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I grew up loving Ellen Emerson White’s The President’s Daughter and its sequels, which centered on female characters (the main character’s mother is the first female president) daring to break new ground. White, a longtime fan of the Red Sox, also often includes baseball in her fiction; with her new novel, she brings both these themes together.

Senior year is coming to an end, and Jill Cafferty has, if she chooses to accept it, a full ride to play baseball at Stanford. Through some unusual blend of genetics, innate talent and really hard work, Jill can throw a fastball harder and faster than most male pitchers, and for the last few years, not just colleges but also major league scouts have taken notice. When Jill is, to her own surprise, drafted to the Pittsburgh Pirates organization in the third round of the MLB draft, she decides to take a leap, becoming the first woman to play major league baseball. Immediately, she’s both a role model to millions of little girls and scorned and resented by some hard-line traditionalists—but what does Jill want?

Filled with details about the less-than-glamorous life of minor league ball players, White’s new novel will appeal to sports fiction fans regardless of gender. Some plot points (particularly Jill’s feelings about her deceased dad, as well as her relationships with friends back home) feel underdeveloped by contrast, but overall White successfully avoids many sports fiction clichés, resulting in a thoroughly credible novel that’s begging for a sequel.

I grew up loving Ellen Emerson White’s The President’s Daughter and its sequels, which centered on female characters (the main character’s mother is the first female president) daring to break new ground. White, a longtime fan of the Red Sox, also often includes baseball in her fiction; with her new novel, she brings both these themes together.

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For seven years, Scarlett writes letters to Legend, the head of the mysterious traveling half-carnival, half-game Caraval. And for seven years, she gets no reply. Then, just before Scarlett is supposed to wed a count she’s never met—an arranged marriage that will rescue herself and her sister from their abusive father—three Caraval tickets appear. Soon Scarlett, her sister, Tella, and a new acquaintance find themselves swept into the magical world of Caraval, where they have five nights to win the game and its tempting prize: the granting of a single wish.

Caraval is full of sensory delights, from glittering castles to carousels made of rose petals to edible silver bells. But darkness lurks below the surface-level gaiety: Caraval’s magic traps its players inside their lodgings from sunrise to sunset; nightmares and lies serve as currency; and a labyrinth of underground tunnels intensifies players’ fears.

Debut author Stephanie Garber weaves a suspenseful mystery as Scarlett interprets (and misinterprets) clues, navigates hidden identities and attempts to solve the puzzles of Caraval. But Garber’s true strength is her use of multisensory imagery. When Scarlett first enters Caraval, for example, “soft golden lights licked her arms,” heat envelopes her that “tasted like light, bubbly on her tongue,” and she finds herself surrounded by “a canopy of crystal chandeliers,” “plush cranberry rugs” and “golden . . . spindles that arched around heavy red velvet drapes.” A teaser at the book’s end promises a follow-up novel that readers will fervently anticipate.

 

Jill Ratzan matches readers with books in a small library in southeastern Pennsylvania.

For seven years, Scarlett writes letters to Legend, the head of the mysterious traveling half-carnival, half-game Caraval. And for seven years, she gets no reply. Then, just before Scarlett is supposed to wed a count she’s never met—an arranged marriage that will rescue herself and her sister from their abusive father—three Caraval tickets appear. Soon Scarlett, her sister, Tella, and a new acquaintance find themselves swept into the magical world of Caraval, where they have five nights to win the game and its tempting prize: the granting of a single wish.

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BookPage Teen Top Pick, February 2017

Oswald Pinkerton has an unfortunate moniker and a boyfriend who has disappeared. Ozzie is a thinker—perhaps too much so—and he wonders endlessly about how his boyfriend, Tommy, vanished. Not only is Tommy gone, but he’s been erased from the memories of everyone who ever knew him.

As Ozzie navigates school (the bullies, as well as a potential new love interest, Calvin), work (where he often sees Tommy’s mom) and friends (including gender-bending Lua), he also travels from therapist to therapist (reluctantly) to deal with issues relating to Tommy, his parents’ rocky divorce and a plane crash that nearly took his life.

