If 2017’s biggest blockbusters were any indication, the superhero fever that’s taken hold of the pop culture world doesn’t seem to be dying down anytime soon. As the classic Marvel vs. DC battle rages on, two new takes on beloved, misfit superheroes just so happen to be hitting shelves on the same day. But we're not taking sides—there’s enough love for all these heroes to go around. 

BECOMING THE BAT
Bestselling author Marie Lu (The Young Elites) follows up Leigh Bardugo’s Wonder Woman: Warbringer with her own highly anticipated installment in the DC Icons series—Batman: Nightwalker. In her reimagining of the beloved hero’s origin story, we meet a young Bruce Wayne en route to his 18th birthday party. He’s been carefully groomed by his legal guardian, Alfred (one of the most delightful characters in Lu’s story), to take on the mantle of his late parents’ renowned corporation along with an inheritance that clocks in around a billion dollars.

But despite the polished, confident playboy-image he presents to the press, Bruce is a sensitive and deeply empathetic teen whose social anxiety is more easily triggered than he’d like. His moral ideals are soon challenged by Gotham City’s new gang known as the Nightwalkers, and his newfound independence leads him to make the decision to fight them head-on since the local police can't seem to help. But jumping headfirst into a criminal investigation results in a young Bruce being sent to Arkham Asylum as punishment. There, he comes face-to-face with the kind of criminals he’s hated for so long, but a fellow teen named Madeleine challenges Bruce’s long-held beliefs when she offers to help him shut down the Nightwalkers for good. 

Longtime fans won’t find much new terrain explored here, but Lu’s trademark ability to seamlessly incorporate lots of tech and diversity in her fictional worlds serves Batman well. Although nowhere near as dark as Christopher Nolan’s cinematic series, it’s always compelling to see Bruce Wayne’s progression from starry-eyed, privileged punk to brooding caped crusader, and Lu’s novel is no exception.

LIVING ON THE FRINGE
Christopher Golden’s new novel picks up where the original Marvel comic series, which became an instant cult-classic, left off. Hitting shelves just before fellow bestselling YA author Rainbow Rowell takes the reins and brings the comic series back from the brink, fans and newcomers alike will surely want to dive into this accessible new story centered on a ragtag group of orphaned teens. When Golden’s novel kicks off, the Runaways are struggling with their newfound powers and the grief that’s followed the deaths of each one of their parents—a high powered collection of secret supervillains who were known as The Pride. Now searching for solace and peace in LA, Karolina, Chase, Nico, Gert and Molly discover a secret underground base constructed by their families. It seems like the home they’ve been searching for, however fraught with emotional ghosts as it may be, and they’re determined to utilize all of the tech and gadgets in their quest to do good.

Although it may seem like teens with psychic links to dinosaurs, super strength or spellcasting abilities aren’t the most relatable, Golden excels at making their problems (no matter how big or small) and emotions ring true to life. This is an accessible introduction to the characters and a perfect read for fans of Stand by Me and The Breakfast Club—other beloved stories that explore the resilience of the young spirit, the importance of our chosen families and the possibility of growing up without hardening your heart. 

Stressing over school crushes and candy grams around Valentine’s Day are (unfortunately) just normal teen rites of passage, but wouldn’t getting lost in a book be a whole lot more fun? Check out two of our favorite new young adult romances that capture the spark of first love and explore the all-too-real challenges of growing up.

FALLING FOR YOUR NEMESIS
Laurie Devore (How to Break a Boy) has crafted yet another winning young adult romance with Winner Take All. Nell Becker is determined to graduate as the class valedictorian at Cedar Woods Prep. She’s feeling pretty salty about being the only solidly middle-class kid at a prep school filled to the brim with old money Southerners, but as she freely admits, she’s not here to be liked. She’s here to be the best at all times, and she would be if it wasn’t for the annoyingly handsome and effortlessly perfect Jackson Hart. For a while, it seems like all they can do is spit venom at one another, but I’m sure you can guess that an attraction slowly creeps up on the both of them.

Fans of 10 Things I Hate About You will find plenty of common ground here with the conflict between fiercely independent and outspoken feminist Nell and terminally chill Jackson, but Devore’s story has much sharper edges than the beloved ’90s confection. Never shying away from tough subjects like mental illness, parental pressure, difficult family life, the maddening gender disparities in schools, sexuality and class issues, Winner Take All nicely balances the thrill of young love with two difficult but believable protagonists.

