In Lauren Groff’s Matrix, 17-year-old Marie de France becomes prioress of a run-down abbey in 12th-century England. Ill-suited to a life of privation, Marie struggles in her new role, but she forms strong bonds with the women in her charge, and the abbey begins to flourish. When tensions rise between the abbey and the outside world, Marie’s work and leadership are challenged. Fans of historical fiction will savor this gripping, atmospheric novel, which poses questions related to faith and female desire that will inspire great discussion among readers.
Anthony Doerr’s ambitious, sweeping Cloud Cuckoo Land follows a group of characters across the centuries, all of whom endure transformational events and share a love for an ancient tale called “Cloud Cuckoo Land.” Doerr tells the stories of Anna and Omeir, two youngsters in Constantinople in the 1400s; Zeno, an octogenarian librarian in modern-day Idaho; and Konstance, a teenage girl traveling on a spacecraft in the 22nd century. Inventive and accomplished, Doerr’s novel is an unforgettable tribute to the power of stories and the endurance of the human spirit.
Set in the 1970s in Illinois, Jonathan Franzen’s Crossroads chronicles the lives of the Hildebrandts, a suburban family going through a period of change. Russ Hildebrandt, an associate pastor and church leader, has decided to split from his wife, Marion. Their daughter, Becky, and son Perry are dabbling in drugs and a more radical lifestyle, and Clem, the oldest son, makes a drastic choice that shocks the family. Franzen’s wonderfully detailed, emotionally intimate novel is satisfying on every level, with marriage, morality and religion among the book’s many talking points.
Ailey Pearl Garfield, a young Black woman, delves into her disturbing family history in Honorée Fanonne Jeffers’ The Love Songs of W.E.B. Du Bois. Brought up in a family of formidable women in Georgia, Ailey takes inspiration from the great activist W.E.B. Du Bois while wrestling with her heritage and selfhood. As she learns the truth about her family tree and the impact of slavery on her forebears, Ailey draws closer to self-acceptance. Jeffers explores issues of race, history and female relationships through this luminous story of a woman coming into her own.
Tackle some of the most acclaimed blockbuster novels of recent years with your book club.
Virginia Heath’s Never Rescue a Rogue is a sophisticated Regency gem. In this second entry in the Merriwell Sisters series, world-weary nobleman Giles Sinclair battles ennui by trading barbs with journalist Diana Merriwell, his best friend’s sister. Though their charming family and friends think they would make a perfect pair, they both disagree and are firmly entrenched in their singleness. But when Giles becomes a duke, a discomfiting lack of information on his real parentage could spell disaster. There’s no one better at uncovering the full truth than Diana, so Giles enlists her help—and subsequently loses his heart. Giles introduces the jaded Diana to passion and she steadily overcomes her fear of losing her independence, all while their slow-burn attraction blooms into steamy love scenes. The dialogue is delightful and the wordplay a pleasure to read, and the well-developed and heart-tugging backstories of both leads give this romance an authentic heft.
Better than Fiction
A woman reexamines her ideas about love in Better Than Fiction by Alexa Martin. Drew Young’s self-deprecating, humorous, first-person narration lets readers know unequivocally how she feels about her late grandmother (admiration and loyalty, which explains Drew’s determination to keep open the bookstore her grandmother left her) and about love (doesn’t trust it an inch, thanks to her deadbeat dad who left Drew and her mom for another family). When successful and sexy romance author Jasper Williams arrives for a special event at the bookstore, Drew is sure he’s too good to be true. But he’s also too attractive to resist. As they become better acquainted, Martin revels in the requisite rom-com scenes, including the delicious fan favorite that is “There’s just one bed.” Romance readers will feel vindicated by Drew’s growing appreciation of feel-good fiction, and will root for her and Jasper to get a happy ending equal to those in his novels.
Some Dukes Have All the Luck
Some Dukes Have All the Luck, the first entry in Christina Britton’s Synneful Spinsters series, stars a most unlikely pair. Ash Hawkins, Duke of Buckley, travels to the Isle of Synne to reclaim his wayward young wards after they flee London. Once there, he encounters naturalist Bronwyn Pickering, who has always been more interested in beetles than becoming a bride. The striking and sexy Ash ignites something in Bronwyn, and when he offers a marriage of convenience—promising she can continue her scientific studies, something her domineering parents have tried to prevent her from doing—she seizes her chance at greater independence. Of course, the marriage is soon complicated by feelings, Ash’s recalcitrant wards and a roaring sexual attraction. Bronwyn is easy to admire, especially as she overcomes her social awkwardness to care for the three girls entrusted to her. Ash is a classic “I’m not good enough for anyone” hero; it’s always gratifying when they’re proved wrong. With its bookish heroine, brooding hero and smoking love scenes, Some Dukes Have All the Luck is sigh-worthy fare.
Bookish meets brooding and optimist meets cynic in these opposites-attract love stories.
Give this to a reader who has a competitive streak, whether it manifests on the field, in the classroom or at game night.
Game On: 15 Stories of Wins, Losses, and Everything in Between highlights the importance of “playing the game” to find yourself. In each tale, characters interact with a game, from sports and video games to neighborhood pastimes and more. Many stories illustrate the thrill of competition, even as characters grapple with why rivalries and the act of winning mean so much to them. Nearly all the stories capture the central game’s emotional underpinnings, allowing characters to become closer to one another, to find courage in other aspects of their lives or to see something in a new light.
Standout story: Gloria Chao’s “Mystery Hunt” follows two college freshmen who share an adorably nerdy passion for language puzzles as they embark on the linguistics department’s annual scavenger hunt. As they race to piece clues together, Faye’s growing friendship with her cute classmate, Pierce, inspires her to form deeper connections with other people in her life. The story’s puzzles are challenging, the emotional stakes are high, the pace is fast, and by the end of the hunt, readers will be eager for more adventures with Faye and Pierce.
