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Critics who decry Black History Month celebrations often claim they focus too much on well-known figures and personalities and don’t reaffirm the importance of recognizing African-American accomplishments on a regular basis. But a series of new books by noted scholars and authors refute those contentions. While they certainly cover familiar names and major events, they also demonstrate why these people and places have not only affected the lives of black people, but changed the course of history in a manner that affects all Americans.

The political passions of youth
Wesleyan University history professor Andrew B. Lewis’ The Shadows of Youth: The Remarkable Journey of the Civil Rights Generation spotlights the Student Nonviolent Coordinating Committee (SNCC), established in 1960, whose members were younger and more radical than their counterparts in the NAACP and other black organizations. Through interviews with key members Marion Barry, Julian Bond, Bob Moses, Diane Nash and Bob Zellner, he examines the sit-ins, voter registration drives and protest marches that led to the dismantling of state-sanctioned segregation throughout the South.

But the book also shows the split within SNCC between those who felt America could be changed politically (Bond, Barry and John Lewis) and others who were convinced that black America’s only hope was a philosophy of self-determination that ultimately became known as “Black Power” (Stokely Carmichael, H. “Rap” Brown). Unfortunately, this conflict splintered SNCC, as did the Democratic Party’s decision to withdraw federal support, largely due to fears about the group’s direction. Still, The Shadows of Youth shows that SNCC had a large, mostly positive impact on the Civil Rights movement, and that its major goals weren’t nearly as radical as many claimed.

Building a landmark case
Attorney and author Rawn James Jr.’s Root and Branch: Charles Hamilton Houston, Thurgood Marshall, and the Struggle To End Segregation examines the celebrated 1954 Brown v. Board of Education case by profiling the lives of its two principal architects. Charles Hamilton Houston, the first black man on the Harvard Law Review, was a brilliant lawyer and teacher, and Thurgood Marshall was one of his students at Howard University. This pair opened the NAACP’s legal office and spent years devising the legal campaign against educational disparity that culminated in the Brown case. Sadly, Hamilton died before the case was fully developed, but Marshall would victoriously argue it, and ultimately end up on the Supreme Court himself after breaking the back of the “separate but equal” philosophy of education.

Migration and culture
University of Maryland Distinguished Professor of History Ira Berlin’s The Making of African America: The Four Great Migrations studies four centuries of black relocation to and within America. Berlin begins with the first two migrations—the forced relocation of Africans to America in the 17th and 18th centuries and the movement of slaves to the interior of the South during the 19th century. Berlin also presents what he deems an updated approach to African-American culture, one that doesn’t just cover progress from slavery to civil rights, but also incorporates the struggles of more recent black immigrants to the U.S. He draws comparisons, for example, between the two most recent migrations—the movement of thousands of African Americans from the rural South to the industrial North and Midwest between 1915 and 1970 and the growth of the foreign-born black population in the U.S. that mushroomed during the last part of the 20th century. Berlin believes that the cultural and social contributions to both black life and America in general by recent immigrants from Africa, Europe, the Caribbean and other areas have been sizable and often overlooked. The Making of African America contains its share of controversial views about black culture, but it is thoroughly researched and well-documented.

Nina Simone: a life divided
Award-winning journalist Nadine Cohodas has previously penned definitive books on Dinah Washington and Chess Records, and her latest biography covers a beloved, misunderstood icon. Princess Noire: The Tumultuous Reign of Nina Simone profiles a complex, immensely gifted performer whose frequently acerbic personality and willingness to openly confront injustice often obscured her instrumental and vocal brilliance.

Classically trained as a youngster, then denied a chance to attend the Curtis Institute of Music due to racism, Simone (born Eunice Waymon) divided her professional life between forging a brilliant sound that blended jazz, classical and pop influences and political activism. Cohodas illuminates Simone’s close friendships with playwright Lorraine Hansberry and author James Baldwin, her clashes with promoters, record labels, ex-husbands and audiences, and her remarkable musical achievements.

As with all the books mentioned here, Princess Noire has special meaning for black Americans, but tells a story that’s important for everyone to know.

Ron Wynn writes for the Nashville City Paper and other publications.

Critics who decry Black History Month celebrations often claim they focus too much on well-known figures and personalities and don’t reaffirm the importance of recognizing African-American accomplishments on a regular basis. But a series of new books by noted scholars and authors refute those contentions.…

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Women’s History Month gives us the opportunity to re-examine what we thought we knew about women’s participation in historical events. What is apparent in these selections is the constant battle for women to make meaningful, acknowledged contributions in the face of hostility, ridicule and neglect. What is also sadly obvious is that women’s accomplishments have often been minimized or hidden from the pages of the “official” historical accounts. But the books here show us that there is much to learn about the contributions of women throughout history—and much to be thankful for, too.

In the line of fire
Women have served in the military in a myriad of roles—from the factory and office workers who freed men to fight in WWI to pilots in WWII to active combat soldiers in Afghanistan and Iraq. They faced dangers as they nursed soldiers near the front lines in all wars. Yet often their worst enemy was not the official one, but their own country, hesitating to grant them the status and benefits they deserved.

Evelyn M. Monahan and Rosemary Neidel-Greenlee provide a number of examples of this discrimination in A Few Good Women. In 1942, three members of the Women’s Auxiliary Army Corps survived the sinking of their ship by a German torpedo. Having lost all their belongings, they suffered a further blow when they were told that since the WAAC had no official standing, the U.S. government would not pay for their losses. Women were “with the military but not in it.” They received none of the benefits that men received, such as insurance or even protection under the Geneva Convention if they were captured. Some barriers just seem strange now: Female ferry pilots could not fly past the age of 35 “to avoid the irrationality of women when they enter and go through the menopause.” Other issues, such as sexual harassment and rape, still haunt our military today.

It is clear that women were willing to endure their lack of status and societal distrust to join the military. But why? For many, it was both basic patriotism and the hope for excitement and adventure. As one WWII pilot said: “[I learned I] could fly with the men and still remain a lady. I gained much confidence in myself that has served me well all this time.” These stories can serve as inspiration for young women today, and Monahan and Neidel-Greenlee deserve credit for telling them.

Lab partners
Like military women, female scientists are often missing in the pages of the history books. They are so absent, in fact, that one might be forgiven for thinking that until recent times, there simply weren’t women scientists—Madame Curie being the singular exception. In The Madame Curie Complex, Julie Des Jardins examines the careers of women scientists from Curie to Jane Goodall. Most of them probably won’t be familiar to readers, but they should be, not only for their scientific contributions, but for the ways in which their work was marginalized and made more difficult than it had to be.

Female scientists faced innumerable institutional and societal barriers. For women in the early 20th century, even finding a college that would allow them to study at an advanced level was not an easy option. Nepotistic rules at many universities meant that, for scientific couples, the husband received the tenured position while the wife toiled as a lab assistant or an untenured, temporary instructor. Married women scientists were also expected to keep house and raise children. These barriers put them behind on the career path when compared to many male scientists. For example, “Nobel Prize-winning biochemist Gerty Cori was fifty-one when she was finally promoted to full professor; physics laureate Maria Goeppert Mayer wasn’t hired with pay and tenure until she was fifty-three.” Despite these obstacles, some women persevered and succeeded. But as Des Jardins makes clear, this is only a partial victory, for there are many lost and forgotten women whose contributions to science will never be known.

Warrior queens
Talk about being written out of history: According to Jack Weatherford and The Secret History of the Mongol Queens, in the 13th century, an unknown person cut out a section of The Secret History of the Mongols, the record of Genghis Khan, leaving only a hint of what had been there regarding the contributions of women: “Let us reward our female offspring.” However, if a censor chose to omit the deeds of these women, Weatherford, through careful scholarship and lively narrative, has filled in many of the details.

One such descendant, Queen Manduhai, refused all her suitors. Instead, she rescued the male child with the best link to Genghis Khan and raised him to be a ruler. She led battles, but she also learned from the mistakes of her predecessors, realizing how difficult it was to conquer a wide territory. Instead, she sought to trade with China when she could, but raid the country when she couldn’t. The Great Wall is a testament to how much the Chinese both respected and feared her.

A lady traveler
Louisa Catherine Adams moved to St. Petersburg with her husband, John Quincy Adams, when he received a diplomatic appointment to the royal court and managed her household alone for more than a year when he was called away to Paris to help negotiate the end of the War of 1812. Then in 1815, she received a letter instructing her to meet him in Paris. She and her young son undertook the 2,000-mile journey through a Europe that had been devastated by war and the reappearance of Napoleon.

In Mrs. Adams in Winter, Michael O’Brien uses this journey to present a biography of a woman who was always in the process of crossing borders. Born an American in London and raised for a time in Paris, she would never quite fit in with her home country, where she was accused of not being American enough to be First Lady and was never quite understood by her husband and her in-laws, the famous John and Abigail Adams. O’Brien also tells a fascinating tale of what it was like to travel in that time period, an account that will lead readers to admire Adams’ determination and strength.

