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E. Lockhart’s latest novel opens in Cabo San Lucas, Mexico, where 18-year-old Jule West Williams is spending a month at a luxury resort. She speaks with a London accent and makes friends with the bartender. She swims laps and studies Spanish. She’s friendly and outgoing, but always holds something back, and she always looks over her shoulder. She is also entirely alone. On the outside, it would appear that Jule is a wealthy heiress with time to kill and money to burn, but on the inside, Jule is a self-trained fighter with a shady past. Then, there’s Imogen Sokoloff, Jule’s charismatic friend who loves Victorian novels and global jaunts. Both Jule and Imogen are orphans, but one was adopted into money, and the other most definitely was not. And yet, somehow, their lives become impossibly intertwined.

To reveal anything else would spoil this deftly plotted and fast-paced narrative told in reverse-chronological order. However, readers familiar with Patricia Highsmith’s The Talented Mr. Ripley—which Lockhart, bestselling author of We Were Liars, cites as an influence—will sense the story’s chilling trajectory. This isn’t a typical teen novel with clear-cut heroines and antagonists, and yet young readers will identify bits of themselves in these complicated characters. Because, as Jule discovers, the biggest hurdle of adolescence is simply finding out who you are.

 

Kimberly Giarratano is the author of Grunge Gods and Graveyards, a young adult paranormal mystery.

This article was originally published in the September 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

This isn’t a typical teen novel with clear-cut heroines and antagonists, and yet young readers will identify bits of themselves in these complicated characters.

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Ever since Lynet’s mother, the last queen, hanged herself, the kingdom of Whitespring has been covered year-round in snow. Teenage Lynet, next in line for the throne, has never been cold; her Southern stepmother, Mina, has never felt warm. Lynet and Mina have always cared for each other, but when Lynet befriends Whitespring’s new surgeon, Nadia, secrets are revealed and relationships begin to unravel. Why does Lynet look exactly like her dead mother? Why does Mina believe no one can truly love her? What is this connection that Lynet and Nadia seem to share? At first, King Nicholas and Mina’s magician father make all the decisions. But the female characters triumph, not by playing by the male characters’ rules but by rewriting them.

This is “Snow White” as it’s never been told before. Fans of “Game of Thrones” will relish the loyalties and betrayals, but author Melissa Bashardoust sidesteps most of the violence that characterizes George R.R. Martin’s work. With elements of the medieval legend of the golem, echoes of the movie Frozen and plenty of magic, Girls Made of Snow and Glass is a feminist fantasy not to be missed.

 

This article was originally published in the September 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

This is “Snow White” as it’s never been told before. Fans of “Game of Thrones” will relish the loyalties and betrayals, but author Melissa Bashardoust sidesteps most of the violence that characterizes George R.R. Martin’s work. With elements of the medieval legend of the golem, echoes of the movie Frozen and plenty of magic, Girls Made of Snow and Glass is a feminist fantasy not to be missed.

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Things are not going well for Emika Chen. A bounty hunter in an obsessively digital world, Emika is days away from being evicted from her run-down apartment with no hope of making enough money. Desperate, she decides to hack into Warcross, the immersive virtual reality game that has overtaken the world. Emika’s hack works, to a point. Unfortunately, during the heist, she also glitches into the International Warcross Championship in front of billions of viewers. Emika is convinced she’s going to spend the rest of her life in jail, but then she receives a call from the mysterious (and ridiculously wealthy) creator of Warcross, Hideo Tanaka. He offers Emika a chance to erase her debts and snag the biggest bounty of her life by chasing down a security threat to Warcross. But what Emika uncovers goes beyond the security of an online game.

Taking obvious cues from Ernest Cline’s Ready Player One and postmodern tech thrillers, Marie Lu presents an exciting, immersive world with interesting and developed characters the reader will care about. While definitely a can’t-miss for fans of Lu’s Young Elites series, Warcross offers something for readers across all genres.