—Annie Metcalf
★ Tasting Light
Give this to a reader who yearns to expand the limits of what is possible.
Every story in Tasting Light: Ten Science Fiction Stories to Rewire Your Perceptions masterfully demonstrates how powerful science fiction can be. Whether the teens in these futuristic tales are sipping coffee in a spinning city, exploring parallel universes or experiencing bold new technologies, they’re contemplating themes like race, class, disability and gender as thoughtfully as teens today, while dreaming up new and inventive ways to improve themselves and their worlds. As one character muses, “You can be a teenager and make things happen. They’re not mutually exclusive at all.”
Standout story: Junauda Petrus-Nasah’s “Melanitis” begins in the middle. What’s a FAN, and why is it a big deal that another one has been murdered by police? To give away more would spoil the experience: As narrator Amari processes the unfolding news, so do we. Petrus-Nasah takes a classical sci-fi theme—the perils of scientific overreach—and applies it to the disparity between joyous Black energy and the dangers of being Black in a white-dominated society. The result is daring and devastating.
—Jill Ratzan
Eternally Yours
Give this to a reader who is smitten with all things magical, mysterious and macabre.
In Eternally Yours, editor Patrice Caldwell collects 15 paranormal romance stories that feature supernatural suitors ranging from ancient immortals to undead high school students. Many of the tales have contemporary settings, their speculative elements intertwined with familiar teenage concerns like part-time jobs and parties. These realistic details—and the often relatable protagonists—give the collection a grounded core that allows readers to truly connect with larger-than-life dramas such as hunting vampires or making out with mermaids. This anthology will sweep romance-minded readers away into one otherworldly love story after another.
The standout story: Marie Rutkoski’s dreamlike “Bride-Heart” follows a teenage waitress caught up in the ominous affections of a wealthy older man. As it becomes clear that there is far more to the rich stranger than anyone suspects, a test of agency, control and subtle magic unfolds. Rutkoski crafts an atmosphere of creeping dread as she upends many paranormal romance tropes. Her tense, twisty tale will keep readers guessing all the way to the end.
—RJ Witherow
Generation Wonder
Give this to a reader who knows exactly what they’d do if they woke up with superpowers.
Many of today’s most successful superhero stories were dreamed up long before current teenage readers were born. The 13 tales in Generation Wonder: The New Age of Heroes introduce brand-new, contemporary superheroes across a range of genres, from comical adventures to fast-paced thrillers. In a clever touch, each story opens with an illustration in the epic style of a comic book cover by artist Colleen Doran. Diverse, imaginative and entertaining, these stories prove that extraordinary heroes can truly come from the most ordinary circumstances.
The standout story: In Nulhegan Abenaki author Joseph Bruchac’s “Ordinary Kid,” Leonard is a Native American teen just trying to survive high school—and figure out how to use his newly acquired superpowers, of course. After an encounter with a mysterious entity called Crow, Leonard becomes telekinetic and gains an “uncanny ability to sense when someone [is] picking on someone else.” He decides to use his powers to disrupt his town’s drug trade before turning his attention to an even more dangerous target. Leonard’s self-deprecating humor and hunger for justice call to mind such well-known superheroes as Captain America and Spiderman.
—Hannah Lamb
Teens will discover whole new worlds within the short stories of these four anthologies.
Two of the weepiest BookPage editors share a few of their favorite 2022 audiobooks, read masterfully by the authors, that deliver all the emotion.
★ Inciting Joy
For readers invested in learning more about communities of care—informal collectives centered on the praxis of love—Ross Gay’s sixth book, Inciting Joy (Hachette Audio, 8.5 hours), is essential. The poet and essayist reads his own book in a comforting, softly gravelly voice, inviting us to consider not only joy but also every emotion around it, including sorrow and rage. Such wholeness is a matter of survival, Gay urges, and to allow for it is an elemental act of care both for ourselves and the people we love.
What a gift it is when writers transform their sorrow into art. In Love (5 hours), Amy Bloom’s memoir of her marriage, is just such a gift. The book moves back and forth between her initial years of boisterous happiness with her husband, Brian, and later, Brian’s diagnosis of early-onset Alzheimer’s disease.
As Bloom narrates the process of helping Brian seek a medically assisted suicide before his mental faculties had fully declined, you can feel the urgency bound up with the author’s grief. The prose is restrained, creating a sturdy foundation for the memoir’s emotional heft. Likewise, Bloom’s narration is simple and even-keeled, except for small cracks in her voice during the narrative’s most harrowing moments. In Love shows, more powerfully than any other memoir this year, that love and grief are two sides of the same coin.
Before her confessional memoir became an instant bestseller, Jennette McCurdy was best known for her role as a child star in Nickelodeon’s “iCarly.” In I’m Glad My Mom Died (Simon & Schuster Audio, 6.5 hours), she offers an honest look at how her mom coerced her into entering the acting world at only 6 years old—and how this was only one of many deeply damaging manipulations. As McCurdy unpacks years of childhood abuse, her narration moves along at quite a clip—at several points, I double-checked to make sure I wasn’t playing the book at 1.5 speed—but is still crystal clear. This swift pacing brings an almost upbeat, childlike (and thus, profoundly heartbreaking) spirit to the telling. It also makes the moments when she slows down to conjure the volatile voices of her mother and other characters all the more crushing.
—Cat, Deputy Editor
It’s an unavoidable fact that sometimes listening to an outstanding audiobook means crying in public with your headphones in.
The onset of cold weather can only mean one thing: It’s time to head to the kitchen and cook, bake and sauté up a variety of delicious, warming meals and treats to be eaten as the early dark creeps in.
