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What could be better than summer . . . and love? The answer is summer, love and Stephanie Perkins. Perkins, known for happily-ever-after YA romances like Anna and the French Kiss, edits this volume of 12 short stories, all written by luminaries in contemporary YA lit. Opposite-sex love, same-sex love, love between unexpected partners and seemingly inevitable love all find voice in these tales, which range across genre lines from realistic fiction to science fiction to magical realism and beyond. There’s summer classes, summer jobs—at camps, resorts and amusement parks—and surprising summer visitors. There’s love that blossoms quickly and love that takes its time. There’s love that might last forever and love that might just end with summer’s fading days.

Some stories, like Jon Skovron’s “Love is the Last Resort” and Jennifer E. Smith’s “A Thousand Ways This Could All Go Wrong,” are sweet and funny. Others, like Libba Bray’s “Last Stand at the Cinegor” and Cassandra Clare’s “Brand New Attraction,” have a darkly funny twist—and others, like Veronica Roth’s “Inertia” and Lev Grossman’s “The Map of Tiny Perfect Things,” are tearjerkers.

Issues like neurodiversity, mental health and complicated family dynamics are explored even while romance takes central stage. Throughout, as Perkins fans might expect, there’s sweet and sexy kissing . . . but nothing more. Fans of Perkins’ previous anthology, My True Love Gave to Me: Twelve Holiday Stories, won’t want to miss this further seasonally themed volume.

 

Jill Ratzan matches readers with books in a small library in southeastern Pennsylvania.

What could be better than summer . . . and love? The answer is summer, love and Stephanie Perkins. Perkins, known for happily-ever-after YA romances like Anna and the French Kiss, edits this volume of 12 short stories, all written by luminaries in contemporary YA lit. Opposite-sex love, same-sex love, love between unexpected partners and seemingly inevitable love all find voice in these tales, which range across genre lines from realistic fiction to science fiction to magical realism and beyond.

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In a sort of modern retelling of the Faustian myth that legendary blues guitarist Robert Johnson achieved his success by selling his soul to the devil at the crossroads, Devil and the Bluebird follows the winding and heart-wrenching path of one young girl who’s trying to save her sister’s soul.

Blue Riley is willing to give up anything to find her missing older sister, Cass, who left to chase dreams of musical fame not long after their mother died of cancer. Blue finds the devil down at the nearby crossroads and bargains her soul to try to save her sister’s. She gives up her voice as collateral and gets only six months and a pair of vaguely magical boots in exchange. 

Throughout her journey to find Cass, Blue meets all sorts of gifted and seedy characters. And as the devil changes the terms of their deal, she must re-evaluate her understanding of good and evil, all while hoping that a bluebird has a chance in hell of defeating the devil.

Debut author Jennifer Mason-Black’s prose is fittingly lyrical, and her narrative always takes the most devilish of turns.

 

Justin Barisich is a freelancer, satirist, poet and performer living in Atlanta. More of his writing can be found at littlewritingman.com.

This article was originally published in the June 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

In a sort of modern retelling of the Faustian myth that legendary blues guitarist Robert Johnson achieved his success by selling his soul to the devil at the crossroads, Devil and the Bluebird follows the winding and heart-wrenching path of one young girl who’s trying to save her sister’s soul.
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High school seniors Mark and Kate have sat next to each other in class all year but have rarely spoken. On the first night of Pride, the two run into each other in a San Francisco bar, where Kate is avoiding a setup with her (likely) soul mate, Violet, and Mark is trying to impress the (definite) love of his life, Ryan. Through this chance encounter, they realize they are each uniquely prepared to guide each other through the loneliness of first loves, friendship crises and heartbreaks that lie ahead.

You Know Me Well perfectly encapsulates those fraught, end-all-be-all feelings of high-school romance and graduation. Authors Nina LaCour and David Levithan have the utmost respect for their subjects. Kate and Mark—and all their friends—are allowed to feel like every fight and every heartbreak is the end of the world; they’re allowed to run away, to lash out, to curl up in bed and cry.

