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Very different in tone but equally compelling, these two ghost stories will haunt readers long after the last page.


In Thirteen Doorways, Wolves Behind Them All, Printz Medal-winner Laura Ruby weaves a heart-wrenching story about loss and familial bonds as two girls, an orphan and a ghost, struggle to make their way during the early 1940s.

Pearl, who narrates, died in 1918 and haunts the Chicago orphanage where Frankie is abandoned by her father, a poor shoemaker. Pearl watches as Frankie endures both harsh treatment by the nuns and the heartbreak of her father’s remarriage and subsequent move to Colorado without her. Frankie must also weather the loss of her first love, who enlists in the Army at the height of war. 

Over time, Pearl meets other spirits and begins to unburden herself of the secrets that keep her locked in the mortal realm. She discovers that her afterlife doesn’t have to be spent wandering Chicago’s streets, trapped in an endless loop.

Thirteen Doorways, Wolves Behind Them All calls to mind A Tree Grows in Brooklyn, another story that explores the struggles, heartache and joy of those who grew up without privilege in the early 20th century. Pearl is a tragic heroine, a product of the social expectations placed on a beautiful young woman in the late 1910s, and Frankie comes of age amid the uncertainty and instability of World War II—yet both refuse to succumb to hopelessness. A beautiful and lyrical read that pushes against the boundaries of what we often think a young adult novel can contain, Thirteen Doorways, Wolves Behind Them All is sure to garner Ruby even more acclaim.

The ghosts in Rules for Vanishing are tragic entities with malevolent intentions. A year ago, Sara Donoghue’s sister Becca traipsed into the Massachusetts woods, never to be seen again. Only Sara knows where she went—in search of a ghostly road that emerges on the anniversary of the disappearance of Lucy Gallow, who vanished in 1953 and whose ghost now calls out to travelers for rescue. Now Sara must try to find Becca. To do so, she enlists the help of some old friends and ensures that everyone knows the rules of the road: Everyone must search in pairs. Everyone must bring a lock to open a gate. And everyone must stay on the road. But breaking the rules, even unintentionally, is easier than it seems, and the consequences for doing so are gruesome. To reveal anything more than that would spoil the reading experience.

Kate Alice Marshall interweaves video footage transcripts, interviews, emails and text messages, documentary-style, into Sara’s first-person narration. The effect not only heightens suspense but stretches the confines of the story and causes readers to question Sara’s version of events. What is real, and what has been distorted? Marshall doesn’t shy away from violence or gore, and readers will feel like they are watching a horror film unfold on the page. Shudder-inducing and unusual, The Rules for Vanishing checks all the boxes for a pulse-thumping read.

Heartwarming or hair-raising, Thirteen Doorways, Wolves Behind Them All and Rules for Vanishing will keep readers up all night.

Very different in tone but equally compelling, these two ghost stories will haunt readers long after the last page.


In Thirteen Doorways, Wolves Behind Them All, Printz Medal-winner Laura Ruby weaves a heart-wrenching story about loss and familial bonds as two girls, an…

We love many fictional characters, but when it comes to Thanksgiving dinner, it takes a special person to earn a place at our families’ tables. These characters would get our plus-ones. Now, who remembers if we pass to the left or right?


Barbie Chang from Barbie Chang
By Victoria Chang
For the eponymous main character in Chang’s poetry collection, being a child is about grieving and caring for an ailing mother; for me, childhood was particularly the latter. My mother gratefully calls me a hero for doing something as simple as writing her resume or taking care of her when she’s sick. My conversation with Barbie Chang would be about not only the mother-child relationship, but also distance and sacrifice, “how quickly the air // around [us fills] in the space afterwards” when our mothers leave—Barbie Chang’s mother in death, mine as I matriculate into adulthood—and the sacrifices mothers make. I want to have dinner with Barbie Chang, and I also cannot wait to have dinner with my mother.

Prince, Editorial Intern

Helen Loomis from Dandelion Wine
By Ray Bradbury
I consider this summery, small-town novel to be Bradbury’s masterpiece, its series of short stories offering some of the most beloved, idyllic scenes in my reading memory, from a paean to mowing the grass to the hopeful creation of a “Happiness Machine.” Some tales crackle with the discovery of being alive, while others curl into the bittersweetness of memory and old age. In one story, we meet 95-year-old Helen Loomis, who is like a Miss Rumphius who speaks graciously, openly and ever kindly about her long and eventful life, the loneliness and freedom of her travels, her wildness and never marrying. Her story is one of love—and everyone at my family dinner would fall totally and helplessly in love with her.

—Cat, Deputy Editor

Ralph S. Mouse from The Mouse and the Motorcycle
By Beverly Cleary
My family likes animals. When my dad was in college, he had a rooster named Jack who lived in his apartment. Later, he and my mom had a kinkajou named Pooh Bear who slept in the cabinets. I’ve picked up the exotic animal baton by adopting two chinchillas (Rupert and Terrence Howard). So if I had to bring a guest of honor to dinner, my family would certainly appreciate if it were a mouse. There are, of course, many fine mice in literature, but Ralph S. Mouse is the obvious standout choice. He’s cute, he has great stories about escaping danger (essential for an ideal dinner guest), and best of all—at least in my Suzuki-driving family—he can do motorcycle tricks.

—Christy, Associate Editor

Gansey from The Raven Boys
By Maggie Stiefvater
Under the right circumstances, I’d love to meet any of Stiefvater’s Raven Cycle protagonists, but Richard Campbell Gansey III is the only one who’d be at ease in any social situation, including dinner with my family. For example: “Because of his money and his good family name, because of his handsome smile and his easy laugh, because he liked people and . . . they liked him back, Gansey could have had any and all of the friends that he wanted.” He’d bring flowers for my mother. He’d call my father “sir.” He’d compliment the meal and offer to help with the dishes. And after dinner, driving me home in his beat-up Camaro, he’d ask, a gleam in his eye, “How much do you know about dead Welsh kings?”

—Stephanie, Associate Editor

Circe from Circe
By Madeline Miller
There is probably no one with a more extensive or fascinating array of stories to tell at the Thanksgiving table than Circe. In Miller’s gorgeous reimagining of the legendary sorceress, Circe encounters Medea, Odysseus, Hermes, Athena and many more iconic figures. She is witness to some of the most well-known stories in Greek mythology, and through Miller’s clear-eyed, rigorously researched perspective, figures of fable become complicated, contradictory beings of flesh and blood (or ichor) rather than cold marble. Also, it’s important to note that many characters are either deeply dismissive of or outright hostile to poor, exiled Circe. As such, she quite frankly deserves a nice family meal where she can sit back and be the highly deserved center of love and attention.

