Cassie Blake, the girl at the heart of Jodi Lynn Anderson’s powerful and timely Each Night Was Illuminated, was raised as a believer in the religious town of Green Valley. She even wanted to grow up to become a nun. But when Cassie was 11 years old, everything changed.
First, Cassie’s mother abandoned her family. Then, one lovely summer day, Cassie hiked up Cub Mountain with Elias Jones, a gregarious Australian boy visiting his American relatives for the summer. What they saw from the top of the mountain left their lives forever altered: The bridge that spanned Green Valley’s reservoir collapsed, sending a train plummeting into the water. Elias saw the spirits of the dead rising up into the sky, but Cassie lost her belief in God. “How could we have seen the same thing and come away with something so different?” she wonders. “Mine being the loss of magic, his being the beginning of it.”
Afraid to admit that she has lost her faith, Cassie becomes circumspect and cautious. For years, she ignores the letters that Elias sends her from Australia—and then he returns during her senior year of high school. Handsomer than ever, he wants to reconnect and to ask Cassie two questions: Did she see the ghosts? And will she help him find them?
Cassie has been experiencing insomnia (“I had a habit at night of thinking of things going wrong in the world: floods, hurricanes, tornados, big oil, wind power, infighting among my favorite reality TV stars.”), so she reasons that late-night ghost hunting shouldn’t disrupt her life too much. Falling for Elias certainly does, though, since love entails risk and vulnerability, which Cassie avoids at all costs. They grow closer nonetheless, finding ports in a storm in each other as climate-change disasters dominate the news and a bombastic preacher spreads poisonous rhetoric through their town. But can Cassie and Elias’ connection remain strong in the face of crises both personal and global?
Anderson (Midnight at the Electric) has a gift for creating anticipation—whether sweetly romantic, supernaturally spooky or truly scary—when her characters face genuine peril. In Each Night Was Illuminated, she has crafted a thought-provoking and resonant read laced with magic, humor and love for both humanity and a planet that is struggling to endure, despite what humanity has wrought.
This resonant read is laced with magic, humor and love as it portrays two teens reconnecting after witnessing a shocking tragedy when they were children.
Recent high school graduate Aria Tang West was looking forward to spending one last summer with her two best friends before starting as an astronomy major at MIT in the fall. But that was before some topless photos, taken by a boy without Aria’s consent, made their way to social media. The slut shaming that followed resulted in the ruin of Aria’s reputation—and the retraction of invitations to her friends’ summer houses.
Instead, Aria makes her way from Massachusetts to Northern California, where she’ll spend a quiet summer with her beloved grandmother, Joan. A well-regarded artist, Joan enlists Aria to assist her in cataloging her late husband’s research files, some of which she hopes to incorporate into a sculpture.
Aria definitely doesn’t have sex or romance on her summer agenda, especially after what happened back home, but she nonetheless finds herself drawn to Steph, an aspiring musician who works as Joan’s gardener. Aria’s attraction to Steph, who is genderqueer, calls into question everything Aria thought she knew about herself, but Aria’s sexuality is just one aspect of her journey of self-discovery during this life-changing summer.
In an author’s note, Malinda Lo reveals that she’s been working on this bittersweet novel of love and loss for a decade. A Scatter of Light functions as a companion to Lo’s award-winning 2021 novel, Last Night at the Telegraph Club, and though fans will delight at cameos by a few of that novel’s characters, it’s absolutely not necessary to have read the earlier book to understand and appreciate this one.
However, A Scatter of Light is set in the summer of 2013 as the U.S. Supreme Court overturned California’s Proposition 8, an amendment to the state’s constitution that eliminated the right to same-sex marriage. It’s fascinating to compare this novel to the 1950s-set Last Night at the Telegraph Club, and to consider the vastly different experiences of falling in love as a young queer person at these two moments in history. Aria’s story is not just about discovering and embracing your sexuality. It’s also about what it means to be an artist, a friend, a daughter and a granddaughter, and about how identities of all kinds can converge and crystallize as part of the process of growing up.
During a life-changing summer, Aria questions everything she thought she knew about herself as she falls for Steph, a musician who works for Aria's grandmother.
People are the true monsters in two thrilling novels from acclaimed authors Tiffany D. Jackson and Lamar Giles, while shadows gather menacingly in an anthology of folk horror stories from popular YA authors including Chloe Gong, Erica Waters, Aden Polydoros and more.
★The Weight of Blood
Maddy Washington is living a lie. To protect herself from the brutal bullying she’s received in her small town of Springville, Georgia, she avoids her peers whenever possible. But she’s also protecting her secret: Though Maddy passes as white, she’s actually biracial. Her fanatically religious father forces her to hide her Blackness, supposedly to protect her, while also hiding the truth about Maddy’s mother from her.
When an unexpected rainstorm causes Maddy’s perfectly straightened hair to revert to its natural state, the bullying that follows is caught on video. The footage goes viral, painting an ugly portrait of a former sundown town where Black residents are still expected to follow archaic, unspoken rules, such as attending a separate, segregated prom—even in 2014. In response to the negative attention, several students start planning Springville’s first integrated prom, unaware that they’ll lay the groundwork for a night that will never be forgotten—but for very different reasons than they expect, because Maddy has another secret, and after the devastation occurs, all the survivors can say is “Maddy did it.”
Inspired by the real-life town of Rochelle, Georgia, which held its first integrated prom in 2013, The Weight of Blood is an unflinching indictment of racism and cruelty in the Deep South. Critically acclaimed author Tiffany D. Jackson has described her seventh YA novel as a “remix of Carrie,” and The Weight of Blood follows much of Stephen King’s horror classic beat for beat. But Jackson’s sophisticated framing elevates her book from a basic retelling to a brilliant de- and reconstruction.
