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Tim Wynne-Jones’ intense new book, The Ruinous Sweep, opens with a car crash, in which teenager Donovan Turner is tossed from a vehicle in the middle of nowhere. Then the narration fast-forwards to a hospital, where a near unconscious Donovan receives treatment following the hit-and-run and his girlfriend, Bee, holds watch and tries to decipher his urgent mumbles.

Shortly after Donovan’s car accident, police inform Bee that her boyfriend is also suspected of murdering his alcoholic father, whose badly beaten body was found lying next to Donovan’s baseball bat. The story’s timeline then begins to alternate between Donovan’s accident and the mystery of his father’s murder, which Bee sets out to investigate. Wynne-Jones introduces a bevy of dark characters and chilling scenarios designed to lead readers to piece together the two puzzles, but while the eerie paths may thrill some, the winding narrative may prove confusing at points.

The Ruinous Sweep is a trip into an underworld filled with drugs, murder and dysfunctional families. Fans of thrillers will find plenty of suspense in this story with vague echoes of Dante’s Inferno. The plot requires a fair amount of heavy lifting and focus, but fans of Wynne-Jones’ previous books and his talent for fabulism may find it worthwhile.

 

This article was originally published in the July 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Tim Wynne-Jones’ intense new book, The Ruinous Sweep, opens with a car crash, in which teenager Donovan Turner is tossed from a vehicle in the middle of nowhere. Then the narration fast-forwards to a hospital, where a near unconscious Donovan receives treatment following the hit-and-run and his girlfriend, Bee, holds watch and tries to decipher his urgent mumbles.

The year is 2067, and 16-year-old Romy Silvers is the only surviving crew member aboard the Infinity, a NASA spaceship sent to colonize an Earth-like planet.

For the past five years, Romy has been commanding and piloting the Infinity alone after her parents and all of the other astronauts on board died from a mechanical malfunction. Romy’s only human contact is via the audio messages she receives from Molly, a NASA psychiatrist, but those stop when war erupts back home.

Another spaceship, the Eternity, has been dispatched to aid the Infinity. The commander on board the Eternity is a young man simply known as J. As J and Romy begin to exchange emails, a romance slowly blooms between them. For a girl who has never even had a friend, Romy clings to this budding relationship with the fervent hope that she won’t always be as lonely as she is now. But a shady system update on her ship and J’s too-good-to-be-true persona make Romy wonder if she’s being saved or sabotaged.

Despite Romy being singularly tasked with saving humanity, she is an incredibly relatable heroine. She obsesses over her favorite television show and writes fan fiction. She understands complicated physics problems but is overwhelmed by the expectations placed on her. She crushes hard on J but is insecure about his feelings for her. Romy is an Everygirl alone in deep space, but it’s her zesty narration that drives the momentum in British author Lauren James’ The Loneliest Girl in the Universe. The plot reaches warp speed once Romy and J make face-to-face contact—prepare for some rapid page-turning.

 

This article was originally published in the July 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

The year is 2067, and 16-year-old Romy Silvers is the only surviving crew member aboard the Infinity, a NASA spaceship sent to colonize an Earth-like planet.

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In Erin Callahan’s The Art of Escaping, escapology is defined as the art of breaking free from locks, chains, straitjackets and water tanks along with dodging sharp arrows aimed at your heart. For some teens, there’s no better metaphor for high school.

For 17-year-old Mattie, it isn’t a metaphor. The summer before her senior year, Mattie convinces Miyu Miyake, the reclusive adult daughter of a famous Japanese escape artist, to teach her the practice made famous by Harry Houdini and Dorothy Dietrich. All summer long, Miyu instructs Mattie in how to pick locks, how to hold her breath underwater and how to conquer her fear of the spotlight. But while Mattie is bending hairpins and training in ponds, she is also learning how to be herself. With her best (and only) friend, Stella, away at nerd camp, Mattie soon finds herself in an unexpected friendship with fellow misfit Will, who, unlike Mattie, doesn’t outwardly seem like a misfit at all.

Both Mattie and Will—and later Frankie, a third friend who joins their wayward band—love the sights, sounds and even textures of the 1920s, and their story is peppered with the slang of the era, jazz music, vintage dresses and speak-easies populated by bohemian audiences. Yet even as these historical references are celebrated and romanticized, they’re simultaneously critiqued as Mattie enrolls in a history class designed to question the nature of how history is discussed. In the end, metaphor blends with reality, text blends with interpretation, and Mattie, Will and those around them just might escape from the restraints that are holding them back from being their true selves.