—Savanna, Assistant Editor

We love many fictional characters, but when it comes to Thanksgiving dinner, it takes a special person to earn a place at our families’ tables. These characters would get our plus-ones.

Three new books for young readers—a work of nonfiction, a novel and a unique memoir—offer fascinating insights into World War II, an era that helped shape the world we live in today.


The seeds of World War II were planted during the aftermath of World War I. Harsh financial penalties imposed on Germany, combined with the devastating effects of the Great Depression, contributed to the rise of Adolf Hitler and his Nazi party. Andrew Maraniss explores the prewar period for young readers in his masterful Games of Deception, which reveals the little-known story of the first United States Olympic basketball team. They competed in 1936, the year basketball debuted as an Olympic sport—and the year the games were held, amid controversy, in Hitler’s Berlin.

Young readers will likely be unfamiliar with much of this history, including the boycott efforts that surrounded the games, but Maraniss is an effective storyteller who skillfully paints a picture of the past by focusing on individual people and evocative details. Along with the players’ stories, Maraniss also introduces ordinary people who became eyewitnesses to history; these include a German Jewish boy named Al Miller who never forgot what it was like to watch Jesse Owens run.

The 1936 Olympics were, of course, a prelude to the horrors to come, and Maraniss follows his story through to the war’s end. Full-page photographs, a bibliography and a timeline enhance the book. A fantastic afterword traces Maraniss’ research process, including his meeting with 95-year-old Dr. Al Miller, who managed to escape Hitler’s Germany.

Alan Gratz’s latest novel, Allies, zeros in on one of the most dramatic military operations of all time: D-Day, the invasion of Normandy. Gratz has previously combined meticulous research with compelling characters and action-packed scenes in bestselling books such as Refugee, Projekt 1065 and Grenade. Allies is no different, as Gratz once again draws readers into history.

The novel opens with Dee Carpenter riding in a Higgins boat through the rocking waves on his way to Omaha Beach. Dee is a 16-year-old from Philadelphia who has signed up for the U.S. Army with a fudged birth certificate. But readers find out something else at the end of the first chapter: “His real name was Dietrich Zimmermann, and he was German.”  

The book also follows Samira, an Algerian girl in the French resistance who is trying to sabotage the German occupation and find her mother, with (she hopes) the help of a fearless little dog. Supporting characters include a Jewish soldier, a Canadian paratrooper and a character based on the famed African American medic Waverly “Woody” Woodson, who was part of the all-black 320th Barrage Balloon Battalion on Omaha Beach.

Allies is timely, not merely because of this year’s 75th anniversary of D-Day but also for its contributions to discussions of how individuals, communities and nations can be allies in today’s world.

Like Waverly Woodson, Ashley Bryan was also on Omaha Beach. Now 96 years old, Bryan has published numerous books for young readers, including the Newbery Honor book Freedom Over Me. Infinite Hope is the extraordinary memoir of this hugely beloved figure in children’s literature. Like many veterans, Bryan has never talked about his military service, so his story may take people by surprise.

When his draft notice arrived in 1943, Bryan was a 19-year-old art student who was already familiar with prejudice. One art school interviewer told him his portfolio was the best the school had seen, but “it would be a waste to give a scholarship to a colored person.” With his teachers’ encouragement, Bryan was accepted to Cooper Union, which judged applicants blind. Even this did not prepare Bryan for what he would experience when he joined the Army. “As a Black soldier, I found myself facing unequal treatment in a war that Blacks hoped would lead our nation closer to its professed goal of equal treatment for all.”

Infinite Hope tells the story of Bryan’s journey as a stevedore in the 502nd Port Battalion through mixed media, with large photographs interspersed with sketches, paintings and excerpts from his diary and letters. The result is both an intimate portrait of Bryan himself and a rare insight into the African American experience of World War II and the invasion of Normandy, where Bryan worked nonstop on Omaha Beach unloading cargo in the months after D-Day. Later, while guarding German prisoners of war in France after the war’s end, Bryan realized the Germans were given more respect than black American soldiers. After arriving home in early 1946, Bryan locked his WWII drawings away and rarely spoke of his experiences.

Infinite Hope makes Bryan’s incredible artwork, created in the midst of war, available for the first time. It is a must-read for young people, parents, educators and anyone interested in World War II. Most of all, it is the work of an inspiring American who truly embodies infinite grace.

Three new books for young readers—a work of nonfiction, a novel and a unique memoir—offer fascinating insights into World War II, an era that helped shape the world we live in today.


The seeds of World War II were planted during the aftermath…

Anyone who’s been reading along with some of the most popular YA series would be overjoyed to find one of these titles in their stockings. Just make sure they’re all caught up on the previous volumes first!


The Queen of Nothing by Holly Black
Devoted fans of Holly Black’s bestselling Folk of the Air series have been buzzing with nervous energy over what will become of frenemies Jude and Cardan. Rest assured, Black doesn’t disappoint with The Queen of Nothing.

Jude and her twin sister, Taryn, are humans who have been raised in the faerie kingdom of Elfhame. Although humans are often victims of faerie cruelty, Jude has been trained as a warrior. But after treating King Cardan like a pawn in a game of political chess, Jude has been exiled to the human realm, where she works dangerous jobs for faeries—until Taryn shows up, seeking Jude’s help. Jude risks her life as she pits herself against old friends and new enemies, including her stepfather, who has his eyes on the crown. But survival in the faerie court is fraught with political gambles, disloyal spies and impending war, not to mention confusion about where Jude stands with Cardan. When a curse threatens the kingdom, Jude is forced to make a heartbreaking choice.

Black’s writing flows like honey as she injects intoxicating chemistry into romantic tropes. Jude is clever, cunning and empowered, while Cardan is deliciously flawed and imbued with Black’s biting wit. The Queen of Nothing is a satisfying, if bittersweet, conclusion to this successful trilogy. 

The Toll by Neal Shusterman
In his Arc of a Scythe trilogy, National Book Award winner Neal Shusterman has created a futuristic world as complex and ambiguous as our own. Tackling morality, ethics, life and death, Shusterman’s work is hefty—the entire trilogy clocks in at around 1,500 pages—but ultimately it’s a masterpiece of allegory and plot twists that transcends genre and age. 

