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In classrooms across the country, children and teens who are newcomers to the U.S. struggle to assimilate. In the process, the richness of their own experience is often devalued; their stories, lost. Edwidge Danticat’s first novel for young adults represents the initial entry in an admirable new series from Scholastic Books called First Person Fiction, in which notable authors from various backgrounds are asked to combine the themes of coming-of-age and coming to America. A writer of considerable complexity and style, Danticat here adapts the straightforward, occasionally ingenuous voice of young diarist Celiane Esperance in the fall of 2000 as she waits with her mother and 19-year-old brother, Moy, in a remote village in Haiti for the opportunity to join her father in New York City. They have not seen him for five years: He had to leave to seek work when the family farm could no longer support them.

Their journey evolves in stages, each with its own challenges hence the title, drawn from the Haitian proverb, Behind the mountains are more mountains. Conditions in their village may be subsistence-level (with no power or telephone, their only way to communicate with Celiane’s father is via a battery-powered cassette machine), but she manages to glean delight from unlikely sources, for instance, from the red glow of discarded cooking cinders ( like finding stars on the ground ). The occasional visit with her aunt in town involves pleasures and stresses in equal measure; the latter prevail after the bus in which they’re traveling is hit by an election-protest pipe bomb. The disaster, as it turns out, has an up side, as it helps to speed their emigration application, and soon Celine must confront new fears: What is the plane falls out of the sky? . . . What if we hate New York? The joy of reunion is indeed quickly supplanted by family tensions, and Celiane is flummoxed by such seemingly easy tasks as figuring out how to catch a bus home from school. We know she will cope, and eventually prosper. However, anyone who has ever been in her shoes and that’s everyone who has ever left home will empathize, not just with Celiane but with brave voyagers everywhere.

In classrooms across the country, children and teens who are newcomers to the U.S. struggle to assimilate. In the process, the richness of their own experience is often devalued; their stories, lost. Edwidge Danticat's first novel for young adults represents the initial entry in…
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M.T. Anderson has come up with a mantra for the 21st century: I wanted to buy some things, but I didn't know what they were. So says Titus, the protagonist of Feed, a very scary and provocative look at what the future might be like for teenagers. It's no wonder Titus wants to buy things; he's subject to a never-ending bombardment of advertisements that come through an internet hookup, or feed, hardwired into his brain. His every movement is tracked, his every taste is tallied and pandered to. He can barely read; he can't write, and his only thoughts are of what fun things he and his friends are going to do.

Titus and his pals begin this roller-coaster ride into the future by spending spring break on the moon. While there, he meets Violet, a shy, cerebral young girl who teaches him the importance of fighting against the power of the intrusive feed. Shortly after they meet, Titus and his friends are the victims of a creepy stranger's terrorist attack, the consequences of which affect all their lives, one of them tragically.

It's exhilarating to decipher Anderson's futuristic adolescent slang, but his story is a serious one. He has an uncanny gift for depicting how teenagers see the world. The way in which he envisions their future lifestyle feels believable. With a manipulative corporate monster that puts a trademark on both school and the weather, trips to the beach in protective suits and mysterious lesions that become fashion accessories, Titus and Violet's world seems ominously possible. Feed is a cautionary tale for young people, but be warned, parents this is a book for young adults. Feed has profanity, drinking and drug use, as well as sexual situations. You might want to read it yourself before passing it on to your youngster. It's certainly worth your time.

James Neal Webb has raised two teenagers.

 

M.T. Anderson has come up with a mantra for the 21st century: I wanted to buy some things, but I didn't know what they were. So says Titus, the protagonist of Feed, a very scary and provocative look at what the future might be like…

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Angel Morgan and her little brother Bernie have been dumped on their great-grandmother in rural Vermont. Their father is in jail, their mother is too irresponsible to care for them, and Grandma's not thrilled to have them. Angel feels alone. Ever the optimist, though, she tells Bernie they are in a make-your-own-adventure. You find yourself someplace weird and you, well, you just look around and decide what to do next. Then what you decide leads you into a big adventure. It's one of Katherine Paterson's favorite themes: children finding their way in a difficult world.