Bliss on Toast
It is a truth universally acknowledged that if a person wishes to enter into the cozy state of mind, an episode or two of “The Great British Baking Show” will get you there. In Bliss on Toast, Prue Leith, a beloved judge on the show, tackles variations on that masterpiece of culinary perfection: toast. Inspired by the desire to fix something simple but elevated for a Sunday evening curled up by the television, Leith delivers on the promise of toast as an art form. If you’re looking for something creamy and warm, you might decide on a duck egg, rainbow chard and Dijon butter on multigrain toast. Vegetarians and vegans will delight in roasted red pepper hummus, avocado and zhoug (a simple-to-make Yemeni sauce) on rye. Apricots, almonds and Devonshire clotted cream on an English muffin will take you through dessert. With each recipe, there is just enough cooking to make you feel you are making something special, but never enough to complicate the simplicity of warm, crusty toast, eaten with one hand over a salad plate as you sink into a corner of the couch. What could be more comforting than that?
Soup, schnitzel, latkes and shakshuka: No matter your heritage, Jewish fare is always warming, filling and as nourishing to the heart as to the body. This is, after all, the culture that considers chicken soup to be one of its most revered dishes. In Shannon Sarna’s Modern Jewish Comfort Food, she breaks down the notion of Jewish cuisine as a monolith, noting that aspects of traditional dishes vary from region to region, and even from family to family. Sarna’s updates to well-known and well-loved dishes are deeply rooted in history and fully embody the wide variety of cultural influences on Jewish cuisine. As with her previous offering, Modern Jewish Baker, Sarna’s clear instructions and helpful tips for each recipe give you the ability to whip up previously intimidating but oh, so mouthwatering dishes such as sweet potato and sage butter knishes or lamb meatballs. The historical and cultural information she provides along with each recipe gives the food its soul. These dishes satisfy on their own, but the fact that you’re eating something enjoyed all across the world, across time even, lends them an extra-comforting quality.
Baking by Feel
How many times have we been guilty of eating our feelings? Becca Rea-Tucker (better known on social media as The Sweet Feminist for her social justice-themed cakes) would shrug and say, “So?” Feelings, as Rea-Tucker would like you to know, are not bad. And neither is food. A therapy session masquerading as a cookbook, Baking by Feel includes sections of serious mental health advice alongside conversion charts and lists of helpful baking tools to have on hand. Inspired by the now-infamous way the COVID-19 pandemic drove us all to our kitchens, Rea-Tucker has written an “emotionally agnostic” (read: no judgment) cookbook that acknowledges the comfort we get from creating something delicious. The recipes themselves are organized by which feeling might be driving you to bake or eat: A sunny lemon cake with poppyseed cream cheese frosting suggests itself to the cheerful; peach bourbon cake supports the heartbroken; black pepper snowballs conspire with the vengeful. Next to each recipe is a paragraph or two about the specific emotion associated with that food, and Rea-Tucker encourages her bakers to name and sit with their feelings. I have tried the buttermilk pie for stress and can confirm that the sugar and cream comfort and the advice helps parse out what exactly is going on with you.
Snackable Bakes
But sometimes, nothing is going on except that the familiar urge has hit: It’s 3:00 in the afternoon, you need something chocolatey, gooey and sweet, and you need it right now. Sure, you could pop down to the corner store and grab a Snickers, but that just doesn’t comfort you the way something home-baked would. Enter Jessie Sheehan’s Snackable Bakes. Short on time or needing that snack with some urgency? No problem: Sheehan promises that none of the 100 recipes in the book takes more than 20 minutes to assemble. Moreover, there is no creaming of butter or cream cheese and minimal need of tools (oven included), and use of the microwave is absolutely allowed. The baking might be effortless, but the end result is anything but halfhearted. Goodies such as blackberry lemon yogurt loaf cake and strawberry basil crumb bars taste like they were made during a lackadaisical Sunday afternoon, not whipped up in a spare 15 minutes. We all need to take a little time for ourselves, after all.
These recipes are perfect to eat while you’re snug as a dormouse, watching the leaves turn.
If I had to sum up Lisa Unger’s Secluded Cabin Sleeps Six in 10 words, I would say “Cast of ‘Friends,’ dark and stormy night, soundtrack by Disturbed.” This friend group is much more disturbed than Ross, Chandler, Monica, et al., but there are parallels: a sister/brother pair; a female friend from the past; some canoodling that is, shall we say, detrimental to the group dynamic. Siblings Hannah and Mako are celebrating Christmas at their parents’ house when their father finds an unusual gift under the tree: DNA genealogy kits for the whole family, from an anonymous Santa. A few months later, when Hannah, Mako, their respective spouses and another couple head up to a remote cabin to unplug, the other shoe drops. Some of them did the kit and were unexpectedly proven to be the progeny of the same man, and they are not happy to know who (and what) their biological father was. Secrets abound in this psychological thriller; even the cabin itself harbors a hidden history, giving off unnerving vibes to renters and readers alike. At 400 pages, it’s a long book for a one-sitting read, but you’ll be sorely tempted.
1989
1989 is Val McDermid’s second installment of a trilogy (which this reviewer hopes will become a quadrilogy or even a quintology) featuring Scottish investigative reporter Allie Burns. The series began with 1979, and in the sequel, readers are mired with Allie in the late ’80s, when mobile phones were the size of lunchboxes, when AIDS was ravaging the U.K., when a jetliner was bombed out of the sky over Lockerbie, Scotland, and when the Soviet Union was on the verge of collapse. All in all, not a time to be nostalgic for, and true to form, McDermid spins the tale without a whiff of sentimentality. Allie works for media mogul Ace Lockhart, who bears more than a passing resemblance to newspaper publisher Robert Maxwell (father of Ghislaine, of Jeffrey Epstein-associate infamy): flamboyant, bullying and destined for disgrace. Lockhart, who has a number of business ventures based in the Eastern bloc, senses the upcoming upheaval and sends his daughter to secure his interests in the changing political landscape. When she is kidnapped in East Berlin, Lockhart sends Allie Burns on a rescue mission, and in short order, things careen out of control. You don’t need to read 1979 to hit the ground running with 1989, but you will want to have Wikipedia open to look up all the fascinating historical and cultural moments McDermid references along the way.