 

This article was originally published in the July 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

In Erin Callahan’s The Art of Escaping, escapology is defined as the art of breaking free from locks, chains, straitjackets and water tanks along with dodging sharp arrows aimed at your heart. For some teens, there’s no better metaphor for high school.

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As a collection of Asian myths and legends, A Thousand Beginnings and Endings could be required reading for any classroom. Fifteen acclaimed Asian and Asian-American authors breathe fresh life into 15 popular Asian folktales and myths, elevating this anthology to a higher level.

Editors Ellen Oh (YA author and co-founder of the nonprofit organization We Need Diverse Books) and Elsie Chapman (a fellow author and member of the same nonprofit) have compiled these diverse narratives to represent the stories and cultures of East and South Asian peoples, who are all too often disregarded in modern media and publishing.

Fifteen popular Asian legends are given new life in this collection.

Spanning Chinese, Filipino, Gujarati, Hmong, Japanese, Korean, Punjabi and Vietnamese cultures, authors such as Renée Ahdieh (The Wrath and the Dawn), E.C. Myers (Fair Coin) and Aisha Saeed (Written in the Stars) have reimagined the stories of their ancestors from their own viewpoints, crafting layered tales with nuance and cultural wherewithal. For example, in Ahdieh’s “Nothing into All,” a brother and sister try to lift themselves out of poverty by using the magic of forest goblins to transform common objects into gold, but the dueling good and evil in their natures result in twisted desires and irreversible consequences.

The retooled stories included here fall into many categories—fantasy, science fiction, romance—and each gives the reader newfound insight into Asian culture and history. As a welcome bonus, each author has penned an educational essay chronicling the historical origins of their chosen tale.

By giving these bestselling and award-winning authors an opportunity to freely explore their histories and identities, Oh and Chapman have created a work that celebrates Asian storytelling. It should fill the authors and editors with pride and the reader with wonder.

 

This article was originally published in the July 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

As a collection of Asian myths and legends, A Thousand Beginnings and Endings could be required reading for any classroom. Fifteen acclaimed Asian and Asian-American authors breathe fresh life into 15 popular Asian folktales and myths, elevating this anthology to a higher level.

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Miranda and Syd have been best friends for as long as they can remember. Both abandoned by their mothers, they swore an oath that they would be each other’s person forever. So when Syd runs away midway through senior year, Miranda is left anchorless. As she tries to discover where Syd went and why—all while navigating college decisions and her first love with Nick, the boy she’s had a crush on for ages—she realizes it’s time to step out of her best friend’s shadow and figure out who she is on her own.

I’m Not Missing is a powerful debut novel about a young girl dealing with devastating loss and ultimately finding herself. An award-winning poet, author Carrie Fountain has a knack for crisp prose, which is evident in her vivid depictions of the New Mexico landscape. But her biggest strength is the realism of her characters and their relationships with one another. Miranda’s budding romance with Nick will feel utterly relatable to any reader who’s bumbled through first love, and the evolution of Miranda’s friendship with Syd is equal parts heartwarming and painful in the way only a changing friendship can be. Fountain also explores drastically different family relationships in Miranda’s, Syd’s and Nick’s home lives. Readers will see themselves or people they know on every page.

I’m Not Missing is a must-read for any teen who’s felt the pain of lost friendship and the challenge of finding herself.

 

This article was originally published in the July 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Miranda and Syd have been best friends for as long as they can remember. Both abandoned by their mothers, they swore an oath that they would be each other’s person forever. So when Syd runs away midway through senior year, Miranda is left anchorless. As she tries to discover where Syd went and why—all while navigating college decisions and her first love with Nick, the boy she’s had a crush on for ages—she realizes it’s time to step out of her best friend’s shadow and figure out who she is on her own.

BookPage Teen Top Pick, July 2018

Cynthia Hand, Brodi Ashton and Jodi Meadows, the team of young adult authors otherwise known as the Lady Janies, penned the 2016 New York Times bestseller My Lady Jane—inspired (more or less) by hapless historical figure Lady Jane Grey, who ruled as queen of England for only nine days. Now, they’ve whipped up another ghostly journey into the past in the latest installment of their Jane-centric series, but their new inspiration is a different famous Jane. This time, the eponymous protagonist is none other than Charlotte Brontë’s indomitable heroine Jane Eyre.