The raw emotion of this novel will delight fans of Rainbow Rowell and John Green.

 

This article was originally published in the June 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

High school seniors Mark and Kate have sat next to each other in class all year but have rarely spoken. On the first night of Pride, the two run into each other in a San Francisco bar, where Kate is avoiding a setup with her (likely) soul mate, Violet, and Mark is trying to impress the (definite) love of his life, Ryan. Through this chance encounter, they realize they are each uniquely prepared to guide each other through the loneliness of first loves, friendship crises and heartbreaks that lie ahead.
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Adrian is gay and perfectly content to blend into the background at his stereotypically conservative Texas high school. He prefers to escape into the world of his Renaissance-inspired art and his superhero creation, Graphite. But when he intervenes during the brutal beating of another gay student, he draws unwanted attention to himself. No longer in the background, Adrian must decide whether he (and Graphite) should stand for something more than solitude and invisibility. 

Laurent Linn’s debut novel is less “coming out” and more “coming-of-age,” as it asks compelling questions about responsibility, retaliation and integrity. Adrian’s two sidekicks, the drastically different Audrey and Trent, are well-rounded characters who support and challenge Adrian in equal measure.

The text is interspersed with beautiful snippets of the Graphite comic, drawn by the author, and a believable budding romance lends lightness to the otherwise violent plot. Despite the novel’s length, the story unfolds over just a few weeks, which underscores how quickly and drastically circumstances can change, an especially important message for young readers. Draw the Line does leave a few loose ends untied, but readers will appreciate the happy place Adrian finds himself in at the story’s conclusion and the admirable choices he made to get there.

 

This article was originally published in the June 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Adrian is gay and perfectly content to blend into the background at his stereotypically conservative Texas high school. He prefers to escape into the world of his Renaissance-inspired art and his superhero creation, Graphite. But when he intervenes during the brutal beating of another gay student, he draws unwanted attention to himself. No longer in the background, Adrian must decide whether he (and Graphite) should stand for something more than solitude and invisibility.
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BookPage Teen Top Pick, June 2016

The best imaginary worlds give readers the opportunity not only to enter a different realm but also to consider how that imaginary world reflects or distorts our actual one. Few novels have tackled this as skillfully as Steeplejack, the young adult debut by bestselling author A.J. Hartley.

Set in a world that looks very much like an alternative historical version of South Africa, Steeplejack tackles head-on the kinds of bigotry, class and race warfare, and identity politics that are all too relevant in the real world. This social commentary is placed in the context of a thrilling mystery plot, investigated by a truly unforgettable heroine.

Anglet Sutonga is a steeplejack, one of the best climbers the city of Bar-Selehm has ever seen. But when the boy picked to be her next apprentice dies in a fall, Ang is convinced not only that his death was no accident, but also that he is somehow connected to the sudden disappearance of the Beacon, Bar-Selehm’s greatest treasure, a hunk of priceless luxorite. Soon Ang, like the city itself, is caught between different factions and racial groups, each blaming the other for the city’s mounting problems, each convinced the other has something to hide. Ang must discover new reserves of strength, especially when she faces a very personal betrayal. 

Steeplejack is quietly thoughtful and breathlessly exciting, and with two more series installments to follow, Ang’s personal and professional journey is far from over.

 

This article was originally published in the June 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

The best imaginary worlds give readers the opportunity not only to enter a different realm but also to consider how that imaginary world reflects or distorts our actual one. Few novels have tackled this as skillfully as Steeplejack, the young adult debut by bestselling author A.J. Hartley.

Ten years ago, a serial killer in rural Pennsylvania lured Lori Cawley from the home where she was babysitting two 8-year-old girls and murdered her. Best friends Tessa and Callie were those two girls. Manipulated by police and their parents into testifying against the suspected killer, the girls have always wondered if they sent the wrong man to death row. They haven’t spoken since Tessa moved away after the trial. Now 18, Callie relies on alcohol to suppress her anxiety, and Tessa, who has been abandoned by both her mother and sister, returns to Pennsylvania to say goodbye to her dying father. Tessa’s visit stirs up questions, sending her on a dangerous hunt for answers.

