Thumbing through a beautifully designed coffee-table book is a sure way to provoke a love of photography. Just in time for the holidays, here are three gorgeous photo books that are sure to please the art or nature lover on your list—and perhaps you can keep one for yourself, too.
Shop Cats of China
Cats have charmed and fascinated humans for millennia. From ancient Egypt to modern times, cats have been depicted in art, mummified in tombs and even immortalized by the popular social media account @bodegacatsofinstagram. In Shop Cats of China, Marcel Heijnen takes readers on a photographic tour of China’s many retail shops, the people who run them—and the furry loiterers who clearly know they’re the stars of the show.
Equal parts street photography, cat portraiture and whimsical poetry, Shop Cats of China is much more than cute pictures of cats. The street scenes in this book, sometimes languid and colorful, sometimes kinetic and full of city life, are lovingly punctuated with haiku and cat stories (written by Ian Row) that add a layer of sweetness and humor to each image. A man pours tea into cups while a relaxed white cat looks directly at the camera and wonders if he’s invited. Red seafood bins surround an orange cat who, ironically, doesn’t like seafood. A spotted cat sits atop a bicycle and waits for a friend. These scenes and others will delight and entertain anyone who is fascinated by the relationship between humans and their cats, while the surrounding textures and colors offer a slice of Chinese shop culture and street life.
Birds
Tim Flach is a world-class nature photographer with the heart of a painter. His new book, Birds, offers a unique and up-close view of his avant-garde wildlife photography. The glossy pages full of shockingly sharp images show many elegant and rare birds, from songbirds and parrots at rest, to raptors and birds of paradise in flight. Feathers look like landscapes, beaks glisten like gold and onyx, and the birds’ elegant postures make them all look like royalty. The bright colors are so beautiful that they seem almost unnatural, while the details look real enough that you could reach out and touch them. Full of personality and exquisite artistry, Birds will mesmerize nature lovers with its compassion and profound beauty.
Night on Earth
Though it’s normally hidden under the cover of darkness, the world can look magical at night, as photographer Art Wolfe reveals in his remarkable new book. One of the first images in Night on Earth is a stunning, almost overwhelming photograph of Mount Etna in Sicily, erupting purple ash. A perfectly round moon peeks out from behind the plumes of dangerous-looking dark smoke as pink, red and blue clouds dance around in the background of the night sky. It’s a compelling shot to start this dazzling collection, which is filled with impressive images.
To capture these cinematic nightscapes, Wolfe traveled to all seven continents and photographed starry skies, animals, humans, natural scenery and cities. The result is an assemblage of unusual sights that occur while most people are asleep—including black rhinoceroses rambling through Etosha National Park in Namibia, fishermen on stilts in Myanmar, late-night commuters in Tokyo, penguins ambling on the shores of an island in the Atlantic Ocean and an offering floating on the Ganges River in Varanasi, India. Organized into helpful chapters, such as “Stars and Shadows” and “The Creatures of the Night,” these 250 pages of vibrant color photographs will wow anyone who’s curious about the mysteries that unfold from dusk until dawn.
Spanning 30 years, Mantel Pieces: Royal Bodies and Other Writing From the London Review of Books delivers a wonderful sampling of Wolf Hall author Hilary Mantel’s nonfiction work, which includes essays, reviews and autobiographical writings. In these erudite yet accessible pieces, Mantel tackles a variety of topics, from Anne Boleyn’s sister-in-law and other figures of Tudor history, to pop singer Madonna, to England’s current royal family. Mantel’s commanding intelligence and inimitable style are on full display throughout. Her examinations of history, female identity and popular culture make this collection an excellent book club pick.
Zadie Smith reflects on an unprecedented time in America in Intimations, a collection of six essays focusing on the year 2020. Despite its brevity, this powerful book gives book clubs plenty to talk about. In sharply observed, compassionate prose, Smith examines politics, the murder of George Floyd and its repercussions, the impact of the COVID-19 pandemic and life under lockdown. Themes of isolation, social justice, family and the writing process will provide points of connection for all types of readers as Smith draws on personal experience to create essays that are moving and resonant.
In The End of the End of the Earth, Jonathan Franzen explores environmental concerns and reflects on writers past and present. Franzen, who is a passionate birder, visits locales across the globe to indulge his passion, and his travels supply wonderful material for some of the book’s central pieces. There are also essays on authors Edith Wharton and William T. Vollmann, which offer new perspectives on both authors. Written with humility, humor and visionary insight, Franzen’s wide-ranging collection is certain to generate rewarding dialogue among book club members.
The Source of Self-Regard: Selected Essays, Speeches, and Meditations brings together key nonfiction writings by Toni Morrison (1931–2019). Covering four decades, the volume collects more than 40 pieces including Morrison’s eulogy for James Baldwin, her Nobel Prize lecture on the importance of language, commencement speeches and works of political analysis and literary criticism. Morrison’s impassioned views on race, feminism and American society ensure that this book will stand the test of time. Reading groups will find no shortage of rich discussion material here.
Four beloved authors turn to the essay form in these incisive collections.
Delight the teenager on your holiday list with a fabulous graphic novel or gripping true story guaranteed to make them swoon, giggle or gasp.
The Girl From the Sea
For the reader who longs to be carried away on the waves of a fantastical story
In The Girl From the Sea, author-illustrator Molly Knox Ostertag blends myth and realism to create a story about the things we’d rather keep submerged—and what happens when they surface with a splash.
Morgan Kwon is 15 and part of a power clique at her high school that serves as a frothy diversion from her unhappy family life. She’s just biding her time until she can move away from her small island town and finally come out as gay.
One rainy night at the rocky seaside cliffs that are her favorite place to sit and think, Morgan slips on the wet stones and falls into the water. She’s rescued by a mysterious girl named Keltie, who is kind of cute, really, and an awfully powerful swimmer, but the instant connection between them threatens all the secrets that Morgan’s been carefully concealing from her friends and family.
Ostertag (The Witch Boy) is an expert at conveying complex emotions and subtly shifting the mood from one panel to the next. Morgan is part of a group text message thread with her friends, which includes numerous invitations that Morgan declines, at first because of her feelings of loneliness and depression, and later because Keltie is clearly not welcome among the group, even as she and Morgan are tentatively falling for each other. Ostertag initially depicts Morgan’s home life with her stressed mom and angry little brother in stark, silent scenes, but as secrets come to light and Morgan’s family reach out to one another, there’s a warmth to their time together that lifts off the page.
This graphic novel’s narrative flows so smoothly that you might find yourself reading it in one big gulp, and its resolution is bittersweet but hopeful. The Girl From the Sea is a wistful romance that will catch readers by the heart.
—Heather Seggel
Passport
For the reader who has always suspected there was more to their parents than meets the eye
“¿Qué está pasando?” Early in her graphic memoir, Passport, author-illustrator Sophia Glock writes that this phrase—which means “what is going on?”—is her mantra at the Spanish-language immersion high school she attends in Central America. The phrase is a lifeline as Glock navigates the usual challenges of teenage life, but it takes on another meaning when Glock discovers that she is the daughter of CIA agents who have been keeping her in the dark.
Growing up, Glock lived all over the world because of her parents’ ambiguous “work.” What work is that, exactly? She has no idea. The more questions she asks, the fewer answers she receives. Just keep your head down, her parents tell her. Stay safe, and if you can, why don’t you let us know what your friends’ parents do for a living?
When Glock reads a letter that her older sister, away at college, wrote to their parents, the blanks in her life begin to fill in, though she is too afraid to confront her parents directly. Instead, like any frustrated teen, she exercises her autonomy and starts telling lies of her own. Boys, girls, drinking and partying abound while Glock travels through the gauntlet of adolescence and the tension between her ever-accumulating little lies versus her parents’ one big lie threatens to boil over.