With this crew of authors at the helm, don’t expect a simple retelling. In the opening pages of My Plain Jane, we meet not only Jane but also her friend Charlotte Brontë, both of whom are students at the infamous Lowood School. As a young aspiring author, Charlotte is working on her “Very-First-Ever-Attempt-at-a-Novel” and thinks Jane will make the perfect heroine in her story.

Jane has the ability to see ghosts, which convinces the very attractive supernatural investigator Alexander Blackwood that she would make a fine addition to his Society for the Relocation of Wayward Spirits. But Jane rejects the job offer and instead sets off to fulfill her destiny by securing the governess position at Rochester’s Thornfield Hall. Off she trots with a ghostly Helen Burns at her side, who proves to be a fantastic comic foil for Jane.

Anyone who loves Brontë’s classic novel will find this supernatural, romantic sendup to be clever and hilarious. At the end of the story, Charlotte reads from her future novel, and Jane approves: “Your readers will eat it up.” Charlotte nervously admits that she doesn’t have any readers yet, but it’s a sure bet she’ll have a lot more after readers finish My Plain Jane.

 

This article was originally published in the July 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Cynthia Hand, Brodi Ashton and Jodi Meadows, the team of young adult authors otherwise known as the Lady Janies, penned the 2016 New York Times bestseller My Lady Jane—inspired (more or less) by hapless historical figure Lady Jane Grey, who ruled as queen of England for only nine days. Now, they’ve whipped up another ghostly journey into the past in the latest installment of their Jane-centric series, but their new inspiration is a different famous Jane. This time, the eponymous protagonist is none other than Charlotte Brontë’s indomitable heroine Jane Eyre.

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High school senior Megan Harper has always shied away from the spotlight. She loves the theater, but she wants to direct, not star. And Megan might be an incorrigible flirt, but she’s never been anyone’s true love. In fact, the many boys she’s dated have a history of finding their perfect matches right after they’ve dumped her.

When Megan—whose drama school application requires her to have some acting experience—accidentally lands the lead role in Romeo & Juliet, she’s terrified, especially when it turns out she’s acting opposite her most recent ex, who’s now madly in love with her best friend. Consequently, Megan is eager to find her next fling—but maybe she needs to slow down and find someone who believes that even supporting characters deserve their own happy endings.

Writing duo Emily Wibberley and Austin Siegemund-Broka know of what they write—they met in high school while studying Shakespeare. Readers will relate to Megan’s exuberant voice and her endearing imperfections, as well as to the challenges of balancing complex families, academic ambition and (maybe) love, all while trying to put on a show.

The course of true love never did run smooth—but, as in Shakespeare, navigating the rough parts is what makes for a funny, romantic and memorable story.

 

This article was originally published in the June 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

High school senior Megan Harper has always shied away from the spotlight. She loves the theater, but she wants to direct, not star. And Megan might be an incorrigible flirt, but she’s never been anyone’s true love. In fact, the many boys she’s dated have a history of finding their perfect matches right after they’ve dumped her.

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Kelley Armstrong’s latest YA novel is a gripping, plausible thriller influenced by real school tragedies, but with a twist.

A mass shooting at a high school leaves four dead and 10 injured. Three years later, 16-year-old Skye Gilchrist reluctantly returns to the school that has haunted her dreams ever since. Skye’s brother was one of the shooters, and she shudders when she sees her one-time best friend Jesse Mandal walking down the hall—his brother was one of the victims. Armstrong’s dual narratives highlight two intelligent teens, desperately attempting to pick up the pieces of their broken lives.

After reconciling due to a shared class, the pair begin to search for the truth about the dreaded day that changed their lives forever. Their efforts soon uncover cryptic texts and videos, leading to a mysterious fire and a break-in at Skye’s apartment. Armstrong’s crisp writing is replete with enough foreshadowing, cliffhangers and red herrings to keep readers hooked to the very end.

A fast-paced and unnerving novel, Aftermath is a top-of-the-line read with nothing less than silver-screen potential.

 

This article was originally published in the June 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Kelley Armstrong’s latest YA novel is a gripping, plausible thriller influenced by real school tragedies, but with a twist.