Failed by the adults in her life so far, Angel is used to being the responsible one. She takes care of herself, Bernie, and now Grandma. Yet she feels alone, an insignificant speck in a large universe. Though her own parents are ineffectual, she does find mentors. From Miss Liza, the librarian, she gets books, poetry and a model of a bent-over old woman who knows how to stand tall. From Ray Morgan, the mysterious stranger who, on clear nights, teaches Angel about the sparkling galaxy above them, she learns that we are small, but not insignificant; we are made from the same stuff as the stars.

By the end of the story, Angel no longer feels small and insignificant. She feels part of the grander scheme of the universe. Just as adults became her guides, so do the stars, and she feels that maybe she, too, might take her lead from those beaming celestial bodies. No matter what other people did or failed to do, you could try yourself to be something like Polaris, shining strong and bright and fixed in a swirling world of darkness. Two-time winner of the Newbery Medal, Katherine Paterson, author of the young adult classic Bridge to Terabithia, is in top form here with one of the best books of the year. For ages 10-14, this one's a winner.

 

Dean Schneider teaches English to seventh and eighth graders in Nashville.

Angel Morgan and her little brother Bernie have been dumped on their great-grandmother in rural Vermont. Their father is in jail, their mother is too irresponsible to care for them, and Grandma's not thrilled to have them. Angel feels alone. Ever the optimist, though,…

Three compelling new books for teens written by popular adult authors offer the perfect opportunity to get your kids started on summer reading. But don't be surprised if you find them staying up late to finish these stories, just as you did on long-ago summer nights.

In Before We Were Free by Julia Alvarez, author of the adult novels In the Time of the Butterflies and How the Garcia Girls Lost Their Accents, has crafted a poignant, suspenseful tale based on her childhood in the Dominican Republic. As the story opens in 1960, 12-year-old Anita de la Torre's world is starting to fall apart. Her cousin's family leaves suddenly for the United States, her favorite uncle has disappeared and her parents, who oppose the country's dictator, seem nervous and fearful. While the political situation and life in the Dominican Republic are both portrayed with authenticity by Alvarez, they never overwhelm the vibrant characters. Anita emerges as a girl with the normal concerns of other pre-teens: a crush on a neighborhood boy and confused feelings about her changing body. Yet as the situation around her worsens, and her family becomes directly involved in an attempt to overthrow the ruler, Anita must summon resources and courage she didn't know she had.

A different kind of courage is explored in Big Mouth & Ugly Girl, a fascinating and provocative novel by the well-known writer Joyce Carol Oates. A National Book Award-winning author, Oates has tried her hand at every genre, from gothic fiction to journalism. Big Mouth & Ugly Girl is sure to endear her to a whole new generation of readers. Set in an affluent New York suburb called Rocky River, the story opens as Matt Donaghy is suspended for allegedly making threatening remarks about blowing up his high school. Matt, an aspiring playwright, is shocked that his joking remarks have been taken out of context. Worse still is the isolation he experiences from family and friends. As the controversy swirls around Matt, the only person to come to his defense is the "Ugly Girl" of the title, Ursula Riggs, an intense, sometimes bitter young woman with problems of her own. Oates explores the complexities of this situation and its effect not only on Ursula and Matt, but also on their parents and classmates. At the same time, as Ursula and Matt are drawn together, they find that even the worst circumstances offer opportunities for growth and change. Big Mouth & Ugly Girl is a rich, deftly crafted story that offers a myriad of opportunities for late night discussion.