Glock’s depictions of quiet yet consequential moments, such as when she ponders the choices her parents have made, are especially spellbinding. Her sparse, restrained art style evokes the feeling of a memory play, a recollection both real and ethereal. She renders the entire book in only three colors: shades of a reddish pink, a cold blue and white. Her characters aren’t always easily distinguishable from one another, and while that can cause some confusion in the story, the overall effect is satisfying. After all, how much does Glock really know about the people around her? ¿Qué está pasando? In her author’s note, Glock concedes as much. ”These stories are as true as I remember them,” she writes. The CIA’s publication review board nixed some of the particulars of Passport before it was published, which makes the details that did end up in the book all the more dramatic.
A deceptively spare graphic novel chock-full of depth and beauty, Passport is an unusual coming-of-age memoir that’s totally worth the trip.
—Luis G. Rendon
★ The Dire Days of Willowweep Manor
For the reader who loves spooky castles and fears no gothic terror, not even marauding zombie bunnies
Haley is so exuberantly dedicated to gothic romances that her exasperated teacher orders her to stop writing book reports on Wuthering Heights (and no, she cannot do an interpretive dance about it instead!). After school, Haley sets out for home in the rain, and lo! As she stands on a bridge, dramatically sighing, she sees a man struggling in the dark waters below. She dives in to rescue the floundering fellow, conks out after her exertions and awakens abed in Willowweep Manor, attended by a dour housekeeper named Wilhelmina. Have Haley’s period-piece dreams come true?
Turns out, Haley has indeed been inadvertently catapulted into a world much like those in her beloved books. There’s a castle (complete with “baleful catacombs” and an on-site ghost) and verdant moors, as well as three handsome brothers—stoic Laurence, brooding Montague and vacuous Cuthbert—who took her in after she saved Montague from drowning.
But Haley soon discovers another side to Willowweep. It’s a gasket universe, a liminal space between Earth and an evil dimension laden with a substance called bile that destroys everything in its globby, neon green path. Can Haley help the brothers fend off the encroaching forces of darkness before it’s too late?
The Dire Days of Willowweep Manor is a hoot right from the get-go, but when everyone bands together to defend the manor, author Shaenon K. Garrity’s tale becomes ever more hilarious and exciting. Humorous metafictional quips fly hither and yon as the characters take up arms, squabble over strategy and realize they’ve got to break a few rules (and defy a few tropes) if they want to prevail.
Christopher Baldwin’s art is full-bore appealing. He has an excellent command of color: Brooding browns underlie characters’ stress while sky blues highlight Haley’s growing confidence. Facial expressions are little comedies unto themselves, including horses who side-eye Cuthbert’s silliness, and slack-faced bile-addled bunnies who adorably chant “Destroy.”
The Dire Days of Willowweep Manor celebrates and satirizes a beloved genre while encouraging readers to defy the rules and become the heroes of their own stories.
The range of graphic novels and nonfiction for children gets better, more exciting and more popular with each passing year. Even the choosiest young reader won’t be able to resist the charms of these wonderful books.
Marshmallow & Jordan
For the reader who carefully arranges their stuffed animals at the head of their bed every morning—and knows each and every one of their names
Growing up in Indonesia, Jordan is a talented basketball player who lives for the sport. She’s even named after her dad’s favorite player. After an accident two years ago, Jordan is also a paraplegic and uses a wheelchair. Although she’s still the captain of her school’s team, an official rule means she’s not allowed to participate in games against other teams. In spite of her teammates’ sincere efforts to make her feel included, it’s just not the same.
Jordan’s life changes when she discovers an injured young white elephant at a park one day after basketball practice. She names him Marshmallow and, with help from her veterinarian mom, nurses him back to health. Jordan and Marshmallow become fast friends, but it’s soon clear that the connection between them runs much deeper. Marshmallow obviously needs Jordan’s help, but as it turns out, Jordan needs Marshmallow too.
As Jordan leans on Marshmallow, he helps her begin to swim, and eventually she discovers a new athletic passion: water polo. But a worsening drought threatens the local water supply and the use of water for recreational purposes like swimming. Could there be a connection between Marshmallow and the much-needed rain?
Marshmallow & Jordan is a practically perfect graphic novel. Jordan’s strong spirit and earnest emotional vulnerabilities make her an appealing and relatable hero, and Marshmallow is irresistibly adorable as his big blue eyes shine with emotion. Lush and lovely, Alina Chau’s delicate watercolor illustrations are rendered in warm pastel tones. The book’s text is fairly minimal, so her images pull a great deal of the narrative weight, making this an ideal choice for young readers still gaining verbal confidence and fluency who would benefit from the unique interplay of words and images that graphic novels offer.
This beautifully rendered tale, with its fluffy, marshmallow-sweet images, is all heart.
—Sharon Verbeten
Another Kind
For the reader who has always felt a little out of place—except within the pages of a great book
Inside a hidden government-run facility called the Playroom, six creatures known as Irregularities are living out their childhoods quietly tucked away from society. There’s Omar, who’s half yeti; Sylvie, a will-o’-the-wisp; Newt, a lizard boy; Jaali, who can transform into a Nandi bear; Clarice, a selkie; and Maggie, who might be the daughter of Cthulhu. When the group’s secrecy is compromised and their safety endangered, government agents decide to move them to a more secure location.
Along the way, the powerful youngsters end up fending for themselves in a totally unfamiliar world filled with ordinary people who are totally unfamiliar with them. To survive, they must hide their unusual features and abilities—and avoid detection by dangerous forces that are hot on their trail. When the merry misfits meet other Irregularities and uncover rumors about a place called the Sanctuary, a place where they’ll all be safe, they’re determined to find it and make it their new home.
Trevor Bream’s narrative touches subtly on weighty themes, including gender identity, bullying and feelings of abandonment. At every turn, the story emphasizes the importance of self-acceptance and a sense of belonging within a community—empowering notions for young humans to consider.
Illustrator Cait May’s art is gorgeous. Just as Bream grounds their supernatural characters in emotional realism, May’s linework anchors this fantastical story in a detailed, realistic aesthetic. There’s a lightheartedness in her use of color that’s perfectly suited for a tale that never loses sight of its young characters’ optimism and hopefulness.
Another Kind is a magical graphic novel that movingly demonstrates the power of being different.
—Justin Barisich
★ The Secret Garden on 81st Street
For the reader who knows that if you look the right way, you can see that the whole world is a garden
Frances Hodgson Burnett’s The Secret Garden receives a contemporary update in this thoughtful graphic novel.
Mary Lennox is a loner, and she likes it that way. She doesn’t have friends in her everyday life, but she makes up for it by immersing herself in technology, especially via her cell phone and online video games. Her parents, who both work in Silicon Valley, aren’t home much, which doesn’t help Mary’s isolation. When they’re killed in a tragic accident, Mary must go live with her uncle, whom she barely knows.
Uncle Archie keeps his New York City mansion tech-free, and Mary has an understandably hard time adjusting to his rules. But with help from her cousin, Colin, and her new friend Dickon, Mary begins to restore the rooftop garden at her uncle’s house. Gradually, Mary starts to acclimate to—and then thrive in—New York, working through her grief and forming meaningful connections along the way.
Adapting a beloved classic to a new form and setting is no small task, and it’s clear that author Ivy Noelle Weir and illustrator Amber Padilla did not take the challenge lightly. Their love for Burnett’s original novel shines through on every page and makes The Secret Garden on 81st Street a truly heartwarming experience. Padilla’s playful, cartoonlike style lends itself wonderfully to expressing the happiness and contentment that Mary slowly finds. Weir’s prose is refreshing and modern, with just enough nods to Burnett’s best-known lines to preserve the story’s classic roots.
Best of all, Weir revisits many of the themes of Burnett’s novel through a contemporary lens, approaching each character’s journey with sensitivity. Colin stays in his room all the time because of anxiety, while Uncle Archie is grieving the loss of his husband, Masahiro. These updates blend perfectly with some of the most powerful elements from the original story, such as the slow transformation of the garden and the ways that nature and human connection have the ability to heal us.