The Darkest Corners is a suspenseful ride that’s really two mysteries in one: the location of Tessa’s sister and what really happened the night Lori was killed. Could Tessa’s sister be involved? A thriller at its core, the novel presents a layered view of how family, friendships and even the flawed judicial system can tear people apart if they let it.

 

Kimberly Giarratano is the author of Grunge Gods and Graveyards, a young adult paranormal mystery.

This article was originally published in the May 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Ten years ago, a serial killer in rural Pennsylvania lured Lori Cawley from the home where she was babysitting two 8-year-old girls and murdered her. Best friends Tessa and Callie were those two girls. Manipulated by police and their parents into testifying against the suspected killer, the girls have always wondered if they sent the wrong man to death row. They haven’t spoken since Tessa moved away after the trial.
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Of course Jack isn’t Tess’ real dad. He’s thin to her fat, small to her tall, and ginger to her blond. But the 15-year-old never noticed these differences—until she accidentally reads Jack’s blog entry for the Donor Conception Network, in which he reveals that Tess was conceived with the help of a sperm donor.

All teens grapple with identity, but Tess doesn’t simply struggle to find the words to express how she feels—she loses her words altogether. Tess’ heartbreaking and sardonic first-person narration features her distinct inner voice as she sorts through the calamity that has become her life. Responding to Tess’ inner monologue is Mr. Goldfish, a pocket flashlight in the shape of a fish that sheds light on and offers a voice of reason to Tess’ chaotic thoughts. While the concept may sound silly, the result is realistic and effective. Tess relies on Mr. Goldfish even more when her new math substitute is charismatic Mr. Richardson, who resembles her physically, and she becomes the victim of online bullying. 

Together, Mr. Goldfish and Tess have a lot to say about truth, friendship and family.

 

This article was originally published in the May 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Of course Jack isn’t Tess’ real dad. He’s thin to her fat, small to her tall, and ginger to her blond. But the 15-year-old never noticed these differences—until she accidentally reads Jack’s blog entry for the Donor Conception Network, in which he reveals that Tess was conceived with the help of a sperm donor.
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Like any unconventional person in a small town, Montgomery has worked hard to find her tribe, those equally quirky people who help keep her strong. Monty has her two moms, of course. And she has her best friends, Thomas and Naoki, who join Monty in forming the Jefferson High Mystery Club. They don’t read whodunits; they explore the mysteries of the universe, from ESP to levitation. So even though the occasional jerks might make fun of Monty for her frumpy clothes, her lesbian moms and her gay best friend, she still feels safe.

That is, until the vehemently homophobic Reverend White moves to town, and his son transfers to Monty’s school. Suddenly, Monty feels like everyone she loves is under attack. As usual, Monty turns to the paranormal to help her solve her problems, but when her quest for supernatural knowledge fails spectacularly, Monty may be forced to acknowledge that there are as many surprising mysteries right at home as there are in the vast universe.

Mariko Tamaki is best known for her graphic novel collaborations with her cousin Jillian, including the award-winning This One Summer. Her first solo effort offers a complex and nuanced (and often very funny) portrait of a young woman in crisis. Monty is a realistically inspiring heroine—one who is flawed but comes to recognize her own faults and limitations. She sees her way toward real solutions, surrounded by people who love and value her despite, and even because of, those flaws.