BREAKING BARRIERS
Alvie just wants to live a normal life. But first, she’ll have to convince a judge and a few other people that she’s capable of living a normal life on her own. Alvie is a 17-year-old orphan who also happens to be autistic, but she’s determined to live on her own terms. She’s not a big fan of surprises or anything that goes against the routines that make her feel safe and secure, but that’s exactly what Stanley is—a surprise. When she meets this quirky college boy, Alvie is puzzled by his uncommon condition known as osteogenesis imperfecta. Stanley’s bones are unbelievably brittle, and he’s forced to use a cane for support, but Alvie finds comfort in his no-nonsense approach to living with a disability. 

Readers looking for a straightforward, sweet love story will want to pick up When My Heart Joins the Thousand, and although these two teens may be atypical, their slowly blossoming relationship will be instantly recognizable to any reader. 

Love stories inspired by classic lit take center stage in these two new comedic coming-of-age teen romances. 

THE WIDE WORLD OF WEB DATING
Sixteen-year-old Emma Nash wallows in self-pity when Leon Naylor dumps her for another girl. Attempting to move on with her life, Emma shifts her private blog titled “MissH” (where she channels Miss Havisham from Great Expectations) from a place for her self-deprecating chatter to a site where she documents her chain of awkward social-media dating experiences. Complications arise when Emma begins to stalk Leon, her ex-boyfriend who ghosted her, online at the same time. As her online and real-life situations get out of hand, Emma seeks the advice of her two trusted friends, Steph and Faith, since she can’t rely on her habitually on-the-prowl mother. Amid a string of convoluted (and often hilarious) circumstances, it remains to be seen whether or not Emma can win back Leon’s affection.

Hormones and emotions run amok in this laugh-out-loud debut. Dating Disasters of Emma Nash is told in blog entries and is laced with Briticisms, teen angst and all things sarcastic, ironic and lewd. Author Chloe Seager includes a small but cosmopolitan and relatable cast to surround her white protagonist, Emma. The plot focuses on sexuality, but self-esteem and healthy relationship-building play equally important roles. A sidesplitting YA read with crossover appeal, this novel is a blast from the past for any older readers who remember obsessing to the max.

BETTER IN BOOKS
Romantic bookworm and sophomore Merrilee “Merri” Campbell is convinced that “boys are so much better in books” until she switches from an all-girls school to Hero High, an elite co-ed prep school. Although Hero High is a bit out of her caliber, Merri acclimates well to her new surroundings and makes friends fast. What she doesn’t expect is an accidental kiss from bad-boy junior Monroe Stratford that quickly throws them into a tumultuous Romeo and Juliet-style romance, but it fizzles just as quickly as it begins. The last thing Merri wants to read after breaking up with Monroe is another romantic tale. Ironically, Merri’s English teacher, Ms. Gregorie, assigns her Pride and Prejudice. While reading, Merri discovers parallels to her own life between the covers, and like Jane Austen’s Elizabeth, finds herself falling head over heels for the least likely person.

Author Tiffany Schmidt’s Bookish Boyfriends has many of the same romantic inklings and relatable characters as readers can find in Dating Disasters of Emma Nash, minus Emma’s teen angst and lewdness, and with the addition of a great cast of multicultural characters.

Two new young adult novels open in Boulder, Colorado, and find their teen protagonists in the wilderness—struggling to save themselves or someone they love.

With a host of deftly drawn characters, Emily France’s Zen and Gone is a paean to the multicultural mountain mecca of Boulder.

With no father, a stoner mom who burns through boyfriends like cigarettes and a little sister to look after, Essa is not a carefree teenager. Determined to give her little sister, Puck, the stability and attention she so desperately needs, Essa spurns drugs and dating for the clean thrills of orienteering and the practical wisdom of Zen Buddhism. Everything changes when a Chicago transplant named Oliver arrives in Boulder for the summer, and Essa’s self-imposed no-dating rule is put to the test. But when the couple signs up for a survival game in the Rocky Mountains, Puck breaks the rules and tags along—and promptly goes missing in the Colorado wilderness.