One of Jackson’s most significant talents is her refusal to talk down to her readers. She offers no concessions or apologies in her portrayal of the chokehold of small-town racism. Take, for instance, Kenny Scott, Springville High’s Black all-star quarterback, who brushes off his friends’ racist jokes to keep the peace, even as Kenny’s sister, Kali, reads Ta-Nehisi Coates and tries to get through to her brother. Jackson highlights the quiet insidiousness of racism through Kenny’s white girlfriend, Wendy, who doesn’t understand her own prejudices or privileges. Jackson also portrays racism at its most violent through cruel pranks played by Wendy’s best friend, Julia, and through acts of brutality from white police officers.
Although The Weight of Blood is Maddy’s story, much of the novel happens around her rather than with her. Jackson circumnavigates the horrors of Maddy’s life via newspaper clippings, testimonies and a true crime podcast investigating Maddy’s case. In the rare moments that the reader spends alone with Maddy, the mystery of her life only grows denser and more shrouded, and even readers intimately familiar with Carrie will be on tenterhooks as they wait to discover how Jackson twists the story’s most infamous moments—and twist she does. The Weight of Blood seizes readers quickly and never lets go. Long after the sirens have quieted and its fires have burned to ash, its heat lingers.
The Getaway
Jay Butler and his family live in Karloff Country, a massive amusement park known as “the funnest place around.” Selected to be part of the lucky few who live and work in one of the park’s residences, the Butlers are safe from the ongoing climate disaster and societal collapse outside the compound’s walls. Jay and his friends Connie and Zeke live in the Jubilee neighborhood, but the final member of their friend group, Chelle Karloff, the biracial daughter of Blythe Karloff and the heir to her hateful grandfather’s massive fortune, lives a life of uneasy privilege on her family’s estate.
The Karloffs—wealthy, white and seemingly progressive—have promised to provide a good life for the families under their proverbial roof. Though Chelle makes her distaste for her mother’s performative “wokeness” clear and her friends agree with her assessment, everyone is grateful to live inside Karloff Country’s protective walls, and no one scrutinizes anything too closely—until families begin to go missing. Soon, shady rumors of conspiracies become reality. When the park’s trustees arrive, no one is safe, least of all its Black and brown residents. As a place that once represented security becomes a cage to be escaped, time is running out before Karloff Country’s gates close—forever.
Author Lamar Giles began his career with YA thrillers such as Fake ID and Endangered. He returns to the genre with his sixth YA novel, The Getaway, which is sure to garner well-deserved comparison to Jordan Peele’s masterpiece psychological thriller Get Out. Much like Peele’s film, The Getaway exists in a strange limbo. Its story is simultaneously propulsive and meandering, and Giles smartly utilizes Jay’s “go along to get along” attitude to create and dispel tension. Jay is the archetypical frog in boiling water who frequently doesn’t notice danger until it’s too late. Brief interludes from Zeke’s, Connie’s and Chelle’s perspectives act like security cameras, providing new perspectives at new angles and sightlines into previously hidden corners.
Though the book’s pacing and plot twists occasionally get away from him, Giles crafts a story that’s difficult to look away from. He uses classic thriller tropes such as disturbing amusement park mascots to great effect, creating an atmosphere of creeping dread, and artfully juxtaposes the artificial brightness of Karloff Country against scenes of graphic violence.
Giles’ only misstep is the subtlety with which he depicts the true nature of the park’s politics. Although he heavily implies that people of color are the true targets of the Karloffs’ cruel plans and many teen readers will read between the lines, others may need more clarity to understand the entirety of Giles’ large, extended metaphor. Regardless, The Getaway is an excellent addition to the quickly growing canon of YA social horror novels.
The Gathering Dark
Something lurks in the shadows of the trees. An ancient being stirs. The dead are restless and hungry. A house carries a curse in its walls. A town echoes with whispered legends of burned girls. Enter the realm of folk horror with The Gathering Dark, an anthology edited by YA author Tori Bovalino and featuring original stories from Erica Waters, Chloe Gong, Hannah Whitten, Allison Saft, Olivia Chadha, Courtney Gould, Aden Polydoros, Alex Brown, Shakira Toussaint and Bovalino herself.
Folk horror has long been a controversial horror subgenre, as it often relies on disorientation and ambiguity to build a sense of terror. Its monsters creep through the dark but do not always make themselves known, so catharsis is not easily granted. These types of stories explore themes of memory, tradition and what we sometimes leave buried inside—which, for many readers, hits uncomfortably close to home.
Fans of atmospheric, folkloric horror like Krystal Sutherland’s House of Hollow, Claire Legrand’s Sawkill Girls and Brenna Yovanoff’s The Replacement will find their niche in The Gathering Dark. Among the collection’s best stories are Hannah Whitten’s “One Lane Bridge,” a masterclass in rising tension. Its terror stems not only from eldritch beings in the woods but also from the cruel ways friends can hurt each other without even trying. Erica Waters’ “Stay” introduces a lonely girl who tends to the graves of her family, while Allison Saft’s haunting “Ghost on the Shore” explores the nightmare of unresolved grief and loss without closure.
As with many anthologies, the collection is somewhat unbalanced in terms of quality. Some of the stories are a tad too obvious to be frightening or rush toward their climax without ample buildup. But the standout stories leave their mark. For teens who grew up reading Alvin Schwartz’s iconic Scary Stories to Tell in the Dark,The Gathering Dark will be the perfect shivery autumnal read.
Warning: These terrifying YA novels may be accompanied by goosebumps, a feeling of lurking unease and a desire to sleep with the lights on. The only known remedy? Keep reading.
Blockbuster series conclude, while series openers launch gripping new stories. Classic tales are remixed and revisited, and original stories open our eyes to new possibilities. If there’s one thing we can say with certainty about fall’s most anticipated new YA books, it’s this: We guarantee you’ll never get bored.