In a post-mortal age, an omniscient supercomputer called the Thunderhead has relieved the world of disease, violence and destruction. Humans now live for centuries, creating a problem the Thunderhead cannot address: death. In order to control population growth, some humans are drafted as “scythes” and tasked with murdering citizens efficiently and compassionately. Unfortunately, not every scythe abides by the commandments, and Scythe Goddard’s corruption is undoing all of the Thunderhead’s progress. But Goddard comes up against formidable opponents, including Citra and Rowan, two teens determined to destroy Goddard and his new order, and the Toll, a religious figurehead who can speak to the Thunderhead. When Goddard’s ambitions result in large-scale tragedy, the Thunderhead accelerates its plans for humanity’s survival. But a supercomputer and three humans may be no match for one man intent on bringing the world to its knees. The Toll culminates with star-crossed lovers Citra and Rowan deciding whether to make the ultimate sacrifice for each other. After all, what good is immortality without someone by your side to share it? Gift The Toll to any ardent reader, whether they’re 18 or 80. 

Call Down the Hawk by Maggie Stiefvater
Readers have eagerly awaited Call Down the Hawk, the first book in bestselling author Maggie Stiefvater’s (Shiver, All the Crooked Saints) spinoff trilogy starring the Raven Cycle’s beloved Ronan Lynch. Ronan, who can manifest objects from his dreams into reality, is struggling to adapt to life after high school. His boyfriend, Adam, is away at college, leaving Ronan bored and purposeless. He’s able to keep his dreams under control as long as he stays close to home, but the longer he goes without dreaming, the more disastrous the outcomes. No one understands this better than Hennessy, a thief and con artist who never learned to control her dreams; consequently, they’re slowly killing her. 

Hennessy has a doppelgänger, Jordan, who works as an art forger and whose path intersects with Declan, Ronan’s straight-laced older brother. Declan has spent his whole life lying to protect his family from a covert sect who believe killing dreamers will avert an apocalypse—and Ronan and Hennessy are their next targets.

Call Down the Hawk represents a tonal shift from its predecessors. It feels darker and headier as Stiefvater stretches the confines of her magical constructs and raises the stakes beyond the Raven Boys’ old prep school. This change feels organic to the narrative; as the characters mature and graduate, so must the story. But loyal readers needn’t fear. Beloved characters from earlier books make a few cameos, Adam and Ronan’s relationship has plenty of romantic breathing room, and Stiefvater’s lyrical writing style is a gift in itself. Readers new to the story should start with The Raven Boys, but everyone else will want this on their bookshelf, dog-eared, until the next book in the series arrives.

Anyone who’s been reading along with some of the most popular YA series would be overjoyed to find one of these titles in their stockings. Just make sure they’re all caught up on the previous volumes first!


The Queen of Nothing by Holly Black

Greek to Me by Mary Norris

Mary Norris is sort of my idol. A grammar virtuoso, with a storied career editing some of the greatest writers of the last 40 years, and she studied Greek? In college I minored in Koine Greek, an ancient language so systematic that translating a sentence often feels like solving an algebra problem. In fact, my love for the precision of Greek led me to my current occupation as an editor. Greek to Me: Adventures of the Comma Queen is so suited to my interests that reading it makes me physically giddy—but I assure you that people with fewer than 18 credit hours of Greek to their name will also find plenty to love here. Norris is a sharp-witted, word-perfect narrator, and her wells of knowledge are as deep as they are lyrical. Anybody with a reverence for words will bow down to this book.

—Christy, Associate Editor


The Lies of Locke Lamora by Scott Lynch

I’m a simple woman with simple tastes, and if a book can be genuinely described as a “romp,” I’m probably going to like it. Scott Lynch’s debut novel is a romp set in a fantasy version of Venice populated by con artists, gangsters and a cranky priest/mentor named Father Chains, so I was contractually obligated to love it to pieces. Our titular hero, a snarky trickster who’s very bad with a sword but very good at swindling people out of their money, decides to continue his most ambitious con yet, even though the mysterious Gray King is killing off members of the criminal underworld. Irrepressibly funny even as it goes to some very dark places, Locke Lamora’s heart is pure gold, albeit a bit crooked.

—Savanna, Assistant Editor


Stag’s Leap by Sharon Olds

Throughout life, I have lost many things. Many of those things cannot come back, and many of those things have been people. Every time I return to this collection, I am susceptible to a sense of longing. Every loss becomes current again, even the things I’ve recovered: The one that got away is getting away, the neighborhood I left is leaving, the dead in my family are dying. In my own poetry, I am open to returning to any point in my life, even the most heartbreaking. I love longing and reading about longing. Sharon Olds’ obituary for her marriage brings about feelings I share and enjoy taking notice of. I have found an abundance in loss, and I think, more likely than not, it can unite and bring about something else, or someone else—that someone else possibly being a better me.

—Prince, Editorial Intern


The Scorpio Races by Maggie Stiefvater

I was 7 years old the first time I heard a pennywhistle. It was on a Chieftains cassette my mom played in the car. Something about that music—the plaintive whistle, the lumbering bagpipes, the sprightly fiddle, the pulsing bodhran—called to something deep in my bones. That same call sings in Maggie Stiefvater’s award-winning novel The Scorpio Races, a salt-soaked, wind-whipped ode to the way a fast horse at a flat-out gallop can feel like flight and freedom. The story is set on a small fictional island off the coast of Scotland you’ll be shocked not to find on a map. If you’ve ever experienced the bittersweet desire to visit a place that feels real but isn’t, the next boat for Thisby leaves on the first page of The Scorpio Races.

—Stephanie, Associate Editor


Virgil Wander by Leif Enger

I moved away from Minnesota when I was 11, so I can’t claim any ownership of its lakes and woods beyond my earliest memories. But almost better than those recollections is the Minnesota that lives in my imagination, and Leif Enger has contributed to that vision in no small way. Minnesota is a heavenly and forbidding landscape, this I know to be true, but I’ve never had a chance to understand the people who choose to live in such a cold place. Enger’s stories give me a little bit of that, and his third novel finds the members of a small town doing their best to cultivate some collective healing. The reader is looped in to their process through Virgil, who’s attempting to reclaim his life after a car crash. Like the kites flown over Lake Superior by an elderly character, the heart can’t help but lift.

—Cat, Deputy Editor


The Hold List features special reading lists compiled by BookPage staff—our personal favorites, old and new. 

When a book finds its ideal reader, it feels like the best kind of magic—as if the author has written a love letter straight to you. Though these books are loved by many, we accept them as the perfect gifts that they are.