Viviana Valentine Gets Her Man
Emily J. Edwards’ Viviana Valentine Gets Her Man is, hands down, this month’s most entertaining mystery. Set in 1950 New York City, it chronicles the adventures of a plucky Pennsylvania country girl, the titular Viviana Valentine. Upon arriving penniless in the Big Apple, Viviana sweet-talks her way into a girl Friday job for Tommy Fortuna, a Philip Marlowe-esque private investigator who calls her dollface. But after Tommy goes MIA and a dead body is found on his office floor, Viviana is forced to take the helm of the agency, clear Tommy’s name and crack the case he was working on. Whatever she lacks in experience, Viviana more than makes up for with her in-your-face attitude, wicked sense of humor and snappy one-liners. Her friends and acquaintances include high society debutantes, models, mobsters, cops both arrow-straight and morally flexible and a host of other ’50s types that would slot neatly into a black-and-white detective film. Edwards nails the tone, with dialogue and milieu evocative of classic noir, and presents the era warts and all: conversations that are a bit politically incorrect; men behaving toward women in ways that are borderline or flat-out predatory; and a towering amount of smoking and drinking.
★ The Devil’s Blaze
In the same fashion that Sean Connery is the quintessential James Bond for many cinema aficionados, Basil Rathbone is widely regarded as the definitive silver screen Sherlock Holmes, even though the most famous films in which he took on the role are not set in the original Victorian and Edwardian eras but smack in the middle of World War II. Author Robert J. Harris expands upon those midcentury films with his Sherlock Holmes in WWII series, the second volume of which (after 2021’s A Study in Crimson) is The Devil’s Blaze. The Germans have developed a truly insidious weapon to use against their English adversaries, a death machine of some sort that causes people to spontaneously erupt into flames. As usual, there are only two people in England clever enough (or devious enough, depending on your point of view) to approach a mystery of this magnitude: Sherlock Holmes (natch) and his longtime archnemesis, Professor James Moriarty. There is certainly no love lost between the pair, but they are forced to forge an uneasy alliance to try and save England from this terrifying new weapon. Harris never lets readers forget that this is a Sherlock Holmes novel, with the narrative turning on a dime—or a twopence, if you prefer—such that only an experienced fishmonger would be able to sort through all the red herrings. Holmes is as cerebral and arrogant as die-hard fans would expect, and Watson hews closely to actor Nigel Bruce’s portrayal in the Rathbone films: thoughtful, taciturn and usually a step behind his mentor. And Moriarty, well, he should be giving TED Talks on the subject of villainy.
Lisa Unger will make you think twice about dabbling with DNA ancestry kits, plus Val McDermid returns with a new Allie Burns novel in this month’s Whodunit.
These six outstanding volumes of verse will remind readers of the magic of language and the marvels to be found in everyday moments.
A gift to celebrate growing older: Woman Without Shame by Sandra Cisneros
Sandra Cisneros’ Woman Without Shame is an inspiring celebration of the self. The book’s 50-plus pieces are alive with wit and wordplay, as Cisneros takes stock of the past, reflects on her Mexican American identity and ruminates on the experience of growing older. “I am Venetian, decaying splendidly. / Am magnificent beyond measure,” she writes in “At Fifty I Am Startled to Find I Am in My Splendor.”
Despite the passing years, Cisneros, now 67, displays an attitude of proud defiance. In “Canto for Women of a Certain Llanto,” she bemoans the humdrum undergarments designed for older women: “Rage, rage. Do not go into that good night / wearing sensible white or beige.” Ignited by flashes of humor, the poems in this buoyant collection find Cisneros accentuating the positive, living without regret and setting an example for us all.
A gift to provide comfort and encouragement: And Yet by Kate Baer
Kate Baer shares dispatches from the domestic front in her accessible, inviting collection And Yet. In poems that explore gender dynamics and the day-to-day grind of family life, Baer’s voice is that of an intimate, confiding friend.
Across the collection, she takes her own measure as a parent and a wife, toggling between self-acceptance and self-loathing, triumphs and trials. “The weeks are long, and all my son / wants is a new skateboard and a different / mother,” she writes in “Late Summer in a Global Pandemic.” Baer rounds up snippets from horrifying headlines in “Daily Planet”: “Return to school deemed not safe for / Un-vaccinated protests rise as / Hospital beds at capacity in these seven.” To flustered mothers, the internet-weary and anyone bewildered by contemporary life, Baer’s collection will be a balm.
A gift to illuminate the poetry-writing process: Weaving Sundown in a Scarlet Light by Joy Harjo
Weaving Sundown in a Scarlet Light: Fifty Poems for Fifty Years is a splendid survey of the career of three-time U.S. Poet Laureate Joy Harjo. A member of the Muscogee (Creek) Nation, Harjo draws from a rich well of family stories and myths in poems that explore the Native American experience and emphasize the importance of place.
In many of her poems, the landscape emits a kind of language, such as in “Are You Still There?”: “hello / is a gentle motion of a western wind / cradling tiny purple flowers.” In “Somewhere,” she writes, “Our roads aren’t nice lines with numbers; they wind like bloodlines / through gossip and stories of the holy in the winds.” Notes on the genesis of each poem can be found at the end of the book.
For Harjo, “history is / everywhere,” and the past is always present. Her vision and versatility are on full display in this majestic retrospective.
