Just when you think that every possible approach to fairy-tale retellings has been heavily trod, along comes Marissa Meyer, who boldly sends her retelling of Cinderella into a futuristic new realm.

Meyer’s Cinder is a cyborg, only 64 percent human, her other 36 percent reconstructed from robotic parts after a horrible childhood accident. She was adopted soon after, but her beloved stepfather has died from the plague that is ravaging New Beijing, and her stepmother is nowhere near as sympathetic. Now, on the eve of the ball sponsored by Prince Kai, Cinder’s beloved stepsister Peony has succumbed to the deadly disease, and Cinder herself has been conscripted as one of the cyborg guinea pigs for the scientists trying to find a cure. But Cinder’s artificial parts might be hiding a secret from her past—and perhaps also the key to her future.

Meyer cleverly includes enough elements of the original Cinderella story to keep fans of fairy tales happy, but she simultaneously makes the story entirely her own, constructing a futuristic, dystopian world that is complex enough to stand on its own. The good news is that Cinder is just the first in a projected Lunar Chronicles quartet, with futuristic takes on the tales of Little Red Riding Hood, Rapunzel and Snow White still to come.

Evan and Lucy have been best friends since childhood. After Lucy’s parents split up, she moved away, and now her winter break visits are the highlights of Evan’s year. Until this year. Lucy comes home draped in Goth gear, with a new attitude that falls somewhere between angry and totally absent. Evan is determined to figure out where his old friend is in the midst of this transformation; Lucy is just as focused on keeping her secrets under lock and key. This emotional tug-of-war is just one of the stories threading through Winter Town.

Author Stephen Emond (Happyface) has created an intricate world for Evan and Lucy to navigate, and shifts in perspective allow each to tell part of the story. Evan is an artist, or might be, if he can shake off his family’s Ivy League game plan; comic strips that he has drawn, sometimes in collaboration with Lucy, appear in the book, giving yet another view of what’s going on with him. Emond strikes a nice balance with the artwork. It never overwhelms the story, but gets us closer to the characters, and it’s lovely to look at, sometimes clean and literal, then cartoonish and fantastic.

Another neat trick Winter Town pulls off is blending some seriously heavy subject matter—parental pressure, dangerous relationships, drug use—into what is frequently hilarious writing. There’s an early scene, in which Evan’s entire family openly speculates about his sexuality as if he weren’t right there, that belongs on screen. Add in pop culture riffs and chapters titled with Beatles and Beach Boys songs, and Winter Town is a rare treat: a book about art and love, friendship and independence, that’s a real pleasure to read. Don’t miss it.

Day is wanted for assault, arson, theft, destruction of military property and hindering the war effort against the Colonies. The real problem is that no one in the dystopian Republic of America even knows what the 15-year-old looks like. According to military records, he died five years ago in a labor camp after failing the Trial and losing a secure spot in society. As Day now holes up in an abandoned and crumbling Los Angeles building, the annual plague has hit hard again, this time striking what’s left of his family.

On the other side of the city, wealthy June, the Republic’s favorite prodigy and the only participant to receive a perfect score on the Trial, has just been fast-tracked to become a detective in training. Her first tracking mission: Day. Going undercover, she blends in with the gritty life on the streets until she meets a boy who just may be her suspect. June and Day’s mutual suspicions turn into an adventurous cat-and-mouse game that will keep readers guessing.

As both teens discover more secrets about their corrupt, militaristic government, including the real cause of the plague, they suddenly find themselves on the same side—against the Republic. It’s life or death to the very end as Day and June work to save themselves, each other and civilians from a brutal fate.

Even though dystopias have become common fare in young adult literature, an intriguing premise, strong characterizations and fully realized world-building make the action-packed Legend a standout. Unanswered questions and final scenes set the stage for more excitement in a sequel.

