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High school senior Abby’s home life in Washington, D.C., is a mess best left untouched, and her love life? Ugh. She’s still reeling from her breakup with her ex-girlfriend, Linh, and trying to figure out how they can go back to being friends. Little things like her college applications have been forgotten altogether. When she must improvise her senior creative writing project on the fly, she randomly lands on 1950s lesbian pulp fiction. As she starts researching in order to write her own modern novel in the same style, she becomes obsessed with one pseudonymous author (known as Marian Love) and decides to find her real identity.

Abby’s story in the present dovetails with another tale set in 1955, when closeted teen Janet Jones finds one of those same novels. In the 1950s, those pulpy novels are required to have tragic endings or a spontaneous renunciation of same-sex love, and it seems as though Janet’s own story is headed that way. The best friend she’s in love with isn’t prepared to lose everything, and running away seems like the only option.

Author Robin Talley (Lies We Tell Ourselves) contrasts Abby’s life in present-day D.C., where she’s comfortably out to her friends and busy protesting Trump-era policies, with Janet’s in 1955, when even a rumor of homosexuality is grounds for investigation under the pretext of exposing Communists. This comparison makes Pulp both a mystery and a history lesson, and it’s quite moving. Talley’s afterword highlights some of the real history—complete with lists of real lesbian pulp fiction authors and their published titles—that underlies Janet’s fictional story. It’s remarkable how far gay rights and U.S. culture have come, but Talley notes that you can still be fired or evicted for being gay in 28 states today.

Pulp neatly moves between two similar girls’ very different worlds and offers a pointed reminder that history is never that far behind us.

 

ALSO IN BOOKPAGE: Read a Behind the Book essay from Robin Talley on Pulp.

This article was originally published in the November 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

High school senior Abby’s home life in Washington, D.C., is a mess best left untouched, and her love life? Ugh. She’s still reeling from her breakup with her ex-girlfriend, Linh, and trying to figure out how they can go back to being friends. Little things like her college applications have been forgotten altogether. When she must improvise her senior creative writing project on the fly, she randomly lands on 1950s lesbian pulp fiction. As she starts researching in order to write her own modern novel in the same style, she becomes obsessed with one pseudonymous author (known as Marian Love) and decides to find her real identity.

BookPage Teen Top Pick, November 2018

Cutthroat. Ruthless. Unpredictable. That’s modern politics, but it’s also modern high school. In Gordon Jack’s satirical novel, Your Own Worst Enemy, three candidates fight dirty to be Lincoln High’s next student-body president.

Stacey Wynn was supposed to have this in the bag. She’s running unopposed, and after all, who has done more for this California high school than she? She champions all the clubs, attends all the spirit rallies, and she hands out free cupcakes—off school grounds and in accordance with the state’s strict nutritional policy, of course.

With her best friend and campaign advisor, Brian, by her side, Stacey thinks that all she needs to do is rehearse her acceptance speech—until Julia Romero, a new student and French-Canadian immigrant, shows up and throws her hat into the ring. The race gets even more complicated when Chinese-American Tony Guo, a stoner and slacker, is manipulated by a Steve Bannon-esque freshman into running on a populist platform.

What should have been a quiet election turns into a circus of misinformation, fake news and low-down tactics. Will the best candidate for the job win?

Jack succeeds in using the microcosm of high school to explore the complexities of race, privilege and class as it relates to the American political process. And through multiple points of view (the three candidates, Brian and his troubled brother), readers get a sense of the personal stakes involved for everyone in the political arena. While the current political landscape is polarized, Your Own Worst Enemy reminds us that hope lies with the younger generations.

 

This article was originally published in the November 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Cutthroat. Ruthless. Unpredictable. That’s modern politics, but it’s also modern high school. In Gordon Jack’s satirical novel, Your Own Worst Enemy, three candidates fight dirty to be Lincoln High’s next student-body president.