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Beatrice Hartley has been unable to find normalcy ever since her boyfriend, Jim, was found dead under mysterious circumstances in a quarry outside their elite boarding school. While searching for answers, Beatrice attempts to make amends with four former friends. But a freak accident soon finds the group trapped in the Neverworld, a realm in which the same day repeats endlessly . . . and will continue to do so until the quintet can agree on one member who will return to the world of the living. The others will die.

Imagine living the same day an infinite number of times and being trapped for centuries in the moment between life and death. That’s what happens in the Neverworld, where storms rage, strange birds nest in dead trees and black mold lies just below clean-looking surfaces. While some in the group delight in the mayhem, Beatrice remains the stereotypical good girl. But as the friends put aside their differences (and their debauchery) to investigate Jim’s death in earnest, secrets and deceptions begin to multiply. And the Neverworld begins to break down.

Drawing on ideas and imagery reminiscent of The Marbury Lens by Andrew Smith, Belzhar by Meg Wolitzer and the movie Inception, Marisha Pessl’s first work of young adult fiction (after her adult novels Special Topics in Calamity Physics and Night Film) is spooky, smart and satisfying. Clear your calendar to read this in one sitting, and then, when it gets under your skin, immediately turn back to the beginning and read it again.

 

This article was originally published in the June 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Beatrice Hartley has been unable to find normalcy ever since her boyfriend, Jim, was found dead under mysterious circumstances in a quarry outside their elite boarding school. While searching for answers, Beatrice attempts to make amends with four former friends. But a freak accident soon finds the group trapped in the Neverworld, a realm in which the same day repeats endlessly . . . and will continue to do so until the quintet can agree on one member who will return to the world of the living. The others will die.

Laila Piedra is a senior in high school, facing down the final weeks before graduation, when everything in her life goes sideways. For years, she has enjoyed the encouragement of her creative writing teacher, Mr. Madison, who is the only person with whom she shares her sci-fi stories. Writing and being with her three best friends is the entirety of Laila’s world. She doesn’t cause problems and she’s never been on a date, much less in love. But Laila is (mostly) happy.

When Mr. Madison gets in an accident and is replaced by a prize-winning novelist, Laila isn’t prepared for the avalanche of changes. Readers will think they already know the trajectory of Laila’s path: new teacher helps protagonist become a better writer. The reader would be correct, but only to a point, as author Riley Redgate (Noteworthy) surprises us with a heart-wrenching twist.

Final Draft may be filled with the high school angst and self-discovery that’s expected of young adult novels, but the story is deliciously elevated by its emotional depth and Redgate’s snarky prose. With the book’s explorations of sex and some adult language, the publisher’s age recommendation of 13 and up may not be true for all, but Final Draft should be a must-have for high school libraries.

 

This article was originally published in the June 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Laila Piedra is a senior in high school, facing down the final weeks before graduation, when everything in her life goes sideways. For years, she has enjoyed the encouragement of her creative writing teacher, Mr. Madison, who is the only person with whom she shares her sci-fi stories. Writing and being with her three best friends is the entirety of Laila’s world. She doesn’t cause problems and she’s never been on a date, much less in love. But Laila is (mostly) happy.

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In Driving by Starlight, Anat Deracine’s noteworthy debut, 16-year-old Leena is the top student in her Saudi Arabian high school, but with her father in jail for sedition and no money in the bank, her future looks bleak. Just when she thinks she’s found her ticket out—Saudi Arabia’s first-ever all-girls debate competition, with a grand prize of a full ride to college—Leena’s blacklisted from the debate team. Unable to escape her father’s shadow, Leena is crestfallen. Heartbreak follows heartbreak when Leena’s crush tricks her into betraying the confidence of her best friend, Mishail, and posts scandalous photos of Mishail online in an attempt to embarrass her high-level bureaucrat father. Realizing how much she and her friends need one another, Leena orchestrates an escape from Saudi Arabia for both Mishail and herself.

The Saudi Arabia of Driving by Starlight is a haunting land of morality police, hyper-surveillance and hypocrisy. Against this background, it is no surprise that social commentary threads throughout Deracine’s novel. It is one thing to document the desperation of the hard-pressed, but Deracine also captures the hope and joy that nourish Saudi people in desperate straits.

With a keen sense of drama and a gift for understated exposition, Deracine has blessed readers with an intriguing window into a part of the world most of us know very little about.

