomers to a truly terrifying series.

Read our interview with Rick Yancey for The Curse of the Wendigo.

Arriving at the doors of a new high school one day is Shayne Blank, perched on a battered BMW motorcycle and dressed all in black. No one knows much about his past, including Mikey Martin, who is the shortest guy in the 11th grade and likes to slink from class to class and hide behind thrift-store suits. Is Shayne’s dad on a secret mission to Afghanistan and his mother in the Witness Protection Program, or are his parents in Uganda working with Doctors Without Borders? That’s just part of the mystery as Shayne sits in the police station, waiting to confess to murder, in National Book Award winner Pete Hautman’s latest thriller, Blank Confession.

Shayne befriends Mikey on the same day that Mikey’s sister’s drug-dealing boyfriend, Jon, asks him to hold his stash—and on the same day the local law enforcement decides to take a sweep through the school. After Jon threatens Mikey for tossing his supply during the raid, Shayne intervenes, giving Mikey pointers on how to deal with the thug and trying to protect his sister from Jon’s escalating drug use and control. Short, riveting chapters alternate between Mikey’s version of the story and Shayne’s confession to a detective in the police station’s interview room. Each perspective fills in some gaps but leads to more questions: Who died? How? And why?

As readers try to solve these questions along with the detective, they’ll be just as curious to find out more about enigmatic Shayne and his background and motives. The suspenseful story is as much Mikey’s as it is Shayne’s, as Mikey comes to terms, often through a game of checkers with his Haitian grandfather, with his self-esteem, bullying and the cycle of violence. Readers will continue to wonder about the fate of both boys long after the confession has been revealed.