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Leanne “Lee” Bauer is ready to set the record straight. It has been three years since her high school’s mass shooting led to the deaths of 9 students (10 if you count the shooter himself) and 2 teachers. The shooting also left one student paralyzed and the others severely traumatized. Lee was in the bathroom holding hands with her best friend, Sarah, as the shooter aimed and fired at Sarah. Everyone believes that Sarah died while proclaiming her religious faith, but only Lee and one other survivor know the truth of what really happened in the bathroom that day.

When Sarah’s family decides to publish a book about their daughter and the massacre, Lee decides it’s time to reveal what actually happened, because all of the survivors deserve to have a voice.

Keplinger (The Duff) pens an extremely powerful, mind-blowing and chilling account of what it is like to be on the inside of a high school shooting and how details and facts can become misconstrued as a result of trauma. In chapters that deserve a trigger warning, Lee and the other survivors recount the massacre as they experienced it. Featuring a cast of diverse characters, and unique narration that includes poetry and letters,    Keplinger shows she’s up to snuff with this heavy hitting that is unfortunately trending. Reminiscent of Marieke Nijkamp’s This Is Where It Ends (2016), this novel would make an excellent springboard for parents or teachers who want to open a discussion about gun violence with their teens.

Kody Keplinger pens an extremely powerful, mind-blowing and chilling account of what it is like to be on the inside of a high school shooting and how details and facts can become misconstrued as a result of trauma.
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The truth is out there and Penny wants to find it. The “real” truth, of course, and not that garbage her paranormal conspiracy-theory touting father feeds the readers of his publication, Strange World. In Lindsey Klingele ’s The Truth Lies Here, Penny is determined to get accepted into Northwestern’s school of journalism, even if that means returning to her tiny hometown of Bone Lake to write the article that will get her there. What Penny finds, however, is much more than she bargained for.

Things seem immediately amiss, as Penny’s father doesn’t pick her up from the airport, and, in fact, seems to be missing. Couple that with the fact the people keep repeating the same phrase to her over and over, strange men are wandering around town and burned bodies keep showing up in the woods, and Penny has to rethink her stance on the paranormal. She decides to take matters into her own hands and begins to search for her father with the help of Dex, her closest childhood friend, and Micah, the high-school quarterback (and Penny’s hidden crush). This search leads all of them to discover that things in Bone Lake are much stranger than they believed.

Ideal for fans of Netflix’s “Stranger Things,” The Truth Lies Here brilliantly keeps readers second-guessing. Multiple, complex plot lines are woven together with rich, thoughtful characters, and an eerie and unsettling mood hangs over every page. This is the kind of book that keeps you up at night. You won’t want to stop reading until you reach the deeply satisfying and somewhat disturbing conclusion.

Ideal for fans of Netflix’s “Stranger Things,” The Truth Lies Here brilliantly keeps readers second-guessing.
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The youngest dancer in the Atlanta Ballet Conservatory, Cason Martin is one of the best ballerinas in the country. Her very first memories are of ballet, and she’s well on her way to a successful career on the stage. But when a strain in her leg turns into her worst nightmare, she knows she may never perform again. While Cason is learning to give up control of her life, Davis Channing—a cancer survivor and recovering drug addict—is regaining control of his by volunteering in the oncology department that saved him once before. As the two teens get to know each other at the hospital, they discover that, together, they may just be brave enough to reinvent their dreams.

Kati Garnder’s debut novel, Brave Enough, is in many ways a frothy, fun teenage romance, but the author—a childhood cancer survivor and amputee herself—tackles tough subjects with a masterful nuance that is both candid and compassionate. The emotions Gardner’s characters experience as they swing through hope and grief and back again feel raw, real and deserved, and each is well developed and complex. Whether they can always see it or not, Gardner has made sure Cason, Davis and their friends are much more than their afflictions.

Though the plot is somewhat predictable, Gardner’s strong storytelling skills and her knack for dealing with subject matter that is so often relegated to hushed whispers make her debut novel a powerful one.