My Brilliant Friend by Elena Ferrante

What if we considered our lives as marked not by romantic entanglements but by the big friendships that nourish and thwart us? The first in Elena Ferrante’s Neapolitan novels, My Brilliant Friend depicts the early lives of narrator Lenù and her best friend Lila, who come of age, dramatically, by the book’s end. Their impoverished Naples neighborhood is rife with violence: Early in the novel, Lila’s father throws her out a window, breaking her arm, and the girls routinely witness neighbors being beaten in the street by the local mafia. Both girls show promise in elementary school; while Lenù must study hard, Lila seems to excel without trying. Idolatrous as much as they are envious of each other, Lila and Lenù are cutthroat competitive, but they find that their friendship creates space for imagination, creativity and envisioning a future outside of their neighborhood. Until that space abruptly closes, and Lila sees that her future will be one of mere survival. Few narratives capture the euphoric, gutting fluctuations of friendship so specifically. Translated from Italian by Ann Goldstein, Lenù’s singular voice is propulsive and urgent. You will see yourself in both characters, and you will be drawn to the darkness. 

—Erica Ciccarone, Associate Editor


Remarkably Bright Creatures by Shelby Van Pelt

Growing up, I was utterly obsessed with the ocean, and I wanted to be a marine biologist. Unfortunately, I eventually learned that marine biology was more science and less dolphin whispering, but I still get excited when I come across a story that recognizes the magic of the marine world. The premise of Remarkably Bright Creatures immediately caught my eye: a giant Pacific octopus befriends an elderly woman and helps her solve the mystery of her son’s death. Tova, our protagonist, is gentle yet resilient, earning the adoration of Marcellus (the octopus) as she works the night shift cleaning his aquarium. Marcellus has an agenda of his own—yes, we get to hear the octopus’s thoughts—but he balances it with compassion for Tova and for the human race that humans, honestly, could learn from. The characters in this story are kind to each other, yet the goodness doesn’t feel contrived. Rather, Shelby Van Pelt has achieved a tale where there are no villains but the stakes are still high. Tova and Marcellus each have a heart as big as the deep blue sea, and their unique bond reminds us what we stand to gain from offering love, empathy and generosity to the remarkably bright creatures around us.

—Jessica Peng, Editorial Intern


First Test by Tamora Pierce

In First Test, Tamora Pierce takes readers back to the enchanting and beloved realm of Tortall, which was first introduced in her acclaimed young adult fantasy series, the Song of the Lioness. Although it has been 10 years since it was decreed legal for women to become knights, Keladry of Mindelan (Kel) is the first girl brave enough to openly train for knighthood. Facing extreme scrutiny, an unfair probationary year and a training master hellbent on her failure, it seems like Kel might never achieve her dream. Enter Nealean of Queenscove (Neal), who is also considered an oddity as the oldest of the first-year pages. Neal takes Kel under his wing and becomes one of her biggest champions in her uphill battle to prove that she’s just as good as the male pages. As they bond over being set apart due to their unusual circumstances, their friendship allows them to overcome every obstacle thrown their way, from hazing taken way too far to being thrown into the middle of a very real battle. Together, best friends Kel and Neal prove that they are exactly where they are meant to be.

—Meagan Vanderhill, Production


On Earth We’re Briefly Gorgeous by Ocean Vuong

On Earth We’re Briefly Gorgeous is an unusual love letter—written by a son to his mother, even though she cannot read. As a child in Vietnam, her school was destroyed by American napalm. Her son, called Little Dog, grew up in Hartford, Connecticut, after she immigrated there with him, and became a writer. With this letter, he is putting into words the physical language of harm and care that forms their intricate bond. He describes the impact of her PTSD from living through the Vietnam War, combined with the isolation and vulnerability of being unable to speak English in Hartford: When he tells his mother he was attacked by bullies at school, her response is to hit him, then admonish him to use his English to protect himself, because she cannot. In a way, his journey into writing is an act of love towards her, the fulfillment of her wish, even as it takes him further and further from her. Vuong tells this story with arresting beauty and intensity, following Little Dog through world-shifting experiences with love, sex and loss into his adulthood as a published writer.

—Phoebe Farrell-Sherman, Associate Editor

Valentine’s Day draws our attention to romance, but these four tales of friendship, connection and the parent-child bond affirm that platonic love is just as beautiful and impactful as romantic love—if not more.

There’s plenty of love to be had in this trio of romantic books. Social media plays a key role in all three, facilitating flirting, turning up the tension and making the will-they-won’t-they even more thrilling. The hopeless (and hopeful) romantic will find much to savor.


Tweet Cute
High school senior Pepper Evans misses how things used to be. Not long ago, her family lived in Nashville, her parents’ marriage was intact, and the restaurant they founded, Big League Burger, hadn’t yet grown into a megachain. Now, in debut novelist Emma Lord’s Tweet Cute, Pepper’s sister is at college, her dad’s in Nashville, and she’s attending a fancy private school in New York City. When she’s not juggling AP classes, debate club and swim team—or fretting about her parents’ divorce—she’s co-writing a baking blog and being pestered by her CEO mom to handle BLB’s social media. 

Meanwhile, Pepper’s classmate Jack Campbell has a lot on his plate, too. He works in his family’s popular East Village deli and feels pressured to someday take it over. But does he want to? He’s trying to figure it out when disaster strikes. BLB tweets about a sandwich that copies an item on his family’s deli menu, and Jack claps back, kicking off a snarky Twitter war that garners the attention of internet influencers and the media. As Pepper and Jack duke it out on Twitter, they’re also flirting on an anonymous messaging app—and getting closer in real life as well.

Lord creates delicious, funny suspense around whether the teens will finally reveal their identities and have a huge argument or, even better, a huge make-out sesh. Tweet Cute empathetically conveys the tension of feeling torn between pleasing one’s parents and planning an independent future. Lord’s characters are a likable, smart, diverse bunch, and readers will eagerly follow along as secrets explode and romance blooms online and IRL.

Yes No Maybe So
Fans of bestselling authors Becky Albertalli (Simon vs. the Homo Sapiens Agenda) and Aisha Saeed (Written in the Stars) will be thrilled to get their hands on their new joint effort, Yes No Maybe So, an earnest and engrossing of-the-political-moment story about Jamie and Maya, who were friends as children and reconnect a decade later when their moms volunteer them to canvass for a newbie Democratic state senate candidate. 

