T.C. Boyle has never been afraid to torment his characters or draw from real life, and he does both in Blue Skies, putting his cast through just about every climate-related calamity to make the contours of the crisis so prominent that no one could miss them.
He begins this bicoastal adventure—the action toggles between Florida and California—with, of all things, jewelry. But it’s “living jewelry,” a Burmese python purchased by influencer Cat to wear around her neck. Boyle, the unparalleled stylist, describes Cat’s thought process in gorgeous prose: She thinks snakes are beautiful, “as if somebody had dipped a brush in acrylics and traced the lines that radiated in a widening V from their mouths to draw reticulate patterns across their backs and down their sides.”
Plenty of descriptions as unforgettable as that one follow as Boyle introduces multiple characters and complications, from the self-inflicted to the unforeseen. Cat’s ambition is to gain online followers and show off her Florida beachfront home. She lives there with her Tesla-driving fiancé, Todd, whose job involves drinking and partying to promote a rum brand. To Cat’s chagrin, it also involves a lot of time away from home.
Across the country in California are other members of Cat’s family. Her brother, Cooper, is an entomologist, disparaged as “Bug Boy” by classmates when he was growing up but who now conducts field research to study ticks and other arachnids. Their mother, Ottilie, is so deeply impacted by Cooper’s warnings about harming the planet that she begins cooking with crickets, making everything from cricket cobbler to cricket-infused cookies and brownies.
The disappearance of Cat’s snake is only the mildest of calamities to befall this group. Ever the maximalist, Boyle inflicts one disaster after another to show the perils of climate change. If anything, there’s too much incident. Fewer would have made his point more effective.
But wealth is better than poverty, and Boyle doles out ample riches. The pace never lets up, and he blends many other timely themes into his narrative, from aversion to parenthood to the ruthlessness of the media. Blue Skies may not be top-flight Boyle, but it’s Boyle at his most urgent. “What good was beachfront property if there was no beach?” Ottilie asks. As Boyle warns us, take the planet for granted, and don’t be surprised if, like a snake, its luxuries slither away.