Nothing More to Tell by Karen M. McManus Delacorte | August 30
As of this writing, Karen M. McManus’ debut YA mystery, One of Us Is Lying, has spent 233 weeks on the New York Times bestseller list. It’s been adapted into a television series on Peacock (season two drops on October 22!) and firmly reawakened YA readers’ love for mysteries with loads of jaw-dropping twists and reveals. Nothing More to Tell sees McManus turn to a cold-case mystery, the death of a prep-school teacher whose body is discovered in the woods by three students—all of whom are hiding something.
The Final Gambit by Jennifer Lynn Barnes Little, Brown | August 30
If a more clever mystery series than Jennifer Lynn Barnes’ Inheritance Games trilogy has hit shelves in the past five years, we’ll turn in our magnifying glasses and fake mustaches now. In addition to incredible writing chops, Barnes has a PhD from Yale and has studied psychology and cognitive science as a Fulbright Scholar at Cambridge University, and it shows on every page of these delicious novels. The Final Gambit finds series protagonist Avery facing one last puzzle before inheriting a fortune that will make her the wealthiest teenager on Earth.
Dead Flip by Sara Farizan Algonquin | August 30
Did you inhale the fourth season of “Stranger Things” and still want more of its unique blend of horror, nostalgia and ride-or-die friendship? Then you won’t want to miss Lambda Literary Award-winning Sara Farizan’s fourth novel, Dead Flip. Farizan fast-forwards to the late 1980s to tell the story of three BFFs whose lives are changed forever when one of them disappears—then reappears, five years later in 1992, and doesn’t seem to have aged a day.
The Sunbearer Trials by Aiden Thomas Feiwel & Friends | September 6
In the fall of 2020, YA author Aiden Thomas made history when his debut novel, Cemetery Boys, became the first work of fiction by a transgender author about a transgender protagonist to hit a New York Times bestseller list. Since then, Thomas’ star has only continued to rise, and this September, they’ll launch their first duology with The Sunbearer Trials. If you’ve been searching for a fantasy novel that combines a competition-based plot with Mexican mythology-inspired magic, look no further.
Self-Made Boys | Anna-Marie McLemore Feiwel & Friends | September 6
Calling all lovers of retellings and remixes! We’re going to assume you already know about the Remixed Classics series, in which some of today’s best and brightest YA authors put their spin on English-class standards including Louisa May Alcott’s Little Women, Robert Louis Stevenson’s Treasure Island and Emily Brontë’s Wuthering Heights. But you might not know that acclaimed YA author Anna-Marie McLemore is joining the series to tackle F. Scott Fitzgerald’s The Great Gatsby. In McLemore’s vision, Nick Carraway becomes Nicolás Caraveo, a Latinx transgender boy whose cousin, Daisy Fabrega, has been passing as white among the wealthy residents of East Egg, New York. We can’t wait to see how McLemore will transform Fitzgerald’s dazzling Jazz Age tale.
The Weight of Blood by Tiffany D. Jackson Katherine Tegen | September 6
Tiffany D. Jackson won the 2019 Coretta Scott King John Steptoe Award for New Talent for her second novel, Monday’s Not Coming, and she’s been delivering on its promise ever since. If there’s one thing Jackson fans have learned, it’s that Jackson has range. Take, for example, the three books she released in 2021: Blackout, created in collaboration with five other amazing writers, was an incomparable ode to summer love in New York City; White Smoke was a terrifying haunted-house horror novel; and Santa in the City was one of the sweetest additions to the Christmas picture book canon we’ve seen in years. With The Weight of Blood, Jackson returns to the horror genre to offer an updated take on Carrie set at a Georgia high school’s first racially integrated prom.
The Epic Story of Every Living Thing by Deb Caletti Labyrinth Road | September 13
If you wear glasses, you might recall how, in the moments after you first put them on, everything suddenly became sharper and more in focus. That’s sort of what it’s like to pick up a Deb Caletti novel. Since her debut, The Queen of Everything (which will be 20 years old this year!), Caletti has steadily been publishing some of the best and most incisive contemporary YA fiction around and garnering plenty of acclaim, too, including a Michael L. Printz Honor and a National Book Award finalist. The Epic Story of Every Living Thing follows social media-obsessed Harper, who decides to track down the man whose sperm donation her mom used to conceive her—and learns that she has more than 40 half siblings.
The Ballad of Never After by Stephanie Garber Flatiron | September 13
It’s hard to think of a bigger recent breakout success in YA fantasy than Stephanie Garber, who burst onto the scene in 2017 with her blockbuster novel, Caraval. After finishing her first trilogy, Garber showed no sign of slowing down, launching a companion series with 2021’s Once Upon a Broken Heart, another instant bestseller. Garber is now a proven expert at blending enchanting fantasy, swoonworthy romance and plots filled with intrigue and surprises, so we recommend blocking off a day or two when The Ballad of Never After releases, as we suspect reading it in one sitting will not be optional.
I’m the Girl by Courtney Summers Wednesday | September 13
Are you still emotionally recovering from Courtney Summers’ 2018 breakout YA novel, Sadie, and its portrayal of the power of sisterhood in the face of the darkest aspects of patriarchy and misogyny? Then you may want to begin preparing now for I’m the Girl, a standalone thriller that sees Summers return to similar themes but turns the emotional turmoil up to 13. And yes, we know the emotional turmoil dial only goes to 10.
Bone Weaver by Aden Polydoros Inkyard | September 20
Aden Polydoros’ 2021 traditional publishing debut, The City Beautiful, was one of the most rewarding surprises of last year. BookPage praised the novel, a supernatural murder mystery set against the backdrop of the 1893 Chicago World’s Fair, as “a gorgeous, disturbing, visceral and mystical experience.” In Bone Weaver, Polydoros shifts settings to a fantasy world inspired by early 20th century Russia to tell the story of three teens thrown together on the tides of history. We can’t wait to see where Polydoros’ imagination will take him next.