Jamie is deeply self-conscious about his awkwardness and trying to tread lightly around his mom and sister’s feverish bat mitzvah planning. Maya is reeling from an emotional one-two punch: Her bestie has become distant as she prepares to leave for college, and her parents just began a trial separation—in the middle of Ramadan. She’s not thrilled about canvassing, but her mom dangles the promise of a car, so she dives in, joining Jamie and his quirky, civic-minded family as they try to bring change to their city of Atlanta, Georgia. As their interest in politics and policy grows into true activism, Jamie and Maya realize they’re becoming passionate about each other, too. 

Albertalli and Saeed have created a lovely cross-cultural romance and a compassionate exploration of what’s worth fighting for, especially when the outcome is uncertain. It’s full of messages of hope, loving support and the empowerment that comes from pushing for change and taking action.

★ The Gravity of Us
Self-proclaimed space nerd Phil Stamper’s The Gravity of Us is so interesting and well crafted that it’s hard to believe it’s his first novel. He harkens back to mid-20th-century NASA, when astronauts were heroes and their seemingly perfect families served as living public-relations tools for the space program. As it turns out, things aren’t so different when it comes time for NASA’s Orpheus V mission to Mars. 

Whiz-kid Cal Lewis, a savvy 17-year-old from New York City, is shocked when his commercial airline pilot dad announces he’s been selected for Orpheus, which means their family is moving to Houston . . . in three days. Cal is devastated to be leaving his best friend, his beloved city and perhaps his budding career. An entertainment network, Star Watch, has an exclusive contract to cover the mission, which means Cal, a well-known video journalist with half a million followers on the FlashFame app, will have to give up his BuzzFeed internship. Even worse, he may not be able to report anything anymore. 


ALSO IN BOOKPAGE: Read an interview with The Gravity of Us author Phil Stamper.


As his life changes at warp speed, the questions mount: Will Cal be able to survive hot, humid Houston? Will his parents ever stop arguing? How can he be a journalist without the internship and FlashFame? But isn’t it nice that the enchanting Leon, son of another astronaut, lives in Cal’s brand-new, astronaut family-packed neighborhood? 

It’s thrilling to witness Cal using his social media savvy to find a way around barriers to his reporting and his happiness. Stamper shines a light on the vagaries of reality TV and a space program dependent on tenuous government funding, while giving a platform to the nonastronauts who are also passionate about space exploration—from soil scientists to the families swept up in this all-consuming career choice. Readers will root for Cal and Leon, their budding romance, their astronaut families and, of course, the prospect of life among the stars.

There’s plenty of love to be had in this trio of romantic books. Social media plays a key role in all three, facilitating flirting, turning up the tension and making the will-they-won’t-they even more thrilling. The hopeless (and hopeful) romantic will find much to savor.

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Home: It’s a loaded little word with different implications for everyone. Tradition says it’s a locus of comfort and security, a place where family members offer unconditional love. The reality, of course, is often very different. What happens when home is a source of uncertainty and upheaval? Two YA novels provide teen perspectives on navigating life’s obstacles in the absence of the centering force of home.

Jennifer Longo’s What I Carry is narrated by Muiriel, Muir for short, a resilient young woman born an orphan at the John Muir Medical Center (for which she was named) in California. Almost 18 and wise beyond her years, she’s about to age out of the foster-care system.

Compared to other foster kids, Muir feels she has certain advantages. She’s white, she doesn’t agonize over memories of lost family members, and she’s had the same social worker for nearly her entire life. It was kindhearted Joellen who once gave her a book called The Wilderness World of John Muir, a collection of writings by the great naturalist. The volume inspired Muir to hone her survival skills amid the unpredictable world of foster care. Carrying with her only the bare essentials, she lives out of her suitcase and doesn’t own a phone. Eleven months is the longest she’s ever stayed with a foster family, and where exit strategies are concerned, she’s a pro.

After Muir moves into a foster home on an island not far from Seattle, her outlook changes. She connects with her foster mother, Francine, and befriends Kira, a talented young Japanese American artist. When she meets a fellow nature lover named Sean at her forestry internship, she finds herself falling hard—both for him and for her new life. But staying still has never come easy to Muir, and as the novel progresses, she wrestles with her instinct to run.

Longo has a gift for arresting details: “Slamming doors are birdsong in a foster house—always there,” Muir observes, “a kind of background music.” Longo writes with warmth, humor and a flair for good old-fashioned storytelling, spinning subplots involving Kira and other supporting characters to create a beautifully realized tale of a teen’s search for her place in the world.


ALSO IN BOOKPAGE: Read our Q&A with What I Carry author Jennifer Longo.


Izzy Crawford, the 16-year-old narrator of Maria Padian’s How to Build a Heart, is on journey similar to Muir’s. Izzy’s father, a Marine, died in Iraq when she was 10. With her mother, Rita, and little brother, Jack, Izzy has bounced from town to town over the years.

Now settled in Clayton, Virginia, in the Meadowbrook Gardens Mobile Home Park, the Crawfords are struggling to make ends meet. Izzy, a junior at the girls-only St. Veronica Catholic School, is ashamed of her home situation and keeps the details of her family life a secret. But an unexpected friendship with wealthy Aubrey Shackelton, whose brother, Sam, is the heartthrob of Clayton County High School, opens up new possibilities for Izzy. And when Sam shows an interest in her, she’s suddenly in “Crush Hell.”

Izzy maintains her precarious social facade until the Crawfords are chosen to build their very own house through Habitat for Humanity. The selection will be announced to the public and will invariably blow her cover. Afraid she’s about to become the “poverty poster child of Clayton, Virginia,” Izzy is forced to make important decisions about herself and her future.

As the story unfolds, so do the many layers Padian has built into the novel. Izzy’s father was Methodist and Southern, while her mother is Puerto Rican and Catholic; these differences have caused friction in their extended family. Readers are bound to see a bit of themselves in Izzy as she copes with the conflicting sides of her background, along with social pressures and delicate new friendships.

How to Build a Heart is a sensitively rendered story, but it’s also a fun read, brisk and engaging. There are mean girls who get their comeuppance, text-message mix-ups and, yes, the thrill of first love. Like What I Carry, Padian’s book demonstrates the importance of home as a source of support and identity for teens. Both novels illustrate that while family configurations may shift, the need for a home remains a constant. There really is no place like it.

Two YA novels provide teen perspectives on navigating the life’s obstacles in the absence of the centering force of home.

In the event of a zombie apocalypse, it would be wise to have a plan in place. Perhaps most importantly, who would be on your team? We’ve picked our preferred partners—magical powers are allowed, but no dragons, bears or mythical beasts!