 

This article was originally published in the September 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Taking obvious cues from Ernest Cline’s Ready Player One and postmodern tech thrillers, Marie Lu presents an exciting, immersive world with interesting and developed characters the reader will care about. While definitely a can’t-miss for fans of Lu’s Young Elites series, Warcross offers something for readers across all genres.

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The eternal beauty of science fiction is this: It takes readers to sometime or someplace else to show them the harsh truths of their own world. In Landscape with Invisible Hand, the vuvv—aliens who’ve come to Earth as benevolent colonizers—make way for humanity to destroy itself by the hand of its own greed.

High school junior Adam Costello enjoys painting landscapes of his deteriorating small town when he’s not on the clock earning his family’s sole income. For cash, he records his saccharine, 1950s-inspired dates with a girlfriend he can barely tolerate just to entertain aliens fascinated with “classic” earth culture. Because the vuvv have descended upon Earth, offering free advanced technology and medicine to the earthlings, the human economy has collapsed as a result. Now the rich hoard wealth behind massive pay walls, leaving regular people to suffer. However, when Adam’s teacher enters his paintings into an intergalactic art competition, he sees a way out. As Adam and his family flounder, he must decide what’s more important: painting pleasantries for profit or making art that captures the truth of humanity’s darkest hour.

In this novella, National Book Award winner M.T. Anderson writes a multilayered and scathing satire of callous economics, wealth disparity and the invisible hand of the market, as well as a metacritical discussion on the worth and value of art. It’s a bleak but necessary lesson in trying to find the beauty in the disastrous, all while learning to recognize when it’s time to dream a new dream.

 

Justin Barisich is a freelancer, satirist, poet and performer living in Atlanta. More of his writing can be found at littlewritingman.com.

This article was originally published in the September 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

The eternal beauty of science fiction is this: It takes readers to sometime or someplace else to show them the harsh truths of their own world. In Landscape with Invisible Hand, the vuvv—aliens who’ve come to Earth as benevolent colonizers—make way for humanity to destroy itself by the hand of its own greed.

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BookPage Teen Top Pick, September 2017

In an alternate present-day New York City, Mateo and Rufus both receive the same call from Death-Cast in the early morning hours, letting them know they’ll be dead by midnight. The two teens have never met, but when they connect on the Last Friend app, they set out to help each other pack the experiences of a lifetime into one last day and form a deep bond that soon goes beyond friendship.

Adam Silvera, bestselling author of More Happy Than Not and History Is All You Left Me, delivers a thought-provoking story about two boys who seize one final opportunity to change their lives. The premise—that we should embrace every day because we don’t know many we’ve got left—may be trite, but Silvera’s take on the cliché is anything but. He renders every moment of their last day with such honesty that readers will feel as though they’re experiencing the same terror, anger and even joy Mateo and Rufus feel as they prowl the city together.

It’s a risky move, letting the reader know from the get-go that the main characters won’t make it. But these protagonists are impossible to hold at arm’s length; Mateo’s crippling shyness and Rufus’ temper are sure to resonate with readers. Both boys are hyperaware of their own shortcomings, but they’re also bound and determined to overcome their insecurities and live as their ideal selves during their final hours. They Both Die at the End is impossible to put down, and it’s sure to inspire readers to think about the people they want to be.

 

ALSO IN BOOKPAGE: Read a Q&A with Adam Silvera on They Both Die at the End.

This article was originally published in the September 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

In an alternate present-day New York City, Mateo and Rufus both receive the same call from Death-Cast in the early morning hours, letting them know they’ll be dead by midnight. The two teens have never met, but when they connect on the Last Friend app, they set out to help each other pack the experiences of a lifetime into one last day and form a deep bond that soon goes beyond friendship.

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The idea at the heart of Gregory Scott Katsoulis’ dystopia in All Rights Reserved is a horrifying one. All citizens age 15 and over must pay for every single word and gesture they use to communicate.