If vacation plans take you to the beach or lake, Alice Hoffman's Indigo is the perfect book to bring along. This small, handsome volume tells the story of three friends in the town of Oak Grove, a place where everyone dreads water. Well, almost everyone. Thirteen-year-old Martha Glimmer's two best friends, Trevor and Eli McGill, seem to long for water and anything to do with the ocean. They love a diet of fish and even drink salted water. Strangest of all, the boys sport a thin webbing of skin between their fingers and toes. Readers of Hoffman's earlier book for young readers, Aquamarine, will enjoy the mysterious, magical story of the McGill boys.

Deborah Hopkinson's latest books for children are Pioneer Summer and Cabin in the Snow, part of Aladdin Paperbacks' Prairie Skies Series.

Three compelling new books for teens written by popular adult authors offer the perfect opportunity to get your kids started on summer reading. But don't be surprised if you find them staying up late to finish these stories, just as you did on long-ago summer…

Linger, the much-anticipated sequel to Maggie Stiefvater’s New York Times bestseller Shiver, finds Grace and Sam still in love—and still human. While Sam tries to convince himself that the cure he endured at the end of Shiver actually did turn him from a werewolf back into a human being, Grace continues to struggle with her relationship with her parents. Sam is no longer a part of the pack, but he does not feel free of the ties that bind him to the wolves. He feels responsible for the newest wolves, and he struggles with his new post-mythological-being identity.

Linger explores Sam and Grace’s romance more explicitly than Shiver, making this installment in the Wolves of Mercy Falls series more appropriate for slightly older audiences. The addition of two new points of view, those of Isabel and Cole, could have made the story cumbersome to read. Instead, it is the new voices that drive the intense feeling of secrecy and intrigue. Bad-girl Isabel, one of Grace’s friends, becomes almost likable as more of her personality is revealed, while the introduction of a new werewolf, Cole, is by far the book’s most enticing storyline. Cole’s history as a damaged and dysfunctional rock star is exciting, making Linger not only a fantastic sequel to Shiver, but also a stand-alone thriller of a story.

Mercy Falls remains a sad and lonely place, full of mystery and longing. The presence of the wolves is never far from the thoughts of the citizens, regardless of whether they are aware of their supernatural characteristics. While Shiver left the reader hoping for a sequel, Linger leaves the reader needing a sequel. There are so many questions unanswered—and there is a strong desire to read more of Grace and Sam’s love story. Linger is a gift to those that love Shiver, and it is yet another remarkable piece of poetic and beautiful writing from the supernaturally talented Maggie Stiefvater.

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Read an interview with Maggie Stiefvater about Linger.

Linger, the much-anticipated sequel to Maggie Stiefvater’s New York Times bestseller Shiver, finds Grace and Sam still in love—and still human. While Sam tries to convince himself that the cure he endured at the end of Shiver actually did turn him from a werewolf back…

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How far would you go to get into a prestigious university? Author Eireann Corrigan considers the possibilities in the nail-biting thriller Accomplice. Down-to-earth Finn and charm queen Chloe have been inseparable best friends since Chloe’s family bought and renovated Finn’s family barn in rural Colt River, New Jersey. Finn has always been content with the way she and Chloe have cared for their horses and sheep and the way both of their families have evolved into one. When their college seminar instructor encourages their junior class to find a unique slant to their college applications, Chloe—drawing upon the media frenzy over a recently kidnapped girl who was returned in shock but alive—concocts an elaborate plan certain to draw national attention and ensure a ticket into any university.

While Chloe hides out in Finn’s grandmother’s basement, eating junk food and catching snippets about herself on The L.A. Price Show, a television series about missing children, Finn is left to keep up the mounting lies and deal with the emotional fallout of a devastated family and community. Their seemingly foolproof plan spins out of control when Dean, a boy the girls flirted with, lands in jail as a suspect and is ostracized by the entire town. As the pair revises their efforts, taking on more risks, Finn begins to wonder if Chloe is ruining innocent lives without knowing—or without caring. As much as this psychological story is about Chloe’s fulfillment of the American Dream, it’s also about Finn’s awakening to her own needs and desires and the true nature of friendship.