Edmond Dantès from The Count of Monte Cristo by Alexandre Dumas

I have long resigned myself to my own lack of apocalypse survival skills. I can’t run without getting winded. I don’t have combat skills. I can’t farm or dress wounds or build shelter or tools. In truth, I would be among the first to go—unless I aligned myself with someone wealthy and powerful. Edmond Dantès is the perfect choice: rich, scrappy and weirdly fixated on avenging himself against those who have wronged him. We could quite comfortably wait out the apocalypse from inside his château. And if that fails, the man owns his own island. Everybody knows zombies can’t swim, so a quick yacht ride to the Island of Monte Cristo would solve our little army-of-the-undead problem.

—Christy, Associate Editor


Sabriel from Sabriel by Garth Nix

Like many of my colleagues, my talents are perhaps better suited to rebuilding the world after the zombie apocalypse than surviving it in the first place. That’s why I need someone like Sabriel on my team, and not only because she possesses a bandoleer of seven magical bells with the power to send the dead back through the nine gates of death to their final rest, although I acknowledge that will come in handy. But Sabriel is also resourceful, adept at other forms of magic, brave and kind. As we make our way to a population-sparse area like—ha, as if I’d tell you my plans—I know she’ll leave me behind only if she absolutely has to, and if I get bitten, she’ll make my death swift and ensure I stay dead.

—Stephanie, Associate Editor


Frank Mackey from Faithful Place by Tana French

My biggest fear wouldn’t be zombies, as they are usually stupid. I’m more afraid of humans in a crisis, as they are, historically, the worst. And that’s why I want Irish undercover cop Frank Mackey on my team. First introduced in Tana French’s The Likeness, Frank becomes the central character in Faithful Place, which puts his ability to pursue multiple, sometimes conflicting objectives—while manipulating almost everyone around him—to the hardest test, as he has to do it to his own dysfunctional family. If he can do that and emerge (somewhat) in one piece, he’d easily survive the human chaos of an apocalypse. Frank is also funny as hell, so we’d have some laughs while trying not to die.

—Savanna, Associate Editor


Vasya from The Bear and the Nightingale by Katherine Arden

To give myself a real shot at living through this, I need a partner with knowledge of mythical and otherworldly situations, as well as the powers to match—and I need her to live in the middle of nowhere. In Katherine Arden’s debut novel, headstrong young Vasya is an heir to old magic and has the abilities to protect her family from dangers that are plucked straight out of folklore. She’s got a great attitude—which I’ll appreciate when I get upset about the situation—and she excels at riding horses and saving people, so we’ll get along great. We’ll treat the apocalypse like it’s a long winter night, hidden away so deeply in the wilderness of northern Russia that we might not even notice when the end of the world is over.

—Cat, Deputy Editor


Captain Woodrow F. Call from Lonesome Dove by Larry McMurtry

Genre-bending is prominent in today’s cultural landscape. From rock with hip-hop beats to Mexican-Korean fusion, the lines have dissolved. All of these hybrids make me think that a cowboy would feel right at home in the zombie apocalypse, and Captain Woodrow F. Call—brave, strong, levelheaded and loyal to the bone—is the paragon of cowboy-ness. Take, for example, when Call saves Newt, the youngest member of the Hat Creek Outfit, from a soldier harassing him. Call beats the man to a pulp until Gus McCrae has to lasso him off. The only explanation Call offers for this violent outburst: “I hate rude behavior in a man. I won’t tolerate it.” Just imagine what the man would do to a zombie!

—Eric, Editorial Intern

In the event of a zombie apocalypse, it would be wise to have a plan in place. Perhaps most importantly, who would be on your team?
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Across a range of settings both historical and fantastical, three new young adult fantasy novels place determined young women and the challenges they face front and center.


The Kingdom of Back
For Nannerl Mozart, a girl in Salzburg, Austria, in 1759, the imaginary kingdom of Back serves as a joyful reprieve from the hours she spends practicing piano with her little brother, Wolfgang. The two prodigies entertain themselves by inventing stories about Back as they tour Europe to perform for the monarchy.

In The Kingdom of Back, a historical fantasy by Marie Lu (Legend, The Young Elites, Warcross), the young Mozarts discover that Back is not only real but also a source of their musical genius. But their father decrees that musical composition is not appropriate for women and that performing is not a suitable pursuit for a young lady like Nannerl. Now only Wolfgang is allowed to compose music. Enter Back’s blue-skinned princeling, Hyacinth, who promises that Nannerl will achieve immortality for her musical talent, if she will only assist him with a quest. Alas, the princeling’s offer comes at a price (as offers of help in fairy tales often do).

Throughout The Kingdom of Back, Nannerl fears she will be eclipsed by her brother, and Lu explores how much both Nannerl and Wolfgang are willing to sacrifice for the opportunity to share their genius with the world, as well as the complications of familial jealousy and betrayal. Lu wisely calibrates her contemporary perspective on her historical characters. With a light touch, she illustrates how the gifts of talented, ambitious young women like Nannerl were overlooked and unappreciated. Indeed, simply because he had the good fortune to be born a boy, Wolfgang Amadeus Mozart was allowed to nurture his genius, while the real Nannerl was largely lost to history. In Lu’s capable hands, she’s finally resurrected, and her story and music sing.

 

Mermaid Moon
If you think you know about mermaids because you’ve seen Disney’s The Little Mermaid, think again. The sirens in Susann Cokal’s Mermaid Moon are matriarchal, and their songs lure humans to the sea to be killed. This reenvisioning of the Hans Christian Andersen fairy tale is no Disney movie; in fact, it offers a rather dim view of humankind from a siren’s perspective.

Mermaid Moon’s heroine is Sanna, whose father is sea-vish (a merman) but whose mother is land-ish (a human). To forestall the inevitable scandal, a witch cast a forgetting spell on nearly everyone present at Sanna’s birth. Now a young woman, Sanna has become the witch’s apprentice, but her dearest hope in life is to go on land and find her human mother.

Cokal, whose previous book, The Kingdom of Little Wounds, received a Printz Honor, spins a sprawling plot, populated by a large cast of both sea- and land-dwelling characters. (Oh, and there’s also a dragon.) Amid this fantasy world, Sanna is swept up by the problems of humankind—namely the highly religious and patriarchal society of the land-ish. When she comes ashore, the villagers regard her as a saint, and the local baroness effectively kidnaps Sanna to force her to marry her son. Sanna not only needs to find her mother, but she must also escape the confines of land-ish matrimony.

While Sanna’s quest to learn the truth is sometimes painful, it’s also, in the end, worthwhile. Mermaid Moon is an action-packed tale of parental abandonment, familial longing, treachery and dark magic, with an appealingly determined heroine. 