Katsoulis explores the implications of this system with all the bleak panache of an episode of “Black Mirror.” His young protagonist is named Speth Jime because those sounds are cheaper than more conventional names. She has to cut her hair in a certain way so that it stays in the public domain and doesn’t grow into a copyrighted style. Lawsuits over the illegal use of copyrighted words are rampant, and families risk going into crippling debt for generations if they run afoul of the draconian rules that govern their society. If they say a word they can’t afford, their eyes are shocked by corneal implants.

Speth has grown up in this system, and her rebellion against it is not a calculated protest. After witnessing a classmate kill himself rather than spend his entire life working to pay off what his family owes, Speth refuses to speak beginning on her 15th birthday and upholds a vow of silence throughout most of the novel. A decision prompted by anger but also fear due to her family’s already precarious economic situation, Speth’s silence begins to spawn similar protests, and she finds herself the center of a growing controversy.

Katsoulis remains deeply invested in his protagonist’s emotional journey throughout All Rights Reserved. Speth is not a natural revolutionary, and her reactions to her imitators range from pleased confusion to embarrassed horror. Her primary focus is to protect and help provide for her family—a brother and sister at home, and parents sent away to work off the family’s debt. When she stumbles into an opportunity with the mysterious Product Placers—the rarely-seen figures who leave targeted gifts in citizens’ homes—Speth begins to make a living perpetuating the very system she’s rebelling against. The push and pull between Speth’s resistance and conformity, while at times frustrating, is nonetheless emotionally realistic given that she has lived her entire life under this repressive system.

It’s a bit disappointing when the story bends itself back into the rebellion template, rather than just following Speth as she does her best to survive in this Dickensian dystopia, where abject poverty is only one wrong move away. But with his excellent establishment of the world of All Rights Reserved, hopefully Katsoulis will give himself the freedom do so in the sequel.

The idea at the heart of Gregory Scott Katsoulis’ dystopia in All Rights Reserved is a horrifying one. All citizens age 15 and over must pay for every single word and gesture they use to communicate.

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Dee Moreno’s way out from the confines of her miserable home life is a full academic scholarship to a prestigious Portland boarding school. When the scholarship funds are cut, Dee gets desperate enough to cut a deal with a demon. Or, daemon, as he prefers to be called. The general terms are one wish fulfilled in exchange for one body part, which, in Dee’s case, turns out to be her heart.

Actually, the agreement is a lease on her heart, to be returned after two years of service to the daemon. Thus Dee becomes the fourth member of the Deamon’s Portland Troop of Heartless, already comprised of no-nonsense Cora, physics genius Cal and James, a scruffily cute artist. Dee is quickly introduced to the drill: The deamon summons the heartless to enter “voids,” where their mission is to set off explosives and then race for the exit before the void implodes. Ironically, now that Dee is officially heartless, she begins having romantic feelings for James, who is patient and sweet with her reticence.

Emily Lloyd-Jones conjures a just-right balance of creepiness and pathos in her imaginative construct of demons and their interactions with human beings. The depiction of Dee’s family life could use more substance so that readers are able to empathize with her drastic decision. The characters, while diverse in terms of ethnicity and sexual orientation, are functional rather than fully developed. But readers looking for an interesting paranormal twist will enjoy this inventive story.

 

Diane Colson is the Library Director at City College in Gainesville, Florida.

Dee Moreno’s way out from the confines of her miserable home life is a full academic scholarship to a prestigious Portland boarding school. When the scholarship funds are cut, Dee gets desperate enough to cut a deal with a demon. Or, daemon, as he prefers to be called. The general terms are one wish fulfilled in exchange for one body part, which, in Dee’s case, turns out to be her heart.
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Twins Iris and Malina have a special gift, or “gleam,” but it must be hidden from the world. In their small town on the coast of Montenegro, this means the sisters had to stop using their witchy gifts when they became too strong. Iris is naturally aware of people’s scents and shapes—gleaning important information from her observations. Malina’s gift for hearing emotions as music allows the sisters to evaluate who is to be trusted, and who to fear. Over the years, Iris’ skills have deteriorated with lack of practice, and unfortunately, so has her relationship with the twins’ secretive mother, Jasmina. But when a vicious attack leaves their mother technically dead—yet mysteriously alive—the sisters must unearth the wild truth of their heritage.

