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The idea at the heart of Gregory Scott Katsoulis’ dystopia in All Rights Reserved is a horrifying one. All citizens age 15 and over must pay for every single word and gesture they use to communicate.

Katsoulis explores the implications of this system with all the bleak panache of an episode of “Black Mirror.” His young protagonist is named Speth Jime because those sounds are cheaper than more conventional names. She has to cut her hair in a certain way so that it stays in the public domain and doesn’t grow into a copyrighted style. Lawsuits over the illegal use of copyrighted words are rampant, and families risk going into crippling debt for generations if they run afoul of the draconian rules that govern their society. If they say a word they can’t afford, their eyes are shocked by corneal implants.

Speth has grown up in this system, and her rebellion against it is not a calculated protest. After witnessing a classmate kill himself rather than spend his entire life working to pay off what his family owes, Speth refuses to speak beginning on her 15th birthday and upholds a vow of silence throughout most of the novel. A decision prompted by anger but also fear due to her family’s already precarious economic situation, Speth’s silence begins to spawn similar protests, and she finds herself the center of a growing controversy.

Katsoulis remains deeply invested in his protagonist’s emotional journey throughout All Rights Reserved. Speth is not a natural revolutionary, and her reactions to her imitators range from pleased confusion to embarrassed horror. Her primary focus is to protect and help provide for her family—a brother and sister at home, and parents sent away to work off the family’s debt. When she stumbles into an opportunity with the mysterious Product Placers—the rarely-seen figures who leave targeted gifts in citizens’ homes—Speth begins to make a living perpetuating the very system she’s rebelling against. The push and pull between Speth’s resistance and conformity, while at times frustrating, is nonetheless emotionally realistic given that she has lived her entire life under this repressive system.

It’s a bit disappointing when the story bends itself back into the rebellion template, rather than just following Speth as she does her best to survive in this Dickensian dystopia, where abject poverty is only one wrong move away. But with his excellent establishment of the world of All Rights Reserved, hopefully Katsoulis will give himself the freedom do so in the sequel.

The idea at the heart of Gregory Scott Katsoulis’ dystopia in All Rights Reserved is a horrifying one. All citizens age 15 and over must pay for every single word and gesture they use to communicate.

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Dee Moreno’s way out from the confines of her miserable home life is a full academic scholarship to a prestigious Portland boarding school. When the scholarship funds are cut, Dee gets desperate enough to cut a deal with a demon. Or, daemon, as he prefers to be called. The general terms are one wish fulfilled in exchange for one body part, which, in Dee’s case, turns out to be her heart.

Actually, the agreement is a lease on her heart, to be returned after two years of service to the daemon. Thus Dee becomes the fourth member of the Deamon’s Portland Troop of Heartless, already comprised of no-nonsense Cora, physics genius Cal and James, a scruffily cute artist. Dee is quickly introduced to the drill: The deamon summons the heartless to enter “voids,” where their mission is to set off explosives and then race for the exit before the void implodes. Ironically, now that Dee is officially heartless, she begins having romantic feelings for James, who is patient and sweet with her reticence.

Emily Lloyd-Jones conjures a just-right balance of creepiness and pathos in her imaginative construct of demons and their interactions with human beings. The depiction of Dee’s family life could use more substance so that readers are able to empathize with her drastic decision. The characters, while diverse in terms of ethnicity and sexual orientation, are functional rather than fully developed. But readers looking for an interesting paranormal twist will enjoy this inventive story.

 

Diane Colson is the Library Director at City College in Gainesville, Florida.

Dee Moreno’s way out from the confines of her miserable home life is a full academic scholarship to a prestigious Portland boarding school. When the scholarship funds are cut, Dee gets desperate enough to cut a deal with a demon. Or, daemon, as he prefers to be called. The general terms are one wish fulfilled in exchange for one body part, which, in Dee’s case, turns out to be her heart.
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Twins Iris and Malina have a special gift, or “gleam,” but it must be hidden from the world. In their small town on the coast of Montenegro, this means the sisters had to stop using their witchy gifts when they became too strong. Iris is naturally aware of people’s scents and shapes—gleaning important information from her observations. Malina’s gift for hearing emotions as music allows the sisters to evaluate who is to be trusted, and who to fear. Over the years, Iris’ skills have deteriorated with lack of practice, and unfortunately, so has her relationship with the twins’ secretive mother, Jasmina. But when a vicious attack leaves their mother technically dead—yet mysteriously alive—the sisters must unearth the wild truth of their heritage.

