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The depths of grief are like the sea, bottomless and ever widening. Maybe that’s why the protagonist of S.K. Perry’s startling debut novel moves to Brighton after the sudden death of her boyfriend, Sam. The ebb and flow of the waves echo the push-pull of Holly’s loss, the bizarre way that grief bends and cuts. The sea is an apt metaphor.

As much as Claire Daverley’s debut novel is a love story between two people, it is also a meditation on family and the vagaries of grief when bonds are broken.
The Bad Ones is a compelling, often delightfully creepy coming-of-age tale that thoughtfully explores the nature of friendship, grief and the perilous power of unwavering belief.

We reach for graphic novels and memoirs because we treasure the experience of art plus story, of exploring a world of finely crafted illustrations that convey multitudes. Each of these four new comic books is a treat for the eye and balm for the brain, thanks to a heady mix of perspectives and representations of life in all its scary, funny, illuminating, weird, joyful glory.

In my new novel, The Flicker of Old Dreams, I wanted to explore the death of a small town in rural America. And I got it into my head that the best narrator for this story would be a mortician because she could look death in the eye without flinching.

Set in a remote Australian town that is still reeling from a recent murder, The Things She’s Seen takes the reader on an emotional and metaphysical journey to solve a crime that no one could have ever seen coming—or unraveled—without help from something beyond this world.

George Saunders, the prize-winning short story writer, waited a long time before he showed the beginnings of his first novel, Lincoln in the Bardo, to his wife, writer Paula Redick.

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