Fans of Ellen Hopkins, Laurie Halse Anderson and Gail Giles will be drawn to this hard-hitting, realistic novel that explores small-town life and the impact of fame and lies. From the mysterious beginning to the well-crafted conclusion, they will anxiously await each twist that weaves this original page-turner.

How far would you go to get into a prestigious university? Author Eireann Corrigan considers the possibilities in the nail-biting thriller Accomplice. Down-to-earth Finn and charm queen Chloe have been inseparable best friends since Chloe’s family bought and renovated Finn’s family barn in rural Colt…

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Doug Lee is always going to be as he is right now—short, doughy and 15. And if high school sucks for many kids, it especially does now for Doug: He is a vampire. But this vampire story doesn’t follow in the tracks of so many others of late. Readers will be howling with laughter through many scenes, but author Adam Rex balances the humor with plenty of seriousness and social commentary for readers to sink their teeth into, as well.

Early in the tale, Doug, a newly-created vampire, is trying to figure out who or what to feed upon. In a series of misadventures, he gets sucker-punched by a panda at the San Diego Zoo, is thwarted in his attempt to raid a bloodmobile by a nurse with an attitude, and witnesses two Kool-Aid Men fighting at a comic book convention. Later, his friend Jay tries out some traditional anti-vampire devices on Doug, just to learn more about his dilemma. A silver crucifix has no effect, but then Doug is Jewish; however, a Star of David doesn’t work either. Garlic? Doug loves garlic. In fact, he picked up his nickname “Meatball” because he smelled like Italian food. Jay tosses a pile of rice at Doug’s feet and asks Doug how many grains there are. Doug says, “I don’t know—I’m not autistic, I’m a vampire.”

Doug is attracted to Sejal, an exchange student from India, but Sejal is creeped out by him, though all of her friends agree that Doug has looked different lately—better looking, more confident, with a certain animal magnetism about him. It’s the language and sexual jokes among Sejal and her friends that make this a story for older readers, but those readers will eat this up, enjoying the high-stakes drama as Doug tries to take charge of his destiny.

Doug Lee is always going to be as he is right now—short, doughy and 15. And if high school sucks for many kids, it especially does now for Doug: He is a vampire. But this vampire story doesn’t follow in the tracks of so many…

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In Gayle Forman’s best-selling If I Stay, Adam stood over the bed of his comatose girlfriend Mia, promising to do whatever it would take, even leaving or letting her go, if she’d just choose to live despite the accident that claimed the rest of her family. It’s three and a half years later in the equally compelling sequel, Where She Went, and Adam should be having the time of his life since his grunge band just scored a Grammy for Best New Artist and he knows that Mia is alive. Instead, he’s chain-smoking, popping pills for anxiety, moving in with an actress in L.A. and trying to figure out why Mia, after suffering through intense rehab in order to start at Juilliard on time, left for the East Coast and never came back.

Briefly in New York to tie up last-minute details before starting a grueling tour, Adam takes in a performance by now-rising star cellist Mia at Carnegie Hall. When she calls him backstage after the show, the two spend the rest of the night on a whirlwind tour of the city, taking in Mia’s favorite sights. Chapters alternate between past and present, revealing more details about the days and months after Mia’s awakening, Adam’s mounting isolation after Mia’s departure—and the searing truth that erupts as they face each other once again.

As the two former young lovers reconnect, Adam realizes that Mia was not the only victim who suffered a loss, felt grief and anger or needed closure. Perhaps there’s still time to remember, forgive and love again—together. With beautiful yet achingly realistic storytelling, Where She Went is a page-turner, tearjerker and romance all in one, and the pace doesn’t let up until the final sentence. Have some tissues ready.