Though the revelations about the twins’ background are somewhat murky, the power of their love—for themselves, their mother and their respective love interests—is movingly portrayed. A cliffhanger ending and layered, likable characters will leave readers eager for what’s next in this unique new series from debut author Lana Popović.

 

This article was originally published in the August 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Twins Iris and Malina have a special gift, or “gleam,” but it must be hidden from the world. In their small town on the coast of Montenegro, this means the sisters had to stop using their witchy gifts when they became too strong.

Best friends Izzie, Graham, Viv and Harry know their idyllic California town harbors secrets—specifically the cover-up of a teen girl’s murder five years ago—so they start a secret society intent on carrying out revenge and justice. Dubbing themselves the Order of the IV, the group tests the waters with small pranks until their antics bring the unwanted attention of the popular clique. But as the Order grows and the pranks dangerously intensify, the friends must navigate their love for one another amid the deep hatred they feel for their targets of revenge.

Alexandra Sirowy uses creepy imagery to peel back the layers of a quaint, coastal town to reveal its seedy core and to bring this twisty ride to its inevitable yet shocking conclusion. Narrated through Izzie’s haunting first-person point of view, the original Order struggles to remain true to themselves and the tight bonds they’ve formed, even as their plan to topple corrupt adults goes horribly wrong.

 

Kimberly Giarratano is the author of Grunge Gods and Graveyards, a young adult paranormal mystery.

This article was originally published in the August 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Best friends Izzie, Graham, Viv and Harry know their idyllic California town harbors secrets—specifically the cover-up of a teen girl’s murder five years ago—so they start a secret society intent on carrying out revenge and justice.

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When ruthless Emperor Sikander announces his impending visit to Shalingar, Princess Amrita knows she’ll be required to marry him. Though her heart breaks to give up her family, her home and her first love, she knows it is a worthy sacrifice to protect her people. However, when the visit takes a tragic turn and Amrita finds herself losing much more than she’d bargained for, she sets out on a desperate journey to save what is left—and maybe undo the past.

Aditi Khorana’s second novel, The Library of Fates, is a lovely coming-of-age story rooted in Indian folklore and infused with romance. The primary strength of the novel is the deep, lush world Khorana has built, vividly painting the beauty of Shalingar and juxtaposing it against the political turmoil of the empire.

Princess Amrita is admirable in her utter selflessness, yet still relatable in her teenage ideologies and naiveté, as she seeks out her destiny and shoulders the safety of her entire empire in the face of devastating loss. Though not quite fully developed, the mystical characters who guide Amrita—an oracle, a vetala and members of the cave-dwelling Sybillines—are colorful additions to the rich tapestry of the novel.

The Library of Fates is a perfect read for the lazy days of late summer. Khorana will take readers on a page-turning journey with a surprising yet wholly satisfying resolution.

 

This article was originally published in the August 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

The Library of Fates is a perfect read for the lazy days of late summer. Khorana will take readers on a page-turning journey with a surprising yet wholly satisfying resolution.

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BookPage Teen Top Pick, August 2017

Ever since their families merged eight years ago, Suzette and Lionel have been inseparable siblings. She calls him Lion; he calls her Little. Suzette and her mother, Nadine, are African-American, while Lionel and his father, Saul, are white. Suzette and Nadine converted to Judaism as they embraced Saul’s traditions, and all four have celebrated Shabbat every Friday night ever since.

But when Lionel was diagnosed with bipolar disorder last year, Suzette was sent to boarding school in the Northeast. Her parents expected this separation to help her live her own life, undistracted by her brother’s needs, but no one, including Suzette herself, expected her to fall in love at school . . . with her roommate, another girl.