Kati Garnder’s debut novel, Brave Enough, is in many ways a frothy, fun teenage romance, but the author—a childhood cancer survivor and amputee herself—tackles tough subjects with a masterful nuance that is both candid and compassionate.
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Arthur is only visiting New York for the summer, but a trip to the post office brings the teen face-to-face with a dreamy, box-carrying young man; they flirt but then quickly lose sight of each other during a flash mob. Arthur is crushing on “box boy,” but will he ever see him again? With only a crumpled shipping label as a clue, Arthur begins his search, and through social media sleuthing and a missed connection poster, he finally finds Ben. Their attraction is mutual, but lots of forces are conspiring against them, and they wonder if they are meant to be together (albeit temporarily) or if the universe is trying to send them a bigger message.

Becky Albertalli (Simon vs. the Homo Sapiens Agenda) and Adam Silvera (More Happy Than Not) are stars of young adult fiction thanks to their authentic depictions of gay characters, and this collaboration will certainly boost their popularity. This not-to-miss addition to the YA canon seems tailor-made for a movie adaptation.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Arthur is only visiting New York for the summer, but a trip to the post office brings the teen face-to-face with a dreamy, box-carrying young man; they flirt but then quickly lose sight of each other during a flash mob. Arthur is crushing on “box boy,” but will he ever see him again?

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In Markus Zusak’s first release since the publication of his number one New York Times bestseller The Book Thief, he weaves a modern epic of great love, wrenching loss and the sustaining power of familial bonds.

The world of the five Dunbar boys is one of love and blasphemy, fists and forgiveness. It is a world marked by tragedy—first by the untimely death of their mother and then by their father’s abrupt abandonment. Each of the boys deals with grief in their own way, but Clay, the fourth boy, holds a secret. And when their father suddenly reappears with a strange request, it is Clay who answers his plea. But in doing so, he must face the wrath and confusion of his brothers and ultimately help them piece together the full truth of their family legacy.

With fully developed characters and intricate depictions of both adolescence and adulthood, this book straddles the line between young adult and adult fiction. Either way, Bridge of Clay is Zusak at his best. To read a novel by this masterful author is to embark on an immersive journey that challenges readers to expand their understanding of what it is to be human. In this tale, Zusak explores how the intricate tapestries of our lives are woven not just by the decisions we make but also by those of the people closest to us, creating an interconnectedness from which no one, for better or worse, can ever completely extract themselves.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

In Markus Zusak’s first release since the publication of his number one New York Times bestseller The Book Thief, he weaves a modern epic of great love, wrenching loss and the sustaining power of familial bonds.

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A year after 9/11, 16-year-old Shirin is starting yet another first day of school at her third high school in two years, and she’s over it. Having grown used to the misconceptions, name-calling and outright racism hurled her way for wearing a hijab, Muslim-American Shirin has developed a tough exterior and an even tougher interior. The one place she feels comfortable is in the dance studio with her brother and his break-dancing team. When Shirin joins in and perfects her power moves like crab walks and head spins, she becomes someone else—someone who isn’t afraid of being hurt. But when Shirin is paired with Ocean James in biology class, he slowly begins to chip away at the walls Shirin has constructed.

Tahereh Mafi, best known for her Shatter Me series, has stepped away from fantasy to pen this incredibly realistic novel based on her own experiences. While immersing themselves in gorgeous prose, readers will feel for Shirin as she stands up for her beliefs in the midst of hurtful words and violence, and they’ll cheer as she experiences first love and laugh-out-loud moments. Intense, emotional and resonant, A Very Large Expanse of Sea is a riptide that pulls readers in.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

A year after 9/11, 16-year-old Shirin is starting yet another first day of school at her third high school in two years, and she’s over it. Having grown used to the misconceptions, name-calling and outright racism hurled her way for wearing a hijab, Muslim-American Shirin has developed a tough exterior and an even tougher interior. The one place she feels comfortable is in the dance studio with her brother and his break-dancing team.