Though Zen and Gone toggles back and forth between Essa’s and Oliver’s viewpoints, with the latter struggling to come to terms with his sister’s schizophrenia, this story belongs to Essa. And as she searches for Puck, it becomes a tale of faith as much as anything else.

While France’s promotion of mindfulness and her foregrounding of Buddhist principles make Zen and Gone a unique contribution to the YA canon, its vivid rooting in place and its granular depiction of present-day Boulder is its greatest achievement.

Kathy Parks’ Notes from My Captivity also features a complex female protagonist who is thrust into the unknown, but Parks favors quick-witted dialogue over detailed description, resulting in a story filled with high-energy prose and off-kilter humor.

When Adrienne leaves Boulder to join her anthropologist stepfather in the Siberian wilderness on a mission to find the elusive and possibly mythical Osinov family, she quickly finds herself out of her depth. In a matter of pages, their entire search party dies and Adrienne is captured by the Osinovs. The only eligible woman for miles around, Adrienne decides her best shot at surviving rests with the Osinovs’ youngest son, Vanya. If she can make him fall for her, then she might be able to survive long enough to convince him to smuggle her back to civilization. Though it begins as a ploy, their real attraction threatens to develop into something else entirely.

When Adrienne learns that the Osinovs can communicate with the dead, her focus turns from her budding romance and dreams of escape to her deceased father. She would give anything to speak to him just one more time, but if it means losing Vanya and forgoing the chance of returning to her home, will she go through with it? With a touch of magic and a heavy dose of humor, Notes from My Captivity is a fast-paced summer read sure to thrill.

This article was originally published in the July 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

So much of teenage life is about looking forward—to college, first jobs or living away from home. Two new YA graphic novels with LGBTQ+ storylines artfully play with this idea. In one, looking too far forward could mean missing an amazing present, and the other shows how hard it is to move on when the past is filled with secrets and lies.

In Kevin Panetta’s Bloom, Ari is ready for his real life to begin. An apartment in the city with friends and the chance for his band to break out are all Ari can focus on, to his parents’ dismay. Their family bakery needs his help to stay afloat, but Ari is so determined to go that he posts a flyer advertising his bakery job as available. Only one applicant, Hector, has an aptitude for baking, and while Ari trains him, the two begin to grow close. Can Ari reconcile his dream for his future with his new reality?

Artist Savanna Ganucheau’s illustrations show us the charm of the seaside town Ari is so ready to bail on; you can practically hear the surf in the background and see the tourists wandering past. The fracture lines in his friendships grow as his focus on work is renewed and his feelings for Hector become more serious. Readers see Ari’s focus changing, but it stings when his friends seem to be moving on without him.

Viewed one way, Bloom tells a small story of two boys who meet and fall in love while beginning to face adulthood. But because it’s set at a time in life when being totally self-obsessed (while lacking any self-awareness) is the norm, it feels bigger than the sum of its parts. Long scenes of Ari and Hector simply baking together are deeply romantic, and they each have complex backstories (including family, exes and friends you love but sometimes want to slap silly) that make us care more about their happiness. Grab a red velvet cupcake and take a bite of this sweet story.

Kiss Number 8 is a story with a hairpin turn that readers will not see coming—and which will not be spoiled here. Rather than wanting to move on like Ari, Mads is in the sweet spot—happy at her Catholic school, a regular at Sunday mass and has friends who keep her grounded (Laura) and appeal to her wilder side (Cat). She’s kissed a bunch of thoroughly “meh” guys before realizing her idolization of Cat might be something more than friendship. Then things start getting complicated.

Author Colleen AF Venable’s story pivots in ways that recall the classic TV show “My So-Called Life.” Mads’ dad has a secret that drives a wedge between them, and Mads convices steadfast Laura to help her research what he’s hiding. Cat starts to enter into more adult spaces where she gets drunk, kisses more boys, and ignores her feelings about it all. If you’re concerned as to how a Catholic kid will fare in what turns out to be a very queer story, you should be; religion is the family’s safety net right up until it threatens to rip and drop them all.

Sometimes high school friendships fade, and sometimes an action that can’t be taken back blows them to smithereens. But Mads has family who are ultimately able to see what’s important and support her, even as they struggle to reconcile their feelings about the secret she uncovers. Kiss Number 8 is honest about how hard it can still be to come out, and it reflects on the grief felt by generations for whom it was never an option, but this story is ultimately hopeful.