A gift to spark new ways of looking at our pasts: Golden Ax by Rio Cortez
The poems in Rio Cortez’s bold new book, Golden Ax, center on a foundational concept—what the author calls “Afropioneerism” or “Afrofrontierism,” in reference to her ancestral connections to Utah and the ways in which Black people have shaped and were shaped by the region.
Throughout this ambitious collection, Cortez tangles with themes of genealogy and religion while evoking the otherworldly landscape of the American West. In “Covered Wagon as Spaceship,” she wonders “whether it’s aliens / that brought Black folks to the canyons . . . how do you come / to be where there are no others, except / science fiction?”
Through poems that probe the often painful connections between past and present, Cortez finds new ways of moving forward.
A gift to stoke a fire: ★ The World Keeps Ending, and the World Goes On by Franny Choi
A marked attentiveness to craftsmanship and the niceties of language enlivens the poems in Franny Choi’s urgent, stirring The World Keeps Ending, and the World Goes On. A fearless shifter of form, Choi switches moods and modes to tackle such topics as social unrest, climate change and her Korean heritage. In “Toward Grace,” she laments the digital landscape: “Online, blondes chirp tips, spin fidgets, get follows. / Old story: unequal distribution of grace.” Formidable themes like the nature of tragedy and the human capacity for renewal lend a timelessness to her work.
Choi’s collection will awaken and inspire readers. “I want a storm I can dance in. / I want an excuse to change my life,” she writes, and her attitude is contagious.
A gift to transform darkness into light: Balladz by Sharon Olds
“Who says the forms of art require joy?” Sharon Olds asks in Balladz. While joy does feature prominently in these poems, Olds’ mood is one of unease and ire as she explores national upheaval, life during quarantine and the need for intimacy. As the collection’s title implies, the ballad is her favored form, a vessel for contemplating the past and celebrating everyday pleasures.
“Amherst Ballad 6” shows the precision of her poetic vision: “The Sill Imbued with Dust – Gave Up / A Maple Wing – of Brussels Lace.” In “Grandmother, with Parakeet,” elderly women have hair “fixed in / small breaking combers, battleship / curls like works of art.” Again and again, Olds surveys the world and, through the filter of her poems, renews it for the reader. Filled with sustaining moments of recognition, Balladz is revelatory.
For a fresh way to spread glad tidings this holiday season, we suggest a collection of poetry.
As the days grow shorter and the nights grow colder, we turn to all things cozy—and we can think of nothing more heartwarming than an unexpected friendship. Here are the platonic pairings that made the BookPage editors feel all snuggly inside.
In Tana French’s The Secret Place, Detective Stephen Moran gets his chance to join the Murder Squad when 16-year-old Holly Mackey brings him new evidence in an investigation into a murder that took place on the grounds of her boarding school. Stephen heads to Holly’s school to investigate alongside Antoinette Conway, the original detective assigned to the case. Their first interactions are anything but promising, given their diametrically opposed approaches to their work. Stephen masks his ambition behind a friendly, unassuming persona, but Antoinette, who is biracial, has long since given up on playing nice with people determined to hate her due to her gender, racial background or both. As they interrogate Holly and her friends over the course of one long day, a tentative respect begins to grow between the two of them, thanks to their mutual intellect and their common experience of clawing their way up the ranks from working-class backgrounds. It could be the start of a beautiful partnership, and French makes readers as invested in Stephen and Antoinette’s burgeoning friendship as they are in the mystery’s solution.
—Savanna, Associate Editor
Frank and the Bad Surprise
I’m going to cut to the chase here. The titular character in Martha Brockenbrough and Jon Lau’s Frank and the Bad Surprise is a cat who lives a good life with his humans, and the bad surprise is a new puppy. The puppy interrupts Frank’s naps, has gross puppy breath and eats Frank’s food, so Frank decides it’s time to move on. “Good luck with that puppy,” he writes in a note to his humans. “You will need it.” There’s so much to love about this illustrated chapter book, from the way Brockenbrough’s wry prose perfectly captures Frank’s feline perspective to the way Lau’s paintings bring Frank’s personality to life. In several images, you’ll swear you can almost hear Frank purring. But the best part is the way Brockenbrough engineers a moving reconciliation between the two former enemies, neatly sidestepping schlock and sentiment and going straight for understated emotional truth. It’s positively the cat’s pajamas.
—Stephanie, Associate Editor
Lolly Willowes
In Sylvia Townsend Warner’s 1926 novel, an aging woman breaks away from her grating London family and has a go at independent life in the countryside. After keeping house for her father and brother for over 40 years, Laura Willowes feels liberated in Buckinghamshire—finally free to take long walks in nature and enjoy her own company. Until her nephew visits. Suddenly she is reduced to her old Aunt Lolly self again—put upon and bedeviled—and she becomes so desperate that she calls out for help. Luckily Satan answers, and the novel transforms into a fantastical tale of Lolly’s burgeoning talents as a witch. Along the way, the devil turns out to be a chummy pal: giving Lolly the power to hex her nephew, listening to her complaints about society’s treatment of women. (Satan, as it turns out, is a compassionate and attentive listener.) It’s a darkly humorous novel of a middle-aged woman who is so desperate for autonomy that she’s willing to make a deal—or at least make friends—with the devil.
George Saunders’ first (and so far, only) novel brings together some odd characters. In Lincoln in the Bardo, a group of ghosts works together to save Abraham Lincoln’s 11-year-old son, Willie, from a place between life and death. Here in the bardo, the ghosts know all of one another’s quirks and faults and dreams and regrets. They’ve come to love one another, and as a reader, I found it easy to love them too. The most unlikely best friendship in the bardo is between middle-aged, carnally frustrated Hans Vollman and Roger Bevins III, a heartbroken young man who took his own life and now bursts involuntarily into poetry about the beauty of the world he left behind. One of Saunders’ most remarkable gifts is his ability to make even unpleasant characters deeply befriendable. He outdoes himself with this book, crafting 166 distinct, compelling voices and interspersing them with excerpts from real and invented historical sources. He fantastically spins a moment in American history into a philosophical exploration of how grief can either isolate or unite us.