In this sequel to Mackenzi Lee’s Stonewall Honor-winning novel, The Gentleman’s Guide to Vice and Virtue, Monty’s younger sister, the prickly and ambitious Felicity Montague, embarks on her own adventure.

After being denied entrance to numerous medical colleges in London because she’s a woman, Felicity hatches a plan to crash her ex-best friend Johanna Hoffman’s wedding in Germany along with the help of Simmaa “Sim” Aldajah—a black Muslim girl with access to a ship. Once there, Felicity will plead her case to the groom-to-be, the renowned Dr. Alexander Platt, in hopes she can study under him on his next expedition. But when the bride ditches the wedding, Felicity and Sim chase her to Zurich. They discover that Johanna’s deceased mother, a naturalist, was working toward a discovery that most men would kill for, including Dr. Platt.

Felicity and Johanna team up with Sim, who admits she’s actually a pirate from northern Africa, and the trio travels to the Mediterranean coast, where they encounter rival pirate fleets, ruthless Englishmen and fantastical beasts. How are they ever to get out of this alive?

Fans of this novel’s predecessor will be delighted to know that Monty and Percy do make cameos in A Lady’s Guide to Petticoats and Piracy, but they are not the focus of the book, nor should they be. Felicity’s story is a feminist feast that challenges societal norms and forgoes all romance, which is unconventional, albeit refreshing, in young adult literature. Readers will do themselves a disservice if they don’t explore the author’s note, as they’ll learn how women such as Felicity have always contributed to scientific exploration through their inexhaustible persistence and spirit.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

In this sequel to Mackenzi Lee’s Stonewall Honor-winning novel, The Gentleman’s Guide to Vice and Virtue, Monty’s younger sister, the prickly and ambitious Felicity Montague, embarks on her own adventure.

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Monica Hesse’s The War Outside pierces the heart with its exceptional story of family, friends and country. Two young women meet in a World War II internment camp in Texas for “enemy aliens”—those suspected of colluding with the Axis—but because Margot is German-American and Haruko is Japanese-American, the two teens cannot openly be friends.

When a dust storm forces the girls to shelter together, they overcome the mores of the camp and forge a tenuous bond. Inexorably drawn to each other, they continue to meet in secret. Alienated from all that is familiar, Haruko slowly reveals her fears for her brother’s safety as he serves in the Japanese-American fighting unit. Margot feels empathy for Haruko, but she doesn’t share her own secrets because she thinks they are too awful and that revealing them would drive Haruko away.

The War Outside highlights a blight on our country’s past—the forced imprisonment of American citizens without a trial—and Hesse’s story packs a gut-wrenching wallop as a result.

Author of the multiple award-winning novel Girl in the Blue Coat, Hesse offers a subtle promise in her new novel—to remember and never repeat this history. Riveting and meticulously researched, this story reverberates with authentic voices as it explores adolescent growth under dreadful circumstances.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Monica Hesse’s The War Outside pierces the heart with its exceptional story of family, friends and country. Two young women meet in a World War II internment camp in Texas for “enemy aliens”—those suspected of colluding with the Axis—but because Margot is German-American and Haruko is Japanese-American, the two teens cannot openly be friends.

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Can wildlife in the circumscribed existence of cities still be considered wild? In Shaun Tan’s Tales from the Inner City—a collection of illustrated stories and poems that serves as a companion to 2009’s Tales from Outer Suburbia—gorgeous surrealist art and equally lovely prose portray a “concrete blight” of a city where crocodiles live on the 87th floor of a skyscraper, pigeons preside over the financial district, frogs take over a corporate boardroom and moonfish take to the skies.

In these stories, humans don’t seem to see nature as anything other than menacing. They kill the ancient monster shark, the iridescent moonfish and the last rhino. And when bears hire lawyers to put humans on trial—Bear Law taking precedence over Human Law in Tan’s cosmic hierarchy—human lawyers shout, “You have nothing to show us!” In response, the Bears show the humans the beauty present in all the places they never bother to look: “On the tailfins of freshwater trout, under the bark of trees, in the creased silt of riverbeds, on the wing-scale of moths and butterflies, in the cursive coastlines of entire continents.”