Faye Jones is dean of learning resources at Nashville State Community College.

Women’s History Month gives us the opportunity to re-examine what we thought we knew about women’s participation in historical events. What is apparent in these selections is the constant battle for women to make meaningful, acknowledged contributions in the face of hostility, ridicule and neglect.…

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What is it about movies? Well, just about everything. They are popular entertainment, a universal vehicle for storytelling, a reflection of society, a window into the past, a source of iconic imagery and, finally, lastingly accessible documents of our times. Books about movies and movie stars only extend and inform our fascination, and just in time for Oscar season, a new crop offers both challenging and lighter reading guaranteed to engage film fans.

Star power
Originally published in Great Britain, the Faber & Faber Great Stars series presents mini-biographies of some of Hollywood’s greatest stars. Noted film historian and lexicographer David Thomson is the author of the first four entries in the series. Each paperback is named for its subject—Gary Cooper, Humphrey Bogart, Bette Davis and Ingrid Bergman. Each is priced at $14, with the compact coverage tapping out at 130 pages. In this case, brevity might be the soul of wit, presuming that Thomson’s somewhat affected insider’s tone and penchant for titillating sidebars—Davis’ abortions, the size of Cooper’s manhood, Bergman’s affairs and failures as a mother, Bogart’s harridan of a third wife—don’t distract the reader too much from the coverage of his subjects’ early lives, career development and greatest on-screen efforts. As to the latter, Thomson is solid in his assessments, and each key film is well placed into its unavoidably gossipy but often very eventful production context. Each volume features the star’s filmography, plus a smattering of black-and-white archival photos researched by Lucy Gray.

The director’s chair
Actors and actresses may draw the public’s obsessive attention, but the great guiding genius in filmmaking is the director, and two new coffee-table books offer riveting rundowns—in both bounteous pictures and incisive text—of the lives and careers of essential masters. Federico Fellini: The Films offers a keenly detailed narrative by Italian film critic, screenwriter, playwright, actor and Fellini biographer Tullio Kezich. With its rich selection of photos, mainly from the archives of the Fondazione Federico Fellini, this volume soars in its analysis of the man, his movies (often autobiographical in inspiration, focused on societal extremes and, in his later period, politically aware) and the vibrancy of his personalized filmmaking culture.

Coincidentally—or maybe not so—Fellini shared many traits with legendary Japanese director Akira Kurosawa: Both fortuitously avoided service in World War II, both were accomplished graphic artists (a skill that factored directly into their cinematic visions), both worked extensively and very consciously with a veritable family of performers and technical talents, and both, quite ironically, spent their later years making TV commercials. Furthermore, and perhaps most amazingly, both stayed married to one woman their entire adult lives. Akira Kurosawa: Master of Cinema shares with its sister volume the same reverent regard for its subject: his dogged devotion to his craft, his unique position as an important postwar commentator and his huge influence on later filmmakers. Film historian Peter Cowie’s thorough, erudite coverage accompanies some 200 photographs, mostly black-and-white (Kurosawa’s predominant milieu), though striking color shots from the auteur’s later films are well represented. Introductory essays by Martin Scorsese and Kurosawa expert Donald Richie help set the stage for the book’s pictorial and verbal one-two punch, exposing and explaining the director’s thematic approach to the human condition, Japanese society in particular and the traditions of the ancient samurai that infuse his best-known works. Both books argue forcefully for the rediscovery by younger generations of the vast scope and power of these artists’ great achievements.

Up in lights
Finally, for the more determined movie fan, we have Ira M. Resnick’s Starstruck: Vintage Movie Posters from Classic Hollywood. Long an aficionado of movie posters and other ephemera, Resnick followed up a Tinseltown stint as a photographer by founding the Motion Picture Arts Gallery in Manhattan and launching his more lasting career as a collector and dealer. This volume features nearly 300 glorious examples of promotional movie artwork and stills from Resnick’s impressive personal collection, with the items spanning from 1912 to 1962. Resnick’s text incorporates his personal story along with profiles of marquee film stars, important directors and history-making movies. The ubiquitous Scorsese, who many years before was Resnick’s instructor at NYU’s film school, contributes the introduction.

What is it about movies? Well, just about everything. They are popular entertainment, a universal vehicle for storytelling, a reflection of society, a window into the past, a source of iconic imagery and, finally, lastingly accessible documents of our times. Books about movies and movie…

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Why do so many inveterate readers shy away from poetry? If you count yourself as a member of this group, here’s your chance to break away from the book-club clusters whose participants have their noses buried in the latest novel or memoir—for it’s National Poetry Month, a time to celebrate a different genre.

Works in progress
This year we’re lucky enough to have an entirely fresh and fearless exemplar, the largely unknown Pearl London, who made poetry—or, to be more specific, poets—accessible to her students at the New School in Greenwich Village over the course of 25 years. The invited poets were required to bring not completed works but unfinished drafts, even jottings on envelopes, scribbled phrases or anything else that contributed to “works in progress as process.” The astonishing humility of poets who accepted the increasingly coveted summons included Nobel and U.S. poets laureate, as well as National Book Award and Pulitzer Prize winners. Equally astonishing is the genesis of Poetry in Person: Twenty-Five Years of Conversations with America’s Poets: some 100 cassette tapes, a complete catalog and, as editor and transcriber Alexander Neubauer tells us, “file upon file stuffed with copies of the [poets’] manuscripts and drafts” were found in a closet of London’s home after her death in 2003. Winnowing the tapes and papers of 100 poets to the 23 represented in this book was only the beginning of Neubauer’s task; each chapter also includes an introduction that locates the poets’ visits at a specific point in time: “who they were when they arrived at London’s doorstep, what they had written, what was later to come.” If you protest that you don’t live close to a doorstep through which someone like Maxine Kumin or Seamus Heaney is likely to pass, check out the rapidly growing numbers of special events and readings devoted to poetry in your hometown this month. Also take note of Robert Polito, author of the book’s postscript. As the director of the New School’s Writing Program, Polito was London’s boss as well as a participant in Works in Progress, as the seminar came to be known. Polito’s most recent addition to his string of much-lauded titles, a collection of poems called Hollywood and God, has been featured on the web in a variety of forms, including interviews, personal statements and archived audiovisual material. For a sample, go Googling.

New thinking
One of the most amusing chapters in Poetry in Person represents Robert Hass. His newest publication, The Apple Trees at Olema: New and Selected Poems, has as its anchor “Meditation at Lagunitas,” the poem whose opening lines became, almost overnight, a cultural mantra: “All the new thinking is about thinking / Hence it resembles all the old thinking.” Hass came to London’s class with his thoughts somewhat awry, having mistakenly brought the very first draft of the poem, forgetting its three-line second page and thus having to quote it from memory. In addition to adding to his own canon—see “My Mother’s Nipples” for a jolt—during the past 30-odd years, Hass has worked tirelessly as a translator; and during his tenure in our nation’s capitol, he inaugurated “The Poet’s Choice” series for the Washington Post Book World. Hass’ aesthetic functions like Neubauer’s introductions in Poetry in Person, and perhaps it functions best in triplicate fashion: Whether writing about the maternal body, rendering into the American idiom a piece originally in Polish or turning our attention to a contemporary from our own country, Hass aims, sometimes mercilessly, to give the subject at hand such a real, palpable nature that we sense a new living presence, one demanding our acquaintance, on our doorstep.

A master wordsmith
Easily the best-known and most acclaimed poet with a new book available on shelves today is Derek Walcott, one of those Nobel winners Neubauer mentions as a visitor to London’s classroom. Perhaps coincidentally, White Egrets flows—or beats its wings and flies—more naturally out of Midsummer, the 1984 collection upon which Walcott was laboring at the time of his visit to Works in Progress, than any of his books since then. Nature collides with history, history with nature, with humankind and language acting as go-betweens, and no grander verbal or intellectual magnificence has been seen in our time. Not only does White Egrets convey the masterful wordsmith’s ability to combine near- Elizabethan diction with Caribbean patois and even American slang (“What? You’re going to be Superman at seventy-seven?”), but the collection also serves as a reminder of his dramatic achievements. Among these is The Haitian Trilogy, which resonates all the more tragically in the aftershocks of that country’s horrific earthquake, the effects of which will be felt for at least as long as the slave rebellion and the savage corruption of the Duvalier regimes.

The human element
Andrew Hudgins—who, like Polito and Deborah Digges (see box), represents the younger generation here—has garnered nominations in his prolific career for both the Pulitzer and the National Book Award. American Rendering: New and Selected Poems gives ample proof for the critical esteem in which his work is widely held. Hudgins’ poems are often funny, hinging on a joke or wisecrack or malapropism, but human nature red in tooth and claw has always been his greatest theme, whether writing about the pain, fear and trauma that are an inevitable part of childhood, or the female victims of a serial killer (“It’s raining women here in Cincinnati”), or the three young men murdered by the Ku Klux Klan during Mississippi’s “Freedom Summer,” repeating and repeating their names, “Goodman, Cheney, Schwerner,” in the difficult litany required by the villanelle.