Adriana Mather’s Killing November opens as November Adley, an unassuming 17-year-old, wakes up at the Academy Absconditi. She was dropped off at this peculiar boarding school, which is housed in a medieval castle in an undisclosed European location, by her ex-CIA father with little explanation, other than the fact that she is there for her own safety. 

But November feels anything but safe; in fact, one of the calculating and conniving students punches her in the face on her first day. And the administration? They simply encourage November to retaliate in an equally violent fashion. This is all a bit alarming, but soon November learns that she is a member of an ancient family of powerful assassins and tacticians. Without realizing it, November has been training for this school her whole life. But when a student at the academy is murdered, the blame immediately falls on November, and she’ll need to count on her survival instincts to find the truth.

Unlike her highly suspicious classmates, November is an optimist who refutes cynicism—even in the face of life-and-death conflict. What might be most refreshing for readers is the academy’s egalitarian ideals: There are no limitations placed on any student, regardless of gender. And November proves she can handle the most challenging task with aplomb, securing her place in this school of renegades.

Suzanne Young’s Girls With Sharp Sticks is also a tale of female empowerment but with a sci-fi spin. At Innovations Academy, the student body is a homogeneous group of intelligent and beautiful teenage girls who study gardening, etiquette and decorum in a repurposed factory. They are all graded on manners, beauty and compliance. This is the norm for Innovations student Philomena.

She doesn’t know what it’s like to have bodily autonomy or freedom, and she doesn’t question life at the academy until one of her friends goes missing. Suddenly, the academy’s all-male staff doesn’t seem like it has the girls’ best interests at heart. But any girl who doesn’t behave and comply with the staff’s orders gets a dose of impulse control therapy, which affects their memories. Even more disturbingly, a sweet budding romance between Philomena and a local boy is juxtaposed against the unsettling advances of the much older staff. As Philomena and the other girls discover what they’re really being groomed for, they begin to defy orders.

Girls With Sharp Sticks is a thrilling story about a sisterhood smashing the patriarchy. Philomena and her friends resort to subversion in order to protect one another, relying on the same tribal instincts that were encouraged in their education. While this novel reads like a feminist manifesto, it’s also a reflection of modern movements to end sexual harassment.

Both Killing November and Girls With Sharp Sticks are fast-paced and gripping female-centered stories in which the class curriculum centers on survival. But be prepared—they’re both perfectly primed for sequels.

Two new female-helmed YA fantasy novels draw from South Asian folklore and traditions. Whether you’re looking for a romantic and roguish tale set in an alternate India or a magical warring djinn story set along the Silk Road, these stories will keep readers on the edges of their seats.

In The Tiger at Midnight, Swati Teerdhala’s first installment in a new series, an assassin and a soldier cross paths on a fateful night, setting off a tense game of cat and mouse. Esha is the Viper, a legendary killer for the Dharkan rebels, and her target is General Hotha, leader of the Jansan army. When Esha arrives to find the general already mortally wounded, she realizes she is being framed. Esha rushes to escape the crime scene, and she is followed by a select crew of Jansan soldiers. Most of these young men are at the disadvantage, not knowing that the Viper is a woman, except for Kunal. Kunal was raised by his uncle, the General, since the rest of his family’s death in the coup 10 years ago. He already suspects that the Viper is the compelling girl he met outside the fort on the night of his Uncle’s murder, and he soon determines that his hunch was correct. Her identity discovered, Esha and Kunal cross paths throughout Jansa, engaging in banter and developing a delicate code of honor as they fight, save, betray and escape one another.

While journeying, Kunal’s eyes are opened to the growing environmental disaster and spread of poverty in Jansa’s towns, causing him to doubt the work of the military he’s spent his life serving. Meanwhile, Esha struggles with feeling that her self-identity has been consumed by the personality of the Viper, and wonders if there’s hope for a life untethered from death and deception. A fascinating world with a landscape dependent on a mystical blood bond between humans and nature surrounds the characters, but the reality of the environmental disaster isn’t woven into the plot as well as it could be. A hint of intriguing myth and history runs through this debut, but most of the novel is spent on an enemies-to-lovers romance. Whether readers love or loathe this trope will determine their enjoyment of this #ownvoices debut.