At the Edge of the Universe tackles it all—relationships, gender issues, family angst, sexual abuse, alcoholism. It’s a heavy read, but a surprising page-turner. Author Shaun David Hutchinson (We Are the Ants) infuses the very likable yet troubled Ozzie with a lot of interest in and knowledge of the metaphysical world, but there is enough added drama and typical teen issues to keep readers wondering: Will Calvin and Ozzie become a couple? Will Tommy return? Is the universe really shrinking?

This is a well-composed, intelligent young adult read with contemporary themes and plenty of descriptive detail. Some of the issues aren’t pretty or easy, but today’s teens will thrill to Oswald’s story of great heart and big ideas.

 

Sharon Verbeten is a freelance writer and children’s librarian in De Pere, Wisconsin.

This article was originally published in the February 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Oswald Pinkerton has an unfortunate moniker and a boyfriend who has disappeared. Ozzie is a thinker—perhaps too much so—and he wonders endlessly about how his boyfriend, Tommy, vanished. Not only is Tommy gone, but he’s been erased from the memories of everyone who ever knew him.

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In We Are Okay, author Nina LaCour (Everything Leads to You) tells a story more of absence than presence, looking with calm directness at grief and betrayal and the ways they can multiply outward. It’s a beautiful, devastating piece of art.

Marin is in school in New York, quietly living a new life and trying to leave behind the life she ran from. Her lonely Christmas break is interrupted by a visit from her best friend (and now ex-girlfriend), Mabel. The truth about the event that caused Marin to leave San Francisco with only what she held in her hands comes out slowly, and her grief in the face of it is cavernous. But notice the details LaCour shines a light on: the perfect yellow bowls Marin bought at a pottery shop, the potted plant thriving and in need of a larger container. If her existence now is sparse, it is not without color, or life.

The title hints at a happy ending, but the journey toward it passes through some of the darkest corners of the heart. Be prepared to be gutted—and grateful. We Are Okay is an extraordinary work by an author who keeps redefining and elevating her genre. Readers are lucky to have it.

 

This article was originally published in the February 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

In We Are Okay, author Nina LaCour (Everything Leads to You) tells a story more of absence than presence, looking with calm directness at grief and betrayal and the ways they can multiply outward. It’s a beautiful, devastating piece of art.
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In 2011, 23-year-old Veronica Roth’s debut, Divergent, set the stage for a series that would become a worldwide phenomenon. And while the series is ripe for obsessing, Roth took the story of Tris Prior to a shocking place—a place not every fan wanted to go. This unflinching pursuit of weighted questions carries over to her new duology as Roth considers faith and loyalty within a sci-fi setting. Carve the Mark is set in a solar system where a supreme force called the current flows through all beings, imbuing people with gifts similar to X-Men abilities.

The story opens when Akos and his older brother are kidnapped from their peaceful home in Thuvhe, in the northern part of their icy planet, by Shotet soldiers. The Shotet are an unrecognized nation of scavengers and warriors, and as their prisoner, gentle Akos (a win for Hufflepuff heroes) is trained as a soldier and charged with attending to hard-edged Cyra, the sister of the tyrannical Shotet ruler. Their friendship will change them both, but this is a world bound by fate, where kills are marked on the arms of killers. Loyalty to one’s family is everything, and it seems violence may be the only way to change that.

Roth’s cultural worldbuilding is meticulous and intricate, although explanatory passages slow the novel’s pace. But Roth’s conjuring of religions, belief systems and language differences is well done, and her prose has strengthened with this new series. Diehard Roth fans will be rewarded.

This article was originally published in the February 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Veronica Roth returns with a new sci-fi series.

“And this makes me wonder if a black girl’s life is only about being stitched together and coming undone, being stitched together and coming undone.” The latest novel from Renée Watson captures the poignant story of a black teenage girl struggling to navigate a world that doesn’t appear to accept her.