 

This article was originally published in the May 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Like any unconventional person in a small town, Montgomery has worked hard to find her tribe, those equally quirky people who help keep her strong. Monty has her two moms, of course. And she has her best friends, Thomas and Naoki, who join Monty in forming the Jefferson High Mystery Club. They don’t read whodunits; they explore the mysteries of the universe, from ESP to levitation. So even though the occasional jerks might make fun of Monty for her frumpy clothes, her lesbian moms and her gay best friend, she still feels safe.
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BookPage Teen Top Pick, May 2016

It’s the middle of the 19th century. Darwin’s On the Origin of Species has shaken up the scientific world, new photographic technology has led to creepy death photography, and fossil hunting is all the rage. Faith Sunderly and her family have just moved to the British island of Vale so that her father, the disgraced scientist Reverend Sunderly, can participate in a local dig. When her father is found dead after a mysterious nighttime adventure, Faith—who far prefers science to society drama and babysitting her needy brother, Howard—isn’t convinced that her father’s death was an accident or a suicide. She thinks that someone on the island is guilty of murder.

While investigating, Faith comes upon a plant that her father may have died to protect: a Lie Tree that, when fed lies, grows a fruit that reveals secrets to those who eat it. Soon, rumors of vengeful ghosts and hidden treasure begin to circulate on the island. Are these lies, spread by Faith in pursuit of justice for her father—a questionable means to a worthwhile end? Who killed Faith’s father—and why? Author Frances Hardinge gives readers enough clues to solve these mysteries, but like the Lie Tree itself, they’re well hidden.

Part historical fiction, part mystery, part gender study and part reflection on the tangled relationship between science and religion, The Lie Tree is a must-read for any teen who loved Jacqueline Kelly’s The Evolution of Calpurnia Tate.

 

Jill Ratzan matches readers with books in a small library in southeastern Pennsylvania.

This article was originally published in the May 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

It’s the middle of the 19th century. Darwin’s On the Origin of Species has shaken up the scientific world, new photographic technology has led to creepy death photography, and fossil hunting is all the rage. Faith Sunderly and her family have just moved to the British island of Vale so that her father, the disgraced scientist Reverend Sunderly, can participate in a local dig.

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Set in a dreamy, sweaty, stormy haze of Old San Juan, Puerto Rico, A Fierce and Subtle Poison stands as a modern, mystical mythology of one young man’s attempt to find—and hold on to—truth while surrounded by half-lies and whispered curses.

Seventeen-year-old Lucas Knight has grown up hearing the supernatural tales of the island from a gaggle of the city’s old widows. Their stories are always thrilling, but he’s never known whether to believe them or to write them off as the locals just messing with the half-gringo whose hotel-developer father is slowly destroying Puerto Rico’s beaches while lining his own pockets. One day, Lucas—while entertaining his latest attraction, Marisol—decides to test one of the widows’ myths. He taunts the lush garden of the house at the end of Calle Sol, a supposedly damned structure where a famed botanist—and the rumor of a cursed girl born of poison—live. The next day, Marisol goes missing, and soon after, her drowned body washes up upon the pristine beach. But there had been a string of these “drownings” recently, and when Lucas suddenly becomes the lead suspect in an investigation of foul play, he finds himself drawn back over and over again to the cursed house—asking for answers from the poison girl herself.

In her first novel, author Samantha Mabry extracts a fascinating, genre-bending tale in A Fierce and Subtle Poison. The novel is part native lore, part murder mystery and part romance story—all wrapped up in a humid island blanket of magical realism. Like any good enchantment, Mabry’s prose is simultaneously delicate and forceful, and the poison of this story will linger in readers’ blood for many days after turning the final page.

 

Justin Barisich is a freelancer, satirist, poet and performer living in Atlanta. More of his writing can be found at littlewritingman.com.

Set in a dreamy, sweaty, stormy haze of Old San Juan, Puerto Rico, A Fierce and Subtle Poison stands as a modern, mystical mythology of one young man’s attempt to find—and hold on to—truth while surrounded by half-lies and whispered curses.

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After growing up under the long shadow of her absentee mother and dealing with her grandfather’s lofty expectations, Ivy is looking forward to a brain-dead summer before her senior year. Those plans go right out the window when her mother turns up with intentions to move back into the family home along with her two new kids. Readjusting to this bombshell cramps Ivy’s style, and it only gets worse when her mom pretends that Ivy is her sister, calling her “Aunt Ivy” in front of the new children. Wild Swans swings from dream summer to mega-bummer and back again.