 Red Hood
Bisou, the protagonist of Elana K. Arnold’s fast-paced Red Hood, lives with her grandmother, Mémé. After Bisou kills a wolf that attacks her in the woods, she learns that she is one of a small group of women who become supernaturally powerful during their menstrual cycles, and she must use these gifts to protect other women from wolves—who are actually men and boys who’ve committed terrible acts of violence against women. The wolves will show no mercy, and neither must Bisou. But as she develops her gifts, Bisou begins to realize the weight of her vengeful violence may also be a burden.

Red Hood recognizes that teens can and do become the victims of violence just as easily as adults. In a culture where violent acts are reported on the news every night, stories to help teens confront and reckon with this reality are vital. Award winner Arnold (Damsel, What Girls Are Made Of) addresses her readership with knowledge and ease, even when writing about delicate subjects such as sexuality, consent or the victim-blaming that can occur after an assault. 

A graphic, visceral fantasy that doesn’t pull its punches and often reads like a thriller, Red Hood depicts young women growing into their anger and developing a will to fight. “It’s not that we need more wolf hunters,” Bisou says, after she has killed her second wolf/boy. “It’s that we need men to stop becoming wolves.” I want to give this book to every teenager I know.

Across a range of settings both historical and fantastical, three new young adult fantasy novels place determined young women and the challenges they face front and center.
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 Stamped
To foster a fruitful discussion about race in America, begin with an essential resource like Jason Reynolds and Ibram X. Kendi’s Stamped: Racism, Antiracism, and You. It “is not a history book. . . . At least, not like the ones you’re used to reading in school.”

A “remix” of Kendi’s Stamped From the Beginning: The Definitive History of Racist Ideas in America, the book begins by dividing racial thought into three categories—segregationist, assimilationist and anti-racist—and clarifying that a person can articulate thoughts from more than one category in the span of a day and can certainly change camps over the course of years or a lifetime. It then follows the trail of racist and anti-racist ideas as they have challenged each other across history, from the first-known written record of racist ideas in 15th-century Europe to the arrival of Europeans on North American shores, all the way through contemporary American society.

This may sound like an epic feat for a slim volume written for young readers—and it is. More than merely a young reader’s adaptation of Kendi’s landmark work, Stamped does a remarkable job of tying together disparate threads while briskly moving through its historical narrative. Employing his signature conversational tone, Reynolds selects key names to dwell on, revealing complex motivations behind their actions and diving fearlessly into their contradictions.


ALSO IN BOOKPAGE: Go behind the scenes of Stamped with Jason Reynolds and Dr. Ibram X. Kendi.


This Book Is Anti-Racist
Once readers have been introduced to Stamped’s thorough overview of the history and modus operandi of racist and anti-racist thought, the next steps are self-reflection and action. Turn to This Book Is Anti-Racist, written by Tiffany Jewell and illustrated by Aurélia Durand. It’s a handbook for how to be an anti-racist in a racist world, with neatly organized sections that guide readers through its mix of theory and practice.

First, Jewell encourages readers to explore their own identities and to consider how we all “carry” history. Next, she offers a guide on preparing to act against racism, including strategies such as disruption, interruption, calling in and calling out. Finally, she invites readers to consider how to work in concert with others through allyship, spending privilege, self-care and more. At the end of each section, journaling and writing activities help to solidify and personalize the content.

Jewell uses a mixture of facts and personal anecdotes to illustrate each concept. Her text speaks directly to young people and acknowledges their limitations—as well as their great potential—in a world where many decisions are made by adults. She is honest about the discomfort and risks involved in taking action against racism and encourages readers to reflect and prepare before they do so.

Durand’s colorful artwork depicts wonderfully diverse groups of young people, and it combines with Jewell’s intentional use of inclusive language to provide a safe and inviting way for teen readers to reflect on the world’s issues and their place in solving them.

Two books confront the history of racism in America and provide a road map for teens to take action.
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Whether fact or fiction, this month’s best audio selections challenge the heart and the mind with thought-provoking stories. 


★ Such a Fun Age 

In Kiley Reid’s debut novel, Such a Fun Age, Emira is a black woman babysitting for a white family while figuring out what to do with her life. Late one night, while perusing a supermarket’s aisles with the family’s toddler, she is accused of kidnapping. In this intense scene, the listener is put in the shoes of a young black woman who may be sent to jail—or worse—for something so obviously unjust. Emira’s name is cleared, but the event shifts her relationship with her employer. The mom, Alix, wants Emira to view her as a trusted friend while continuing to treat her like a servant. When someone from Alix’s past gets tangled up in Emira’s life, things get even crazier. Narrator Nicole Lewis so effortlessly switches between Emira and Alix that I thought there were two narrators. This is a thoroughly fun listen with the feel of a good gossip sesh, but it’s also an utterly current take on race and class in America with the power to transform how many listeners view and react to the subtle cues of racism.

Tightrope

With Tightrope: Americans Reaching for Hope, Pulitzer Prize winners Nicholas D. Kristof and Sheryl WuDunn address the devastating challenges faced by working-class Americans as they attempt to gain an even footing, let alone try to achieve the American dream. The book narrows in on real stories, tells us where we went wrong as a country and offers hopeful solutions—if we’ll only listen and make a change. Listening to the audiobook feels like bingeing a few great episodes of “This American Life.” Personal stories from blue-collar America show the lives behind the statistics and make their struggles hard to ignore. Actor Jennifer Garner, narrating an audiobook for the first time, lends an emotional weight to these harrowing stories.

Loveboat, Taipei

Abigail Hing Wen’s fun and exciting Loveboat, Taipei follows 18-year-old dancer Ever Wong, an Ohio-raised teen who has little in common with her Chinese parents. She feels pressured by them to go to medical school instead of pursuing her love for dance and choreography. When they send her to Taipei to study Chinese during the summer before college, she thinks she’s being punished. Instead, she discovers a thrilling world run by smart, creative teenagers where love connections abound. Narrator Emily Woo Zeller navigates a large cast of characters from multiple countries and regions and captures Ever’s earnest passion and inner turmoil.

Whether fact or fiction, this month’s best audio selections challenge the heart and the mind with thought-provoking stories. 
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Stories about World War II continue to resonate with young readers. These four titles offer distinct formats—a young adult novel, a work of nonfiction, a graphic novel, and a middle grade novel—but all capture the horror, the humanity and the hope of this moment in history.