Jade Butler lives in an impoverished area of Portland, Oregon, and is raised by a single mother who works tirelessly so that Jade can attend a prestigious private high school. There, Jade is given lots of opportunities, such as free SAT prep classes and tutoring jobs. When Jade is invited to participate in a mentorship program for African-American girls, she is disappointed. She’s tired of being selected for programs where the only criteria is being black and poor. She just wants to be nominated for the study abroad trip to Costa Rica, but it’s difficult to refuse these opportunities when so much is riding on her success.

Piecing Me Together is a beautifully written story told through the first-person narration of a girl who, despite being smart, strong and artistic, still feels like she has to overcome her race, gender and socio-economic status. This has as much to do with the actions of the adults in her life—as well intentioned as they may be—as it does with the undercurrent of racism and classism. There’s a lot to unpack here, and readers will finish the story with more questions than answers—a testament to the novel’s complexity and nuance.

 

Kimberly Giarratano is the author of Grunge Gods and Graveyards, a young adult paranormal mystery.

This article was originally published in the February 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

“And this makes me wonder if a black girl’s life is only about being stitched together and coming undone, being stitched together and coming undone.” The latest novel from Renée Watson captures the poignant story of a black teenage girl struggling to navigate a world that doesn’t appear to accept her.
Review by

Mixed-race Mary B. Addison has lived in a group home since her release from “baby jail,” where she was held for six years. The other girls are like Mary—convicted of violent crimes—but she is the one they call “psycho.” Mary committed the most heinous crime of the group: When she was 9 years old, she killed the white baby her mother was babysitting. Allegedly.

Mary wants the opportunity to rebuild her life unfettered by her reputation. She is extremely smart, and wants to go to college and be a teacher. But because of the nature of her crime, many doors are closed to her. She can’t attend regular public school, and a career that would put her in contact with children is out of the question. Now that she has a loving boyfriend and a baby on the way, it’s even more important that she convince her mother to tell the whole truth about that night. But Momma isn’t trustworthy, and Mary is reluctant to divulge details.

With Mary’s first-person narration interspersed with excerpts from true crime books about her case and transcripts of interviews with detectives and doctors, Tiffany D. Jackson’s debut novel unfolds in meticulously layered detail. Mary and Momma are fascinating characters at the center of a sophisticated and morally complex plot. Though the unsettling outcome may disturb some readers, Allegedly is a mind-boggling story sure to entertain young thriller enthusiasts.

 

This article was originally published in the February 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Mixed-race Mary B. Addison has lived in a group home since her release from “baby jail,” where she was held for six years. The other girls are like Mary—convicted of violent crimes—but she is the one they call “psycho.” Mary committed the most heinous crime of the group: When she was 9 years old, she killed the white baby her mother was babysitting. Allegedly.

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Award-winning Swedish author and illustrator Jakob Wegelius pens a fascinating murder-mystery that features a multitalented gorilla, Sally Jones, who narrates the story via a 1908 Underwood No. 5 typewriter.

Sally’s seaman friend Chief accepts a peculiar transport job from a shady character named Alphonse Morro. In a strange turn of events, Chief is wrongfully accused of murdering Morro and sent to prison for 25 years. Now separated from Chief, Sally finds refuge at the home of Ana Molina, where she is given the opportunity to learn to repair accordions. After another strange turn of events, Sally learns that Morro is not dead but hiding somewhere in the Far East. Encouraged by the unexpected news, Sally embarks on a journey to prove her friend’s innocence.

Eighty chapters and more than 600 pages long, The Murderer’s Ape feels like a rebooted Alexandre Dumas novel. While the book’s length may be daunting, Wegelius’ audience is in for a pleasant surprise. The highly engaging narrative turns a fat novel into a light read. In the midst of Sally’s complex account, Wegelius weaves in a well-defined cast and punctuates his substantial story with over 100 detailed pen-and-ink illustrations. The character portrayals at the book’s opening are particularly stunning.

 

This article was originally published in the February 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Award-winning Swedish author and illustrator Jakob Wegelius pens a fascinating murder-mystery that features a multitalented gorilla, Sally Jones, who narrates the story via a 1908 Underwood No. 5 typewriter.