A light extinguished too soon
The poetry world reeled out of its accustomed orbit last spring when the news traveled that Deborah Digges had committed suicide at the age of 59. Fewer poets have, throughout their careers, been seemingly more life-affirming. We’re lucky to have been left, as part of Digges’ legacy, The Wind Blows Through the Doors of My Heart, a final collection of her work that will be published next month. In beautiful and multilayered poems such as “The Birthing,” we experience, through the poet’s words, not only a calf ’s fraught entrance into the world but also one of the means by which humans seek renewal—“[we] made love toward eternity, / without a word drove slowly home. And loved some more.”

How lucky too that Digges’ work is so readily, personally and manifestly available through audio and video archives—including YouTube, where Digges can be seen and heard reading the aforementioned poem. She also bequeathed to the world two memoirs full of the flora and fauna she loved: Fugitive Spring (1992), focusing on her Missouri childhood, spent largely in the apple orchard outside her house; and The Stardust Lounge (2001), recounting her travels and travails as a mother seeking to give a new life to a troubled son through empathetic immersion in the animal world. For those seeking a personal invitation into Digges’ life, and thus into her poems, these memoirs are doors that will always remain open.
Poet Diann Blakely’s most recent book is Cities of Flesh and the Dead (Elixir Press).

Why do so many inveterate readers shy away from poetry? If you count yourself as a member of this group, here’s your chance to break away from the book-club clusters whose participants have their noses buried in the latest novel or memoir—for it’s National Poetry…

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Clever and delightful—those are the best words to describe Mirror Mirror, a new collection by noted poet Marilyn Singer. In her latest book, Singer has created her own new form of poetry, which she calls a “reverso,” a poem that reads the same backward and forward. “When you read a reverso down, it is one poem,” Singer explains. “When you read it up, with changes allowed only in punctuation, capitalization, and line breaks, it is a different poem.” She focuses on fairy tales, such as “In the Hood,” which first gives Little Red Riding Hood’s perspective, and then, when read the other way, tells the wolf’s side of the story. “Cinderella’s Double Life” tells her tale before and after the ball, while “Mirror Mirror” is a poem by both Snow White and her Wicked Stepmother.

Josée Masse’s accompanying art continues the double view in striking fashion, by dividing each scene in two. Older preschoolers will enjoy these poems, as well as elementary students, who are likely to want to write their own reversos.

For the fun of it
The theme of different points of view continues in Our Farm: By the Animals of Farm Sanctuary. Maya Gottfried wrote these poems in the voices of various animals, such as “It’s Good to Be a Kid,” by baby goats Ari and Alicia. These are humorous, short poems—good for preschoolers and young elementary students. The farm animals from the sanctuary in Watkins Glen, New York, come to life with the soft, up-close artwork of artist Robert Rahway Zakanitch. His pleasing style brings to mind the artwork of children’s illustrator Jane Dyer.

Allan Ahlberg and his late wife Janet are beloved for their Jolly Postman series, and Allan has a new title that will be immediately captivating to young poetry readers: Everybody Was a Baby Once. The humorous artwork of Bruce Ingman seals the deal, making this a book that will make children laugh out loud. Ingman’s art is simple, yet funny and full of action and expression. The poems include such hilarious selections as “Dirty Bill” (“I’m Dirty Bill from Vinegar Hill, / Never had a bath and never will”). These short verses are full of old-fashioned fun and reflect the British heritage of their author, but children from around the world will enjoy poems like “Soccer Sonnet,” which includes the line “Little Jack Horner / Scored straight from a corner.”

The fun continues in Name That Dog! Puppy Poems from A to Z. Peggy Archer has named each poem after a dog, such as a long-haired cocker spaniel named “Elvis,” who “wiggles and jiggles and dances around. He swings to the music with a rock ’n’ roll sound.” You’ll also meet “Houdini,” a mini-pinscher who escapes from his collars; “Melody,” a basset hound who sings; and a giant Saint Bernard named “Rex” (first initial: T). Stephanie Buscema’s artwork aptly defines the shining personality of each puppy. Buscema has worked for Marvel Comics, DC Comics and Disney, and her background is reflected in her lively, colorful illustrations, which are vibrant and sure to draw children in. Name That Dog! is a crowd-pleasing canine chorus.

Digging deep
Don’t be fooled by the cover of Can You Dig It?. With its big purple dinosaur, this volume looks like it might be yet another dinosaur book. Rest assured that it is not. Robert Weinstock has done a brilliant job of both writing and illustrating this clever book of verse. His wordsmithing is extraordinarily fun, with lines like these:

My great aunt was LuAnn Abrue,
The pal-e-on-tol-o-gist who,
Was famed for finding fossil poo,
Like giant T.rex number two.

With these poems about dinosaurs, archaeologists, Neanderthals and more, kids will be smiling, but adults may chuckle even more. Weinstock’s cartoon-style illustrations are eye-catchingly fun.

Over the years I’ve seen many poetry books by Douglas Florian, and I always find his gift of language and sense of nature to be particularly sensitive. That’s certainly the case with Poetrees, which is filled with odes to trees. Students will enjoy and learn from Florian’s short poems about trees like banyans, sequoias, Japanese cedars and dragon trees. There’s a glossary in the back, explaining, for instance, that monkey trees are originally from South America, and how they got their name. Florian’s evocative illustrations are made with gouache, colored pencils, watercolors, rubber stamps, oil pastels and collage on primed paper bags. This paper bag background gives the illustrations a unique textured look and added depth.

Nature’s wonders
Lee Bennett Hopkins has been creating anthologies of poetry for years, and I particularly like his latest collaboration with Caldecott Award-winning illustrator David Diaz, Sharing the Seasons: A Book of Poems. Diaz’s bold, bright colors and stylized, luminescent mixed media illustrations give this anthology a contemporary, edgy feel.

The poems are arranged by season, with an opening quote introducing each section, such as Longfellow’s “Spring in all the world! /And all things are made new!” Poets include Carl Sandburg, Marilyn Singer, Rebecca Kai Dotlich and more. The poetry is easily accessible, but not always predictable, such as Beverly McLoughland’s fun “Don’t You Dare,” which begins:

Stop! cried Robin,
Don’t you dare begin it!
Another tweety rhyme
With a redbreast in it!

One of my very favorites of this season’s poetry books is the beautifully illustrated and organized Ubiquitous: Celebrating Nature’s Survivors. It’s a unique book that includes poetry, biology and ecology lessons, along with spectacular artwork. Author Joyce Sidman notes that 99 percent of all species that have ever existed are now extinct, and in this book she pays tribute to a variety of species that continue to thrive, such as bacteria, mollusks, lichen, sharks, beetles, ants, diatoms and humans. Each spread contains a short but comprehensive biological discussion of the species, a gorgeous illustration and a poetic tribute.

Sidman’s poems are fun and innovative. For instance, the text of the shark poem is laid out in the shape of a shark. Some are traditional, while “Tail Tale” is a free verse monologue humorously told by a squirrel. Becky Prange’s illustrations are arresting, informative and gorgeously filled with color. The book’s end­papers are a timeline showing when various forms of life appeared on Earth. Ubiquitous is a brilliant book that mixes art, poetry and science in imaginative ways, and is an excellent choice for home, schools and libraries.

A colossal poem
Emma’s Poem: The Voice of the Statue of Liberty is not a book of poetry; instead, it’s a picture book about one of the most famous poems in America. Writer Linda Glaser has created a lovely biography of Emma Lazarus, who in 1883 wrote a poem called “The New Colossus” that is engraved on a plaque at the base of the Statue of Liberty. Her poem has become immortal, as though the Statue of Liberty itself were speaking, saying: “Give me your tired, your poor, your huddled masses yearning to breathe free.”

Glaser’s text is interesting and informative, making history come alive in storybook fashion. Claire A. Nivola’s watercolor and gouache illustrations are rich in color and historical detail, propelling the story forward while showing the lifestyles of the day.

Lazarus was born in 1849 to a wealthy Jewish family in New York City. This book explains how she began helping immigrants at Ward’s Island in New York Harbor, and how she began writing about immigrants for newspapers and in poems. Lazarus wrote “The New Colossus” when she was 34 years old. She died four years later of Hodgkin’s Disease, before the Statue of Liberty was erected—although she wrote her poem to help raise money for its pedestal. Emma’s Poem is a superb book for elementary-age children interested in our nation’s history and values.

Alice Cary writes from her home in Groton, Massachusetts.