The Secret Garden on 81st Street is a beautiful and respectful new vision of a long-treasured tale.
—Hannah Lamb
Salt Magic
For the reader who would be more that willing to pay the hero’s price for a thrilling, out-of-this-world adventure
Hope Larson (A Wrinkle in Time: The Graphic Novel) teams up again with illustrator Rebecca Mock, her partner on Compass South, to create Salt Magic, an absorbing and fast-paced historical fantasy adventure.
There’s a hint of The Wizard of Oz to Salt Magic, which begins in our world, then launches its hero on a quest into a new, magical world before she finally returns home again. Twelve-year-old Vonceil is the youngest of five children on an Oklahoma farm in 1919. She is a determined and appealing character whose boredom and angst simmer on every page, perfectly conveyed through her many evocative facial expressions and especially her piercing eyes.
As the story opens, Vonceil’s beloved brother Elber has finally returned from World War I after two long years away. Physically and mentally, he’s a changed man, and he seems to have no time for the fun he used to share with his littlest sister. Vonceil feels more alone than ever when Elber marries his sweetheart, Amelia, a local girl. Before long, however, a mysterious, wealthy woman in white named Greda appears in their small town. Greda was Elber’s nurse and lover in Paris, and she is so enraged to learn that Elber has married someone else that she curses his family’s farm, turning all of their precious fresh water into salt water.
Vonceil feels responsible for Greda’s curse, having hoped that Elder would have a fabulous romance with someone from France and resented Amelia for marrying him instead. When she realizes that Greda is a salt witch, she sets out in the dark of night to try to make things right. So begins a fantastical journey that leads Vonceil to uncover not only Greda’s secrets but also numerous revelations about her own ancestors, culminating in a dangerous bargain to save the family farm and Elber’s life.
Mock’s illustrations make every enchanting, dangerous moment pop. Even a close-up of a seemingly simple handshake between Vonceil and Greta conveys the importance of their dire agreement. Other scenes expertly dramatize the desolate landscape Vonceil traverses, the inescapable power of the all-important salt crystals she discovers and the many strange creatures she encounters along the way.
Salt Magic is a feast of a tale that treats readers to an epic battle between evil forces and a courageous, persistent young hero.
—Alice Cary
Other Boys
For the reader who needs to hear that they are never as alone as they sometimes might feel
Damian Alexander’s debut graphic memoir, Other Boys, is a powerfully compelling portrait of a boy learning to understand and accept himself.
Damian has always felt different. He and his brother live with their grandmother in a small apartment, because when they were very young, their father murdered their mother. Damian has also always enjoyed things that he thinks boys shouldn’t like, such as dolls, flowers and tea parties. He’s repeatedly been told that he’s too “girly” to fit in with boys, but girls often excluded him from playing with them because he’s a boy. His struggle to understand where he belongs has followed him all the way to middle school.
As he starts seventh grade at a new school, Damian has decided that the best way to avoid being bullied is to give his classmates absolutely nothing to bully him about. Damian is not merely planning to speak only when spoken to or to keep his voice to a whisper; he’s not going to speak at all. To anyone. But his silence doesn’t go unnoticed, and his grandmother arranges for him to see a therapist. With the therapist’s help, Damian begins to understand that he isn’t weird, strange or wrong. Meanwhile, he’s also discovering that not all boys are bullies, and some are even, well, pretty cute. The only way that Damian will find his place is by staying true to himself and finally speaking up.
As he narrates in the voice of his seventh-grade self, Alexander skillfully uses flashbacks to fill in his personal history. His bright color palette balances the book’s darker elements, and his figures’ slightly enlarged faces keep readers focused on the emotion of each panel. Other Boys will be a life-changing read for any young person who is questioning their identity or searching for where they belong.
Picture it: You’re navigating your first holiday party of the season, you’ve got something to sip on, and you’ve just bumped into an editor from BookPage. Of course, they’ll probably bring up a book they’ve recently read—for example, one of the books below.
In my friend group, there’s an annual string of holiday parties that begins with Oktoberfest and ends with New Year’s Eve. Though each gathering has its own celebratory tenor and theme, all of them have in common a milieu of wintry darkness. Against this twinkly backdrop, someone always brings it up: “How are you staying out of the jaws of depression now that the sun sets at 4:30 p.m.?” Personally, my answer is Wintering by Katherine May. After reading it for the first time in 2020, I resolved to reread it every year as a reminder of the advantages of darkness, idleness and cold. As May travels to Iceland, Norway, Stonehenge and beyond to experience different groups’ cold weather rituals, she reflects on the metaphorical winters that challenge us: periods of unexpected illness, rejection, bereavement or failure. When the sun begins disappearing earlier and my mood starts to sink, May’s beautiful words help me to remember this season’s transformative power and embrace its long hours of darkness.
—Christy, Associate Editor
Valley of the Dolls
I decided to read Valley of the Dolls purely because I wanted to talk about it with people at parties. Jacqueline Susann’s astonishingly successful tale of three women clawing their way to the top of midcentury America’s gin-soaked, glitteringly cynical entertainment industry has been heralded as the ultimate beach read, the godmother of “chick lit” and a camp masterpiece. I thought it would be an interesting historical artifact, but then I inhaled almost half of the book in one day, cackling with glee at Susann’s gloriously over-the-top refraction of her own experiences as an aspiring actress on Broadway and in Hollywood. Whether speculating on which real entertainment icons inspired Susann’s characters or simply recounting the most unrepentantly wild scenes (two words: wig. snatch.), Valley of the Dolls will be livening up my cocktail chat for years to come—just like, I suspect, Susann would have wanted.
—Savanna, Associate Editor
On Immunity
After exhausting all of our catching-up chatter at holiday gatherings, my friends undoubtedly, almost helplessly, return to discussing our current crisis. In times like these, I wish everyone in America would read Eula Biss’ 2014 book. Her son was born amid the H1N1 pandemic, and in her exploration into the history of vaccination and our cultural relationship with it, she makes a strong case for communal trust and the interdependence of our futures. Biss’ book touches on so much of what we’re experiencing right now, from the urgency to protect the ones we love to the difficulty comprehending other people’s ill-advised choices, but surprisingly, her penetrating book is seemingly without anger. It could even be seen as an inoculation against such anger. I have a distant but very real hope that a book like On Immunity would allow us to reexamine our history, which over time has become corrupted by missing information, confused language and outright manipulation, and to instead proceed with clear eyes and compassion.
—Cat, Deputy Editor
Dragon Was Terrible
After a few glasses of wine, it doesn’t take much to goad me into soapboxing about my favorite topics, from the notion that all children’s literature reflects ideologies about the nature of childhood itself, to my soft spot for picture books about characters who violate social norms. Kelly DiPucchio and Greg Pizzoli’s Dragon Was Terrible is among my most treasured of such books. This tale of a dragon who is so terrible that he scribbles in books, TPs the castle and takes candy from baby unicorns combines the wry humor of Monty Python and the Holy Grail with the visual wit of the best New Yorker cartoons. When the king offers a gift to whoever can tame the dragon, the sign posted on the castle wall reads, “It shall be a nice gift. Ye shall like it!” Beneath the sign, Dragon has tagged the castle in bright orange paint: “Dragon was here.” It’s the perfect antidote to the common misperception that picture books are moralizing bores.
There are two topics I gravitate toward in group settings: the point when it becomes possible to grasp the magnitude of the lives our parents lived before having children, and novels that succeed in suggesting that their characters will continue to have consequential, interconnected experiences once the pages of the book have run out. Ilana Masad’s All My Mother’s Lovers gives me an avenue to talk about both of these things, introducing a cast of characters who are all multifaceted and contradictory in the best way possible, navigating their grief for the protagonist’s mother—a person everyone thought they had figured out—while grappling with the facets of her life that became apparent after her death. It’s a stunning reminder that as people, particularly women, get older and their preexisting identities get overshadowed by titles like spouse, parent and worker, their capacity for complexity doesn’t cease. This novel features a twist that really drives that idea home.