Sixteen-year-old Tina lives by the skin of her teeth as a Goonda, a member of the gang of thieves operating in Sangui City (a fictional place in East Africa). Although she has erased most of her past, Tina secretly visits her younger sister, Kiki, at her boarding school. But she has cut ties with the Greyhill family, for whom her mother, Anju, a refugee from the Democratic Republic of Congo, once worked as a maid. Except that now Tina hopes to prove what she has long suspected, that mining executive Roland Greyhill is responsible for her mother’s murder.

When Tina breaks into the Greyhill mansion, she is caught by Roland’s son, Michael, her childhood friend. Convinced that his father is innocent, Michael persuades Tina to try to look for the real killer. Michael and Tina, along with fellow thief Boyboy, embark on a perilous search to unravel Anju’s tortuous past—a search that brings them into the midst of unrest and violence.

In Tina, author Natalie C. Anderson has created an unforgettable heroine, who, like Katniss Everdeen and Lisbeth Salander, leaps off the page as a distinct individual, both strong and vulnerable. Tina’s passions—her love for her sister, a desire for revenge and her growing feelings for Michael—drive the narrative forward at breakneck speed.

Anderson drew from stories she heard firsthand while working with refugees in Kenya. While the story is fiction, there is a sobering authenticity in its themes of war, refugees, poverty and violence against women, which are sure to generate discussion in and out of the classroom.

 

Deborah Hopkinson lives near Portland, Oregon. Her most recent book for young readers is Steamboat School.

This article was originally published in the February 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Sixteen-year-old Tina lives by the skin of her teeth as a Goonda, a member of the gang of thieves operating in Sangui City (a fictional place in East Africa). Although she has erased most of her past, Tina secretly visits her younger sister, Kiki, at her boarding school. But she has cut ties with the Greyhill family, for whom her mother, Anju, a refugee from the Democratic Republic of Congo, once worked as a maid. Except that now Tina hopes to prove what she has long suspected, that mining executive Roland Greyhill is responsible for her mother’s murder.

With death comes the inevitable attachment to desperation and regret, but for Griffin, these emotions are just the beginning of an unraveling journey after the death of his first love. On a hunt to find closure after his ex-boyfriend Theo’s drowning, Griffin explores the unchartered waters of life without him in New York City—a city filled with countless memories of shared love.

Best friends turned lovers Theo and Griffin spent their adolescent years discovering who they are and building history together, spending every moment cherishing each other’s passions and interests. But when Theo leaves New York to attend college in California on an early admission acceptance, Griffin’s world begins to crumble. Theo had been exploring life in California with his new boyfriend and had begun to break away from his old history with Griffin, and his death is a tragic twist in a story about self-discovery, strengths and friendships.

Following his bestselling and critically acclaimed debut, More Happy Than Not, Adam Silvera delivers another twisty novel about self-exploration, adolescent relationships and the bond between first loves. History Is All You Left Me is a tale for today’s youth—one that embraces the essence of time and love.

With death comes the inevitable attachment to desperation and regret, but for Griffin, these emotions are just the beginning of an unraveling journey after the death of his first love. On a hunt to find closure after his ex-boyfriend Theo’s drowning, Griffin explores the unchartered waters of life without him in New York City—a city filled with countless memories of shared love.

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Ilse Stern knows in her heart that everything will start this autumn. She’s hoping for a date with Hermann Rød, the handsome boy who lives across the hall. But for a Jewish teenage girl in Oslo, Norway, in 1942, fate has something other than a night at the cinema in mind. What starts with hateful words scrawled on windows of her father's tailoring shop soon escalates into the mass arrests, forced labor and death camps of Nazi-controlled Europe.

Shifting between five different points of view, author Marianne Kaurin tells a multifaceted story. There’s Hermann, pretending to apprentice for an artist while secretly helping smuggle Jews to safety in Sweden; their neighbor, a taxi driver who finds that his work for the Nazis is increasingly challenging his sense of morality; Ilse’s devoted father; Ilse’s scared but ever-practical older sister; and Ilse herself. Between them, they demonstrate the intersecting stories of Holocaust-era resistance fighters, bystanders and victims—as well as those who managed to survive through pure luck.