Now back in Los Angeles for the summer, Suzette has a lot of adjusting to do. What does Lionel need from her, and what is she willing to give? As she renews her relationships with her family and her lesbian best friend DeeDee, she also struggles to name her own emerging sexuality. Is she bisexual if she’s attracted to both the hypnotic Rafaela, a Latina co-worker at her summer job, and Emil, a half-black, half-Korean boy?

Told in a combination of present-day narration and flashbacks, Little & Lion is simultaneously a quick read and a thoughtful one. Navigating intersectional identities is never easy, and author Brandy Colbert doesn’t shy away from details of mental health, racism and how these issues affect friendships and families. This is an intense, readable and highly recommended choice.

 

Jill Ratzan is a sharer of stories, an organizer of information, and a fan of traditions and technologies.

This article was originally published in the August 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Brandy Colbert doesn’t shy away from details of mental health, racism and how these issues affect friendships and families. This is an intense, readable and highly recommended choice.

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Since the drowning of her beloved brother, Cal, 10 months ago, Rachel feels like she’s lost everything. She’s lost her academic drive and consequently failed year 12 at school. She’s even lost her passion for the ocean, a love that has sustained her in the years since her former best friend, Henry, broke her heart just as her family moved to the seaside. Now, compelled by her aunt to make a change, Rachel is returning to Melbourne and—more than a little reluctantly—to her old job at the used bookshop Henry’s family owns, where they once spent so much time together.

Henry is going through a crisis of his own. Amy, the girl he once chose over Rachel, has been toying with his heart for three years, and she’s just done it again. Meanwhile, the bookshop is struggling, and Henry is tempted to side with his mother and sell the place—at least then he’ll have money to spend on Amy. But when Rachel shows up to catalog the shop’s so-called Letter Library (where strangers leave notes for one another in the margins of beloved books), things seem more confusing than ever.

Cath Crowley’s latest novel is a complex but comforting love story about resilience, second chances and the power of stories to uplift (and in many cases outlast) human lives. Words in Deep Blue offers nourishment to readers who love words, books and the thrill of discovering the unexpected within the pages of a dusty old volume.

 

This article was originally published in the July 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Since the drowning of her beloved brother, Cal, 10 months ago, Rachel feels like she’s lost everything. She’s lost her academic drive and consequently failed year 12 at school. She’s even lost her passion for the ocean, a love that has sustained her in the years since her former best friend, Henry, broke her heart just as her family moved to the seaside. Now, compelled by her aunt to make a change, Rachel is returning to Melbourne and—more than a little reluctantly—to her old job at the used bookshop Henry’s family owns, where they once spent so much time together.

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Matt is on a mission of bloody revenge; he’s bent on making the jocks pay for driving his sister away and determined to save his single mother from a dead-end job. But he’s got to be sharp if he wants to succeed, and that means conquering his hunger. Food will only dull his senses, making him soft and disgusting. But hunger? Hunger gives him unconquerable strength and superhuman senses.

Sam J. Miller’s first novel, The Art of Starving, is a gut-wrenching and powerful read about a high school boy clamoring for acceptance—from his wealthy classmates, from the boy he has a crush on and from the sister he fears he’s lost.

As Matt turns to food deprivation in order to gain control over something in his life, Miller paints his descent into the eating disorder in terrifying relief. As Matt’s pain goes unnoticed by most—those who do see it are too lost in their own trials to provide the support he needs—it becomes all too clear how easily we can overlook each other’s suffering.

Like Jay Asher’s Thirteen Reasons Why (and more so the recent Netflix adaptation), The Art of Starving teeters on the edge of romanticizing tragedy. However, Miller’s novel offers as much relief as desperation, and Matt’s journey will feel familiar and hopeful to any reader who’s experienced the precarious scramble for self-acceptance.

 

This article was originally published in the July 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Matt is on a mission of bloody revenge; he’s bent on making the jocks pay for driving his sister away and determined to save his single mother from a dead-end job. But he’s got to be sharp if he wants to succeed, and that means conquering his hunger. Food will only dull his senses, making him soft and disgusting. But hunger? Hunger gives him unconquerable strength and superhuman senses.