A Holocaust heroine
Sharon Cameron’s young adult novel The Light in Hidden Places is based on the true story of Holocaust heroine Stefania Podgórska, a 16-year-old Catholic girl in Poland who not only took care of her younger sister but also hid 13 Jewish people in the attic of her tiny apartment.

In order to tell Stefania’s story, Cameron (The Dark Unwinding, The Knowing) did extensive research, which included interviewing several of the attic’s survivors, gaining access to Stefania’s unpublished memoir and traveling with Stefania’s son to Poland. There, they visited the places in which this incredible tale unfolded. Cameron saw for herself the minuscule, cramped space where 13 people cowered for more than two years with no electricity, water or toilet, and which Stefania and her sister could only access via a ladder to bring them food and water and carry out their waste in buckets. 

What’s more, an SS officer lived in an adjacent apartment for months, and by the end of the war, two German nurses had moved into Stefania’s apartment. The nurses often brought their SS boyfriends home for the night, making Stefania feel like she was not only secretly and illegally hiding Jewish people but also “running a Nazi boarding house.”

Cameron’s wide-ranging research and deft storytelling abilities combine to create an astoundingly authentic first-person narration. Her exquisite prose conveys in riveting detail exactly what it was like for Stefania to live through the horrors she witnessed, as well as the difficult decisions that had to be made by both survivors and those who did not, ultimately, survive.

Though it at times reads like a memoir, The Light in Hidden Places is a tense and gripping novel, full of urgency, in which death seems to wait around every corner. Although it’s still early in the year, it seems destined for my list of the best books of 2020.

The Kindertransport kids
When 6-year-old Frieda Korobkin’s parents told her that she and her siblings were going on a “great adventure,” she had no idea they would leave their parents behind in Vienna, Austria, to go to England as part of a Kindertransport, an evacuation effort for Jewish children, in December 1938. As they walked to the train station, two thugs attacked Frieda’s father and cut off his beard. When they finally reached the station, Frieda was so frightened that her father had to force her, kicking and screaming, onto the train; the angry, bewildered girl refused to wave goodbye. “As a result,” she remembers, “I am haunted forever by the image of my father standing desolate and bleeding on that station platform, watching helplessly as the train carrying his four children vanished before his eyes.”

This is just one of the many personal stories included in Deborah Hopkinson’s outstanding work of nonfiction, We Had to Be Brave: Escaping the Nazis on the Kindertransport. This relief effort saved 10,000 children, mainly from Germany and Austria. In engrossing, lively prose, Hopkinson, who contributes regularly to BookPage, has compiled many of their stories, personally contacting many of these now-elderly survivors. “Before they were refugees,” she writes, “before they were victims, before they were survivors, they were ordinary children and teens. They were like you.”

Hopkinson zeroes in on these personal stories while also skillfully setting the historical stage every step of the way. “Look, listen, remember” sidebars throughout the book will guide curious readers to related online video and audio links. Hopkinson also includes a wealth of photographs and helpful follow-up information, including brief accounts of the later years of the many survivors she profiles.

Despite their seemingly bleak circumstances, the survivors’ stories include a multitude of hopeful and redemptive moments. As Hopkinson notes in her introduction: “We may not be able to change the entire world. But what we do matters. We can be brave and raise our voices to make sure others are not silenced, hurt, or bullied.”

We Had to Be Brave is a powerful book that will haunt readers—and should.

Photos of hope amid despair
Bearing witness. That’s what Catherine Colin does in the fascinating graphic novel Catherine’s War, a coming-of-age story written by Julia Billet and inspired by her mother’s life. Like Catherine, Billet’s mother was one of the Jewish children who attended the progressive Sèvres Children’s Home outside Paris and was moved from place to place all over France to avoid capture by the Nazis.

Catherine’s real name is Rachel Cohen. In order to stay alive, she must take on a Catholic identity and leave her family and friends behind. Her Rolleiflex camera becomes both her passion and lifeline, allowing her to chronicle the bright moments as well as the turmoil and danger she encounters as she hides in a monastery school, a rural family farmhouse, a chateau orphanage and a house in the woods that belongs to a fighter in the French Resistance. “I love seeing the world through the viewfinder,” she says. “One click stops time.”

And what a time it is. Claire Fauvel’s lively illustrations help readers keep track of these many locales and of the people Rachel encounters, as well as her multitude of experiences (eating pork soup for the first time, photographing three young girls who are later taken by the German police, falling in love). The easy, sketch-like quality of Fauvel’s panels lends immediacy to the narrative and humanity to the characters. Her illustrations seem particularly suited to moments of tension, especially in scenes where adults must punish the children for small errors that could prove costly, including accidentally responding to their real names or making the sign of the cross with the wrong hand.

Haunted by the losses she has suffered, Catherine stops taking photos for a while, but eventually finds her way back to her camera, able to once again see “beauty everywhere, hidden in each reflection.” She eventually witnesses the liberation of Paris and travels the world to continue her artistic journey. Catherine’s War packs a big story within its pages and serves as a tribute to the healing power of art and and to the promise of hope, even in the midst of death and danger.

Young heroes of France
Maggie Paxson’s 2019 nonfiction book for adults, The Plateau, garnered acclaim for telling the story of the Vivarais-Lignon plateau in southern France. It’s an area that has welcomed refugees for centuries; during World War II, the villagers of Le Chambon successfully hid Jews and foreigners throughout their town. Now, Newbery Honor winner Margi Preus (Heart of a Samurai) focuses on the heroic actions of numerous young people in Le Chambon in Village of Scoundrels, a middle grade novel.

Preus bases her characters on a variety of real-life heroes to tell a bold, exciting story with precision and passion, full of action at every turn. Red-headed Philippe sleeps all day and transports people and vital items on his sled at night. Jean-Paul sets up shop forging documents, putting his life in danger, as he also tries to attend medical school, even though, as a Jewish person, he isn’t allowed to do so. Celeste carries messages for the Resistance and overcomes her paralyzing fears. “It’s as if we’re fighting our own little war, all by ourselves,” she observes. Each of their narratives depicts people, young and old, who must make excruciating moral choices and muster extreme courage in the face of grave danger. Celeste so wisely concludes, “They had no choice but to be brave. They had no choice but to take action.”

Middle-grade readers will be both transfixed and inspired by the many acts of courage chronicled in Village of Scoundrels.

Stories about World War II continue to resonate with young readers. These four titles offer distinct formats—a young adult novel, a work of nonfiction, a graphic novel, and a middle grade novel—but all capture the horror, the humanity and the hope of this moment in…

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