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Arthur is only visiting New York for the summer, but a trip to the post office brings the teen face-to-face with a dreamy, box-carrying young man; they flirt but then quickly lose sight of each other during a flash mob. Arthur is crushing on “box boy,” but will he ever see him again? With only a crumpled shipping label as a clue, Arthur begins his search, and through social media sleuthing and a missed connection poster, he finally finds Ben. Their attraction is mutual, but lots of forces are conspiring against them, and they wonder if they are meant to be together (albeit temporarily) or if the universe is trying to send them a bigger message.

Becky Albertalli (Simon vs. the Homo Sapiens Agenda) and Adam Silvera (More Happy Than Not) are stars of young adult fiction thanks to their authentic depictions of gay characters, and this collaboration will certainly boost their popularity. This not-to-miss addition to the YA canon seems tailor-made for a movie adaptation.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Arthur is only visiting New York for the summer, but a trip to the post office brings the teen face-to-face with a dreamy, box-carrying young man; they flirt but then quickly lose sight of each other during a flash mob. Arthur is crushing on “box boy,” but will he ever see him again?

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In Markus Zusak’s first release since the publication of his number one New York Times bestseller The Book Thief, he weaves a modern epic of great love, wrenching loss and the sustaining power of familial bonds.

The world of the five Dunbar boys is one of love and blasphemy, fists and forgiveness. It is a world marked by tragedy—first by the untimely death of their mother and then by their father’s abrupt abandonment. Each of the boys deals with grief in their own way, but Clay, the fourth boy, holds a secret. And when their father suddenly reappears with a strange request, it is Clay who answers his plea. But in doing so, he must face the wrath and confusion of his brothers and ultimately help them piece together the full truth of their family legacy.

With fully developed characters and intricate depictions of both adolescence and adulthood, this book straddles the line between young adult and adult fiction. Either way, Bridge of Clay is Zusak at his best. To read a novel by this masterful author is to embark on an immersive journey that challenges readers to expand their understanding of what it is to be human. In this tale, Zusak explores how the intricate tapestries of our lives are woven not just by the decisions we make but also by those of the people closest to us, creating an interconnectedness from which no one, for better or worse, can ever completely extract themselves.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

In Markus Zusak’s first release since the publication of his number one New York Times bestseller The Book Thief, he weaves a modern epic of great love, wrenching loss and the sustaining power of familial bonds.

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A year after 9/11, 16-year-old Shirin is starting yet another first day of school at her third high school in two years, and she’s over it. Having grown used to the misconceptions, name-calling and outright racism hurled her way for wearing a hijab, Muslim-American Shirin has developed a tough exterior and an even tougher interior. The one place she feels comfortable is in the dance studio with her brother and his break-dancing team. When Shirin joins in and perfects her power moves like crab walks and head spins, she becomes someone else—someone who isn’t afraid of being hurt. But when Shirin is paired with Ocean James in biology class, he slowly begins to chip away at the walls Shirin has constructed.

Tahereh Mafi, best known for her Shatter Me series, has stepped away from fantasy to pen this incredibly realistic novel based on her own experiences. While immersing themselves in gorgeous prose, readers will feel for Shirin as she stands up for her beliefs in the midst of hurtful words and violence, and they’ll cheer as she experiences first love and laugh-out-loud moments. Intense, emotional and resonant, A Very Large Expanse of Sea is a riptide that pulls readers in.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

A year after 9/11, 16-year-old Shirin is starting yet another first day of school at her third high school in two years, and she’s over it. Having grown used to the misconceptions, name-calling and outright racism hurled her way for wearing a hijab, Muslim-American Shirin has developed a tough exterior and an even tougher interior. The one place she feels comfortable is in the dance studio with her brother and his break-dancing team.

In this sequel to Mackenzi Lee’s Stonewall Honor-winning novel, The Gentleman’s Guide to Vice and Virtue, Monty’s younger sister, the prickly and ambitious Felicity Montague, embarks on her own adventure.

After being denied entrance to numerous medical colleges in London because she’s a woman, Felicity hatches a plan to crash her ex-best friend Johanna Hoffman’s wedding in Germany along with the help of Simmaa “Sim” Aldajah—a black Muslim girl with access to a ship. Once there, Felicity will plead her case to the groom-to-be, the renowned Dr. Alexander Platt, in hopes she can study under him on his next expedition. But when the bride ditches the wedding, Felicity and Sim chase her to Zurich. They discover that Johanna’s deceased mother, a naturalist, was working toward a discovery that most men would kill for, including Dr. Platt.

Felicity and Johanna team up with Sim, who admits she’s actually a pirate from northern Africa, and the trio travels to the Mediterranean coast, where they encounter rival pirate fleets, ruthless Englishmen and fantastical beasts. How are they ever to get out of this alive?