Readers who devoured Ink and Bone and Paper and Fire, the first two titles in bestselling author Rachel Caine’s Great Library series, have a summer reading treat in store. Ash and Quill continues this ingenious saga of an alternate world in which the Great Library of Alexandria has not only survived but also become immensely powerful, controlling all knowledge and even the ownership of books.

Jess Brightwell is a likable, compelling hero. He has been raised to love books, despite the fact that his family has “smuggled them, sold them, and profited from them.” As the story opens, Jess and his friends have been transported from London by the Translation Chamber, which can destroy a person and then recreate him or her far away. Jess has landed in the rebellious colonies of America (Philadelphia, to be exact) where “Burners” refuse to submit to the Library’s rule.

There, in a half-ruined sports stadium, Jess is forced to witness books being burned before he is jailed. But, as he reflects, “Prisons—like locks—were made to be broken.”

Ash and Quill is a page-turning adventure, full of danger and intrigue. There’s romance, too, as Jess and the courageous Morgan take on the challenge of trying to save the true core of the Library from evil plotters within.

While Ash and Quill is perfect for teen readers, parents intrigued by the alternate future depicted in Philip K. Dick’s The Man in the High Castle might want to borrow this one to stick in a beach bag.

 

Deborah Hopkinson lives near Portland, Oregon. Her most recent book for young readers is Independence Cake.

This article was originally published in the July 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Readers who devoured Ink and Bone and Paper and Fire, the first two titles in bestselling author Rachel Caine’s Great Library series, have a summer reading treat in store. Ash and Quill continues this ingenious saga of an alternate world in which the Great Library of Alexandria has not only survived but also become immensely powerful, controlling all knowledge and even the ownership of books.

For 16-year-old Marnie Wells, reading tea leaves is a party trick—a kooky hobby she picked up from an old book of her grandmother’s. And although Marnie doesn’t take her tea-leaf reading seriously, the kids at her high school sure do. Matt Cotrell, a popular athlete whose best friend, Andrea, disappeared last year, is particularly interested in Marnie’s hobby.

Matt begins to seek out the introverted Marnie for fortune telling, but is it really to help find Andrea? Marnie isn’t sure, even as she and Matt spend more time together. But anonymous emails, a missing drug dealer and suspicious circumstances at a party compound the mystery, placing Marnie in the center of it all.

Marnie is a cynical and perceptive character, but she struggles to fit in. Grappling with her sense of identity, Marnie longs to escape the rundown home she shares with her troubled brother and loving grandmother. And she’s unsure how to navigate her new romance with Matt—a boy she doesn’t wholly understand.

Emily Arsenault, known for weaving haunting tales in adult mysteries, brings her knack for subtle suspense to a younger audience in this rewarding YA debut.

 

Kimberly Giarratano is the author of Grunge Gods and Graveyards, a young adult paranormal mystery.

This article was originally published in the July 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

For 16-year-old Marnie Wells, reading tea leaves is a party trick—a kooky hobby she picked up from an old book of her grandmother’s. And although Marnie doesn’t take her tea-leaf reading seriously, the kids at her high school sure do. Matt Cotrell, a popular athlete whose best friend, Andrea, disappeared last year, is particularly interested in Marnie’s hobby.

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As the second volume in Kiersten White’s And I Darken series (a retelling of the Vlad the Impaler legend) begins, the ferocious Lada has fled the Ottoman Court with a band of warriors, determined to fulfill her destiny and secure the throne of Wallachia. Left behind is her brother, Radu, who is still yearning for the attentions of Sultan Mehmed, despite Mehmed’s unabated lust for Lada.

As part of his scheme to expand his empire, Mehmed sends Radu to Constantinople to gather intelligence for a planned invasion. Radu and his wife, Nazira—who has left behind her own same-sex lover—are thrust into a dangerous game of intrigue in the court of Constantine. Meanwhile, Lada’s bloodthirsty drive for power is tempered by unexpected affection for an ally. Nevertheless, she remains true to her dragon nature, outmatching her opponents through a merciless combination of cunning and brutality.