People aren’t all that different, even though it often feels that way, and therein lies one of the key superpowers of the “unlikely friendship” trope: bridging polarized experiences to discover where people actually overlap, where one person’s hand fits snugly into another’s. Nancy Johnson’s debut, The Kindest Lie, is one of the novels that most successfully encompasses both the political optimism of 2008 and the insidious racial divisions that were worsened by the economic stress of the Great Recession. Johnson’s protagonist, Ruth, is a Black chemical engineer who returns to her Rust Belt hometown to seek out the child she placed for adoption when she was 17. Upon her return, Ruth bonds with Midnight, an 11-year-old white boy who is mostly being raised by his grandmother but still hopes for connection with his neglectful, bigoted father. Ruth’s and Midnight’s experiences of race, class and privilege are very different, but they’re both lonely, lost and understandably flawed people, and together they find something akin to belonging in a heartbreaking world.
—Cat, Deputy Editor
You’ve got a friend in me! These books feature platonic pairings that made us feel all warm and snuggly inside.
A reverent and joyful celebration of berry picking, Berry Song is the stunning authorial debut of Caldecott Medalist Michaela Goade, an enrolled member of the Tlingit and Haida Indian Tribes of Alaska.
As a girl and her grandmother pick berries in the Tongass National Forest, located not far from the author-illustrator’s home in Sitka, Alaska, Goade poetically describes nature’s many bounties and conveys the need for humans to be Earth’s stewards. All the while, she never loses sight of those yummy berries! Choral litanies of berry names (“Salmonberry, Cloudberry, Blueberry, Nagoonberry. / Huckleberry, Soapberry, Strawberry, Crowberry.”) keep the tone light and playful.
Once the pair return home, they transform their harvest into treats such as huckleberry pie and nagoonberry jam. The book ends by depicting how its wisdom continues to pass from generation to generation as the narrator, now an adult, leads her younger sister into the forest. “I have so much to show you,” she says.
Goade’s energetic artwork imbues the book’s natural setting with an enchanting, otherworldly beauty. The poster-worthy first spread welcomes readers with a spirit of adventure as the young narrator, arms outstretched in the wind, rides with her grandmother in a motorboat over a “wide, wild sea” toward the forest. Bright blue and red berries “glowing like little jewels” provide a striking contrast to the deep and verdant woods that teem with wildlife. In several illustrations, human and flora appear to merge, with leaves sprouting from hair or tree limbs extending from arms or hands, reflecting a call and response exchange between the girl and her grandmother: “‘We are a part of the land . . .’ ‘As the land is a part of us.’”
Excellent backmatter includes photos of some of the berries mentioned in the book, information about the role that berries play in the lives and culture of the Tlingit people and Goade’s personal reflections on some of the book’s key concepts including gunalchéesh, a Tlingit word spoken to express gratitude.
Keepunumuk
A modern-day Wampanoag grandmother tells her grandchildren the story of the first Thanksgiving from a new perspective in Keepunumuk: Weeâchumun’s Thanksgiving Story. “Here’s what really happened,” she says.
Co-authors Danielle Greendeer, Anthony Perry and Alexis Bunten set the stage effectively through two sections of text, titled “Before you begin” and “Important words to know,” placed between the book’s title page and the beginning of the narrative. They explain that the Wampanoag people lived in their ancestral homeland for 12,000 years, which is why they are referred to as “the First Peoples” throughout the book.
The grandmother narrates the story of the Three Sisters (Beans, Squash and Weeâchumun, or Corn), whom illustrator Garry Meeches Sr. portrays as spectral elders. When Seagull announces that newcomers have arrived, Weeâchumun asks Fox to watch them and report back. Fox relays that the starving newcomers have found corn seeds but don’t know what to do with them, so the sisters converse with Deer, Rabbit and Turkey about the best course of action. “We will send the First Peoples to help the newcomers,” Weeâchumun concludes.
After a Wampanoag man named Tisquantum, also known as Squanto, teaches the newcomers how to grow crops, they invite the First Peoples to celebrate Keepunumuk, the harvest. “That meal changed both our lives and theirs forever,” the grandmother explains to her young listeners. “Many Americans call it a day of thanksgiving. Many of our people call it a day of mourning.” “That’s different from what we learn in school,” one of the children replies.
Meeches’ illustrations incorporate familiar images of the Wampanoag people’s early encounters with the Plymouth settlers but stay focused on the First Peoples, their beliefs and the land itself. Many scenes unfold against deep blue skies and natural landscapes, and when the Three Sisters appear, they’re often accompanied by lovely curling, twining tendrils. A somber page that depicts the silhouettes of the First Peoples who were “taken by sickness” is particularly striking.
With a skillful balance of detail and simplicity that’s just right for young readers, Keepunumuk offers a vital viewpoint on the national Thanksgiving holiday.
Still This Love Goes On
To create Still This Love Goes On, acclaimed Cree Métis artist Julie Flett faced an unusual challenge: to illustrate a song from Canadian American musician Buffy Sainte-Marie’s 2009 album, Running for the Drum.
In an author’s note, Sainte-Marie explains that the images she describes in her song’s lyrics were “like taking photos with my heart of all that I see on the reserve.” As she wrote, she wanted to express her love “for it all, day after day, year after year—especially the people and our Cree ways, precious like the fragrance of sweetgrass.” The book’s backmatter includes complete lyrics and sheet music.