Fans of this novel’s predecessor will be delighted to know that Monty and Percy do make cameos in A Lady’s Guide to Petticoats and Piracy, but they are not the focus of the book, nor should they be. Felicity’s story is a feminist feast that challenges societal norms and forgoes all romance, which is unconventional, albeit refreshing, in young adult literature. Readers will do themselves a disservice if they don’t explore the author’s note, as they’ll learn how women such as Felicity have always contributed to scientific exploration through their inexhaustible persistence and spirit.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

In this sequel to Mackenzi Lee’s Stonewall Honor-winning novel, The Gentleman’s Guide to Vice and Virtue, Monty’s younger sister, the prickly and ambitious Felicity Montague, embarks on her own adventure.

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Monica Hesse’s The War Outside pierces the heart with its exceptional story of family, friends and country. Two young women meet in a World War II internment camp in Texas for “enemy aliens”—those suspected of colluding with the Axis—but because Margot is German-American and Haruko is Japanese-American, the two teens cannot openly be friends.

When a dust storm forces the girls to shelter together, they overcome the mores of the camp and forge a tenuous bond. Inexorably drawn to each other, they continue to meet in secret. Alienated from all that is familiar, Haruko slowly reveals her fears for her brother’s safety as he serves in the Japanese-American fighting unit. Margot feels empathy for Haruko, but she doesn’t share her own secrets because she thinks they are too awful and that revealing them would drive Haruko away.

The War Outside highlights a blight on our country’s past—the forced imprisonment of American citizens without a trial—and Hesse’s story packs a gut-wrenching wallop as a result.

Author of the multiple award-winning novel Girl in the Blue Coat, Hesse offers a subtle promise in her new novel—to remember and never repeat this history. Riveting and meticulously researched, this story reverberates with authentic voices as it explores adolescent growth under dreadful circumstances.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Monica Hesse’s The War Outside pierces the heart with its exceptional story of family, friends and country. Two young women meet in a World War II internment camp in Texas for “enemy aliens”—those suspected of colluding with the Axis—but because Margot is German-American and Haruko is Japanese-American, the two teens cannot openly be friends.

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Can wildlife in the circumscribed existence of cities still be considered wild? In Shaun Tan’s Tales from the Inner City—a collection of illustrated stories and poems that serves as a companion to 2009’s Tales from Outer Suburbia—gorgeous surrealist art and equally lovely prose portray a “concrete blight” of a city where crocodiles live on the 87th floor of a skyscraper, pigeons preside over the financial district, frogs take over a corporate boardroom and moonfish take to the skies.

In these stories, humans don’t seem to see nature as anything other than menacing. They kill the ancient monster shark, the iridescent moonfish and the last rhino. And when bears hire lawyers to put humans on trial—Bear Law taking precedence over Human Law in Tan’s cosmic hierarchy—human lawyers shout, “You have nothing to show us!” In response, the Bears show the humans the beauty present in all the places they never bother to look: “On the tailfins of freshwater trout, under the bark of trees, in the creased silt of riverbeds, on the wing-scale of moths and butterflies, in the cursive coastlines of entire continents.”

Is there hope for nature? Perhaps the answer is in the story of the pigeons who take the longer view, awaiting the demise of humans and a time when a “radiant green world” will bloom again. Readers may well find this one of the most amazing books they have ever read.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Can wildlife in the circumscribed existence of cities still be considered wild? In Shaun Tan’s Tales from the Inner City—a collection of illustrated stories and poems that serves as a companion to 2009’s Tales from Outer Suburbia—gorgeous surrealist art and equally lovely prose portray a “concrete blight” of a city where crocodiles live on the 87th floor of a skyscraper, pigeons preside over the financial district, frogs take over a corporate boardroom and moonfish take to the skies.

Award-winning cartoonist Tillie Walden’s latest book, On a Sunbeam, is a sumptuous feast for the eyes and the heart. Originally a web comic, Walden’s sci-fi graphic novel amazes and inspires.

Mia is a young woman who joins a crew on a spaceship in a universe we’ve yet to discover. Mia and her new friends travel from place to place repairing visually fantastic architecture, but Mia hopes for a stop in a very specific destination: the forbidden part of the universe called the Staircase, where she hopes to find her lost love, Grace.

A rich, complex and detailed story, On a Sunbeam has some extraordinary revelations. Even knowing ahead of time that the story is a lesbian romance, I was still surprised when I realized that Walden’s futuristic universe is filled entirely with female-identifying characters (and at least one nonbinary character). Everyone has two mothers, and all their siblings are sisters. There is no discussion or explanation about this in the story—it just is how it is. This world allows Walden to present a love between two women as the norm. Love, loss, adventure and discovery of new worlds are free to take center stage, not the tired girl-love-in-a-straight-world trope.