A Scatter of Light by Malinda Lo Dutton | October 4
Until 2021, YA author Malinda Lo was best known for genre fiction, especially Ash, her groundbreaking Sapphic reimagining of “Cinderella.” Then came Last Night at the Telegraph Club, which received so many awards (including the National Book Award, the Stonewall Book Award, the Asian Pacific American Award for Literature and a Michael L. Printz Honor) that their circular badges almost don’t fit on the book’s cover. A deeply researched work of historical fiction, Last Night at the Telegraph Club was the work of a writer who’d been honing her craft for more than a decade. Lo returns to shelves with A Scatter of Light, a companion novel set 60 years later, during the summer in which the Supreme Court recognized same-sex marriage by overturning California’s Proposition Eight.
I Was Born for This by Alice Oseman Scholastic | October 18
Netflix’s adaptation of “Heartstopper,” based on Alice Oseman’s web comic-turned-graphic novel series of the same name, received nearly universal acclaim and became a bona fide hit when it was released this spring. The feel-good series’ incredible success means that legions of new Oseman fans are eagerly awaiting the author’s next YA novel (and any “Heartstopper” Easter eggs it might contain). I Was Born for This follows Angel, a megafan of a popular new boy band, and Jimmy, the band’s leader, as their lives unexpectedly intersect.
The Luminaries by Susan Dennard Tor Teen | November 1
A new novel from beloved YA fantasy author Susan Dennard would be cause for celebration under any circumstances, but a new novel that will open a brand-new contemporary fantasy series that looks as unputdownable as The Luminaries? Let’s just say that we’ll be counting the days until the book’s November 1 publication date. Featuring one of the most memorable book covers of the fall, The Luminaries follows Winnie Wednesday, who is determined to restore her family’s place among the mysterious group that protects her hometown of Hemlock Falls from the monstrous creatures that dwell in the forest that surrounds the town.
Seasparrow by Kristin Cashore Dutton | November 1
Nine years elapsed between the publication of Bitterblue, the third novel in Kristin Cashore’s bestselling Graceling Realm series, and Winterkeep, the series’ fourth book, so you’ll understand why Cashore fans’ joy might seem unusually effusive at the news that a fifth book, Seasparrow, will hit shelves after just a short 21-month wait. Of course, Cashore is a fantasy writer like no other, and we’d wait a lot longer than 21 months for a chance to return to the magical worlds and intricate stories that have become her hallmark. We don’t want to give too much away, so we’ll just say that Seasparrow picks up where Winterkeep left off and centers around a new character introduced in a previous novel.
Whiteout by Dhonielle Clayton, Tiffany D. Jackson, Nic Stone, Angie Thomas, Ashley Woodfolk and Nicola Yoon Quill Tree | November 8
Last summer, six powerhouse YA authors joined forces to create Blackout, a once-in-a-lifetime literary event that followed six interconnected love stories that all unfolded during a midsummer blackout in New York City. All six authors will return for Whiteout, which shifts the setting to Atlanta and the season to winter, with an unexpected blizzard serving as the plot engine. Readers whose ideal romance involves twinkling snowflakes and steaming mugs of cocoa will want to be sure to cozy up with Whiteout this winter. Just don’t forget your mittens!
When Orthodox Jewish teen Hoodie Rosen sees a girl dancing on the sidewalk outside the window of his yeshiva classroom, he has no idea that the connection they’ll form will lead them to question everything they believe and change both of their lives forever.
Debut novelist Isaac Blum’s The Life and Crimes of Hoodie Rosen might be the funniest YA book of the year, thanks to Hoodie’s often hilarious, deeply authentic narration. It’s also an unflinching portrait of how hate can take root in a community—with tragic results.
Blum spoke with BookPage about balancing humor with heartbreak and horror, and why his novel’s intense emotions will ring true for teen readers.
Tell us about Hoodie and Anna-Marie when we first meet them. Yehuda “Hoodie” Rosen is goofy and sarcastic. He attends yeshiva, where he studies Jewish stuff plus “regular” school stuff. He doesn’t take much seriously. He hates zucchini.
Anna-Marie Diaz-O’Leary is a more “typical” teenager. She goes to the local public school and spends a lot of time thinking about boys. She practices different dances and makes TikTok videos with her friends. Compared to Hoodie, she’s serious, thoughtful and confident in her place in the world.
When the book starts, Hoodie has just moved to a new town, where his father is helping their Orthodox community build a high-rise apartment building to house more Orthodox families. Anna-Marie is mourning her father, who has recently passed away. She’s lived in Tregaron, Pennsylvania, all her life, and her mother is the mayor and hellbent on preventing the Orthodox community from growing in their town.
You do a great job of representing how neither Hoodie nor Anna-Marie see each other clearly, and yet they form what turns out to be a life-changing connection. What was challenging and what was fun about writing their relationship? The difficult part was making their respective confusion feel true. I needed them to have very different understandings of their relationship, but for both of their perspectives to feel valid to the reader. That was challenging, and I asked myself over and over, “Will the reader buy what Hoodie’s thinking here? Will the reader understand why Anna-Marie thinks about this so differently?” I relied heavily on early readers to help me get that right.
“You’re going to deeply trust somebody who works hard to know you.”
The fun part was that once I got that balance where I wanted it, I could use Hoodie’s and Anna-Marie’s inability to read each other for some funny and surprising moments. I also think their initially crossed signals make the relationship they do create more meaningful, because they had to work to get there. It’s hard-earned. You’re going to deeply trust somebody who works hard to know you.
My list of favorite supporting characters in this book is not short. (The list is topped by Hoodie’s sisters Chana and Zippy and his friend Moshe Tzvi.) Who was your favorite supporting character to write? You and I have the same top three. I’d probably even put them in that order, so that makes Chana my favorite. She was definitely the most fun to write.