Though the revelations about the twins’ background are somewhat murky, the power of their love—for themselves, their mother and their respective love interests—is movingly portrayed. A cliffhanger ending and layered, likable characters will leave readers eager for what’s next in this unique new series from debut author Lana Popović.

 

This article was originally published in the August 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Twins Iris and Malina have a special gift, or “gleam,” but it must be hidden from the world. In their small town on the coast of Montenegro, this means the sisters had to stop using their witchy gifts when they became too strong.

Best friends Izzie, Graham, Viv and Harry know their idyllic California town harbors secrets—specifically the cover-up of a teen girl’s murder five years ago—so they start a secret society intent on carrying out revenge and justice. Dubbing themselves the Order of the IV, the group tests the waters with small pranks until their antics bring the unwanted attention of the popular clique. But as the Order grows and the pranks dangerously intensify, the friends must navigate their love for one another amid the deep hatred they feel for their targets of revenge.

Alexandra Sirowy uses creepy imagery to peel back the layers of a quaint, coastal town to reveal its seedy core and to bring this twisty ride to its inevitable yet shocking conclusion. Narrated through Izzie’s haunting first-person point of view, the original Order struggles to remain true to themselves and the tight bonds they’ve formed, even as their plan to topple corrupt adults goes horribly wrong.

 

Kimberly Giarratano is the author of Grunge Gods and Graveyards, a young adult paranormal mystery.

This article was originally published in the August 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Best friends Izzie, Graham, Viv and Harry know their idyllic California town harbors secrets—specifically the cover-up of a teen girl’s murder five years ago—so they start a secret society intent on carrying out revenge and justice.

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When ruthless Emperor Sikander announces his impending visit to Shalingar, Princess Amrita knows she’ll be required to marry him. Though her heart breaks to give up her family, her home and her first love, she knows it is a worthy sacrifice to protect her people. However, when the visit takes a tragic turn and Amrita finds herself losing much more than she’d bargained for, she sets out on a desperate journey to save what is left—and maybe undo the past.

Aditi Khorana’s second novel, The Library of Fates, is a lovely coming-of-age story rooted in Indian folklore and infused with romance. The primary strength of the novel is the deep, lush world Khorana has built, vividly painting the beauty of Shalingar and juxtaposing it against the political turmoil of the empire.

Princess Amrita is admirable in her utter selflessness, yet still relatable in her teenage ideologies and naiveté, as she seeks out her destiny and shoulders the safety of her entire empire in the face of devastating loss. Though not quite fully developed, the mystical characters who guide Amrita—an oracle, a vetala and members of the cave-dwelling Sybillines—are colorful additions to the rich tapestry of the novel.

The Library of Fates is a perfect read for the lazy days of late summer. Khorana will take readers on a page-turning journey with a surprising yet wholly satisfying resolution.

 

This article was originally published in the August 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

The Library of Fates is a perfect read for the lazy days of late summer. Khorana will take readers on a page-turning journey with a surprising yet wholly satisfying resolution.

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BookPage Teen Top Pick, August 2017

Ever since their families merged eight years ago, Suzette and Lionel have been inseparable siblings. She calls him Lion; he calls her Little. Suzette and her mother, Nadine, are African-American, while Lionel and his father, Saul, are white. Suzette and Nadine converted to Judaism as they embraced Saul’s traditions, and all four have celebrated Shabbat every Friday night ever since.

But when Lionel was diagnosed with bipolar disorder last year, Suzette was sent to boarding school in the Northeast. Her parents expected this separation to help her live her own life, undistracted by her brother’s needs, but no one, including Suzette herself, expected her to fall in love at school . . . with her roommate, another girl.