This remarkable and compelling book, filled with stunning ink and color art, will keep readers entranced for a long time.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Award-winning cartoonist Tillie Walden’s latest book, On a Sunbeam, is a sumptuous feast for the eyes and the heart. Originally a web comic, Walden’s sci-fi graphic novel amazes and inspires.

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BookPage Teen Top Pick, October 2018

Haunted by the tragedy that upended her life last year—and the source of her trauma, whom she refers to as the Taker—Annabelle takes off running from her hometown in Seattle. Her destination: Washington, D.C. Why? She’s not going to think about that. For now, all she can do is run. But with the support of her grandfather, who follows her in his RV, and her brother and best friends back home, Annabelle becomes a reluctant activist. As her feet bring her closer to her destination, Annabelle begins to hope that someday she’ll be able to shake her guilt and shame over what happened.

National Book Award finalist Deb Caletti (Honey, Baby, Sweetheart) makes readers wait until the end to find out why Annabelle is running 2,794 miles, but from the very first page, she tackles issues that will be painfully familiar to teen readers, including the constant, simmering fear of assault, the recurring realization that leaders—in school or in D.C.—are unable or unwilling to protect them, and the infuriating internal tug of war between being kind and being vigilant.

Written in driving prose that conveys a powerful sense of urgency and with loving characterizations of Annabelle and her family and friends in all their flawed, tender glory, A Heart in a Body in the World delivers a powerful look at love, loss and guilt as readers follow Annabelle’s cross-country journey to self-forgiveness.

Equal parts heartbreaking and hopeful, A Heart in a Body in the World reads like a battle cry for young women in the #MeToo era.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Haunted by the tragedy that upended her life last year—and the source of her trauma, whom she refers to as the Taker—Annabelle takes off running from her hometown in Seattle. Her destination: Washington, D.C. Why? She’s not going to think about that. For now, all she can do is run. But with the support of her grandfather, who follows her in his RV, and her brother and best friends back home, Annabelle becomes a reluctant activist. As her feet bring her closer to her destination, Annabelle begins to hope that someday she’ll be able to shake her guilt and shame over what happened.

Review by

There’s no shortage of Jane Austen retellings. But it’s safe to say that none of them are quite like Ibi Zoboi’s modern-day reimagining of Pride and Prejudice. Zoboi, whose prior novel, American Street, was a finalist for the National Book Award, continues her exploration of the complexities of American neighborhoods through a love story worthy of the legacy of Elizabeth Bennet and Mr. Darcy.

Zoboi’s novel is set in Bushwick, a Brooklyn neighborhood whose residents—like narrator Zuri Benitez and her family—are largely working-class African-Americans and Latinos who have lived there for decades. But Bushwick appears next in line for gentrification, and Zuri’s not sure she likes the changes. Her concerns come to a head when the Darcys, a wealthy black family, move across the street, completely changing her street’s culture. Zuri can’t deny that the younger Darcy brother, Darius, is fine—but she can’t get over her resentment of what the Darcys stand for, nor can she forgive Darius’ own prejudices about the Benitez family’s very different lifestyle.

Pride is not a connect-the-dots retelling, and that’s what makes it so compelling. Zoboi utilizes Pride and Prejudice’s dramatic potential to set the stage, but Zuri and Darius’ story stands on its own. Likewise, Zoboi’s treatment of race, class and gentrification will effectively open some readers’ eyes while also resonating deeply with those who see these issues playing out in their own lives.

 

This article was originally published in the September 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

There’s no shortage of Jane Austen retellings. But it’s safe to say that none of them are quite like Ibi Zoboi’s modern-day reimagining of Pride and Prejudice. Zoboi, whose prior novel, American Street, was a finalist for the National Book Award, continues her exploration of the complexities of American neighborhoods through a love story worthy of the legacy of Elizabeth Bennet and Mr. Darcy.

Review by

Drawing heavily from Herman Melville’s Moby-Dick, Patrick Ness has given a famous antagonist a voice through this retelling that transports readers into a foreboding underwater realm where whales hunt seafaring humans.

These whales have formed their own civilization with hierarchies that mirror the human social structures above the surface. The most fearsome hunter whale, Captain Alexandra, obsessively pursues the devilish, deadly human of lore known as Toby Wick. As Alexandra and her apprentice, Bathsheba, search for Wick, they come across an abandoned human ship with a sole survivor whom they take captive. As Bathsheba and the captive human discover their similarities, they learn how their fears have set their species against one another.

Touching on themes of faith, prophecy and destiny, And the Ocean Was Our Sky is an otherworldly myth—beautifully illustrated by Rovina Cai—that feels eerily real.