The thing about Zippy and Moshe Tzvi is that they both have some heavy lifting to do in the book. Zippy has to help Hoodie come of age, show him that she’ll love him unconditionally and then cede the eldest sibling position to him. Moshe Tzvi has to be the studious foil to Hoodie’s slacker, and then he has to have his own coming-of-age arc, in which he grows into a place where he can disagree with his father about Hoodie’s place in the community.
Chana has no such responsibilities. She just stands up on the roof and throws soup at people. Writing her was just me sitting around thinking of silly pranks for her to pull.
Hoodie narrates from some unknown point in the future. It’s right there in the opening line: “Later, I tried to explain to Rabbi Moritz why it was ironic that my horrible crime was the thing that saved the whole community.” Was this perspective always part of the novel? Why did you employ it? That perspective is there because of the opening line, or at least the first couple paragraphs. Before I’d outlined the novel at all, those first lines came into my head, and I wrote them like that, and I never changed them. But I like this narrative tool for a couple reasons:
It establishes tension and a bit of suspense right off the bat. Hoodie tells the reader that the events of the novel “humiliated him on a global scale,” “put him in the ICU” and “ruined his life.” Hopefully the reader wonders how all that went down and looks forward to reading about it.
That narrative device also lets the reader know that Hoodie makes it to the end of the novel alive and on good enough terms with Rabbi Moritz that Hoodie can try to explain the story’s ironies to him. I’m not categorically against having horrible things happen to my protagonist, but there’s enough grave stuff going on already in this book, and I didn’t see the need for the reader to worry about Hoodie’s fate.
“I think that being a high school teacher is a great job if you’re going to write YA.”
You’ve taught English at Orthodox schools. How did those experiences come into play as you worked on the novel? I think that being a high school teacher is a great job if you’re going to write YA. Whether you want to or not, as a teacher you learn a ton about your students’ worlds. And if you forget what it’s actually like to be a teenager, you’re reminded every day. In this case, if you happen to be writing a book from the point of view of an Orthodox yeshiva student, it certainly helps if you spend your days surrounded by Orthodox yeshiva students.
While the novel is not based on my students—I don’t think that would be fair to them—it’s certainly influenced by them: their struggles to balance modernity with tradition, their fears of antisemitism and the way the rest of the world sees them, and their humanity and sense of humor.
The novel itself was inspired by a real-life event, too. Can you tell us about that? On December 10, 2019, there was a shooting at a kosher supermarket in Jersey City, New Jersey. Two shooters opened fire on shoppers in a targeted antisemitic attack. It was one of a number of violent attacks on Jews and Jewish institutions around that time, but this one in particular moved me. Within a week of the shooting, I started outlining the story of an Orthodox Jewish teen who finds himself caught in the middle of violent antisemitism—plus all of the normal things teens are caught in the middle of, like crises of identity, first love, etc.
The shooting at the market followed months of growing tension—in Jersey City and elsewhere—between long-established communities and a new influx of Orthodox Jews. I created my own long-established community, the fictional town of Tregaron, Pennsylvania, and put Hoodie at the center of his community’s move into the town.
What do you hope readers take away from Hoodie’s deep connections to his family and his community? I have two answers to this question, one specific, one general:
In many mainstream depictions of Orthodox Judaism, the protagonist is depicted as oppressed by their own community. There are lots of “leaving narratives,” stories where the main character is fleeing the religion, leaving their family behind. And while any orthodoxy won’t be for everybody—Hoodie isn’t sure if it’s for him—a close-knit community like Hoodie’s has so much warmth and love to offer. I wanted to make sure readers saw the positive, supportive qualities of Hoodie’s community alongside the flaws.
“It’s totally cool to be furious with the people you love. While that’s a painful feeling, it can be a starting point for growth.”
The more general point is that all families and communities are like that: flawed. With the caveat that some family relationships aren’t reconcilable, I hope readers see Hoodie’s story as an argument that it’s worth finding ways to maintain connections to your family or community, even when you’re angry at them, even when they’ve wronged you. It’s totally cool to be furious with the people you love. While that’s a painful feeling, it can be a starting point for growth.
The novel swings very quickly between humor, contemplation and heartbreak. Why was this important to you? What was the key to getting these shifts right? I think that’s the adolescent experience. Teens feel stuff really strongly. We all cycle through our moods and feelings, from humor to contemplation to heartbreak and back again. But I think teens cycle quicker, and they feel each one more intensely. And I think it’s important to show that those seemingly contradictory feelings are going to exist next to each other, that you can experience heartbreak with a sense of humor, or that you can ask yourself important life questions without being overwhelmed by the gravity of them.
The key to the shifts for me, honestly, was self-restraint. It’s my instinct, like it’s Hoodie’s, to turn everything into a quip or a joke, to deflect from the serious back to the humorous. So when I thought Hoodie should take a step back and ask a big question, or when I knew I had to write a heavy scene, I tried to rein in that side of me and let those moments breathe.
How did you make sure the humorous moments were actually funny? I still have no idea if the humorous moments are actually funny. When you write a novel, you spend a lot of time with it, so it has to be something you want to read. I had fun writing goofy scenes. I enjoyed reading them later. I was amused by them. But it’s often hard to judge your own work, and of course you don’t know if the reader will share your sense of humor.
To that end, I have a critique partner—let’s call him Rob, because that’s his name—who functions as a kind of snark police. When I’m too self-indulgent with the goofiness, especially to the point where it distracts from the narrative, he berates me and forces me to trim the excess stuff that’s not funny, and I’m very grateful.
“Sometimes in the most horrific moments, levity really does help. You can take the world seriously, confront its horrors and still find time to laugh.”