Clever and delightful—those are the best words to describe Mirror Mirror, a new collection by noted poet Marilyn Singer. In her latest book, Singer has created her own new form of poetry, which she calls a “reverso,” a poem that reads the same backward and…

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April 22, 2010, is the 40th anniversary of Earth Day, and there is no time like the present to be an environmental advocate. To teach children about the consequences their actions have on plants and animals—and how small changes can help Mother Nature—picture books provide important lessons, simple instructions and fun illustrations.

Veteran author and illustrator Todd Parr (Reading Makes You Feel Good) gives children concrete reasons to care for the planet in The EARTH Book, a colorful first-person story. No task is too small; even the little things can “make a BIG difference.” For example, “I take the school bus and ride my bike because . . . I love the stars and I want the air to be clear so I can see them sparkle.” In passages such as these, Parr demonstrates the relationship between our choices and the environment: recycling equals a cleaner planet, using less bath water means helping the fish, bringing reusable bags to the market can conserve trees. The bright and blocky illustrations convey the diversity of life on earth, from carrots in the ground to big blue whales. Simple text delivers a powerful message, so early readers can discover—on their own—ways to commemorate Earth Day.

Save the animals, or they’ll be gone
Frances Barry celebrates the grandness of our endangered species—and how we can help them survive—in Let’s Save the Animals. The paper collage, lift-the-flap illustrations are a delight, and children will be entranced by the forest of the orangutan, the sea of the dolphin and the meadow of the butterfly. That joy will be sobered by the small-print facts on every page, such as one stating, “Amur tigers live in the forests of eastern Russia, which are being cut down.” The book’s final words pack a punch, stating that if we don’t save the animals, they will be “gone forever.” This message is echoed by a clever visual trick: One side of the flap shows silhouettes of endangered animals, but the opposite side of the flap is blank, showing a vast nothingness. The story ends on a positive note, however, explaining simple actions children can take to protect and save animals, from visiting a wildlife sanctuary to recycling paper.

“Cooking” for Mother Nature
Compost Stew is a rhyming how-to book on the importance of composting, the simple act of turning kitchen and yard waste into nutrient-rich soil. Mary McKenna Siddals’ energetic text shows how fun and easy it can be to turn “apple cores, bananas, bruised, coffee grounds with filters, used” into something “dark and crumbly, rich and sweet.” Ashley Wolff provides collage-style illustrations that portray a bustling and happy neighborhood where everyone is eager to help. Upon finishing this book, readers are bound to want to get in on the action, asking their parents about starting a compost heap. And Siddals ensures that their curiosity does not end with her book; she provides resources for aspiring composters, such as a web address with further instructions. The final page in the book is a “Chef’s Note”—or information on what (and what not) to put in a compost. (“Earth? Yes! Meaty? No! Synthetic? Stop! Natural? Go!”) This Earth Day, why not make a resolution to throw fruit peels, dryer lint and more in a compost instead of the trash can?

It’s the little things that count
We Are What We Do is a global movement to change the world one step at a time, based on the equation “small actions x lots of people = big change.” With 31 Ways to Change the World, the organization took suggestions from 4,386 children and compiled a list of earth-changing habits and activities, from “Don’t sing in the shower” (because shorter showers mean less wasted water) to “Stand up for something.” The book, which is intended for a middle-grade audience, is filled with cartoons, scribbles and photographs and has the feel of scrapbook. And it’s not all serious. Some tips, like “Talk trash to your parents,” are sure to leave kids in giggles (and energized to make a difference). The last tip in the book should be the most inspiring; readers are invited to fill in the blank with their own invented action to change the world, emphasizing the fact that saving the planet can start with you.

April 22, 2010, is the 40th anniversary of Earth Day, and there is no time like the present to be an environmental advocate. To teach children about the consequences their actions have on plants and animals—and how small changes can help Mother Nature—picture books provide…

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In my house, it seems, daddies can do no wrong—especially in the eyes of my 11-year-old twin daughters. (The same cannot always be said for dear old mom!) In honor of Father’s Day, here are four new picture books that salute proud papas everywhere.

Young children will enjoy the gentle rhymes of Sherry North’s Because I Am Your Daddy, illustrated by Marcellus Hall. This follow-up to Because You Are My Baby begins: “If I were a pilot, I would fly you to your school. / Your friends would all look up and say, ‘Your daddy is so cool!’ ”

The rhymes continue with the father voicing many “If I were” thoughts about being a baseball player, paleontologist, park ranger, movie director and all sorts of exciting professions. With each imagined activity, daddy, daughter and her dolly have an exciting adventure. This poem of mutual admiration ends with: “And if I were a wizard, I would make your dreams come true. / Because I am your daddy, I would do anything for you.”

Daddy/daughter bedtime reading doesn’t get any cozier. The text is accompanied by Hall’s fun and stylishly retro watercolors. His airline pilot and robot look like they could have come from the 1960s, while his use of color is lovely, especially in a northern sky night scene.

What's in a name
Acclaimed children’s author Jane Yolen wrote the delightful tribute My Father Knows the Names of Things in honor of her late husband, David Stemple. The encyclopedic dad in this book knows the names of many wonderful things, including mosses, insects, fish, cows, stars, cats and candies.

Stéphane Jorisch’s illustrations (watercolor, gouache, pen and ink) are whimsically delightful, making the father/child explorations great fun. The explorers wade through hugely tall sunflowers, head for the clouds in a biplane and explore the planets from an amusement park ride. Everything is fun and full of expression in Jorisch’s world—even a row of colorful birds in a cage.

Standing tall
Daddy Devotion is also alive and well in My Father is Taller Than a Tree, by another award-winning children’s author, Joseph Bruchac. This rhyming text features a variety of boys with their dads: old, young, white, black, Hispanic, Asian and even a blind dad. Wendy Anderson Halperin’s pastel illustrations show fathers and their sons enjoying splendid times together—playing the piano, walking on the beach, reading, playing chess, painting a doghouse. These tender scenes conclude with a panorama of sons and their dads, and this lovely line: “When I grow up and have a kid / we’ll do all the things that Dad and I did.”

Saluting stepfathers, too
Finally, blended families will adore Dad and Pop: An Ode to Fathers and Stepfathers. Writer Kelly Bennett celebrates how both a father and a stepfather can be equally fun and loving in very different ways. For instance, both father and stepfather bike (one on a bicycle, one on a motorcycle) and both love music (one goes for the symphony while the other rocks out). Paul Meisel’s colorful, energetic illustrations show dads with their daughters enjoying all sorts of entertaining outings together.

In my house, it seems, daddies can do no wrong—especially in the eyes of my 11-year-old twin daughters. (The same cannot always be said for dear old mom!) In honor of Father’s Day, here are four new picture books that salute proud papas everywhere.

Young children…

Reading in the summertime has a different pace. Life slows down as the weather heats up, leaving readers with more time to savor a special book. Whether you’re heading to the beach, cooling off in the mountains or simply relaxing at home, add one of these recommendations to your summer reading list.

A MASTER OF APPALACHIAN FICTION
Author Sharyn McCrumb has forged a successful career by dipping her pen into the inkwell of Appalachian culture and conveying the region’s stories to the rest of the world. A resident of Virginia’s Blue Ridge Mountains herself, McCrumb has the unique ability to paint mythic portraits from the past and present of the people who call this region home.

Her latest offering, The Devil Amongst the Lawyers, skewers folks who distort the truth, notably big-city journalists who have arrived in 1930s rural Virginia to cover a murder trial. The case makes headlines only because it contains sensational elements sure to sell papers: A beautiful, educated young teacher is on trial for killing her coal-miner father.

McCrumb introduces two veteran journalists, Rose Hanelon and Henry Jernigan, as well as their accompanying photographer Shade Baker, as the vultures that promptly descend upon Wise County as soon as the accused, Erma Morton, is booked for the crime. Instead of communicating the facts, these three will relay whatever headlines are most likely to increase the paper’s circulation. In Rose’s own words: “What you emphasized and what you omitted told the viewers what they ought to think of the subject.”

There is one honest, fledgling writer in the ranks of gawkers as the court case unfolds. Newbie reporter Carl Jenkins struggles with separating fact from opinion as he tries to make a name for himself.

Readers may recognize Jenkins’ young cousin, mountain psychic Nora Bonesteel—introduced in McCrumb’s beloved Appalachian Ballad books—who arrives at Carl’s urging to help forecast the trial’s outcome.

McCrumb demonstrates her usual mastery of historical detail and pointed description of place in The Devil Amongst the Lawyers, a finely spun tale where neither guilt nor innocence is evident until the final page is turned.

—Lizza Connor Bowen

A LOVABLE HEROINE FROM ISAACS
Does anyone create more likeable characters than best-selling author Susan Isaacs?

I thought my favorite Isaacs heroine was a toss-up between feisty Amy Lincoln, the investigative reporter in Any Place I Hang My Hat, and suburban amateur detective Judith Singer of Compromising Positions and Long Time No See. But now, after reading Isaacs’ latest, As Husbands Go, there’s a new contender.