Now back in Los Angeles for the summer, Suzette has a lot of adjusting to do. What does Lionel need from her, and what is she willing to give? As she renews her relationships with her family and her lesbian best friend DeeDee, she also struggles to name her own emerging sexuality. Is she bisexual if she’s attracted to both the hypnotic Rafaela, a Latina co-worker at her summer job, and Emil, a half-black, half-Korean boy?

Told in a combination of present-day narration and flashbacks, Little & Lion is simultaneously a quick read and a thoughtful one. Navigating intersectional identities is never easy, and author Brandy Colbert doesn’t shy away from details of mental health, racism and how these issues affect friendships and families. This is an intense, readable and highly recommended choice.

 

Jill Ratzan is a sharer of stories, an organizer of information, and a fan of traditions and technologies.

This article was originally published in the August 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Brandy Colbert doesn’t shy away from details of mental health, racism and how these issues affect friendships and families. This is an intense, readable and highly recommended choice.

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Since the drowning of her beloved brother, Cal, 10 months ago, Rachel feels like she’s lost everything. She’s lost her academic drive and consequently failed year 12 at school. She’s even lost her passion for the ocean, a love that has sustained her in the years since her former best friend, Henry, broke her heart just as her family moved to the seaside. Now, compelled by her aunt to make a change, Rachel is returning to Melbourne and—more than a little reluctantly—to her old job at the used bookshop Henry’s family owns, where they once spent so much time together.

Henry is going through a crisis of his own. Amy, the girl he once chose over Rachel, has been toying with his heart for three years, and she’s just done it again. Meanwhile, the bookshop is struggling, and Henry is tempted to side with his mother and sell the place—at least then he’ll have money to spend on Amy. But when Rachel shows up to catalog the shop’s so-called Letter Library (where strangers leave notes for one another in the margins of beloved books), things seem more confusing than ever.

Cath Crowley’s latest novel is a complex but comforting love story about resilience, second chances and the power of stories to uplift (and in many cases outlast) human lives. Words in Deep Blue offers nourishment to readers who love words, books and the thrill of discovering the unexpected within the pages of a dusty old volume.

 

This article was originally published in the July 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Since the drowning of her beloved brother, Cal, 10 months ago, Rachel feels like she’s lost everything. She’s lost her academic drive and consequently failed year 12 at school. She’s even lost her passion for the ocean, a love that has sustained her in the years since her former best friend, Henry, broke her heart just as her family moved to the seaside. Now, compelled by her aunt to make a change, Rachel is returning to Melbourne and—more than a little reluctantly—to her old job at the used bookshop Henry’s family owns, where they once spent so much time together.

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Matt is on a mission of bloody revenge; he’s bent on making the jocks pay for driving his sister away and determined to save his single mother from a dead-end job. But he’s got to be sharp if he wants to succeed, and that means conquering his hunger. Food will only dull his senses, making him soft and disgusting. But hunger? Hunger gives him unconquerable strength and superhuman senses.

Sam J. Miller’s first novel, The Art of Starving, is a gut-wrenching and powerful read about a high school boy clamoring for acceptance—from his wealthy classmates, from the boy he has a crush on and from the sister he fears he’s lost.

As Matt turns to food deprivation in order to gain control over something in his life, Miller paints his descent into the eating disorder in terrifying relief. As Matt’s pain goes unnoticed by most—those who do see it are too lost in their own trials to provide the support he needs—it becomes all too clear how easily we can overlook each other’s suffering.

Like Jay Asher’s Thirteen Reasons Why (and more so the recent Netflix adaptation), The Art of Starving teeters on the edge of romanticizing tragedy. However, Miller’s novel offers as much relief as desperation, and Matt’s journey will feel familiar and hopeful to any reader who’s experienced the precarious scramble for self-acceptance.

 

This article was originally published in the July 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Matt is on a mission of bloody revenge; he’s bent on making the jocks pay for driving his sister away and determined to save his single mother from a dead-end job. But he’s got to be sharp if he wants to succeed, and that means conquering his hunger. Food will only dull his senses, making him soft and disgusting. But hunger? Hunger gives him unconquerable strength and superhuman senses.

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