Nafiza Azad’s The Candle and the Flame is a magical tale based on Arab and Muslim djinn folklore that is set in a vibrant city spanning two climates and encompassing a multitude of faiths and peoples. When Fatima was very small, the Shayateen, a race of chaotic djinn, attacked her family’s caravan along the Silk Road. Years later, the Shayateen launched an unprecedented attack within the walled city of Noor, killing every human but Fatima, her adopted sister and an elderly woman. Fatima and her companions survived because Fatima’s blood proved deadly to the Shayateen, though Fatima has never known why. After that night, the maharajah has relied upon the aid of the Ifrit, the djinn of order, who have controlled half the city of Noor—and protected the whole of it—ever since.

Now a young woman, Fatima spends her days working as a delivery girl and studying with an elderly djinn bookseller, Firdaus. But when disaster befalls Firdaus, Fatima realizes he was not just any djinn and Fatima is then reborn as something new. Pulled into a world of politics, ancient grudges and magic, Fatima struggles to hold onto loved ones while becoming closer to the Ifrit, especially Zulfikar, the Emir of Noor City.

Utilizing multiple narrative points of view with an excellent supporting cast (including djinn and humans), Azad shows a deep understanding of the folklore and culture that inspires her plot. Readers are immersed in both the human and djinn culture, and they are trusted to follow along without unnecessary exposition in this mature and sure-handed debut. A satisfying ending will allow Fatima’s story to stand alone, but intriguing open-ended plot points make it possible for Azad to continue the story of Noor and its world. Readers looking for fresh plots, enticing settings and strong female characters will sincerely hope she does.

In decades past, the world of queer YA literature comprised cautionary tales and sob stories. Thankfully, these two novels stand out for their uplifting and romantic perspectives.

Sometimes there’s nothing better than a funny, sweet romantic comedy, and How (Not) to Ask a Boy to Prom by S.J. Goslee delivers.

Sixteen-year-old Nolan Grant would be content to secretly crush on the handsome Si while making art, working at the gardening store and hanging with his adoptive family during their board game tournaments and pancake marathons. But his older sister, Daphne, has other plans. 

When Nolan is pressured into a very public promposal orchestrated by Daphne, things go horribly wrong. Instead of asking Si, Nolan accidentally asks Ira “Bern” Bernstein, a bad boy everyone (including Bern himself) thinks is straight, as he recently split with his girlfriend. When Bern accepts, Nolan finds himself in a pickle. To keep up appearances, he has to pretend to date Bern until prom night. Meanwhile, the Gay-Straight Alliance—which Nolan reluctantly joins in his ongoing effort to impress Si—taps Nolan’s art talents for the prom after-party, and the situation between Nolan and Bern might be on its way to becoming real.

As the prom approaches, art projects go awry, siblings squabble and a budding romance overturns everyone’s expectations. Will prom night be everything Daphne has in mind for Nolan, or will nothing go as planned? And when everything starts to go wrong, does that mean that everything’s actually going right? Comedy, romance and feel-good family dynamics combine in what’s sure to be one of this summer’s most fun YA reads.

Things take a turn toward the fabulous in Tanya Boteju’s Kings, Queens, and In-Betweens. Biracial teen Nima Kumara-Clark anticipates another boring summer of working, hanging out with her best friend and hoping to win the affections of her crush, Ginny. But when Nima takes a chance and sees an unusual act featuring drag queens at her town’s annual festival, she meets the mesmerizing Winnow and is instantly smitten. 

Hoping to see Winnow again, Nima follows her to a drag show, where she connects with Deidre, a drag queen who takes Nima under her wing. What follows is a summer that’s anything but what Nima expected. Attending drag shows awakens her, and soon she’s ready to do more than just watch. 

As Nima learns the art of being a drag king—a woman who dresses and performs as a man—she also gains new knowledge about long-hidden family secrets, her friends and even herself. Why did her mother leave her family, with only the briefest of notes, a year and a half ago? Why has Gordon, once a friend, become so bitter and distant? And why, if Nima’s confident that she likes girls, does being labeled a lesbian feel so awkward?

Boteju uses her own life experience in the world of drag to tell a story filled with glitter, feather boas, lip-syncing and dancing, where gender identity is flexible and performance is the embodiment of joy.