 

In Gayle Forman’s best-selling If I Stay, Adam stood over the bed of his comatose girlfriend Mia, promising to do whatever it would take, even leaving or letting her go, if she’d just choose to live despite the accident that claimed the rest of her…

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The other day, my college student daughter and I were driving along when we saw a young girl, maybe 13 or 14, walking down the sidewalk following her father, who was at least 30 feet ahead of her. The reason she was so far behind was that she had her nose in a book, reading as she walked. It reminded me a lot of the young lady that sat beside me. And when I was a kid, I read just about everything still do, when you get right down to it. The biggest difference between now and then, apart from the obvious change in reading level, was that I would stick with one genre for months at a time biographies, science fiction, mysteries. I’d read until I was satiated and then would move on to something else. I wondered if anyone else read like that, and if kids do so today.

I remember devouring the Hardy Boys and tons of imitators; maybe those plots were pretty simple, but those were simpler times. Which brings us to the subject at hand Joyce McDonald’s new book for young readers, Shades of Simon Gray, a spooky and suspenseful tale of computer hacking, a 200-year-old murder, teen angst and an initiating event so random and odd it will give you the creeps even if the rest of the book doesn’t. Throw in some ghosts, a tragic accident and a deadly plague, and you’ve got quite a bit to digest, even for a teenage reader. Call it the The Babysitter’s Club meets Stephen King.

Simon Gray is a high school senior with his share of personal problems; his mother has died, and the members of his family have retreated, his sister into drugs and his father into bitter grief. So too, has Simon, though he doesn’t realize it, by compromising his principles in order to be liked by a girl who is obviously using him. When he ends up in a coma after wrecking his car, the lives and schemes of those around him start to unravel, and he finds himself trapped in a strange netherworld that looks like his hometown, but where time and space mean different things to different people. Trapped with him is the ghost of a wrongly hanged man, who may have the key to Simon’s escape.

Populating the book is a realistic group of teenagers; some are bright, some are ambitious, some just want to get by any way they can. The adults as well are a normal assortment of everyday folks. Perhaps that’s what makes Shades of Simon Gray so believable most of the characters aren’t caricatures, and their motivations aren’t that hard to understand.

The book is a lot like its title; it can be read in a number of ways and levels. On the surface, it’s a suspense novel, but it also could be called a thriller or a mystery or a ghost story. Also, are the shades referring to real ghosts or imagined ones? Or maybe the shades are the many parts of Simon Gray himself. You’ll have to decide.

Joyce McDonald has done a super job; she’s up-to-date without being trendy, and her prose is simple and straightforward, but not dumbed-down. Teens will find this book relevant and true; McDonald covers a lot of bases and has some opportunities to be preachy, yet refuses to do so, letting readers make their own judgments. And maybe it’s just me, but there’s a subtle undercurrent that made me think of the tragedy of Columbine not that anything like that happens here but her characters are real enough that you could see how, given a few plot twists, history could repeat itself.

That’s not what McDonald is after, however; she wants to show us that all deeds engender regrets, and that we all are the sum of the choices we make. An admirable trait in a book for young people.

James Neal Webb is the father of two teenagers pray for him.

 

The other day, my college student daughter and I were driving along when we saw a young girl, maybe 13 or 14, walking down the sidewalk following her father, who was at least 30 feet ahead of her. The reason she was so far behind…

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War affects everyone. No living creature is left unscarred by the ravages of conflict. These truisms are poignantly recounted in L.M. Elliott’s premiere novel entitled Under A War-Torn Sky. Elliott’s fluid storytelling style is woven together with vivid historical details from World War II, appropriate for adolescents who seek suspense-filled adventures.