Susie B. Anthony Rabinowitz Gersten lives on Long Island with her four-year-old triplets and husband Jonah, a successful plastic surgeon, doting father and devoted husband—which makes it kind of strange when he turns up murdered in the apartment of Manhattan call girl Dorinda Dillon, stabbed in the chest with a pair of scissors.

Anxious to solve the high-profile case, detectives quickly determine that Dorinda is the culprit. She’s arrested and charged, but Susie can’t shake the feeling that everyone—police, prosecutors, her own family—is missing some piece of the puzzle. To make matters worse, her high-society mother-in-law has suddenly become Susie’s biggest critic, accusing her of pressuring Jonah to work too hard to maintain their comfortable lifestyle. And neighbors are gleefully (but not subtly) whispering about this unexpected turn of events for what seemed like the perfect family.

With her usual keen eye for detail and humor, Isaacs takes a hard look at the sometimes impenetrable, often absurd social politics of upscale New York. Susie is a winning heroine: wry, smart and self-deprecating. Fast-paced and immensely satisfying, As Husbands Go is a novel about a woman trying to prove that her charmed life was no fairy tale, and in the process learning a lot about herself.

—Amy Scribner

ANOTHER BINCHY WORTH WATCHING
If nice guys always finish last, then David, the hero of Chris Binchy’s American debut, Five Days Apart, is doomed from the start. Sweet and unassuming, he has navigated his college social life by hiding behind his gregarious friend, Alex, an immature heartbreaker who never seems to take anything seriously. Then, at a party just before graduation, David is struck by a woman in a way he never has been before, and he turns to Alex for romantic help. But Alex is as smooth as David is awkward, so he inevitably moves in on Camille himself, leaving David devastated.

David graduates from college and outwardly does everything he should—he gets a job in a bank, earns praise from his superiors and becomes a grown-up. But he can’t forget Camille, and eschews any attempt to get over her or meet anyone else. Meanwhile, Alex and Camille have moved in together, though Alex is sputtering through his stalled college career and can’t seem to make any real commitment either to her or to himself. David isolates himself, from the world and particularly from Alex, and the demise of their lifelong friendship and David’s staggering loneliness is detailed with particular insight.

Binchy—a bestseller in Ireland and the nephew of beloved author Maeve Binchy—tackles the age-old issues of love, friendship, loneliness and ambition with a surprisingly nuanced hand. There are some flaws here—the story is so simple and timeless that it doesn’t always feel completely fresh, and David’s total social paralysis undermines his narrative sympathy at times. But where Binchy excels is his subtle commentary on this new generation, clearly stunted by an unparalleled amount of choice. The ways in which David and Alex treat their freedom—and friendship—is fascinating, far beyond their conflict with Camille, and their dilemma makes this perceptive debut stand out from America’s lackluster lad lit scene.

—Rebecca Shapiro

A LIGHT, DREAMY READ
Francesca, Louise Shaffer’s heroine in Looking for a Love Story, won the publishing jackpot. Yesterday she was an unheard-of writer. Today she is a best-selling author. Now the publisher is panting for a sequel, but when Francesca fires up her laptop, she is met with radio silence. For months. And as that sound of silence becomes all-consuming, her very handsome husband moves out (or on). The only thing sticking by her side is her dutiful dog, Annie, and the few extra pounds inertia brings to someone frozen in fear of failure.

And it is Annie who jumpstarts this tale. After all, a dog that lives in a Manhattan condo must be walked. And fed. So income must come from somewhere, even if the dog’s owner has writer’s block.

After several ill-fated attempts, Francesca finally lands a freelance writing assignment with “Chicky,” an old woman who wants to tell the story of her 1920s vaudevillian forebears. To Francesca, it sounds a bit lame, but a job is a job. Then for some inexplicable reason the characters start to get into Francesca’s blood. Words flow effortlessly onto the page. But Chicky holds a mighty big secret that sets the stage for life lessons that will smack Francesca right between the eyes and, to her delight, squelch that radio silence.

A story all tied up in a pretty bow? No, but you’ll find several real love stories from the past and present smoothly braided together in this light, dreamy read.

—Dee Ann Grand

AN ESSAY COLLECTION WORTH SHARING
No one would call Sloane Crosley’s first essay collection, I Was Told There’d Be Cake, juvenile, but her second effort, How Did You Get This Number, is decidedly more grown-up. It matures, say, from a fabric scrunchie to a sleek hair clasp without losing any of the can-you-believe-this-is-actually-happening-to-me moments. Crosley, who lives in New York City and is developing her first book as an HBO series, writes like your enviably witty, completely chic friend who also swears like a sailor when relaying a story.

Crosley begins her essays with captivating leads, the first sentences telling stories of their own. In “Light Pollution,” a small anecdote flourishes and crescendos, taking the reader from an Alaskan car-trip musing to a baby bear’s shocking mercy killing. “An Abbreviated Catalog of Tongues” details her family’s escapades with pets—from a stingray named Herb to a blind bichon frise to a series of birds that died mysterious deaths. And finally, the collection’s title comes from “Off the Back of a Truck,” in which Crosley has a perfect working relationship with a dishonest furniture store worker and a not-so-perfect relationship with a handsome writer named Ben.

Crosley writes like a student of literature, figuring out along the way which techniques work, which words are funny and how seemingly separate storylines parallel. She seems to unravel the morals to her own stories aloud, while the reader almost embarrassingly listens in. Her stories are joyful and nostalgic, but above all, they are really funny. Her new essay collection, like the last one, should be taken on trains and planes, read on the beach, shared and enjoyed. Crosley is going to be around for awhile; best to get on board now and say you knew her back when she bought furniture off the black market and played charades with Portuguese circus clowns in Lisbon.

—Katie Lewis

ANOTHER HIT FROM WEINER
Jennifer Weiner's Fly Away Home opens with a scandal: a philandering senator caught with a much-younger mistress. But after the familiar headlines fade, a broken family flounders in their wake.

Weiner creates realistic characters in the senator’s wife, Sylvie, and daughters Lizzie and Diana, all central to this story of unraveling and rebuilding relationships. Sylvie, who has long abandoned her personal ambitions to buoy her husband’s political aspirations, faces her newfound independence with a mix of joy and trepidation. She finally has the opportunity to pursue interests like cooking, dating and mothering the daughters she overlooked while trying to be the perfect politician’s wife, but she finds that freedom isn’t always what it’s cracked up to be.

Meanwhile, Lizzie and Diana are dealing with their own set of problems: Lizzie, a recovering addict, tries to prove to her family that she’s not a lifetime screw-up. However, she gets herself into a predicament that could grease the hinges for a relapse. Diana, a successful doctor, wife and mother, struggles to maintain a pristine exterior while her own loveless marriage deteriorates.

While the subject matter is heavy, Fly Away Home isn’t a downer. Weiner’s light touch, especially evident in Diana’s sarcastic dialogue as well as with the amusing Selma, Sylvie’s Jewish, feminist mother who never lacks an opinion, makes this a quick and engaging summer read.

—Lizza Connor Bowen

FOR THE MUSIC GEEK IN ALL OF US
In 1995, Nick Hornby gave a gift to music geeks everywhere with High Fidelity, a charming novel with a hero who somehow knew all the same obscure B-sides that they did. In 2007, music journalist Rob Sheffield picked up where Hornby left off with his heartbreaking memoir, Love is a Mix Tape, about, in equal parts, Nirvana and the crippling loss of his young wife, Renee. Now Sheffield is back with the same encyclopedic knowledge of pop music and touching, resonant prose in Talking to Girls About Duran Duran, this time tackling two profoundly painful topics—adolescence and the 1980s.

Growing up a nerdy Catholic boy in a Boston suburb, Sheffield turned to music for the same reasons as everyone else: to fit in, and to be able to talk to girls. He doesn’t really achieve either goal, as a hilariously awkward conversation with one potential conquest attests—she assures him that while he is sadly destined to remain a geek for life, thus giving him no chance with her, one day he will meet “others like him.” It’s an oddly poignant moment, and pinpoints what’s so special about Sheffield’s writing—sheer recognition, for anyone who has ever felt a little bit different.

Amid Sheffield’s adolescent angst, too, is incredible, almost stream-of-consciousness commentary on 1980s music, from total one-hit wonders to the phenomena of David Bowie, Boy George and, of course, Duran Duran. The minutiae of his musical mantras can feel overwrought at times, overwhelming the seemingly effortless charm of his childhood stories, from an idyllic summer job as an ice-cream man to his awe for and helplessness in the face of three younger sisters. But fans will appreciate his total nerddom and value his impressive knowledge of and, above all, raw emotional response to music.

