Adjoa Andoh performs much of Housegirl, Michael Donkor’s accomplished, affecting debut novel, in sparkling Ghanaian English, immersing listeners in the world of Ghana and the Ghanaian diaspora. At 17, Belinda leaves her village and her mother behind to work as a housegirl for a wealthy couple who returned to their native Ghana to retire in luxury after making their fortune in London. Belinda finds solace in the daily domestic grind and in Mary, the charming, irrepressible 11-year-old housegirl-in-training who becomes like a little sister to her. But Belinda is uprooted again when close Ghanaian friends of her employers take Belinda to London, where she is tasked with befriending and providing a positive influence on their sullen teenage daughter, a student at an exclusive, mostly white private school. Surprisingly, their friendship blossoms after a few bumps, just as tragedy takes Belinda back to her homeland. At its core, Housegirl is a warmly perceptive look at female friendship as well as the angst, melodrama and confusion of coming of age in two clashing cultures.
This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.