This novel has some awful events. I’d like the humor to show that while existence contains innumerable ills, such as bigotry, hate crime and zucchini, it’s worth keeping your sense of humor. Sometimes in the most horrific moments, levity really does help. You can take the world seriously, confront its horrors and still find time to laugh.
Hoodie asks himself big questions about whether the life he thought he was supposed to want is the life he actually wants. What advice would you give teens asking themselves similar questions? Oh man. I’m certain that I’m not qualified to give this advice. But here are two thoughts:
First, you can only be you. So once you figure out who that person is, just be that person. Hoodie finds a way to be himself and still be part of his community, but that’s not possible for everybody. And if you figure out who you are, and the people around you won’t accept that person, then the flaw is with them, not with you.
Second, lean on people you trust, people who will support you unconditionally. Find those people and let them help you.
Hoodie memorably waxes poetic about his love for Starburst, so I have to ask: What is your favorite Starburst flavor? What is your least favorite? What do you hope never becomes a Starburst flavor? Most flavors should not be Starburst flavors. Starburst flavors should be limited to fruit. I tend to think of them in terms of color. Pink is my favorite. I assume pink is everyone’s favorite. I don’t understand why they make nonpink flavors. Yellow and orange are bad. Those are the ones you give away to your friends when you pretend to be a good sharer.
This will be Enrique’s summer of self-improvement. As his junior year of high school comes to a close, Enrique plans to tell his parents that he’s bisexual, get past his romantic feelings for his friend Saleem and find out where his interests in three other guys—Manny, Tyler and Ziggy— might lead. This might even be the summer when he finally tells his best friend, Fabiola, about “The Breakdown” from two summers ago and his ongoing experiences with anxiety and occasional suicidal ideation. But will the summer live up to Enrique’s expectations, or will it be messier, more complicated—and better—than he could ever plan?
Aaron H. Aceves’ debut novel, This Is Why They Hate Us, is laugh-out-loud funny, from Enrique’s analogies for sexual attraction, including a scene in which he compares bisexuality to choosing which dessert to eat at a wedding, to the awkward result of his brief dive into a hookup app. Aceves thoughtfully explores his characters’ diverse backgrounds, such as Fabiola’s complex feelings about her Afro Puerto Rican Cuban heritage. He crafts a scene in which Enrique recalls a series of interactions between Saleem, who is Palestinian, and some of their teachers with notable sensitivity.
Although Enrique’s romantic and sexual foibles drive the plot, the novel’s greatest strength is Enrique’s friendship with Fabiola, whom he has known since kindergarten. Their relationship, which survived the time they “fooled around” at Fabiola’s 14th birthday party, is a model for what a best-friendship can be. Fabiola makes Enrique laugh, listens to his problems without judgment, supports his romantic explorations and comes to his rescue unquestioningly any time he needs a hand—even while she’s on a date with the girl of her dreams.
Even if you think you know who Enrique will wind up with by the novel’s end, the story of his transformative summer is still witty and heartfelt. This Is Why They Hate Us is a tale of self-discovery that’s enjoyable all year-round.
Even if readers guess whom Enrique will ultimately end up with by novel’s end, this story of his transformative summer is witty, thoughtful and heartfelt.
Fifteen-year-old Harris Jacobus knows that people at his new high school will make assumptions about him because of his disability, a form of muscular dystrophy called spinal muscular atrophy. He levels the playing field by asking everyone he meets one simple question: “What’s your favorite color?”
This is how Harris knows that Zander could be a potential friend. Zander’s favorite color is yellow, and Harris’ is blue, so only green separates them on the color wheel. It’s why Harris is willing to give 20-something Miranda a chance as his nurse (to “attend school with me and make sure I don’t die”), even though she’s still finishing up her nursing program. Her favorite color combination, orange-red, is blue’s complementary color (though it doesn’t hurt that Harris also thinks she’s attractive). And it’s one of the reasons Harris is captivated by Nory, whose locker is next to his: She refuses to tell him her favorite color.
Harris has decided to use his new school as a “chance to finally start living a real teenage life”—going to parties, breaking curfew, maybe even having a girlfriend. When Miranda discovers Harris’ feelings for Nory, she decides to help them get closer. Eventually, Harris begins to question Miranda’s advice—and her judgment.
In The First Thing About You, debut novelist Chaz Hayden offers a fresh perspective on a teen protagonist who longs to feel “normal” and check off a list of milestones (first crush, date, concert and so on). The book’s structure—five sections of varying lengths—beautifully reflects how time in high school can feel like it’s moving at different speeds depending on the situation, and short chapters mimic a fast-paced school day.
Harris’ conversational narration will resonate with teen readers (though some of his thoughts about gender border on stereotypical), and his experiences offer an invitation to question the very notion of normalcy. Miranda often blurs professional and personal lines, particularly during a scene in which she kisses Harris on the mouth without asking for or receiving his consent first, and some readers may find Hayden’s depiction of Miranda’s behavior disturbing. Even Harris gradually realizes, “I didn’t like the person I became around her.”
Like Harris, Hayden also has spinal muscular atrophy. He vlogs about his life on YouTube, where he reads aloud from and cringes at entries from his old journals, and he pours a similarly humorous, unflinching tone into Harris’ story. Fans of John Green or teen rom-coms will enjoy Hayden’s reminder that we are all trying to get others to look beyond our surfaces.
Debut novelist Chaz Hayden offers a fresh perspective on a teen protagonist who longs to feel normal in this humorous, unflinching book.
Seventeen-year-old Harper Proulx lives her life on Instagram. Her lattes and lunches, her enviable day trips, even (if she’s being honest) her artsy boyfriend—they’re all curated for maximum appeal to her growing list of followers, whose validation she craves.