 

This article was originally published in the September 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Drawing heavily from Herman Melville’s Moby-Dick, Patrick Ness has given a famous antagonist a voice through this retelling that transports readers into a foreboding underwater realm where whales hunt seafaring humans.

Review by

Ariel Kaplan’s We Regret to Inform You is a compelling novel about every highly motivated college applicant’s worst nightmare. High school senior Mischa Abramavicius should have had it made. She goes to a tony prep school on scholarship where she’s a star student. But when college acceptances start rolling in and her classmates are accepted to places like Harvard and Princeton, Mischa gets nothing but rejections. She doesn’t even get into her safety school, Paul Revere University.

Shocked and ashamed to tell her single mother, Mischa visits Revere’s admissions office and discovers that her transcript has been altered. But her original transcript is in order, leading Mischa to realize that something fishy is going on. With help from her best friend, Nate, and a group of hacker girls who call themselves the Ophelia Syndicate, Mischa begins to dig deeper.

As unlikely as this all sounds, Kaplan makes everything seem believable with the help of her wisecracking yet thoughtful narrator. Without any college acceptances, Mischa begins to question her very identity. But as she gets to the bottom of her application disaster, she also re-examines her dreams, goals and all-consuming pursuit of success.

We Regret to Inform You is an entertaining look at the college admissions rat race that includes crime, a cover-up and plenty of heart and soul.

 

This article was originally published in the September 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Ariel Kaplan’s We Regret to Inform You is a compelling novel about every highly motivated college applicant’s worst nightmare. High school senior Mischa Abramavicius should have had it made. She goes to a tony prep school on scholarship where she’s a star student. But when college acceptances start rolling in and her classmates are accepted to places like Harvard and Princeton, Mischa gets nothing but rejections. She doesn’t even get into her safety school, Paul Revere University.

Review by

Sisters Rumi and Lea are going to make music together forever. Rumi plays piano, Lea plays guitar, and together they write lyrics. That is, until Lea dies in a car crash and Rumi is sent to live with her Aunty Ani in Hawaii.

Rumi spends the first few weeks of her summer pondering impossible questions: Why did her mother abandon her with a relative she hardly knows? Is Rumi just like her absent father, scared of commitment and bound to abandon everyone she loves? Why does she feel so physically attracted to Aunty Ani’s teenage neighbor, Kai, even though she doesn’t have any desire to touch or kiss him? And how can she ever write, perform or even hear music again, when she’ll always have to experience it without her sister?

Akemi Dawn Bowman’s Summer Bird Blue is a story of healing. As Kai gradually coaxes Rumi back into a world of friends, summer jobs and days at the beach, Aunty Ani’s other neighbor, the grumpy Mr. Watanabe, provides an unexpected haven. Hawaii’s geography, food and language (Hawaiian Pidgin) are authentically researched and lovingly portrayed. Bowman, author of the William C. Morris YA Debut Award finalist Starfish, once again offers a diverse, sensitive and hopeful portrayal of a teen simultaneously struggling with questions of personal identity and difficult external circumstances.

 

This article was originally published in the September 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Sisters Rumi and Lea are going to make music together forever. Rumi plays piano, Lea plays guitar, and together they write lyrics. That is, until Lea dies in a car crash and Rumi is sent to live with her Aunty Ani in Hawaii.

Review by

With a mix of Moroccan-tinged fantasy and interstellar sci-fi, Somaiya Daud’s Mirage fits squarely in the new class of genre-melding, diverse young adult literature.

Amani’s family lives under the rule of the Vathek empire, which conquered their planet and its moons a generation ago. Amani is delighted to be among family and friends on her majority night, the ceremony in which she comes of age and receives her daan, the traditional family markings on her face. But the Vath interrupt the ceremony and take Amani to the old imperial palace they now occupy.

As soon as Amani sees the half-Vathek princess Maram inside, she understands why she was taken: The two girls are identical, and the unpopular princess needs a body double. Maram’s life is in danger whenever she appears in public, so Amani will take her place. As Amani perfects her impression of Maram, she gets closer to the princess, whose cruelty stems from being raised between two enemy cultures. Amani also finds companionship with Idris, Maram’s fiancé. Her feelings for Idris grow stronger as she learns more about their shared Kushaila culture and religion, but will she be able to fight for her people and protect Princess Maram at the same time?

Amani is an admirable heroine, always striving to do right, though the world building and background of the Kushaila and Vathek cultures could be stronger. But with Daud’s emotional plot and cliffhanger ending, readers of romantic, tense and slow-burning fantasy will be enthralled.

 

This article was originally published in the September 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

With a mix of Moroccan-tinged fantasy and interstellar sci-fi, Somaiya Daud’s Mirage fits squarely in the new class of genre-melding, diverse young adult literature.

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