—Jessie, Editorial Intern
Books make great cocktail chatter. Here are the five titles the BookPage editors can't stop talking about.
Tips for Teachers is a monthly column in which experienced teacher and children’s librarian Emmie Stuart shares book recommendations and a corresponding teaching guide for fellow elementary school teachers.
I have never lived on a farm, and I don’t really like animals. So why do Carl Larsson’s farm paintings hang on my living room and kitchen walls? Why do I cherish my annual tradition of visiting a local farm with a friend and her children? Why do I always slow down to admire the tidy and picturesque family farm that I pass on the way to my parents’ cottage in rural North Carolina? Why do weathered red barns, rolling fields bordered by white fences, the smell of hay and the clucking of chickens fill me with deep nostalgia? Why do farms have such a tight grasp on my heartstrings?
I blame it on stories. I read my childhood copy of Trinka Hakes Noble and Steven Kellogg’s The Day Jimmy’s Boa Ate the Wash so many times that it’s now held together by Scotch tape. Each year, when my family pulled down our heavy box of Christmas books from the attic, Joseph Slate and Ashley Wolff’s Who Is Coming to Our House? was the one I wanted to find first. I can still hear my mom’s voice reading Charlotte’s Web to me and my sister. Yes, farms hold a beloved place in my heart and imagination.
The kindergarten classes at my school are about to begin a nine-week study of farms and farm animals. I can’t wait to share the following three books with my students. I can only hope that these books’ agrarian settings, memorable characters and reassuring stories impress themselves upon my students’ hearts and minds, fostering a lifelong fondness for farms.
The Barn
By Leah H. Rogers Illustrated by Barry Root
In this gentle narrative about a weathered wooden barn that overlooks rolling hills and a white farmhouse, the barn reminisces about its construction. A communal barn raising brought it into existence over a century ago. Using the phrase “I am a barn” as a refrain, the barn narrates in lyrical prose. All day long—from the morning, “when the sun begins to grow over the treetops” and “strands of sunlight reach through my cobwebbed windows,” to the evening, when “the chill night air blows quietly down my stone aisle”—both animals and people come in and out of the barn’s shelter.
Rogers’ text is rich with sensory language and gentle rhythm. Root’s watercolor and gouache illustrations are suffused with golden light as they warmly depict the barn, animals and surrounding verdant hillsides. Familiar and comforting, The Barn offers children a beautiful and meditative look at a rural farm.
Farm life
The idea of a barn raising may be unfamiliar to some children. Read Patricia MacLachlan and Kenard Pak’s The Hundred-Year Barn to learn more about this tradition. Older students will enjoy clips from this documentary about an Amish barn raising. Ask students if they can think of similar events that have happened in their community. How do communities or neighborhoods come together to help others?
Extend the idea by discussing family farms. Read Cris Peterson and Alvin Upitis’ Century Farm. Show clips of what it’s like to be a child living on a family farm.
Art study
Ask students to tell you what they notice and wonder about in Root’s illustrations. Point out where the barn is located in relation to the rest of the farm. Show students more pieces of art featuring barns and farms, and ask them to verbalize what they notice and wonder about them. Finally, provide photographs of barns in different landscapes. Let students choose one to re-create using watercolors, oil pastels or colored pencils.
Through the seasons
The Barn takes place on a summer day. Reread the book as a class, recording details from the the text and the illustrations that signal its summer setting. Read Alice and Martin Provensen’s The Year at Maple Hill Farm, Donald Hall and Barbara Cooney’s Ox-Cart Man and Eugenie Doyle and Becca Stadtlander’s Sleep Tight Farm. Using details from these books, ask students to articulate what would change if The Barn’s narrator were to describe a day in another season. Using a circle graphic organizer, have students draw or write seasonal details about a farm.
If You Want to Knit Some Mittens
By Laura Purdie Salas Illustrated by Angela Matteson
A young girl describes how to knit mittens, a process with no fewer than 18 steps. The story begins at an apple orchard where the determined protagonist talks her dad into buying a sheep. Next comes a “long, chilly winter” through which the girl keeps her new sheep “warm and well fed.” Spring arrives and brings a flurry of activity, including shearing, soaking, squeezing, carding, spinning, growing and dyeing wool. Finally, it’s time to “get some knitting needles and learn to knit.” When winter arrives again, the girl has a pair of marigold-yellow mittens and true friendship with her woolly companion. This sunny story of creativity and resourcefulness provides a lighthearted entry point to discussions about how farms produce and provide.
Thank you, farmers!
Show students a scarf, sweater or pair of mittens made from yarn, and ask them how many of the steps needed to make the knitted item they can recall. Segue into a discussion about the many products we get from farms. As a class, brainstorm a list of these things.
Read Lisl H. Detlefsen and Renée Kurilla’s Right This Very Minute, G. Brian Karas’ On the Farm, at the Market, Pat Brisson and Mary Azarian’s Before We Eat and excerpts from Nancy Castaldo and Ginnie Hsu’s The Farm That Feeds Us. These books will show students how we depend on farms and farmers.
Use white card stock to create notecards for students. Cut small slits on the bottom of each card with a craft knife. Pass the cards out to students and guide them in writing thank-you notes to a local farm or farmer. Let students choose pieces of yarn to weave in and out of the slits at the bottom of the card; this activity helps develop fine-motor skills.
Yarn measurements
Cut pieces of yarn into various sizes and invite each student to select two or three pieces. Ask students to measure their pieces of yarn using rules or yardsticks and to record their measurements. Next, invite students to use the yarn to measure things in the classroom. Older students should record their findings using a number-sense sentence, like this:
The pencil sharpener is greater than 6 inches but less than 12 inches.
Younger students may simply write whether the item is longer or shorter than their piece of yarn.
Next, put small objects such as cubes, popsicle sticks or dominoes at various stations around the classroom. Ask students to choose a piece of yarn and complete the number sense sentence like so:
My piece of yarn is as long as 20 cubes, six popsicle sticks and 12 dominoes.
Yarn art
Take students on a nature walk to collect 8- to 10-inch sticks. Provide long pieces of different yarns. Students will choose four or five pieces of yarn and wrap them, one by one, around their stick. This may sound like a simple activity, but it requires perseverance and fine-motor skills. You can tweak this activity by letting students wrap the yarn around simple cardboard shapes. If time permits, teach older students how to finger knit.
Cold Turkey
By Corey Rosen Schwartz and Kirsti Call Illustrated by Chad Otis
It’s no surprise that Turkey wakes up “c-c-cold,” because it’s 10 degrees outside! Bundled up in a green coat, a blue scarf, black boots and a red and white striped hat, Turkey ventures out for a trip around the barnyard. As he checks in with each animal, including Sheep, Chicken, Horse, Cow and Pig, he finds them just as cold as he is, so compassionate Turkey shares his warm clothing with them. When he arrives back home, he is “cold and bare / in just his birthday suit!”
Meanwhile, his barnyard friends have joined forces and built a roaring campfire. They beckon Turkey to join, and soon our cold Turkey is a “toasty turkey.” Equal parts humorous and warmhearted, Cold Turkey is filled with vibrant language and clever wordplay. It’s a tender and tongue-twistingly terrific read aloud.
Alliteration
From a chilly chicken to a shivering sheep, Cold Turkey is full of alliteration. Define this term for students and locate examples in the book. If time allows, read other books or poems with alliteration. I like A My Name Is Alice by Jane E. Bayer and Steven Kellogg, Animalia by Graeme Base and the poems at this link. Provide students with an alphabetical list of adjectives and ask them to write and illustrate their own name alliteration sentences, such as, “Industrious Iris illustrated an interesting icy igloo.”
Readers’ theater
After reading Cold Turkey aloud for a second time, assign roles to several students. Give the students signs, props or costumes to designate their characters. Make a large part of the classroom a “stage” and help students act out the story. For the first time through, narrate the story. As students become more familiar with the process, let different students narrate or retell the story as their classmates act it out.