When one of those followers leaves a comment about Harper’s resemblance to a person named Dario, Harper is momentarily taken aback but not entirely surprised. Since she was young, Harper has known that she was conceived through a sperm donation, and she soon connects with her doppelganger and confirms that they are, in fact, half siblings. But Harper is stunned when Dario tells her that they have at least 40 more half siblings out there in the world—and that their sperm donor appears to be a beach bum named Beau Zane.
Reeling from a breakup and on something of a whim, Harper decides to join Dario and two other half siblings on a summer trip to Hawaii to meet Beau. She’s nervous about the idea, but at least the photos of Hawaii will look stunning on her Instagram, right? But nothing could prepare Harper for what she discovers on her trip, including a new understanding of identity and family, and a renewed appreciation for the world itself.
Deb Caletti (A Heart in a Body in the World) is far from the first YA author to tackle the hazards of a life lived online and the potential toll on teen mental health and relationships. But Caletti’s sophisticated, intricate storytelling brings complexity and richness to The Epic Story of Every Living Thing as the award-winning author explores themes of anxiety, found family and the natural world. Even the novel’s love story plays out in remarkable fashion, with subtlety and insight.
Caletti takes readers on a voyage that unfolds gradually and mirrors Harper’s own journey of discovery as she learns to witness “the whole of it, the grand tapestry.” The Epic Story of Every Living Thing is both deeply introspective and profoundly engaged with the world, making for a novel that embraces imperfection and inspires empathy.
When Harper embarks on a journey to meet her sperm donor, nothing could prepare her for what she'll discover in this rich, sophisticated novel.
Fifteen-year-old Yehuda “Hoodie” Rosen and his Orthodox Jewish family, along with many members of their community, have recently moved to Tregaron, Pennsylvania, because the cost of living in their previous town became too expensive. When Hoodie meets Anna-Marie Diaz-O’Leary, the daughter of Tregaron’s mayor, he’s instantly smitten. Yet after he and Anna-Marie are spotted cleaning some up antisemitic graffiti together, both Hoodie’s father and rabbi forbid him from seeing her again because she isn’t Jewish.
As Hoodie and Anna-Marie continue to secretly grow closer, tensions rise in Tregaron. Many residents oppose the high-rise that Hoodie’s father, a developer, wants to build in order to house more Orthodox families, and they express their opinions through verbal and physical antisemitic attacks. With so much at stake, Hoodie questions why his relationship with Anna-Marie is being so heavily scrutinized—and whether he even wants to be part of his Orthodox community anymore.
The Life and Crimes of Hoodie Rosen, Isaac Blum’s first book, is an earnest story about belonging, faith and the sometimes tragic consequences of failing to see other people as fully human. As Hoodie vacillates between embracing and doubting his faith, his narration is deeply, even startlingly hilarious, filled with irreverent observations that ring with teenage-boy authenticity. Blum also offers many slice-of-life scenes guaranteed to leave readers breathless with laughter, such as a yeshiva classroom discussion led by Rabbi Moritz about how to know whether the day has begun (the answer: “when there is enough light to distinguish between an ass and a wild ass”). The lesson devolves as Hoodie’s best friend ponders aloud whether the distinction is made by “a small but proud group, the ass rabbinate,” then asks the rabbi for his blessing to become “an ass student,” which Rabbi Moritz does not grant.
Blum surrounds Hoodie with a cast of well-crafted characters, including his sisters, his yeshiva friends and Anna-Marie herself. Readers concerned that Anna-Marie initially feels shallowly drawn—and that Hoodie’s dreams of an everlasting romance with her are perhaps too idealistic—will be pleased by the transformation Blum successfully pulls off by the novel’s conclusion.
Some readers may not find all of the novel’s rapid shifts between humor and seriousness to be flawless, though Hoodie’s recounting of a scene of brutal antisemitic violence near the novel’s end is word perfect. Overall, The Life and Crimes of Hoodie Rosen marks Blum as an exciting new talent in realistic YA fiction.
Isaac Blum’s debut novel is an earnest and often deeply hilarious story about belonging, faith and the sometimes tragic consequences of failing to see other people as fully human.
High school senior Brynn Gallagher has recently moved from Chicago back to her Massachusetts hometown, a welcome if difficult change. After a scandal in Chicago got her kicked off the student newspaper, Brynn is now starting over at her old private school, Saint Ambrose.
In an attempt to repair her reputation and impress college admissions officers, Brynn lands a coveted internship at “Motive,” a buzzy true crime TV show. Her first assignment is digging into the four-year-old unsolved murder of William Larkin, a Saint Ambrose English teacher whose body was discovered in the woods by three students.
One of those students is Brynn’s former best friend, Tripp Talbot, who ended their friendship in humiliating fashion. As the anniversary of Mr. Larkin’s death approaches, Tripp is still haunted by the lies he told, and he’s drinking more than ever.
The danger mounts when secrets from Mr. Larkin’s past collide with Brynn’s investigation. Brynn and Tripp are surrounded by suspects, including their own family members, and it begins to look like everyone at Saint Ambrose has a motive for murder.
Nothing More to Tell is another suspenseful page turner from bestselling author Karen M. McManus. In her signature style, McManus (One of Us Is Lying) never gives readers a moment to relax, drawing out suspects and secrets in rapid succession. As the clues build momentum, so will readers’ desire to plow through the novel to see how it all ties together.
However, the most compelling element of McManus’ storytelling is neither the crime nor the victim but the trauma of the survivors left behind. As Tripp drinks to numb his pain, Brynn makes sacrifices to help him, stoking both romance and healing between them. The novel’s well-rounded cast of supporting characters includes Brynn’s feisty genius of a sister; her uncle, who has a troubled Saint Ambrose connection of his own; and Regina, who owns the bakery where Tripp works and is a supportive breath of fresh air.
Brimming with twists and turns, Nothing More to Tell is a fine addition to the genre that McManus helped popularize.