White skillfully interweaves the cultural and political norms of 15th-century Eastern Europe with contemporary empathy by switching up gender roles and maintaining a smoldering undercurrent of romantic tension.

The storylines of Lada and Radu do not directly intersect in this middle volume, which allows readers to bond with each sibling and their respective entourages. This installment is highly recommended for both teens and adults interested in alternative histories flush with imaginative twists.

 

Diane Colson is the Library Director at City College in Gainesville, Florida.

ALSO IN BOOKPAGE: Read our Q&A with Kiersten White for Now I Rise.

This article was originally published in the July 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

As the second volume in Kiersten White’s And I Darken series (a retelling of the Vlad the Impaler legend) begins, the ferocious Lada has fled the Ottoman Court with a band of warriors, determined to fulfill her destiny and secure the throne of Wallachia. Left behind is her brother, Radu, who is still yearning for the attentions of Sultan Mehmed, despite Mehmed’s unabated lust for Lada.

Set in early 1940s New England, Emily Bain Murphy’s debut novel, The Disappearances, follows 16-year-old Aila Quinn and her younger brother, Miles. The two are struggling after the recent death of their mother, Juliet, and their father’s departure to fight in World War II. Left alone, they must travel to their mother’s mysterious hometown of Sterling, Connecticut, to stay with family friends.

When they arrive, Aila discovers the townspeople have been suffering “Disappearances” every seven years. These fantastical losses include the ability to smell, to see the stars and to see their own reflections. Aila and Miles don’t understand why everyone blames their mother until Aila begins to unravel Juliet’s mysterious past. Why was she able to break free of the curse? Why did Juliet leave notes in a book of William Shakespeare’s works?

Bain deftly weaves these threads together as Aila discovers not only her mother’s secrets but also her own identity. By setting the novel in a time before the internet, Bain thoroughly conveys the sense of strange isolation of Sterling’s residents and their troubles. In the end, The Disappearances is a delicious mix of mystery, fantasy and romance.

 

Jennifer Bruer Kitchel is the librarian for a Pre-K through 8th level Catholic school.

This article was originally published in the July 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Set in early 1940s New England, Emily Bain Murphy’s debut novel, The Disappearances, follows 16-year-old Aila Quinn and her younger brother, Miles. The two are struggling after the recent death of their mother, Juliet, and their father’s departure to fight in World War II. Left alone, they must travel to their mother’s mysterious hometown of Sterling, Connecticut, to stay with family friends.

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Ten teenagers. One soundstage made to look like a spacecraft. Plus a questionable scientific agency, a maniacal producer and a dozen or so corporate sponsors. What could possibly go wrong?

Told in transcripts of audio and video recordings, blog posts and other documents obtained by a disgruntled intern, Waste of Space follows an eponymous reality show. Documents show the daily power struggles, challenges and romantic trysts of the “Space­tronauts,” along with the personal confessions they’re encouraged to record, the highly edited results that appear on TV and the increasingly frantic conversations that occur among various behind-the-scenes partners.

Discerning readers might initially get frustrated by the clichés, including the show’s instant and intense social media popularity and the overt product placement. But as these elements fall away or twist in on themselves, the characters are revealed to be more than they seem. Readers will come to see that Waste of Space is a satire skewering every element it seemed at first to glorify.

Author Gina Damico, best known for her humor/horror hybrids like the recent Wax, taps into a cultural zeitgeist of advertising saturation, Hunger Games spin-offs and self-mocking tales like Joss Whedon’s movie The Cabin in the Woods. A bit of real emotional power sneaks in with the mockery, leading readers to question the lines between realistic fiction, science fiction, magical realism and parody.

 

This article was originally published in the July 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Ten teenagers. One soundstage made to look like a spacecraft. Plus a questionable scientific agency, a maniacal producer and a dozen or so corporate sponsors. What could possibly go wrong?

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