Take a trip to the barnyard with experienced teacher and children’s librarian Emmie Stuart as she explores three picture books all about life on the farm.
Two picture books explore the art and craft of writing and storytelling, offering advice and encouragement for budding young writers.
In How to Make a Book (About My Dog), Chris Barton answers a question that children often ask him when he visits schools as a children’s author: “How do you make your books?”
Barton guides readers through the process from start to finish in great detail, using his dog, Ernie, as a hypothetical subject for a nonfiction picture book. He begins by discussing the research he must do even when he’s working on a familiar topic. He describes drafting and revision, explains how illustrators come on board and contribute, and then ends with the nitty-gritty of copyediting, printing and shipping books. Along the way, he introduces the team of people who help to transform ideas into books that readers can hold in their hands, including literary agents, editors, art directors, typesetters, proofreaders, publicists, warehouse employees and more.
How to Make a Book (About My Dog) perfectly addresses the intense curiosity many children have about the mechanics of writing and publishing a book while shining a light on many stages in the process to which readers are not often privy. Barton’s narration is engaging and full of personality, and Ernie becomes a fun character in his own right. The book’s extensive back matter provides a detailed timeline that reveals exactly how long it took to create this very book, beginning when Barton and his family adopted Ernie from a rescue organization and touching on an early concept for a different book that ultimately didn’t work out.
Illustrator Sarah Horne dramatizes each step with bright, cartoonlike scenes and characters. Infographics, panels and charts; arrows, stars and other visual icons; and a wide variety of hand-lettered fonts transform what could be a dry nonfiction text into a friendly and appealing journey. This guide showcases the challenging but rewarding work of bookmaking with humor and optimism.
Author (and BookPage contributor) Deborah Hopkinson and illustrator Hadley Hooper’s The Story of a Story takes a poetic approach to the question of where inspiration comes from. In rhythmic free verse, Hopkinson addresses a child with “endless curiosity, / and a deep longing / to create, to write, / to say something about the world—to tell a story.”
Hooper’s illustrations show the child coming inside on a snowy day, taking off their coat, hat and boots, and sitting down at a table in front of a big window. Everything the child needs is at hand: paper, pencils, a snack and even a faithful dog at their feet, but “the words won’t come.” Darkness falls and crumpled papers pile up around the table. While taking a break to eat a cookie, the child notices a chickadee outside the window who is also eating. Inspiration doesn’t so much strike as emerge slowly, and the child returns to the blank page, picks up their pencil and begins again, writing “just one word. And then another.”
Hopkinson’s use of the second person gives the text an intimate feel, and her short sentences draw readers into the push and pull of the blank page, capturing the way that inspiration is so often a series of starts and stops. Hooper uses a spare color palette dominated by blues and whites, with occasional pops of yellow, brown and red, conveying both the wintry setting and suggesting the calm stillness of mind required for creativity to flow.
As much about perseverance as it is about creativity and storytelling, The Story of a Story has a wonderful focus on process over product. It offers lovely encouragement to young writers, urging them to push beyond obstacles in their paths and discover the stories that only they can tell.
Two picture books explore the art and craft of writing and storytelling, offering advice and encouragement for budding young writers.
Some poets have the power to illuminate and articulate the most secluded parts of a reader’s heart and mind. In these new books, three renowned poets offer compassion and fresh perspectives on the human experience.
Such Color
Such Color: New and Selected Poems provides a welcome overview of the career of former U.S. Poet Laureate Tracy K. Smith. The cumulative effects of history and identity are central to much of the work in this magisterial book. In poems such as “A Hunger So Honed,” Smith probes human motivation and the nature of desire: “perhaps we live best / In the spaces between loves, / That unconscious roving, / The heart its own rough animal.”
Smith also explores Blackness as a communal experience, one that connects her with past generations and those to come. In “Photo of Sugarcane Plantation Workers, Jamaica, 1891,” she sees herself in the figures captured on camera: “I would be standing there, too. / Standing, then made to leap up / into the air. Made to curl / and heave and cringe. . . .” These are poems of possibility, as Smith considers the past while looking for a way forward.
Goldenrod
Communication in all its varying modes is a recurring theme, from social media posts and handwritten notes to the unexpected autocorrections of text messages. “In the Grand Scheme of Things” explores the limits of language: “We say the naked eye / as if the eye could be clothed. . . . We say that’s not how / the world works as if the world works.” Throughout this wise, lucid collection, Smith captures the wonder and bewilderment that come with being human. She’s excellent company for readers in need of connection.
In Maggie Smith’s wonderfully companionable collection of poems, Goldenrod, she takes on timeless topics such as nature, history, family and memory. In “Ohio Cento,” she writes, “What we know of ourselves / gets compressed, layered. Remembering / is an anniversary; every minute a commemoration / of being.”
Poet Warrior
In her beautifully executed memoir Poet Warrior, Joy Harjo recalls her upbringing as a member of the Muscogee tribe in Oklahoma and reflects upon her development as a writer. Harjo, who is serving her third term as U.S. Poet Laureate, grew up with an abusive stepfather and a creative, hardworking mother. She learned early on that literature could provide solace and escape, and she takes stock of her poetic influences in the book, counting Audre Lorde and N. Scott Momaday as key figures in her development.
Harjo mixes poetry and prose, history and memory, Native lore and family stories to create a collagelike account of her experiences. “As I near the last doorway of my present life, I am trying to understand the restless path on which I have traveled,” she writes. Fans of nonfiction and poetry alike will savor this sublime memoir.
History fans have big treats in store this year, including groundbreaking books on American history and baseball, plus visual extravaganzas devoted to legendary women and design innovations. There are even lessons in how to survive a sea monster attack—because you just never know.
Relics
Relics: A History of the World Told in 133 Objects is my idea of the perfect coffee-table gift book. Billed as “four billion years in the palm of your hand,” it’s small enough not to be cumbersome, weighty enough to be substantial and full of colorful photos and intriguing text. Open it to any random page and get lost in the images of tiny relics and their histories, ranging from a 4.5-billion-year-old asteroid fragment to a tiny piece of Winston Churchill’s faux leopard-skin hand muff. (Poor circulation in his later years caused Churchill’s hands to get cold.) The book is part of the Mini Museum project, intended to share a collection of hand-held bits of wonders from around the world—a whole exhibition, Polly Pocket-style.
Young and old will be enticed by the variety of natural, historical and cultural tidbits, including a specimen of petrified lightning from the Sahara, a piece of a Martian meteorite, coal from the Titanic and a morsel of Prince Charles and Princess Diana’s wedding cake. Enjoy at your leisure, with no museum crowds invading your space.
★ Original Sisters
Award-winning artist Anita Kunz certainly made the most of her COVID-19 lockdown: She began researching and painting portraits of more than 150 extraordinary women from ancient times to the present, many whose stories have been lost to history or whose glory has been stolen by men. The result, Original Sisters: Portraits of Tenacity and Courage, brings these heroines to life in wonderfully bold portraits, each accompanied by a paragraphsummarizing her notable life. These portraits are so vivid that readers will feel as though they are meeting these women face-to-face—and believe me, you will feel their power.
You’ll recognize many women’s names, like Temple Grandin, Nina Simone and Ruth Bader Ginsburg, but others may be new, such as Amanirenas, the partially blind African warrior queen who defeated Augustus Caesar. Patricia Bath, the first Black female ophthalmologist, invented a medical device to remove cataracts. Mabel Ping-Hua Lee was a Chinese American suffragist who led a parade on horseback in New York City to advocate for voting rights. A wonderful gift for friends, family or yourself, Original Sisters is an inspiring springboard for further study of these noteworthy souls.