The most compelling element of bestselling author Karen M. McManus’ latest thrill ride is neither the crime nor the victim but the survivors left behind.
Georgia Avis dreams of working at Aspera, the world-class resort that looms over the town of Ketchum. But when Georgia finds the body of 13-year-old Ashley James in a ditch by the road that leads to Aspera, she’s thrown into investigating the secrets in Ketchum’s past—and in her own personal history. With help from Nora, Ashley’s grieving older sister, Georgia must decide how she fits into the complicated web of power that seems to run their world.
I’m the Girl is a slow convergence of overlapping mysteries: Who killed Ashley? What happened to Georgia’s mother when she worked at Aspera? And what was Georgia doing on the road when she discovered Ashley’s body, anyway?
As Georgia tries to track down Ashley’s killer, the adults around her offer a range of perspectives on a young woman’s place in the world. Matthew Hayes, Aspera’s owner, sees Georgia as a potential subordinate. His wife, Cleo, tries to teach Georgia how to use the objectification of women to her own advantage. Georgia’s mother, who died from cancer over a year earlier, always insisted that Georgia should ignore Aspera’s grandeur. And the lingering threat of Ashley’s murderer positions Georgia as nothing but another potential victim.
Although the novel’s plot hinges on solving its many mysteries, author Courtney Summers (Sadie) is just as interested in excavating the roles intimacy and power play in Georgia’s life. Georgia is determined to defy her mother’s expectations, but she soon finds herself at the mercy of people and organizations much more powerful than she. As Georgia uncovers more about Ashley’s life and comes to terms with her own identity as a young queer woman, she confronts physical and sexual abuse, corrupt law enforcement and stark disparities of wealth. Ultimately, Georgia must determine how to participate in these systems—or whether she wants to participate at all.
I’m the Girl is raw, vulnerable and, at times, difficult to read, although Summers demonstrates that hope and joy are possible even amid the struggle against seemingly insurmountable power. Readers are left to reckon with provocative questions: Can you accept the ways of the world you live in? If not, what will you do about it?
When Georgia discovers the body of a 13-year-old girl, she's thrown into excavating the secrets that loom over her resort town and in her own past.
It’s just weeks before graduation, and supersmart, beautiful Shara Wheeler—prom queen and daughter of the principal of Alabama’s conservative Willowgrove Christian Academy—has disappeared. But not before kissing her academic rival, Chloe Green, a move that both shocks and intrigues Chloe. Casey McQuiston’s young adult debut, I Kissed Shara Wheeler (9.5 hours), is both a mystery (of sorts) and an unconventional romance, as Chloe’s hunt for Shara shakes up Willowgrove’s senior class.
Readers who have fallen in love with McQuiston’s thoughtful, funny queer romances for adults (Red, White & Royal Blue and One Last Stop) will be charmed to see how the author applies their storytelling skills to the teen milieu. Narrator Natalie Naudus admirably voices more than a half-dozen significant characters, imparting individuality and personality to teens embracing a variety of identities.
Narrator Natalie Naudus voices more than a half-dozen significant characters in Casey McQuiston's young adult debut, imparting individuality and personality to teens embracing a variety of identities.
You don’t have to be a gambler to know the phrase “high risk, high reward.” Debut author Amanda DeWitt puts it all on the line in Aces Wild, a Las Vegas heist thriller. It’s a story about family, secrets and—you guessed it—taking risks.
Jack Shannon isn’t straight, in more ways than one. He’s the asexual (or “ace”) heir of a less-than-reputable casino mogul, and the triple cherries don’t fall far from the tree: Jack runs an illegal gambling ring out of the basement of his elite East Coast boarding school’s library. He likes playing Danny Ocean (minus the romantic entanglements) well enough, but his dusty blackjack tables and rich, straight patrons leave much to be desired. Jack finds real solace with his friends, a group of ace teens who connected via online message boards but have never met in person.
When his mother is arrested for her ties to organized crime, Jack is pulled back to Las Vegas. There, he must find a way to save his family’s casino and exact revenge on Peter Carlevaro, a rival casino owner who also happens to be his mom’s ex and whom Jack is certain is behind his family’s troubles. With the swipe of a credit card, Jack flies his entire squad out to Vegas and assembles his very own Rat Pack. Together, they’ll rescue Jack’s mom, destroy a Vegas kingpin and secure Jack’s legacy on the Strip.
Aces Wild shines brightest when it leans into its candy-coated noir sensibilities. With puzzles that lead the way to secret clubs, shadowy pink-haired figures, complicated plans for subterfuge and more, DeWitt creates a vibe that’s Spy Kids by way of Ocean’s Eleven in the best way possible. A few slightly too convenient deus ex machina moments, however, detract from some of the fun and prevent the novel from becoming an unqualified jackpot.
Rat-a-tat dialogue and well-developed relationships between Jack and his friends offer more highlights. Lucky, a younger member of the group with an acid tongue and a NASA-level mind, is a particular joy to read. DeWitt seems wholly uninterested in big coming-out moments for Jack and his asexual crew, instead crafting a subplot centered on the mix of confusion and excitement that a crush on someone can bring.
Aces Wild is a fast-paced exploration of the risks we take for the people we love. A gambler might even say that it’s a lesson in when to fold ’em and when to hold ’em.
This heist thriller shines with candy-coated noir sensibilities, rat-a-tat dialogue and a well-developed squad of friends.
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Maria Ressa’s book is a political history of the Philippines and an intimate memoir, but it’s also a warning to democracies everywhere: Authoritarianism is a threat to us all.
Sean Adams has dialed down the dystopian quotient from his first satirical novel, The Heap, but that element is still very much present in The Thing in the Snow.
Anna Montague’s empathic debut novel, How Does That Make You Feel, Magda Eklund?, follows a woman entering her 70s and coming to terms with the loss of a friend through the twists and turns of a summer road trip.