If the plot twists and a multigenerational family curse get a little snarled from time to time, they don’t drag things down. The pleasure here is getting lost in Ivy’s enormous house, with its widow’s walk and library and carriage house, and hanging out with her friends and not one but two potential love interests. There’s a mere sketch of a subplot about one friend’s younger sibling who is showing signs of gender variance—much to the family’s Southern small-town consternation—that is handled with insight and grace.

The town of Cecil is like a character itself, cozy enough so that you know your neighbors, and they darn well know you’re not your mother’s sister. (The scene where a well-meaning bookstore worker outs Ivy to her sisters may be tough news for them, but it’s still a riot to read.) Rich in atmosphere, Wild Swans is also a touching look at a family struggling with a big question: Can you break free of your past and still honor its traditions?

Wild Swans swings from dream summer to mega-bummer and back again.

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Something snapped in Cass after she found the boot, foot still inside, washed up on the beach. As the summer crowds pour into her small New Jersey town, Cass begins to hear a voice: a terrible, intrusive voice that torments Cass with senseless demands. If Cass doesn’t walk into the wall, as the voice demands, it threatens to kill Cass’ father. Since Cass’ mother died violently years before, and her single father is a Navy Seal suffering from PSTD, there is little safe refuge for Cass.

Readers know that this is about to change, because the novel is structured as a lengthy letter to the only boy Cass has ever loved, as she explains why she had to break his heart. Only in his presence would the voice be still. But as Cass recounts, that particular summer was shadowed with dread. A serial killer was on the loose, targeting prostitutes. Cass met the irrepressible Paris, a beautiful girl who makes money by stripping, despite the obvious danger.

A preponderance of foreshadowing (“but you already know that”) slows the pace too much to call the novel a thriller. Perhaps a slimmer novel could have kept the tension alive. But Lake does have a good ear for dialogue. Teens who relate to smart protagonists, adore Haruki Murakami and quote Ovid will appreciate the literary patter. As the winner of the 2013 Printz Award, Lake should draw interest to his latest creation.

 

Diane Colson is the Library Director at City College in Gainesville, Florida.

Something snapped in Cass after she found the boot, foot still inside, washed up on the beach. As the summer crowds pour into her small New Jersey town, Cass begins to hear a voice: a terrible, intrusive voice that torments Cass with senseless demands. If Cass doesn’t walk into the wall, as the voice demands, it threatens to kill Cass’ father. Since Cass’ mother died violently years before, and her single father is a Navy Seal suffering from PSTD, there is little safe refuge for Cass.

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Wylie and Cassie have been drifting apart for a while, and their last fight was especially bad. But when Wylie receives a frantic text from her friend, she barely hesitates to jump to her rescue. But as Wylie follows Cassie’s cryptic directions further and further into the New England woods, it becomes clear that both girls are in more trouble than either of them could have imagined.

The Outliers is the debut young adult novel from Edgar nominee Kimberly McCreight (Reconstructing Amelia), and her knack for suspense will keep readers on the edge of their seats until the very last page. Though the plot begins to feel a bit far-fetched toward the end, every twist and turn on Wylie’s quest to find Cassie only serves to raise the stakes and heighten the very real sense of danger The Outliers evokes.

That danger feels even more immediate thanks to McCreight’s brilliant protagonist. Wylie is agoraphobic, anxious, weirdly in tune with other people’s emotions and struggling to gain footing in life. But she’s also sharp and driven, and in many ways, the traits that make her unique also make her vividly relatable.

The Outliers is a gripping read—sometimes flat-out scary—and an exciting start to a new YA mystery/thriller series. 

Wylie and Cassie have been drifting apart for a while, and their last fight was especially bad. But when Wylie receives a frantic text from her friend, she barely hesitates to jump to her rescue. But as Wylie follows Cassie’s cryptic directions further and further into the New England woods, it becomes clear that both girls are in more trouble than either of them could have imagined.

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