Like many Holocaust books, Almost Autumn doesn’t flinch at showing the harsh realities of life and death in and around Hitler’s concentration camps. Despite errors in her descriptions of Jewish practices and a plot and format that fail to stand out in a saturated genre, Kaurin composes her difficult story with sensitivity and balance. Inspired by her family’s experiences during the Second World War, she shines a light on a dark historical time.

 

Jill Ratzan matches readers with books in a small library in southeastern Pennsylvania.

Ilse Stern knows in her heart that everything will start this autumn. She’s hoping for a date with Hermann Rød, the handsome boy who lives across the hall. But for a Jewish teenage girl in Oslo, Norway, in 1942, fate has something other than a night at the cinema in mind. What starts with hateful words scrawled on windows of her father's tailoring shop soon escalates into the mass arrests, forced labor and death camps of Nazi-controlled Europe.

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After a traumatic year off, Lily’s return to her swanky Manhattan high school has been far from easy. Most of her friends still blame her for what happened, and the rest treat her with the lightest of kid gloves. The only person who isn’t treating Lily like a pariah is Dari, the artistic new student with a troubled past. Their attraction is immediate and intense, but can it survive a tumultuous year of drama and tragedy?

Playwright Kara Lee Corthron’s first novel is at once a touching romance and a poignant coming-of-age story that’s deeply in tune with the harsh realities many teenagers and young adults face today. From sexual assault to domestic abuse to systemic racism, Lily and Dari encounter obstacles that no teen should have to face, but all too many do. Corthron tells their story with just the right mix of whimsy, grace and gravitas, treating her protagonists and the flawed adults in their lives with the utmost respect. Lily and Dari’s journey is inspirational, and despite how deeply the deck is stacked against them, they gather the courage to move forward in the best way they can.

The Truth of Right Now is not a lighthearted read, but it’s an important page-turner for young readers growing up in today’s America.

 

This article was originally published in the January 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

After a traumatic year off, Lily’s return to her swanky Manhattan high school has been far from easy. Most of her friends still blame her for what happened, and the rest treat her with the lightest of kid gloves. The only person who isn’t treating Lily like a pariah is Dari, the artistic new student with a troubled past. Their attraction is immediate and intense, but can it survive a tumultuous year of drama and tragedy?

Despite the title, this engaging mystery from debut author Chelsea Sedoti isn’t about the popular, enviable Lizzie, but about 17-year-old Hawthorn Creely, the lonely outcast who becomes obsessed with Lizzie’s disappearance. Hawthorn has always been a loner. Her sarcasm, dry wit and occasional rudeness have left her with only one friend, and even that relationship hangs by a thread. So when Lizzie is reported missing, Hawthorn inserts herself into Lizzie’s old life by taking over Lizzie’s former job and hanging out with Enzo, Lizzie’s sulky artist boyfriend. As Hawthorn and Enzo connect over Lizzie, Hawthorn is enlivened by her new adventures, but they come at the expense of a tragedy.

Hawthorn is one of the most relatable characters in recent young adult literature. Her unhappiness stems from her inability to connect to people her own age and her subsequent boredom. She lives mostly in her own head, choosing to find magic in movies, books and her imagination rather than the world around her. 

This mystery is less about finding a missing girl as it is about finding happiness and purpose in a complex, often contradictory world.

 

Kimberly Giarratano is the author of Grunge Gods and Graveyards, a young adult paranormal mystery.

This article was originally published in the January 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Despite the title, this engaging mystery from debut author Chelsea Sedoti isn’t about the popular, enviable Lizzie, but about 17-year-old Hawthorn Creely, the lonely outcast who becomes obsessed with Lizzie’s disappearance. Hawthorn has always been a loner. Her sarcasm, dry wit and occasional rudeness have left her with only one friend, and even that relationship hangs by a thread. So when Lizzie is reported missing, Hawthorn inserts herself into Lizzie’s old life by taking over Lizzie’s former job and hanging out with Enzo, Lizzie’s sulky artist boyfriend.

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