—Rebecca Shapiro

Reading in the summertime has a different pace. Life slows down as the weather heats up, leaving readers with more time to savor a special book. Whether you’re heading to the beach, cooling off in the mountains or simply relaxing at home, add one of…

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As students gear up for school, here are four picks to help parents make the most of their child’s education, from preschool to college.

THE RIGHT START
The subtitle of Jenifer Wana’s preschool primer says it all: “The Ultimate Guide to Finding, Getting Into, and Preparing for Nursery School.” Type A moms everywhere can breathe a sigh of relief because How To Choose the Best Preschool for Your Child will save you loads of time navigating essays, interviews, applications and recommendation letters. Beginning at least a year before your child starts school, Wana offers organizational tips for researching, visiting and enrolling in preschool. This process might seem straightforward—your little tyke is only three after all—but the to-do’s are daunting.

Wana helps you determine what’s most important to you and your child in choosing the right preschool (location and cost are biggies for most families). To help you narrow down the options, she includes helpful overviews of different preschool types (Montessori, play-based, Waldorf and others) and comprehensive instructions on researching and evaluating schools.

Wana provides lots of questions that will make you look smart to the discerning admissions officer and even offers acceptably pushy tips on getting off the waiting list. Once little Susie is accepted to the perfect school, a countdown will get the whole family ready for the big day.

KINDGERGARTEN SUCCESS
Regardless of whether they attend public or private school, most children will be given some sort of IQ test by the age of five. Author Karen Quinn has written a comprehensive guide to this secret world in Testing for Kindergarten. It’s a process foreign to most parents, and these early test scores don’t even correlate well to later success. However, the tests have enormous impact on whether a child will get into a competitive private kindergarten or a free public gifted program.

Quinn turned herself into an expert on the topic after her son Sam was faced with developmental delays caused by hearing problems. At age three, he scored in the 37th percentile. After Quinn’s intervention, he scored in the 94th.

Testing for Kindergarten shows how every parent can improve their child’s abilities and scores. First, Quinn explains the most common IQ tests and the seven abilities they measure. Then she helps parents refocus the way they interact with their child to start sneaking learning into everyday life. Daily Life Lessons are easy ideas, like what to do while setting the table, and there are loads of games and activities.

Quinn keeps the overload factor down by focusing on the most important things you can start on day one (dialogic reading, talking to your child constantly). Don’t miss this empowering guide.

SINCERE SLACKERS
As most parents know, boys are different from girls when it comes to organization, time management and study skills. Author Ana Homayoun outlines her specially designed organizational system for preteen and teenage boys in That Crumpled Paper Was Due Last Week. This professional tutor says boys’ struggles in school are rarely due to difficulties with the class material. Instead, disorganization is the root cause.

To get boys back on track, Homayoun outlines a practical plan that focuses on building skills rather than just improving grades. She identifies five factors that add up to chronic disorganization: trouble with multi-tasking, over-involved parents, technology distractions, sleep deprivation and fear of making wrong choices. Parents play a key role in implementing change, starting by identifying their son’s dis-organizational style (the overscheduled procrastinator or the sincere slacker) and helping their sons set three academic and three personal goals.

The specific to-do’s are geared for maximum efficiency. Prepare an organized binder for each class. Don’t do homework in the bedroom; instead try the dining room table. Turn off the music, and put away the cell phone and computer. A five-week strategy for implementing the straightforward advice helps parents and boys see results fast.

COLLEGE BOUND
From the author of the bestseller The Naked Roommate comes The Happiest Kid on Campus, a practical parents’ guide to helping your child get the most out of the emotional and tumultuous college years.

Author Harlan Cohen writes with a wise, funny point of view. He’s young enough to understand kids these days and help parents avoid major eye-rolling on touchy subjects like sex, drugs and alcohol. Pretty much any topic that parents are embarrassed to talk about with their kids is covered with sensitivity and common-sense advice.

Cohen also helps tech-illiterate parents navigate the muddy waters of texting, Twitter and Facebook. He says email is out of date, so if you do want to keep in touch, learn to text. But limit it to twice a week.

Cohen has plenty of advice on practical matters, including handling orientation, packing, move-in day and the basics of financial aid and, of course, dealing with difficult roommates. This handy guide will help parents survive the first few months until your child finds his place on campus.

As students gear up for school, here are four picks to help parents make the most of their child’s education, from preschool to college.

THE RIGHT START
The subtitle of Jenifer Wana’s preschool primer says it all: “The Ultimate Guide to Finding, Getting Into, and…

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At the start of the 21st century, parents are understandably worried about how to help children navigate a world characterized by economic uncertainty and academic pressure, cyber-distractions and omnipresent media. These books offer advice for every stage of the parenting journey.

In recent years, scientists and psychologists have gained dramatic new insights into the brains and behavior of babies and young children. Among other things, they have discovered that babies are aware of language, numbers and feelings at just a few months old, and that the executive functions of the brain, which help us organize our lives and behavior, are critical to achievement. Ellen Galinsky draws upon these insights in Mind in the Making, an overview of the seven “learning skills”—like “Focus and Self Control” and “Critical Thinking”—that, she argues, help children succeed in life.

Galinsky references her own experiences, brief parenting anecdotes and the research and opinions of experts as she first details the importance of each “essential life skill” and then provides suggestions for how parents can stimulate that skill. The suggestions are as specific as games to play and questions to ask, and as broad as reducing parental stress. While Mind in the Making offers much food for thought, its breadth can be overwhelming; just trying to follow the 19 suggestions for promoting focus could drive a parent to distraction.

HELPING CHILDREN LEARN
Like Galinsky, Jane Healy focuses on the brain; while Galinsky addresses the basic skills that underlie success in all aspects of life, Healy—an educational psychologist, teacher and brain expert—specifically tackles learning problems, and her approach is both more focused and more comprehensive. In Different Learners, she makes a persuasive case for attending carefully to both genetic and environmental causes of learning problems.

While learning problems often originate in the brain, Healy argues that they can be dramatically exacerbated by a child’s “home, school, community, and culture.” Carefully laying out the workings of the brain, along with the causes and consequences of different kinds of learning issues, she argues that paying close attention to a child’s specific needs and making changes in their environment and behavior can make medication unnecessary.

Healy is persuasive, thoughtful and, above all, sympathetic to the challenges and fears parents face, providing many useful tips and strategies for how they can help their children.

GETTING IT RIGHT FOR GIRLS
In Girls on the Edge, Dr. Leonard Sax, author of Boys Adrift, now turns his attention to the opposite sex. Sax believes that contemporary culture, with its focus on appearance and performing for others, is preventing girls from developing an “authentic sense of self.” In the first part of the book, he targets early sexualization, the Internet and environmental toxins as primary causes of this absence, and obsessions (from anorexia and alcohol abuse to perfectionism) as one of its signal manifestations.

Sax, a strong public advocate for single-sex education, believes that boys and girls are innately different and should be taught and coached in different ways. In the book’s second half, he outlines some of these differences and offers advice on how to help girls flourish.

Some of Sax’s suggestions are common sense: limiting and supervising computer time, making sure your daughter gets enough sleep, being a “Just Right” parent (“firm but not rigid, loving but not permissive”) instead of “Too Hard” or “Too Soft.” His focus on gender difference and single-sex environments may be more controversial, but will ring true for some parents.

ONE MOTHER’S TEENAGER
While Sax takes a big-picture look at today’s teenage girls, in My Teenage Werewolf, author and mom Lauren Kessler focuses on one girl: her preteen daughter, Lizzie, with whom she increasingly finds herself “completely immersed in mutual hostility.” Seeking to understand Lizzie, and to prevent the semi-estrangement that characterized her post-adolescent relationship with her own mother, Kessler sets out to explore the world of contemporary teenagers.

She begins with research, learning about strategies for communicating with teens, the hormonal and brain changes that make teenagers so erratic and impulsive, and the stresses they face today. She joins Lizzie at school, camp and wrestling practice, becoming a “cultural anthropologist” of “the world of the twenty-first-century teen girl.”

In the two years she spends immersed in Lizzie’s life, Kessler discovers that her daughter is not a raging, sulking beast determined to make her mother’s life miserable, but a strong, thoughtful individual. Acknowledging Lizzie’s autonomy, and letting go of her own need to control her daughter, Kessler finds her way to the mother-daughter relationship she seeks—a relationship that was really there all along.

At the start of the 21st century, parents are understandably worried about how to help children navigate a world characterized by economic uncertainty and academic pressure, cyber-distractions and omnipresent media. These books offer advice for every stage of the parenting journey.

In recent years, scientists and…

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With more and more new writers getting published each month, it’s sometimes daunting to decide which newly minted authors to add to your reading list. From historical novels to literary fiction to mysteries that will keep you up all night, here’s a look at the best debut fiction of the season.

SUSPENSEFUL FAMILY DRAMA

The basic plot of The Swimming Pool sounds like a soap opera: A devoted wife and mother of two is murdered. Shortly after, her husband—a suspect—dies in a car accident. Seven years later, the son of the dead couple has a steamy affair. His lover? The woman who was his late father’s mistress.