Is there hope for nature? Perhaps the answer is in the story of the pigeons who take the longer view, awaiting the demise of humans and a time when a “radiant green world” will bloom again. Readers may well find this one of the most amazing books they have ever read.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Can wildlife in the circumscribed existence of cities still be considered wild? In Shaun Tan’s Tales from the Inner City—a collection of illustrated stories and poems that serves as a companion to 2009’s Tales from Outer Suburbia—gorgeous surrealist art and equally lovely prose portray a “concrete blight” of a city where crocodiles live on the 87th floor of a skyscraper, pigeons preside over the financial district, frogs take over a corporate boardroom and moonfish take to the skies.

Award-winning cartoonist Tillie Walden’s latest book, On a Sunbeam, is a sumptuous feast for the eyes and the heart. Originally a web comic, Walden’s sci-fi graphic novel amazes and inspires.

Mia is a young woman who joins a crew on a spaceship in a universe we’ve yet to discover. Mia and her new friends travel from place to place repairing visually fantastic architecture, but Mia hopes for a stop in a very specific destination: the forbidden part of the universe called the Staircase, where she hopes to find her lost love, Grace.

A rich, complex and detailed story, On a Sunbeam has some extraordinary revelations. Even knowing ahead of time that the story is a lesbian romance, I was still surprised when I realized that Walden’s futuristic universe is filled entirely with female-identifying characters (and at least one nonbinary character). Everyone has two mothers, and all their siblings are sisters. There is no discussion or explanation about this in the story—it just is how it is. This world allows Walden to present a love between two women as the norm. Love, loss, adventure and discovery of new worlds are free to take center stage, not the tired girl-love-in-a-straight-world trope.

This remarkable and compelling book, filled with stunning ink and color art, will keep readers entranced for a long time.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Award-winning cartoonist Tillie Walden’s latest book, On a Sunbeam, is a sumptuous feast for the eyes and the heart. Originally a web comic, Walden’s sci-fi graphic novel amazes and inspires.

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BookPage Teen Top Pick, October 2018

Haunted by the tragedy that upended her life last year—and the source of her trauma, whom she refers to as the Taker—Annabelle takes off running from her hometown in Seattle. Her destination: Washington, D.C. Why? She’s not going to think about that. For now, all she can do is run. But with the support of her grandfather, who follows her in his RV, and her brother and best friends back home, Annabelle becomes a reluctant activist. As her feet bring her closer to her destination, Annabelle begins to hope that someday she’ll be able to shake her guilt and shame over what happened.

National Book Award finalist Deb Caletti (Honey, Baby, Sweetheart) makes readers wait until the end to find out why Annabelle is running 2,794 miles, but from the very first page, she tackles issues that will be painfully familiar to teen readers, including the constant, simmering fear of assault, the recurring realization that leaders—in school or in D.C.—are unable or unwilling to protect them, and the infuriating internal tug of war between being kind and being vigilant.

Written in driving prose that conveys a powerful sense of urgency and with loving characterizations of Annabelle and her family and friends in all their flawed, tender glory, A Heart in a Body in the World delivers a powerful look at love, loss and guilt as readers follow Annabelle’s cross-country journey to self-forgiveness.

Equal parts heartbreaking and hopeful, A Heart in a Body in the World reads like a battle cry for young women in the #MeToo era.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Haunted by the tragedy that upended her life last year—and the source of her trauma, whom she refers to as the Taker—Annabelle takes off running from her hometown in Seattle. Her destination: Washington, D.C. Why? She’s not going to think about that. For now, all she can do is run. But with the support of her grandfather, who follows her in his RV, and her brother and best friends back home, Annabelle becomes a reluctant activist. As her feet bring her closer to her destination, Annabelle begins to hope that someday she’ll be able to shake her guilt and shame over what happened.

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