★ The 1619 Project
For any lover of American history or letters, The 1619 Project: A New Origin Story is a visionary work that casts a sweeping, introspective gaze over what many have aptly termed the country’s original sin: the moment in 1619, one year before the Mayflower arrived, when a ship docked at the colony of Virginia to deliver 20 to 30 enslaved people from Africa. While many books have addressed enslavement and its repercussions, few, if any, have done so in such an imaginative, all-encompassing way, incorporating history, journalism, fiction, poetry and photography to show the cataclysmic repercussions of that pivotal moment.
A superb expansion of the New York Times Magazine’s “1619 Project” issue, this book contains 18 essays as well as 36 poems and stories that examine how slavery and its legacy of racial injustice have shaped the U.S. over the last 400 years. Each piece was curated by MacArthur “genius grant” winner Nikole Hannah-Jones, who pitched the original “1619 Project” to the Times and won the Pulitzer Prize for her contribution to it. The book’s many talented contributors include Ibram X. Kendi, Terry McMillan, Khalil Gibran Muhammad, ZZ Packer, Darryl Pinckney, Claudia Rankine, Jason Reynolds, Bryan Stevenson and Jesmyn Ward. Seven essays are new, and existing essays have been substantially revised and expanded to include additional details. Black-and-white portraits have also been added—both historical and present-day images—as another way of allowing readers to look history in the eye.
A new concluding essay from Hannah-Jones explores economic justice, and her wonderful preface is a special standout. It’s a powerful, personal essay in which she notes that she is “the daughter and granddaughter of people born onto a repurposed slave-labor camp in the deepest South, people who could not have imagined their progeny would one day rise to a position to bring forth such a project.”
The sheer breadth of this book is refreshing and illuminating, challenging each and every reader to confront America’s past, present and future.
As Hannah-Jones writes in The 1619 Project, “Slavery was mentioned briefly in the chapter on this nation’s most deadly war, and then Black people disappeared again for a full century, until magically reappearing as Dr. Martin Luther King, Jr., gave a speech about a dream.” What happened in between? Make Good the Promises: Reclaiming Reconstruction and Its Legacies, edited by Kinshasha Holman Conwill and Paul Gardullo, attempts to fill in those gaps, leading readers through Black history from 1865 to today.
Presented by the Smithsonian’s National Museum of African American History and Culture, the book has a beautifully rendered and highly accessible narrative that’s also methodically organized, with helpful timelines, colorful illustrations and photographs. The book does a particularly good job of laying out the long view of events and their consequences while shining a light on more recent incidents, such as #SayHerName, George Floyd’s murder and the deadly riot at the U.S. Capitol on January 6, 2021. Make Good the Promises is a distressing yet essential, enlightening read.
How to Slay a Dragon
Medieval historian Cait Stevenson admits that she has sometimes “trampled over scholarly conventions in ways that will leave other medievalists curled up in agony.” But armed with her passion for the Middle Ages, she has carved out a unique niche for herself, straddling the worlds of scholarly and popular history. Her fervor is contagious in How to Slay a Dragon: A Fantasy Hero’s Guide to the Real Middle Ages.
In a tongue-in-cheek but firmly historical way, Stevenson addresses the stereotypical events that happen in popular media set in and inspired by the Middle Ages, like saving a princess, digging for treasure, slaying a dragon and defeating barbarian hordes. Her writing is informative yet humorous (there’s a chapter titled “How to Not Get Eaten”), so even if you’re not a gamer or “Game of Thrones” fan, you’ll find yourself riveted. In a section on bathing, she notes, “Twelfth-century abbess and prophet Hildegard of Bingen went so far as to suggest that natural hot springs were heated by the underground fires of purgatory, cleansing bathers’ souls as well as their bodies.” Stevenson may not be able to tell you where to find real dragons, but readers will have a blast getting ready for their quests.
★ The Baseball 100
Major League Baseball fans, you just won the lottery. In The Baseball 100, noted sports writer Joe Posnanski presents 880 pages of sheer baseball bliss, discussing the history of the game by examining the lives, obstacles and achievements of his nominations for the 100 greatest players of all time, including MLB stars and players from the Negro Leagues. It’s a true masterwork, and his writing is so good that it’s likely to engross even those who know nothing about the sport.
Avid baseball fans will easily become absorbed in these pages, and when they reemerge, they’ll be all too ready to debate Posnanski’s rankings. He’s prepared for this, writing, “I stand firmly behind them, and I expect you to come hard at me with vigorous disagreements. What fun would it be otherwise?” In fact, the author even teases, “I have a list of more than 100 players who could have made this list. I think I’ll save them in case the Baseball 100 ever needs a volume 2.” Perhaps he’d better start writing now.
Patented
At over 1,000 pages, Patented: 1,000 Design Patents is thicker than an old phone book but much more fun to thumb through. Architectural designer Thomas Rinaldi frequently found himself getting lost in “odd internet searches” of design patents, eventually realizing that he was uncovering “a design historian’s El Dorado, a proverbial rabbit hole of unfathomable depth.” He sifted through more than 750,000 patents issued from 1900 to the present to come up with this collection of visual treats.
The patents are presented chronologically, with line drawings and key information such as the date and designer’s name. It’s an interesting mix of many universally owned, everyday objects—ranging from teapots to barbecue grills, from salt and pepper shakers to the Fitbit—along with patents for much larger things, such as Pizza Huts and Boeing airplanes, unusual entries like the Mars Rover and famous designs like Eames chairs.
For some, this will become a trusted reference, but Patented will also appeal to historians, engineers and kids interested in how things used to look, plus anyone passionate about design, innovation and technology. One could even turn the pages and play a “name that item” game. Some are a cinch to guess, while others, like a 1930 “ozonizing apparatus,” will likely leave you stumped. Once you start browsing, however, you may find yourself hooked.
History fans have big treats in store this year, including groundbreaking gift books on American history and baseball, plus visual extravaganzas devoted to legendary women and design innovations.
Pull up a chair and dig into a four-course feast of picture books! These books offer innovative depictions of what it means to express gratitude, to share a meal and to be both welcoming and welcomed.
Thankful
“Every year when the first snow falls, we make thankful chains to last us through December,” explains the narrator of Thankful. She is stretched out on her bedroom floor, surrounded by a halo of colorful construction paper, hard at work transforming it into a paper chain. As she lists the things for which she is thankful, readers glimpse scenes of her life with her parents, new sibling and pet dog, at her school and with her friends.
Author Elaine Vickers’ text is wonderfully evocative. The girl’s list includes concrete and sensory observations, such as gratitude for “the spot under the covers where someone has just been sleeping” and “a cloth on my forehead when I feel sick.” In a humorous beach scene, the girl reflects that she is thankful “for wind and sand—but not at the same time.”
Readers will be entranced by Samantha Cotterill’s outstanding and unique art. To create her illustrations, Cotterill creates miniature 3D interiors, populates them with cutout characters, then photographs each diorama. She includes charming details, including real lights in various rooms and shining car headlights, along with construction paper chains so realistic in appearance that you’ll feel you could almost touch them. Colorful and original, Thankful will spark young readers to create their own thankful chains—and may inspire them to try their hand at making diorama art, too.
★ Let Me Fix You a Plate
The excitement of family gatherings is at the heart of Let Me Fix You a Plate: A Tale of Two Kitchens, inspired by author-illustrator Elizabeth Lilly’s annual childhood trips to see her grandparents. The book follows a girl, her two sisters and their parents as they pile into a car and drive first to West Virginia to their Mamaw and Papaw, then continue to Florida to visit their Abuela and Abuelo, before they finally return to their own home.
Lilly’s energetic illustrations capture these comings and goings, as well as the abundant details the narrator observes in her grandparents’ homes. At Mamaw and Papaw’s house, she sees a shelf of decorative plates and coffee mugs with tractors on them, eats sausage and toast with blackberry jam and helps make banana pudding. Abuela and Abuelo’s house is filled with aunts, uncles and cousins and the sounds of Spanish and salsa music. The girl picks oranges from a tree in the yard and helps make arepas.