Under Holly LeCraw’s spell, what could have been pure pulp is instead a passionate and suspenseful family drama and murder mystery, set during the sultry summertime of Cape Cod. LeCraw skillfully alternates between past and present, allowing the reader to observe Marcella Atkinson’s affair with Cecil McClatchey; the consequences it has on both her family and his; and her later relationship with Jed, Cecil’s son.

The aftermath of betrayal and the cost of passion loom large in the story’s background. Did Marcella and Cecil’s affair cause the death of Cecil’s wife, Betsy? Was Marcella’s temporary happiness with Cecil worth disrupting the lives of her family? Is it possible to find happiness after horrific events?

Although LeCraw’s descriptive prose is sensual and worth savoring, readers will whip through The Swimming Pool, eager to find out what really happened on the night of Betsy’s murder. At the novel’s conclusion, they’ll relish the fact that LeCraw is a debut author—how thrilling it is to anticipate what she’ll come up with next.

—Eliza Borné

BEHIND THE FREAK SHOW

To the modern thrill-seeker, the main event of P.T. Barnum’s Circus may be the strangely trained animals or death-defying stunts. The original circus, however, began with a much humbler lineup, as “A Museum of Curiosities” in New York City in the mid-1800s.

In The Transformation of Bartholomew Fortuno, readers get an inside peek at the lives behind the freak show, home to skeleton men, oversized beasts and bearded women. But the performers in Barnum’s sideshow are real people, complete with genuine struggles, emotions, ambitions and love lives. The story’s protagonist, Fortuno, or “Barthy,” is one such multifaceted character.

After meeting a new addition to the cast, Mrs. Iell Adams, Barthy’s tiny world is widened by his own curiosity. Intrigued by her alluring look, he begins to question his own “talent,” asking himself for the first time if he has chosen his life or if it has chosen him.

Trudging through his doubt, he follows the impulses of his newfound feelings, sometimes to his own detriment, and often leaving others in the wake of his decisions. Beginning as a troubled soul who rarely stopped to dwell on the past or realize the implications of the present, Barthy emerges transformed by the twists and turns of his true self-discovery.

Bryson’s writing invites readers directly onto the showroom floor with her apt descriptions of the culture surrounding the Museum life. She’s done her digging—and it’s clear in her detailed portrait of the complexities and conflicts of a life behind glass. This is an apropos end-of-summer pick for the historian and/or the endlessly curious. Whether or not they’re familiar with Barnum and his enterprise, readers will find much to appreciate in this story about the life-transforming power of love.

—Cory Bordonaro

THE DEPTHS OF LIFE AND DEATH

One of the hallmarks of Alzheimer’s disease is the tangling of the fibers used for sending and receiving neural messages, particularly in the regions of the brain associated with memory. As one of the leading researchers into the biological prevention of Alzheimer’s, Victor Aaron can identify all the signs of the disease with textbook precision, but it is only upon losing his wife in a car accident that he truly begins to understand the fickle and fleeting nature of memory.

In Rosecrans Baldwin’s You Lost Me There, Victor has memorialized his marriage as picture-perfect, but when he stumbles upon his wife’s private reflections on their relationship, recorded for their therapist, he begins to realize just how incompatible his own perceptions of the relationship are relative to his wife’s. As he delves deeper into Sarah’s recollections, Victor finds himself increasingly overcome with grief as he struggles to reconcile his memories of their grand romance. With the dawning understanding that “you never know what lurks beneath people, even when they’re perfect on paper,” Victor finds he must mourn Sarah all over again.

Unrestrained yet elegant, You Lost Me There is a powerful meditation on the all-consuming nature of grief and the power of memory as both redeemer and destroyer. A novel of contradictions, it plumbs the depths of life and death, sense and sentimentality, youth and maturity—all while tackling the big quandary of how we can hold on to the past while moving forward. This is a novel for which all the romantic intellectuals of the world will rejoice, as Baldwin proves there can be such a thing as a cerebral author who writes with his heart.

—Stephenie Harrison

SECRETS OF A SCOTTISH TOWN

The post-WWII town featured in A.D. Scott’s enjoyable novel is not a happy place. The weather in this Scottish Highlands village is often dismal and the people are hidebound, which leads too often to downtrodden women, mistreated children and a reflexive distrust of strangers. Then a little boy dies. At first it’s assumed that his death was accidental, but the town is gripped by horror as it’s revealed that the child was murdered. Who could have done such a thing?

The crime is of special interest to the staff of the Highland Gazette: Joanne, the typist, married to a brute who beats both her and their children; Rob, the charming cub reporter; McAllister, the editor-in-chief; and McLeod, “the subeditor and all-around fusspot know-it-all.” As the mystery of the boy’s death grows more tangled and frustrating, it’s McAllister who finds a possible clue to solving the crime in a secret trauma he’s been nursing for years.

Scott shows us that many in the town have secrets. Some are trivial, like the secrets children keep to stay out of trouble. But some are monstrous. Scott not only captures the townsfolk’s insularity and way of speaking, but writes beautifully about the natural world that surrounds them.

Written with humor, compassion and a fine sense of tragedy, A Small Death in the Great Glen is the first in a series by this promising new author.

—Arlene McKanic

THE MULTICULTURAL EXPERIENCE

Shoko was eight years old when American bombs fell on Nagasaki; she and her family experienced the repercussions from that day throughout their lives. Her younger brother Taro grew up hating all Americans, so when Shoko decides to try to “better” herself by marrying an American GI, Taro vows he will never speak to her again.

After relocating to the States with her new husband, Shoko struggles to become an American. She is aided by a book given to her by her mother when she left Japan, How to Be an American Housewife, but still finds it difficult to fit in. Margaret Dilloway, whose own mother was Japanese, writes perceptively about the neighbors who never visit, the classmates of Shoko’s daughter, Sue, who laugh about her mother’s accent, and PTA meetings where Shoko is painfully out of place.

Years later, in San Diego, Shoko has a weak heart, and knows she may die before she has the necessary operation to repair it. She longs to visit Japan once again and reconcile with Taro—“the only one who knew me, the real Shoko.” She asks Sue (now a divorced mother of precocious 12-year-old Helena) to go to Japan in her place—to try and find her uncle Taro. Sue agrees to go, Helena in tow; their journey becomes a revelation, in a myriad of ways. Sue learns things about her mother’s culture she had never heard of, finds cousins she never knew she had and comes to realize how much her Japanese roots really mean to her—and to Helena.

In this emotionally rich debut, Dilloway delves into all familial relationships: mother-daughter, father-son, husband-wife and sister-brother—each one both complicated and enriched by the added ingredient of the multicultural experience. Readers will easily relate to her touching, often humorous story of the way unbreakable family ties can stretch over decades, and from one generation to another.

—Deb Donovan

A ROAD TRIP WORTH THE RIDE

Bill Warrington, a cantankerous old man with Alzheimer’s disease, believes he has one last shot at something. But as the story unfolds, we see that every character has one last chance to drop the baggage from their angry past. All that is a bit iffy, however, since the key to bringing about a happy ending depends on a crusty grandfather on the brink of forgetting what he was trying to achieve in the first place.

Enter Bill’s granddaughter, April, a typical teenager looking for any chance to escape her tightly wound mother. And escape she does after yet another argument at home followed by a bit of luck. As it happens, Bill is ready to hit the road for one last hurrah in his ancient Impala.

In April’s eyes, this road trip’s purpose is to fulfill her dream of making it to California to become a rock star. But Bill has a secret or two. His plans for this trip are to reunite his feuding sons and his domineering daughter, April’s mother. But as the odometer miles add up, it becomes clear to April that Bill may not be able to pull off this shenanigan with his mental stamina fading faster every day. And how is a 15-year-old, alone and far from home, supposed to handle this deteriorating geezer while helping him achieve a highly unlikely reconciliation?

Bill Warrington’s Last Chance turns out to be quite a ride for all the characters involved—and it proves that taking a chance may not turn out exactly as you had planned, but it’s darn worth a try.

—Dee Ann Grand

 

A BUOYANT BEACH READ WITH HEART

Susanna Daniel’s Stiltsville is rooted in a community of stilt houses towering above Biscayne Bay, Florida, where the author spent much of her childhood. Daniel masterfully evokes the sticky Miami heat and refreshing ocean breezes, but there is so much more to these pages than fetching seaside images. Daniel’s characters are emotionally complex and so believable that Stiltsville almost reads as a memoir rather than a work of fiction.

The book’s beating heart is Frances Ellerby, whom readers follow on a moving journey that hits all the milestones: marriage, parenthood, trying illness, burial of loved ones and the highs and lows in between. Frances shares the spotlight with her attorney husband Dennis, only daughter Margo and son-in-law—with whom she chaffs—Stuart. On the periphery are Dennis’ parents and sister, characters that aid in relaying a story of unwavering familial support and friendship.