Flett’s vibrant presentation celebrates the power of family and the immense beauty of open spaces. In the first spread, a mother and child sit together, surrounded by a vast expanse of ice tinged with blue and pink, and watch “the winter grow.” Subsequent spreads evoke changing seasons and the passage of time amid wonderful vistas: A woman and child gaze at the ocean as a whale breaches the surface of the water; a child runs through a mountain meadow filled with yellow flowers; a herd of buffalo gallops toward a distant rainbow. A series of images that depict a drum circle, two jingle dancers and a girl singing and playing her guitar are almost audible as they echo both Sainte-Marie’s lyrics and the feelings evoked by her music.
Still This Love Goes On transforms a memorable song into a moving and heartfelt visual poem. A worthy homage to Cree people, lands and traditions, it’s a reassuring read-aloud that will encourage young readers to reflect on the places and people they love.
Caldecott Medalist Michaela Goade's Berry Song leads a trio of picture books that convey stories written and illustrated by Indigenous North Americans, offering insights into cultural practices, history and heritage.
Let me be a voice in passionate support of relishing all things fall: Pile those pumpkins! Bust out the mums! Go big on apples and cinnamon! I am here for it. With From Harvest to Home, lifestyle blogger Alicia Tenise Chew speaks right to the deepest autumnal cravings with recipes, low-key crafts and lists of scary movies and top Thanksgiving TV episodes. Nachos get a fall twist (and healthy upgrade) with sweet potatoes, French 75 cocktails go goth with the addition of activated charcoal, and there’s a pumpkin gnocchi with cinnamon sage brown butter sauce that I most certainly will be requesting of my home-cook husband. Chew provides checklists of activities you might enjoy during each of the three fall months, a welcome inspo tool for us easily overwhelmed types, as well as self-care tips for the return of short days and cold weather. You don’t have to do all the fall things, of course. But you can more deeply delight in a few faves with the help of this book—and feel not a shred of shame for loving flannel and pumpkin spice lattes.
An American in Provence
Perhaps you’ve heard this story: Highly successful urban professional departs the rat race, decamps to the countryside and achieves a slower, simpler, even more beautiful life. But you’ve never seen rustic expatriation evoked quite so lusciously as it is in An American in Provence, artist Jamie Beck’s pictorial memoir. Beck is a photographer, and alongside romantic self-portraits, still lifes, sweeping landscapes and tablescapes, she shares generously of her expertise. There are tips for photographing children, getting the most out of your smartphone camera and working with natural lighting. Along the way Beck writes of settling in the small French town of Apt, giving birth to her daughter, Eloise, and leaning into the seasonal rhythms of the region. Recipes are sprinkled throughout like herbes de Provence: a violet sorbet, daube Provençale, wild thyme grilled lamb. In total, the effect is bewitching and immersive, and quite the motivation to save for one’s own dream trip to the hills, fields and ancient villages of southeastern France.
How to Be Weird
In high school, I was often told that I was weird. I took it as a point of pride, and still do. Weird is a thing to strive for in my book, as it is in Eric G. Wilson’s How to Be Weird, which amounts to an Rx for the rote life, an antidote to crushing mundanity. The small actions and thought experiments compiled here, 99 in total, are intended to disrupt dull thinking, to help us see our world and ourselves in fresh ways. They could be applied usefully in many settings, from classroom to cocktail party to corporate retreat. And as the veteran English professor he is, Wilson connects many of the actions to history, philosophy, literature, the sciences and so on. If you don’t end up weirder in the best ways from sniffing books or inventing new curse words, you’ll at least have gleaned some solid knowledge along the way.
Set up the perfect gourd-themed tablescape, photograph it like a pro, and then invite all your weirdest friends over to partake of autumn’s bounty. If this sounds like your definition of a good time, read on.
A cat must save the moon from being eaten by intergalactic rats in this graphic novel from author Mac Barnett and Caldecott Honor illustrator Shawn Harris. Its madcap silliness and accessible artwork will appeal to the legions of loyal fans eager for more of the laugh-out-loud humor and deceptively simple cartoon-style art sure to be found in Jeff Kinney’s 17th Diary of a Wimpy Kid book, Diper Overlöde.
Wildoak
It is a truth universally acknowledged that most young readers can’t resist a good animal story. Readers hoping to receive Newbery Medalist Katherine Applegate’s Odder this holiday season are sure to enjoy debut author C.C. Harrington’s touching tale of a girl and a snow leopard who find each other when they are both most in need.
Endlessly Ever After
This illustrated choose-your-own-adventure journey through fractured fairy tales from Laurel Snyder and Caldecott Medalist Dan Santat is deliciously meta, which is why it’s the perfect choice to pair with the boundary-pushing graphics and nested metanarratives that await young readers in Cat Kid Comic Club: Collaborations, the newest release from Captain Underpants creator Dav Pilkey.
Help your pint-size bibliophile discover new favorites by pairing one of these fun, under-the-radar reads with the popular books at the top of their wish lists!
Kliph Nesteroff’s We Had a Little Real Estate Problem: The Unheralded Story of Native Americans & Comedy is an intriguing look at how Native Americans have influenced the world of comedy. Starting with the Wild West shows of the 1800s, Nesteroff chronicles the presence and impact of Native comedic performers through the decades. His lively narrative draws on in-depth research and interviews with today’s up-and-coming comedians. Entertainment stereotypes and representation in media are but a few of the book’s rich discussion topics.
Set in Nashville in the 1920s, Margaret Verble’s novel When Two Feathers Fell From the Sky tells the story of a Cherokee woman named Two Feathers who performs as a horse-diver at the Glendale Park Zoo. After an accident occurs while Two is performing, strange events take place at the zoo, including sightings of ghosts. Two finds a friend in Clive the zookeeper, and together they try to make sense of the odd goings-on at Glendale Park. An enrolled citizen of the Cherokee Nation of Oklahoma, Verble paints an extraordinary portrait of connection in defiance of racism in this moving novel.