 

This article was originally published in the June 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

In Driving by Starlight, Anat Deracine’s noteworthy debut, 16-year-old Leena is the top student in her Saudi Arabian high school, but with her father in jail for sedition and no money in the bank, her future looks bleak. Just when she thinks she’s found her ticket out—Saudi Arabia’s first-ever all-girls debate competition, with a grand prize of a full ride to college—Leena’s blacklisted from the debate team. Unable to escape her father’s shadow, Leena is crestfallen. Heartbreak follows heartbreak when Leena’s crush tricks her into betraying the confidence of her best friend, Mishail, and posts scandalous photos of Mishail online in an attempt to embarrass her high-level bureaucrat father. Realizing how much she and her friends need one another, Leena orchestrates an escape from Saudi Arabia for both Mishail and herself.

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High school junior Twinkle Mehra’s ultimate dream is to become a great filmmaker. She also wants to leave behind the social stratum she’s dubbed “the groundlings” and carve out a place among the “silk hats,” where her former best friend, Maddie, and Twinkle’s longtime crush, Neil, are counted as members. When Neil’s geeky twin brother, Sahil, offers to help Twinkle shoot a film for the annual arts festival, she jumps at the chance. Sahil’s kindness, love of film and respect for Twinkle’s art soon have her falling hard. But Twinkle’s goals thus far—making films, regaining Maddie’s friendship and winning Neil’s heart—have become so entwined that it’s hard for her to make room for a new goal and new possibilities with Sahil. Twinkle speaks out through her films, but is she seeing the world around her for what it truly is, or has her perspective become warped by long-held assumptions?

In her second novel, Sandhya Menon (When Dimple Met Rishi) gives readers a spunky, smart but sometimes misguided heroine, a delightful romantic hero, a strong cast of secondary characters and a window into the world of amateur filmmaking. Narrated through Twinkle’s letters to her favorite female directors, From Twinkle, with Love will both resonate with creative young people and remind them to balance their search for art and truth with respect and empathy.

 

This article was originally published in the June 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

In her second novel, Sandhya Menon (When Dimple Met Rishi) gives readers a spunky, smart but sometimes misguided heroine, a delightful romantic hero, a strong cast of secondary characters and a window into the world of amateur filmmaking. Narrated through Twinkle’s letters to her favorite female directors, From Twinkle, with Love will both resonate with creative young people and remind them to balance their search for art and truth with respect and empathy.

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BookPage Teen Top Pick, June 2018

As her 18th birthday approaches, Georgina is beginning to fear that she may be the first Fernweh woman in generations not to possess magical powers. But she tries to brush her nerves aside as she prepares for her last tourist season on her hometown island, By-the-Sea. Every summer on the island has been more or less like the one before, but then By-the-Sea’s iconic 300-year-old bird goes missing, a storm floods the island, and Georgina’s twin sister, Mary, begins leaving a trail of feathers in her wake. Georgina knows nothing will ever be the same.

Katrina Leno’s latest novel, Summer of Salt, is a haunting coming-of-age story tinged with magic and steeped in tradition in the vein of Shea Ernshaw’s The Wicked Deep and Leslye Walton’s The Strange and Beautiful Sorrows of Ava Lavender.

The relationships between the novel’s strong female characters are particularly poignant: From Georgina’s blossoming romance with a girl named Prue and the bonds between the Fernweh women to the friendships that sustain them when the unthinkable happens, Summer of Salt is a profound and subtly feminist tribute to the power of female connection.

Leno’s whimsical prose is grounded by the dark events—both fantastical and all too real—that befall the island and its residents (young readers should be prepared to face issues of sexual assault), and the eclectic cast of well-developed characters is made familiar by the weight of the decisions they have to make as they learn the true meanings of love, sacrifice and magic.

 

This article was originally published in the June 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

As her 18th birthday approaches, Georgina is beginning to fear that she may be the first Fernweh woman in generations not to possess magical powers. But she tries to brush her nerves aside as she prepares for her last tourist season on her hometown island, By-the-Sea. Every summer on the island has been more or less like the one before, but then By-the-Sea’s iconic 300-year-old bird goes missing, a storm floods the island, and Georgina’s twin sister, Mary, begins leaving a trail of feathers in her wake. Georgina knows nothing will ever be the same.

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