Inspired by her father’s true stories of World War II intrigue and action, Elliott captures the courage, self-sacrifice and bravery of the French Resistance forces. For many young fighter pilots, the romance of flying soon turned into the horror of combat, as discovered by 19-year-old second lieutenant Henry Forester, the youngest pilot in his Air Force squadron. Shot down behind enemy lines, Henry struggles to survive in hostile territory. For the first time in his life, he is dependent on the kindness, sympathy and cunning of strangers in a foreign land. Over the course of many months in occupied France, Henry matures far beyond his years. He sees, hears and experiences unimagined cruelty and brutality. French children and teenagers forfeit their adolescence for the cause of freedom. Instead of playing ball or attending dances, they stealthily deliver munitions to Resistance forces or aid downed Allied pilots, risking their lives with every mission. During Henry’s many lonely hours, he learns not only about those who have risked their lives to rescue him but also about himself. Growing up on a farm in Virginia, Henry felt that his father was particularly harsh, but he calls upon those memories when confronted with life-or-death decisions in hostile country. This realization results in a new understanding and appreciation of the influences that shaped his life.

Elliott offers the reader a gripping and suspenseful story that explores the human spirit in thought-provoking dialogue, some of which is delivered in French. Fans of history, culture, language or just good storytelling will definitely want to read this account of the actions of the French Resistance during WW II.

War affects everyone. No living creature is left unscarred by the ravages of conflict. These truisms are poignantly recounted in L.M. Elliott's premiere novel entitled Under A War-Torn Sky. Elliott's fluid storytelling style is woven together with vivid historical details from World War II, appropriate…

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How many of you remember the agony of having to memorize the Gettysburg Address in school? Or perhaps it was something by one of the founding fathers? Who needs this stuff? you would moan. What’s the point? The major problem with historic orations, students have always complained, is that they are dry. American Heritage, one of the foremost magazines about this nation’s culture, has collected an eclectic set of speeches given not only by politicians, but also by people in many walks of life, from sports figures to ordinary people in extraordinary circumstances.

The Book of Great American Speeches for Young People contains over 100 discourses on a myriad of topics. Some classics can be found within, such as Martin Luther King Jr.’s I Have a Dream and Franklin Delano Roosevelt’s address after the bombing of Pearl Harbor on December 7, 1941, a date which will live in infamy. On a lighter political note, there’s the Checker’s Speech, in which Richard Nixon swore that the only gift he received during the 1952 campaign was a little cocker spaniel and that "we’re gonna keep him."   Other orators in The Book of Great American Speeches for Young People include Malcolm X, Langston Hughes, John F. Kennedy, Elizabeth Cady Stanton and Mark Twain, just to name a few. Speeches are used to influence and encourage, so there are several declamations which consider the struggles for women’s suffrage, civil rights and the evils of slavery. And since the nation was founded on free speech, there are also numerous discourses of protest and dissent. The less earthshaking fare, though no less dramatic, is also here. Lou Gehrig paid an emotional farewell to baseball, in which, though stricken with the terminal illness that would one day bear his name, he considered himself the luckiest man on the face of the earth. One of the more poignant speeches, to which young readers will relate, was given by 10-year-old Samantha Smith in 1983 to the Children’s Symposium on the Year 2001, after her impassioned letter to Soviet Premier Yuri Andropov made world news. The letter stated her fears of nuclear war between his country and America, proving that young people can make a difference.

In addition to its generous collection, The Book of Great American Speeches for Young People encourages readers to speak out for what they believe in. Its concluding chapter on how (and why) to make an effective speech will give the reader a boost of confidence and a skill which will prove useful long after school days are over.

 

How many of you remember the agony of having to memorize the Gettysburg Address in school? Or perhaps it was something by one of the founding fathers? Who needs this stuff? you would moan. What's the point? The major problem with historic orations, students have…

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Back in the days when Southern schools were first being integrated, we would see the news, showing angry white parents protesting the arrival of African-American children at the school their children attended. I used to wonder what effect that behavior had on white children as well as black. In Ann M. Martin’s new novel, Belle Teal, the fifth grade heroine lets us in on her own thoughts about that, as well as a good many other matters.
 