Juliette has not seen, spoken to or touched another human being for 264 days. Locked away in an asylum as punishment for an accidental crime, her solitude is interrupted when she is assigned a cellmate. The fact that the cellmate is a boy both frightens and excites her. She is as frightened for him as for herself, because her powers, the same powers that caused her to commit the accidental crime, could be the end of this new cellmate, Adam.

She can inflict great pain—or worse—by simply touching or being touched. Her parents, who regard her as a monster, are relieved to be rid of her. Time in the asylum has not alleviated her insanity, but has actually caused it. Her lack of lucidity is represented throughout the book by insane thoughts struck through and then replaced with more appropriate remarks. Juliette is a work in progress, and her curse evolves into a power as the story progresses. As she is empowered, her need to strike through her thoughts wanes.

Author Tahereh Mafi, at only 23 years of age, has created a fascinating dystopian society where birds don’t fly, clouds are the wrong color, disease is rampant and the weather alternates between snow and blazing heat without seasons or any measurable pattern. A group known as The Reestablishment has taken over, and they rule with cruelty and psychopathic measures of torture. When the extremely good-looking but horribly evil Warner plans to turn Juliette into his secret weapon for torturing troublemakers, she has to choose her own path and fight for what she believes is right.

Although Shatter Me is the first of a forthcoming trilogy, it stands alone as a poetically written and absolutely riveting novel that rivals The Hunger Games in intensity and page-turning excitement.

If you are unfamiliar with the genre known as steampunk, then this collection of stories edited by Kelly Link and Gavin J. Grant is a good place to start. As the subtitle states, this “anthology of fantastically rich and strange stories” represents not only steampunk in the classic definition but also with unexpected sci-fi and fantasy twists.

For the neophyte, the standard setting for steampunk fiction is an alternate timeline in which there is more Industrial Age machinery (think steam engines, brass workings and aviation goggles) than computerized technology—though often these worlds are sufficiently advanced to include inventions like clockwork robots and huge flying ships. The genre has been expanding in recent years, and now Link and Grant have brought together some great names in YA fiction to produce this anthology, including M.T. Anderson, Holly Black, Cassandra Clare, Libba Bray and Garth Nix. The authors present numerous different variations on the steampunk theme and are clearly enjoying themselves as they let their imaginations loose.

Even though steampunk fiction has been around for many years (most people would include Jules Verne in this category), it has made a resurgence lately in the form of middle grade and teen fiction and is rapidly becoming the new favorite of previously hardcore fantasy fans. With a host of various heroes and villains—“scientists and schoolgirls, fair folk and Romans, intergalactic bandits, Utopian revolutionaries, and intrepid orphans” among them—Steampunk! would be a fine starting point for anyone curious about this genre as these popular authors more than live up to their reputations.

When Eleanor Crowe finds herself pregnant at 16, she doesn’t have a lot of good options. She can move to Kenya with her missionary parents or marry her boyfriend and work with him at his parents’ camp for overweight kids. She chooses the marriage, as much to go against her parents’ wishes as because she has any desire to marry her baby’s father, and she enters into a world where her mother-in-law is constantly chastising her, what looks like mashed potatoes is actually pureed cauliflower, and she has to help out with crafts and dance—two things about which she knows very little.

In spite of it all, Eleanor finds herself liking the campers, and she actually seems to have a way with them. She starts to wonder if she might make a decent mother. As she’s struggling to reconcile her new, sober life with what she used to be—a wild child who spent more than a few nights in juvenile detention—she’s also facing pressure from her childless older sister to give her the baby. Her new husband’s parents want to raise the child as their own, too. In the midst of it all, hubby Lam is partying like a rock star and showing no interest in being a husband and father.

As the story draws to an end the camp experiences a tragedy on the very day Eleanor’s baby is born, and the birth brings even more of a surprise. In Pregnant Pause National Book Award winner Han Nolan delivers a fascinating and complex main character and a series of situations teens will read about with interest and concern, with a very satisfying conclusion.