Throughout, Lilly’s precise prose contributes to a strong sense of place. “Morning mountain fog wrinkles and rolls,” observes the girl on her first morning in West Virginia, while in Florida, “the hot sticky air hugs us close.” Lilly’s line drawings initially seem simple, almost sketchlike, but they expertly convey the actions and emotions of every character, whether it’s Mamaw bending down to offer her granddaughter a bite of breakfast or a roomful of aunts and uncles dancing while Abuelo plays guitar. Like a warm hug from a beloved family member, Let Me Fix You a Plate is a cozy squeeze that leaves you grinning and a little bit breathless.
Saturday at the Food Pantry
“Everybody needs help sometimes” is the message at the heart of Saturday at the Food Pantry, which depicts a girl named Molly’s first trip to a food pantry with her mom.
Molly and her mom have been eating chili for two weeks; when Molly’s mom opens the refrigerator, we see that it’s nearly empty. In bed that night, Molly’s stomach growls with hunger. Molly is excited to visit a food pantry for the first time, but she isn’t sure what to expect. As she and her mom wait in line, Molly is happy to see that Caitlin, a classmate, is also waiting with her grandmother. Molly greets her enthusiastically, but Caitlin ignores her. “I don’t want anyone to know Gran and I need help,” Caitlin explains later.
Molly’s cheerfulness saves the day, and the girls’ interactions contribute to a normalizing and destigmatizing representation of their experience. Molly asks her mom questions that reveal how the food pantry differs from a grocery store. Mom must check in before she begins shopping, for instance, and there are limits on how many items customers can have. “Take one bundle” reads a sign in the banana basket.
Author Diane O’Neil captures her characters’ trepidations head-on. Mom smiles “just a little, not like when they played at the park” at the volunteer who signs her in, and Molly is confused and sad when her mom tells her to put a box of cookies back because “the people in charge … want us to take sensible stuff.” Gradually, however, the occasion transforms into a positive experience for all.
Food insecurity can be a sensitive topic, and O’Neil—who went to a food pantry when she was a child—handles the issue in a reassuring, informative way. A helpful end note from the CEO of the Greater Chicago Food Depository explains that millions of people in the United States need help just like Molly and her mom, and provides readers resources to find it.
Illustrator Brizida Magro is a wizard of texture, whether depicting Molly’s wavy hair or the wonderful array of patterns in coats, sweaters and pants. Her ability to capture facial expressions and convey complex emotions is also noteworthy; it adds to the book’s emotional depth and makes the eventual smiles all the more impactful. The pantry shoppers’ diversity of skin tone, age and ability underscores how food insecurity can affect anyone. Saturday at the Food Pantry brims with sincerity and a helpful and hopeful spirit.
A Hundred Thousand Welcomes
“In one place or another, at one time or another, in one way or another, every single one of us will find ourselves in search of acceptance, help, protection, welcome,” writes Mary Lee Donovan in her introduction to A Hundred Thousand Welcomes, illustrated by Lian Cho.
With poetic text that reads like an invocation, the book is a fascinating around-the-world tour that explores the concept of welcome. On each page, a household from a different culture entertains guests. Many pages include the corresponding word for “welcome” in that culture’s language, including words and phrases in Indonesian, Arabic, Mandarin Chinese and Lakota Sioux. Back matter from Cho and Donovan explains the inspiration that sparked their collaboration and offers more information about the many languages spoken throughout the world and a detailed pronunciation guide to all of the words in the book.
Cho’s art is a multicultural feast of families and friends enjoying each other’s company. There’s a German chalet where kids play in the snow, a Bengali family greeting visitors who arrive in a small, colorful vehicle and more. The disparate scenes culminate in two shining spreads. In the first, people of all ages and nationalities share a meal at a table that’s so long, it can only fit on the page thanks to a breathtaking gatefold. In the next, an equally long line of kids sit atop a brick wall, chatting with each other and gazing up at a night sky full of stars as one child turns around and waves at the reader.
Although many picture books celebrate the fellowship of friendship and the love that flows during family gatherings, A Hundred Thousand Welcomes encourages readers to go one step further, to ready their own welcome mats and invite neighbors and strangers alike into their homes and hearts.
Four picture books offer innovative depictions of what it means to express gratitude, to share a meal and to be both welcoming and welcomed.
There’s nothing more exciting than standing among a throng of strangers listening to live music or watching the lights go down in a movie theater when the show is about to begin. But these six books certainly come close.
The Art of Bob Mackie
Bob Mackie is a member of a very small club: Hollywood costume designers whom regular folks (meaning, not ex-theater kids) know by name. Throughout his storied career, Mackie has designed gowns for Marilyn Monroe, Carol Burnett, Cher, Barbra Streisand, Diana Ross, Madonna and, well, anybody who was anybody on TV, the silver screen or Broadway. The Art of Bob Mackie by Frank Vlastnik and Laura Ross is an authorized trip down memory lane, featuring brightly colored sketches and photos of over-the-top creations from Mackie’s 60 years in fashion, from his big break designing for Broadway star Mitzi Gaynor in 1966 to his costumes for The Cher Show, the 2018 jukebox musical based on the actress and singer’s career. Fans of “lewks,”divasand Hollywood gossip will have lots to enjoy.
The Motherlode
Hip-hop has never been a man’s game, but male rappers have gotten more attention, money and respect since the beginning. Former Vibe and Jezebel editor Clover Hope sets things straight with The Motherlode, an encyclopedia dedicated to the women of hip-hop. Going all the way back to the 1980s, Hope leaves no woman out, from MC Sha-Rock (hip-hop’s first prominent female emcee) to Cardi B. Each rapper is honored with an essay, a minibio and funky artwork by Rachelle Baker, meaning your giftee has no excuse not to kill at a Women in Hip-Hop category on “Jeopardy!” Present this book with your own playlist of hip-hop’s fiercest ladies, and it’ll be a gift to remember.
Colorization
Journalist Wil Haygood’s Colorization traces the experience of Black artists on and behind the screen through 100 years of film history, demonstrating that racism hasn’t always been this bad in Hollywood. It’s actually been a lot worse. This meaty analysis of Black film history spans everything from The Birth of a Nation (1915), which glorified the Ku Klux Klan, to Gone With the Wind (1939) and its infamous whitewashing of slavery, to Get Out (2017) and its memorable portrayal of “post-racial” liberalism. Haygood has been nominated for a Pulitzer Prize, and his research skills are as impeccable as that honor implies. He is also such a descriptive writer that you need not have seen every single movie he writes about in order to understand his analysis. Don’t be surprised if Colorization ends up on film studies syllabi for years to come.
Art Boozel
We could all stand to freshen up our cocktail repertoire, and that’s where Art Boozel comes in. The book pairs dozens of artists with cocktails based on their work and/or personalities. For example, the Keith Haring is made with pear cider, lemon juice and a brandied cherry (among other ingredients), so it’s as bright and colorful as Haring’s art. Author Jennifer Croll has an endlessly creative mind for unique cocktails (her previous book, Free the Tipple, is also a compendium of cocktail recipes), and each artist and their drink is delightfully illustrated by Kelly Shami. Come for the recipes, stay for the contemporary art history lesson you never got in school.
Mental Floss: The Curious Viewer
Mental Floss:The Curious Viewer, “a miscellany of bingeable streaming TV shows from the past 20 years,” is a reminder of just how many hours of prestige TV there is to watch. (There’s a lot.) Jennifer M. Wood, an editor at the pop culture blog Mental Floss, unearths everything you ever wanted to know about beloved shows like “Friends,” “Sex and the City,” “Downton Abbey,” “Friday Night Lights” and other shows worthy of a binge-watch. She shares fun facts and behind-the-scenes gossip from each show but somehow doesn’t make you feel like you’ve read them all in a Buzzfeed article. The Curious Viewer might just be the book that pulls the couch potato in your life away from the TV (and helps them dominate at trivia night).
