All Reviews

A child heads outdoors, walking through a verdant and hilly rural landscape, as the sun rises and a shadow appears as the “last hint of night.” Thus begins an evocative exploration of shadows, both literal and metaphorical, in There Was a Shadow, written by Bruce Handy and illustrated by Lisk Feng. 

Handy examines the omnipresent, big and small shadows of the natural world, from the noontime shadow a tree casts, to the subtle shadows that land on a face or water. Feng’s delicate, fine-lined illustrations bring these depictions to brilliant life on the page: The falling light casts the faintest shadows across the protagonist’s face as she stares straight at the reader. Feng then depicts sunlight shimmering upon rippling water, creating shadows in various shades of blue, which Handy describes as being “like a dance.” 

A “thinking shadow . . . you could feel but not see” also plagues the protagonist: the feeling of worry. But it’s momentary and soon darts away. As all the children head home, the shadows of late afternoon stretch until they disappear altogether with the setting sun. Dinner is served among cozy and comforting indoor shadows. Feng gives readers a peek of the night landscape with a palette of deep, rich cobalt and sapphire blues, while Handy closes the book with a satisfying and thought-provoking question about memories and dreams.

It is with tenderness and reverence for the interior world of children that Handy tells this multilayered story. There Was a Shadow flows like poetry and sparkles with Feng’s beautifully wielded, sun-dappled colors, which impart mood and mystery. It’s easy to get lost in these shadows, and when the journey ends, readers will want to head right back to the book’s beginning.

Pulitzer-winning novelist Viet Thanh Nguyen (The Sympathizer) takes his first foray into children’s books with Simone, a thoughtful and emotionally intense family story set during the California fire season. Simone, a young Vietnamese American girl, is dreaming of floating in the ocean when she is awakened by her mother (whom she calls M&aacute, the only Vietnamese word she knows). A wildfire is approaching their town, and they’ve been ordered to evacuate.

Simone and her mother are prepared with go bags and an evacuation route—but even then Simone has to make tough choices: “I’ll be back for you,” she reluctantly says to the books and toys she can’t take. The pain of leaving things behind and the panic of vacating her home in an emergency remind Simone’s m&aacute of when floods forced her to evacuate her childhood home in Vietnam and abandon everything but her precious crayons. Despite the disorientation and chaos at the evacuation shelter, Simone’s m&aacute helps Simone find a path forward: “You don’t fight fire with fire, / You fight fire with water,” she says.

Minnie Phan’s hand-lettered text reinforces Simone’s first-person perspective, and Phan’s colored pencil and watercolor palette gorgeously interprets the book’s themes. Simone dreams in color, but when she awakens, the world is black and white, with the only remaining colors the red and orange of the flames. Likewise, her mother’s memories of Vietnam are blue, like the floodwaters that engulfed her home. Toward the end, as Simone and her new friends use artwork to remember their homes and to re-imagine their future, color returns to the pages. The illustrations combine with Nguyen’s words—“It’s up to us”—to offer a vision of hope and healing in the wake of generations of displacement.

After sharing a year with Mouse in Mouse’s Wood, young readers can now enjoy a day on the river with Mouse on the River: A Journey Through Nature, a quiet picture book full of charm. As the titular hero spends the day rowing down a river that eventually meets the sea, the most dramatic event is a passing rainstorm—making this a good choice for a soothing bedtime tale.

William Snow’s rhyming text moves the story along as Mouse begins his solo journey early in the morning, while fellow anthropomorphic friends wave goodbye from the dock. This is very much an experiential book, with a multitude of details to scour, beginning with the full-spread map showing Mouse’s planned route. Numerous die-cut flaps encourage keen observation as they reveal cozy, detailed interiors of buildings along the way, including a floating house, a café and a treehouse. Additional fold-out flaps appearing as trees enhance the sense of Mouse’s ongoing progress, enlarging several scenes beyond the book’s borders. Once the journey is complete, an illustrated list of Mouse’s equipment—as well as depictions of flora and fauna encountered along the way—will encourage enthusiastic readers to go back and find these items. 

The star of this show is Alice Melvin’s rich illustrations, which are chock-full of details: squirrels having tea inside a bright cafe; a fox waiting on a customer in a well-stocked bakery; Mouse camping snugly in the rowboat underneath the stars. The book brings to mind another one that quickly became a favorite in our house when my girls were young: Welcome to Mouse Village, written by Gyles Brandreth and illustrated by Mary Hall.

Mouse on the River is a well-planned, enchanting adventure worthy of repeat enjoyment.

“Shabbat is the best day of the week and today is the best best day of all.” So begins Joyful Song, a cheerful contemporary story celebrating Jewish naming traditions, from the award-winning team of Lesléa Newman and Susan Gal.  

Zachary, the story’s narrator, is a new big brother—and especially proud to be pushing the carriage holding his new baby sister as he and both of his moms make their way to the synagogue. As they walk through their neighborhood, the family greets neighbors curious about the new baby. Of course, everyone wants to know her name. 

But although the baby has been called by cute nicknames such as “Little Babka,” “Snuggle Bunny” and “Shayneh Maideleh” (which means “beautiful girl”), Zachary is careful to explain that her real name will be announced on that very day, at her naming ceremony. 

Before long, friends join in to accompany the family in a happy parade. At the synagogue, Zachary steps up to play a leading role, reciting the words he has been practicing to get right. And just as the baby opens her eyes and stretches her hands out to him, he announces that she will be called Aliza Shira, which means “joyful song.” After a community lunch in the social hall, the family hurries home, where their two little dogs greet them with excited barking. 

Gal’s bright, exuberant palate is highlighted by brilliant sunshiny golds and luscious coral and orange shades. The colorful, vibrant art brings a natural warmth to the array of diverse characters depicted throughout. In an author’s note, Newman provides information about naming ceremonies and traditions around the choice of names, sharing that she was named for her grandfather who died just months before she was born. Hebrew translations are provided for several names as well. 

A final question in this heartwarming book opens the door to further conversations for all kinds of families: “Everybody’s name has an interesting story. What’s the story of yours?”