In Covered With Night: A Story of Murder and Indigenous Justice in Early America, Nicole Eustace builds a fascinating narrative around a historical incident: the killing of a Seneca hunter by white fur traders in 1722 Pennsylvania. The murder occurred right before a summit between the Five Nations of the Haudenosaunee and the English colonists, and it heightened tensions between the two sides at a fragile moment. Eustace brings the era and its seminal events to vivid life as she examines Native attitudes toward retribution and reparation.
Cree Canadian author Michelle Good’s novel Five Little Indians follows a group of First Nation youngsters who must find their way in the world after growing up during the 1960s in a Canadian residential school, a boarding school for First Nation children designed to isolate them from their culture. As adults in Vancouver, British Columbia, Lucy, Howie, Clara, Maisie and Kenny struggle to make lives for themselves and escape painful memories of the past. Clara joins the American Indian Movement, while Lucy dreams of building a future with Kenny. Good explores the repercussions of Canada’s horrific residential school system through the divergent yet unified stories of her characters, crafting a multilayered novel filled with yearning and hope.
These Indigenous stories are perfect for your book club, from a history of Native comedians to the true story of a murder in colonial Pennsylvania.
Throughout history, female healers have been cast out, feared and labeled as witches, even though their work in herbalism and midwifery helped shape medicine as we know it today. In fiction, the witch—that wise, rebellious female character—can be even more disruptive, her healing gifts even more supernaturally powerful.
T. Kingfisher’s dark (but still extremely funny) fantasy novel is full of female characters who carve out power for themselves: protagonist Princess Marra, who cherishes the peace of her convent home; the Sister Apothecary at Marra’s convent; and two frighteningly powerful fairy godmothers. But the only witch of the bunch is the dust-wife, and folks, she is an icon. A necromancer who tends a graveyard, the dust-wife can talk to the dead, keeps a demon-possessed chicken as a familiar, and agrees to help kill Marra’s sister’s abusive husband even though she believes their quest will fail—because wicked men should be held accountable. Despite her ruthlessly realistic view of the world, the dust-wife values the optimism of other characters, even Marra’s fairy godmother, Agnes, a sweet older dear who gives only good health as a blessing and frets over baby chicks. The dust-wife and Agnes bicker their way to becoming ride-or-die besties, and I would read an entire series about their adventures.
If you look up charming in the dictionary, I’m pretty sure you’ll find the entry illustrated with a portrait of the titular hero of Phoebe Wahl’s delightful picture book, Little Witch Hazel. In four short tales—one for each season of the year—Wahl captures the close-knit forest community to which Little Witch Hazel belongs. In “The Blizzard,” we see Little Witch Hazel make her rounds, visiting a chipmunk with a toothache, a mole with an injured paw and Mrs. Rabbit and her four new kits. Wahl also conveys how the residents of Mosswood Forest care for Little Witch Hazel: Her friends Wendell and Nadine encourage her to take a much-needed break from her errands on an idyllic summer day, and later in the year, Otis the owl rescues her from a fierce snowstorm. With a classical tone, Wahl offers a still-revolutionary portrayal of a female healer and the difference she makes in her community.
Geraldine Brooks’ Year of Wonders fictionalizes the true story of a small English village that was nearly overcome by the bubonic plague in 1665. When the local rector convinces the town to close their gate to prevent the plague’s spread, young widow Anna Frith finds herself quarantined with a few hundred of her neighbors, watching their numbers dwindle over the course of an extraordinary year. Among those neighbors are Mem and Anys Gowdie, an aunt and niece whose extensive knowledge of herblore gets them accused of, then executed for, witchcraft. When Anna visits the Gowdies’ abandoned house shortly after, she realizes that all of their dried herbs and foraged weeds, their tinctures and potions—the very things that had gotten them killed—are what had kept the pair from catching the Black Death before their violent ends. As Anna learns the Gowdies’ trade and brings their healing knowledge to the rest of the town, the novel becomes a moving portrait of women’s community-centered heroism in the face of unjust persecution.
Tenured professor Diana Bishop is a brilliant woman—a formidable entity in her own right—but she is also a witch with impressive magical powers. The hero of Deborah Harkness’ bestselling All Souls trilogy turned away from the magical community after her parents’ untimely death, swearing off her family legacy and instead creating a name for herself in academia. But her worlds crash together when she discovers a long-lost enchanted manuscript, which awakens an enormous power within her. Diana is the first person to have seen the manuscript in 150 years, and suddenly the whole magical community is after her. A centuries-old vampire named Matthew Clairmont becomes her protector as she navigates a dangerous world that she had purposely avoided for most of her life. Hunted for her power and knowledge, Diana realizes that she can no longer hide from her destiny. She must embrace her power, her magical legacy and herself—her whole self.
Human interdependence is at the heart of Leni Zumas’ 2018 novel, which shifts among the stories of four adult women and one girl, all living in a small Oregon fishing town. But this is no gentle sisterhood novel, as Red Clocks finds female characters pitted against one another in an America where reproductive freedoms have been severely limited and single-parent adoption is outlawed. Gin Percival, a reclusive healer who’s feared as a witch by superstitious fishermen, lives firmly outside the expectations placed on women: She’s messy and smells like onions, prefers animals over people and is “uninterested in being pleasing to other persons.” She also provides herbal remedies and menstrual care for the women who visit her, which means she’s operating outside the law. Through Gin’s story, which culminates in her arrest and subsequent trial, Zumas draws a connection between the 17th-century practice of blaming women for any misfortune and our contemporary society’s concern with women who buck social norms and don’t care one bit what you think about it.
—Cat, Deputy Editor
All hail the menders, rebel healers and witchy women.
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