Daniel strikes a perfect balance of wit, weakness and tenderness in Stiltsville. As Frances raises a daughter, contemplates infidelity and cares for an ailing husband, her values are challenged and ultimately defined. It is not as light as other beach reads on the market, but Stiltsville emerges wonderfully buoyant.

—Lizza Connor Bowen
 

 

With more and more new writers getting published each month, it’s sometimes daunting to decide which newly minted authors to add to your reading list. From historical novels to literary fiction to mysteries that will keep you up all night, here’s a look at the…

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As my own brood heads off to middle school and high school this year, kindergarten seems like a very long time ago. Starting school is such a milestone, and those first few days are filled with excitement, jitters and sweetness.

DEAR DIARY
Antoinette Portis’ Kindergarten Diary is a great way to get youngsters ready for their big day. Written in diary form by a young student named Annalina, it covers her first month of school with humor and insight. Annalina voices her fears (of school, of the teacher, of other children), but gradually discovers that she loves everything about her school, and by the end of the month, she is “Too busy to write any more!”

Even older kids who’ve already aced kindergarten will enjoy Annalina’s observations, such as what she plans to wear on her first day (bathing suit, ballet skirt, plaid shirt, cowboy boots, no socks), and what her mother makes her wear (nice blue sailor suit dress). Portis’ lively illustrations combine drawings and photographs in a style that resembles a kindergartner’s diary, right down to the wide-lined paper.

ANNIE TO THE RESCUE
Another lively kindergartner is “Adventure Annie,” who made her debut in Adventure Annie Goes to Work. Toni Buzzeo brings this delightful character back to life in Adventure Annie Goes to Kindergarten. Dressed in a red cape and red boots, Adventure Annie is always on the lookout for great excitement, so she stuffs her backpack with her zookeeper hat, high wire slippers and walkie-talkies, “just in case.” This exuberant girl is every kindergarten teacher’s nightmare as she paints the hamster cage (to make the habitat look “natural”) and sneaks out to the jungle gym by herself. However, Annie and her walkie-talkies come to the rescue when two of her more timid classmates get lost while fetching milk cartons for lunch. This fast-paced tale will have readers chuckling, and Amy Wummer’s pencil and watercolor illustrations reveal the unfolding action and make Annie’s red cape fly.

LARGER THAN LIFE
While Annie is obviously ready for kindergarten (and more!), young readers will enjoy pondering this question: Is Your Buffalo Ready for Kindergarten? As with the beloved Clifford the Big Red Dog, size is a bit of an issue for a buffalo kindergartner. However, Audrey Vernick’s witty text makes this shy student a super-sized hit as he adjusts to his new classroom. Daniel Jennewein’s simple illustrations give this buffalo big, winning eyes and lots of lovable expressions. Little ones about to spend their own first days in kindergarten will be reassured by this big guy’s successful efforts to fit in.

CLASSROOM KITTY
There’s another fluffy, floppy face in Kindergarten Cat. Found outside and rescued by Mr. Bigbuttons, this lucky feline gets a new name (“Tinker Toy”) and a new home in a cheery kindergarten room, making a bed in the paintbrush drawers. In J. Patrick’s Lewis’s rhyming text, Tinker Toy proves to be a whiz, giving all the right answers with carefully enunciated “meows.” Ailie Busby’s mixed media illustrations are clever kindergarten-style creations that bring the classroom in focus.

These picture books will get prospective students in the right frame of mind for their own monumental quests. As Adventure Annie’s mother advises, “Sometimes kindergarten is its own adventure.”

As my own brood heads off to middle school and high school this year, kindergarten seems like a very long time ago. Starting school is such a milestone, and those first few days are filled with excitement, jitters and sweetness.

DEAR DIARY

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On Halloween night, the streets of our small town burst with goblins and strolling parents. It’s a once-a-year party that can’t be beat. Here are four picture books guaranteed to get you in the “spirit.”

Jon J Muth continues his captivating, thought-provoking Zen series in Zen Ghosts, a unique Halloween tale. As in Zen Shorts and Zen Ties, the story features a giant panda, Stillwater, who pays an instructive visit to three siblings. After trick-or-treating, Stillwater “draws” the trio a mysterious story, based on a Zen koan, or parable. Muth explains in an author’s note that this great ghost story “leaves you with more questions than answers,” and he’s right. His trio of Zen books can truly be enjoyed—and contemplated—by all ages.

HAUNTED HOUSE
The Curious Little Witch, by the late Belgian author/illustrator Lieve Baeten, is a delightful book, perfect for youngsters who want some non-scary Halloween fun. Lizzy and her cat are taking a spin on Lizzy’s broomstick when they spot an unusual house, which turns out to be full of magical details and friendly witches. Upon landing, Lizzy breaks her broom, leaving her in a pickle. She explores the house room by room, from top to bottom, finding a different witch in each location. Young readers will enjoy lingering over Baeten’s intricate illustrations, including a final large cutaway floor plan. The Curious Little Witch is likely to be enjoyed all year round, not just at Halloween.

MOM’S ADVICE
Another good no-scares book is Always Listen to Your Mother written by the mother/daughter team of Florence Parry Heide and Roxanne Heide Pierce. Ernest is a good little boy, who always “picked up his toys, ate all his vegetables, sat up straight, and listened to his mother.” When a new family moves next door, Ernest befriends young Vlapid, who loves to swing from the chandelier, write on the walls and create all sorts of havoc. This might seem a friendship destined for disaster, but the joke is that Vlapid’s mother likes life that way, and Ernest can dutifully report that Vlapid always listens to his mother. Children will love this gentle tale, made all the more fun by the whimsical illustrations of Kyle M. Stone.

FEARFULLY POETIC
For frightfully fun Halloween poems, a treat is waiting with Hallowilloween: Nefarious Silliness from Calef Brown. Brown is well known for his magical wordsmithery, as seen in his best-selling book of nonsense poems, Flamingos on the Roof. His verbal acrobatics continue here in high form, in lines like these from “Not Frankenstein”: I’m not Frankenstein, / but people say / I’m “Frankensteinesque.” / I sit at a desk / in my mountain lodge / and do decoupage. / It’s an homage you see, to the human collage—that’s me! While easily accessible, these are verbally dazzling poems, perfect for elementary students and sophisticated preschoolers. Both audiences are likely to benefit from additional explanations of some finer points of vocabulary and idiom from an adult, but the poetry is far from pedantic.

NEW KID IN TOWN
You’ve heard of spaghetti westerns, of course, but what about a Halloween western? Rhode Montijo brings the genre entertainingly to life in The Halloween Kid, a rootin’, tootin’ romp. The Halloween Kid keeps order in town, wrassling “pumkin-suckin’ vampires” and tickling leaf-pile ghosts, whom he calls “heap-hauntin’ holligans” (parents, get ready—this book is best read with a Western-drawl). He’s got a new mission now, wrangling the Goodie Goblins, who are stealing sweets and terrorizing trick-or-treaters. Did I mention that the Kid is cute, with a Lone Ranger hat, mask, and lariat, and always astride his trusty stick horse?

Montijo’s illustrations are the perfect blend of modern and retro, featuring oranges, yellows, and an effective use of black, some done in silhouette—all adding to the tale’s energy. There’s plenty of old-fashioned excitement (but nothing gross or garish), including an ambush in a cave and a daring escape and rescue by the Kid’s sidekick horse. In the end, the Kid restores order and rides out of town under a moonlit sky, saying: “Y’all keep trick –or-treatin’ now, ya hear?” Yee-ha, this is one clever book!

SCAREDY CAT
A full Halloween moon and a brisk wind set the spooky stage for Nancy Raines Day’s On a Windy Night, in which a young boy in a skeleton costume walks through the woods alone. The gentle rhyming text builds tension as the boy imagines he hears a voice: “CRACKLETY-CLACK, BONES IN A SACK. / THEY COULD BE YOURS—IF YOU LOOK BACK.” The voice gets louder; clouds become ghosts; skeletons dance in the field, and the boy fears he felt a head in the field.

Just when things could hardly get worse, the boy realizes that he is being stalked by a cat, not a ghoul. George Bates’ pen-and-ink, digitally colored illustrations add to the charged atmosphere, with dark blue, orange and black tones filled with just the right amount of “comfortable” scariness, as readers spot the cat stalking the boy, and watch tree branches, for example, morph into an image of a giant bat. For preschoolers, this book will likely be the source of repeated read-alouds filled with spine-tingling squeals of fright and delight.

On Halloween night, the streets of our small town burst with goblins and strolling parents. It’s a once-a-year party that can’t be beat. Here are four picture books guaranteed to get you in the “spirit.”

Jon J Muth continues his captivating, thought-provoking Zen series in Zen…

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