Fun City Cinema
At a certain point, everyone who lives in New York City stops seeing movie sets as exciting and instead sees them as a nuisance. That’s because the streets of Gotham have graced so many films. In Fun City Cinema, film critic and former film editor of Flavorwire Jason Bailey revisits the films that tell the story of NYC’s history and, in some cases, America’s history. The city changes so frequently that many films are “fascinating artifacts of cinematic archeology,” he writes in his introduction. It may be jarring to see photos of the 9/11 terrorist attacks and controversial ex-mayors such as Rudy Giuliani and Michael Bloomberg in the same book as, say, The Muppets Take Manhattan. Alas, these are contradictions New Yorkers live with every day.
Got a film fanatic or art aficionado in your life? Give them one of these books and watch their eyes light up.
Freya Marske’s A Marvellous Light takes us to Edwardian England, where manners are surface-level, magic is real and mysteries abound around every cobbled street corner. Robin Blyth takes a mysterious job in the government’s Special Domestic Affairs and Complaints division. In his rather baffling first 15 minutes on the job, Robin meets the somewhat awkward and brisk Edwin Courcey, who informs Robin that magic is real and that his predecessor was murdered by magical means. Though Robin and Edwin would each prefer working with someone else, it’s up to the two of them to find out what happened to the man Robin replaced, revealing a conspiracy that threatens all magical people in England. Come for the incredibly rich setting, stay for the romance: Robin and Edwin’s relationship anchors the narrative, and the way that they challenge and then question and then accept each other is captivating. Marske deftly contrasts the couple’s affection with the stuffiness of the world that surrounds them, making their love all the more resonant.
Noor
If you haven’t yet had a chance to experience Nnedi Okorafor’s singular voice, take the plunge now. In her sci-fi thriller Noor, Okorafor’s unique perspective is on full display. Anwuli Okwudili is a Nigerian girl who was born with deformities in her legs and one of her arms, intestinal malrotation and only one lung. After a car accident further limits the use of her legs and gives her debilitating headaches and memory issues, Anwuli gets a whole raft of biomechanical body enhancements. Viewed as half human and half machine, she flees her village after killing several men who attacked her. While on the run, she meets a shepherd called DNA (short for Dangote Nuhu Adamu), who is also on the run from the law. In a world where cameras track your every move, Anwuli and DNA try to stay ahead of a reckoning they know is coming. A leading voice in the subgenre of African futurism, Okorafor’s power on the page is confident, vivid and uniquely her own. This story is tight, violent, uplifting, damning and thoughtful all at once. Okorafor’s examination of technology’s influence on health, nature, local communities and so many other parts of life is as precise as it is disturbing. Noor is a cautionary thriller, told with exuberance and conviction.
Sistersong
If British history (and the mythology that surrounds it) sets your heart ablaze, then Lucy Holland’s mystical Sistersong is the book for you. A story of family, magic, romance and betrayal, Sistersong lingers long after its final page. Britain in A.D. 535, recently relieved of Roman rule, is full of many independent kingdoms. One of these, Dumonia, is home to three sisters. Each sister yearns for something: Riva for a body healed from the fire that disfigured her, Keyne for a place at her father’s side in battle, and Sinne for her true love. But it’s a tumultuous time for Dumonia. A Christian priest seeks to rid the kingdom of the old gods, the Saxons begin their invasion of Britain and new, unfamiliar faces appear at court. The sisters have to choose whether to take matters (and magic) into their own hands or let their kingdom fade into the past as a new Britain rises. Holland nails an early Middle Ages aesthetic, using it as the backdrop for some intensely personal storytelling. Be prepared for triumph and tragedy, fantasy and folklore, might and magic.
Think “Downton Abbey” would have been better with magic? Then this month’s SFF column is for you!
We’re turning our attention to successful sophomore titles that soared over the high bars set by their authors’ first books.
The Lawrence Browne Affair
Cat Sebastian‘s first romance novel, The Soldier’s Scoundrel, had a pitch-perfect sense of the English Regency period and the dangers of being a gay man in that era. But in her second book, The Lawrence Browne Affair,Sebastian takes the queerness that has always lurked behind within gothic fiction and thrusts it fully into the light. Lawrence Browne, Earl of Radnor, is convinced that he’s going insane due to his difficult family history, his attraction to men and the panic attacks he experiences. When a well-meaning vicar hires him a secretary, Lawrence thinks it will be easy to scare him away with his supposedly “mad” behavior. But Georgie Turner is not a normal secretary: He’s a con man looking for a place to lie low, and the only thing that scares him about Lawrence is the horrendous state of his financial accounts. Sebastian’s wry wit is on full display, and her ability to make the thrills of initial attraction palpably real gives this romance all the wonder of an unexpected second chance.
As a book review editor, to admit that you haven’t read that novel that everyone else and their mother have raved about—well, it doesn’t feel great. For a time, Yaa Gyasi’s bestselling, universally heralded 2016 debut novel, Homegoing, was the source of one of my primary shame spirals. But then September 2020 rolled around and with it her follow-up, Transcendent Kingdom, a tremendous novel of heart, mind and soul. It’s about Gifty, the daughter of Ghanaian immigrants who grows up in an all-white evangelical Christian community in Alabama, and grapples with the complexities of her family alongside her own experience of moving from the mysteries of faith to the vast, limitless discourse presented by her career as a neuroscientist. As widely as these questions range, the novel is extremely tight, even tidy, and that kind of storytelling is precisely the way to my heart. It sent me hurrying to Homegoing, finally ready for anything and everything Gyasi has to offer.
Stephanie Danler’s debut novel, Sweetbitter, became a bestseller and was adapted into a television series, launching her career into the stratosphere. Her second book, Stray: A Memoir, published in May 2020, after the U.S. had gone into lockdown but before the publishing world had pivoted to remote book events, so it didn’t receive the same attention as Sweetbitter—despite being emotionally potent, beautifully written and gripping to boot. As Stray opens, Danler has moved back to California, where she grew up with parents who were beautiful, unstable addicts. The treacherous landscape of Laurel Canyon kicks up memories of her painful past while an affair dissolves in the present, and as she weaves between the two, trauma takes on a dreamy, phantasmagoric quality, as ubiquitous as the heat. As far as second books go, this one is a mature achievement. And if you have a thing for devastating dysfunctional family memoirs, Stray can hang with the best of them.
The first thing to know about I’ll Give You the Sun is that it was published four years after Jandy Nelson‘s debut, which is an eternity in YA publishing, where authors typically write a book a year. The second is that, perhaps because Nelson took that time, it’s extraordinary on every level. It’s full of sentences that seem as though Nelson came to an intersection while writing and instead of deciding to turn or go straight, she levitated her car and flew to the moon. And then there’s its structure: two narrators, twins Noah and Jude, and two timelines, when they’re 13 and when they’re 16, before and after a tragedy that altered the paths of their lives. Breathtaking is a word critics like, and it comes close to describing the experience of reading this book. But it’s more like the way a roller coaster feels once your stomach is back where your stomach belongs and you’re careening down the track, relieved and ecstatic to still be alive, nearly weightless, almost in flight.
—Stephanie, Associate Editor
The Days of Abandonment
In the decade between Elena Ferrante’s first and second novels, her debut was made into a movie, and still no one knew her identity. During that time, certain literary circles obsessed over knowing who Ferrante really was, but perhaps if they gave The Days of Abandonment a closer reading, they would discover how irrelevant and destructive such a question is. Following a woman, Olga, in the aftermath of her husband’s desertion and infidelity, this sophomore novel shows how closely and precariously identity and reality are linked. We see Olga’s life crumble until she finally reaches a nadir from which the only way forward is up. Being confined inside a narrator’s thoughts during a time of such catastrophe and despair is a specialty of Ferrante’s, and here her powers reach a goosebump-inducing, worldview-shattering peak. While the Neapolitan novels might be considered her masterpiece, The Days of Abandonment has everything one could get from Ferrante.
—Eric, Editorial Intern
The editors of BookPage recommend successful sophomore titles that soared over the high bars set by their authors’ first books.
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