Belle Teal is one of those dirt-poor white people of the hills and hollows of southern Appalachia. She and her widowed mother and grandmother might well be looking for a scapegoat to blame for their own hard lot, but they aren’t. Belle Teal looks at life with a mixture of strength, common sense, fairness and sensitivity to the small things that make life in the hills beautiful. She’s tough, too, and not much threatens her. She knows her life is a lot better than that of her friend, Little Boss, or the snobbish new girl in school. And she’s right. It is.
 
Her voice is so convincing that we understand at all times where she’s coming from. Yet her voice is at the same time remarkably real and childlike, one that young readers will identify with. Her reasons and way of accepting Darryl, her new African-American classmate, are just the way such things do happen. The world is full of such everyday heroics, especially in the closed world of school, with its cliques and cruelties, and sometimes we forget to take notice of them. But the children who read this book will recognize much that’s familiar, the adored new teacher, the bullies, the freewheeling and sometimes terrifying world of the cafeteria and playground.
 
There’s a lot to learn from the way Belle Teal tells her story. That’s because there’s not a bit of adult preaching here. There’s not a single false note; the characters she tells us about are all real ones we believe in completely — and consequently care about. And the story she tells seems right and inevitable, as all good stories do, given the characters.
 
Belle Teal herself is the sort of kid we don’t have to worry about. Even though she has to wear shoes that are too small; her mother has had to dig into the small college fund she’s put aside for Belle Teal, in order to put herself through secretarial school; and Gran is rapidly getting forgetful with age, we know by the time we finish the book that this is one kid who’s going to be just fine.

Anne Rockwell, currently working on a novel for older children, has a new title coming this November, The Prince Who Ran Away: The Story of Guatama Buddha.

 

Back in the days when Southern schools were first being integrated, we would see the news, showing angry white parents protesting the arrival of African-American children at the school their children attended. I used to wonder what effect that behavior had on white children as…
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Russell Freedman has set the standard for fine history writing for many years, and this new volume lives up to his own high standards. A master prose stylist and an expert at taking complicated subjects and making them specific, immediate and fascinating, Freedman uses wide-ranging research to weave a hugely interesting story rooted in an abundance of detail, but readers will never feel they are reading a textbook or a school report; they are reading a superb story.

Of course, in 1914, when World War I began, it wasn’t called World War I. It was a conflict sparked by the assassination of Archduke Franz Ferdinand, and the nations of Europe—interrelated, connected by a network of military alliances and armed to the teeth—fell into a war through “a series of accidents, blunders, and misunderstandings.” It was the first modern war with new weapons used to deadly effect, and four years later 20 million people were dead and the world had been transformed. As Freedman says, “The Russian Revolution, the rise of Hitler, America’s emergence as a world power, the Second World War, and the continuing turmoil in the Middle East all have their roots in the First World War.”

Each chapter of this superb history has a clear focus. One is devoted to the latest developments in lethal weaponry—rapid-firing rifles, machine guns, barbed wire, tanks, poison gas and flamethrowers. Another focuses on Battle of Verdun, and another on the Battle of the Somme. The roles of women and of African-American infantry regiments are discussed, and the final section explores how the Treaty of Versailles, rather than ending the war effectively, was really just an “armistice for twenty years,” planting seeds of discord in the Middle East and setting the stage for World War II.

Complementing Freedman’s fine writing is the careful design of the volume, full of archival photographs, eyewitness accounts and maps. Even the captions for the photographs make interesting reading. Freedman is always meticulous in his documentation, and in his selected bibliography here, he offers several excellent book recommendations for young readers, including Walter Dean Myers’ The Harlem Hellfighters: When Pride Met Courage (2005) and Michael Morpurgo’s Private Peaceful (2004). Any new book by Russell Freedman is a treat, and this is one of the best books of the year.

Russell Freedman has set the standard for fine history writing for many years, and this new volume lives up to his own high standards. A master prose stylist and an expert at taking complicated subjects and making them specific, immediate and fascinating, Freedman uses wide-ranging…

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