2book multi

Smothermoss

First lines: “It is happening again. Snow melts, the crust of frost cracks and heaves. Water sinks below ground, swelling channels. Sap rises. Wild garlic sprouts, arbutus creeps, and bloodroot quickens. Curved shoots of spotted skunk cabbage thrust toward the light.”

Read if you enjoyed: Starling House by Alix E. Harrow or Sisters by Daisy Johnson

Alisa Alering’s debut, Smothermoss, is a novel of violence, trust and the landscape of Appalachia. The mountains and hollows, the moss, quartz, water and trees are all painted in their full aliveness.

In the 1980s, Sheila, Angie and their mother are trying to figure out how to survive. Working long shifts at the asylum, their mother is rarely present, and while the two sisters share a small room, their diverging interests and ways of being make it hard for them to relate to each other. Sheila goes to work, she worries, she feeds the rabbits. Angie explores, she knows the neighbors, and she draws mysterious creatures on her own deck of tarot cards which almost seem to self-animate. Then two female hikers are murdered on the Appalachian Trail, and the murderer may not have left the area. The secrets of what happened hide in the landscape. Each scene builds in tension and a sense of wonder, surprising you with the direction these sisters’ future may take.

—Freya Sachs

 

Bright Objects

First line: “Barely an hour before my first death on a warm night in January 1995—when I blacked out in a crumpled Toyota south of a town called Jericho—a bright object was sighted somewhere in the constellation of Virgo, the sign of the maiden, not far from a star named Porrima, after the Roman goddess of prophecy.”

Read if you enjoyed: My Year of Rest and Relaxation by Ottessa Moshfegh or The Incendiaries by R.O. Kwon

A fatal accident, a cosmic visitor and a mysterious stranger all come together in a small Australian town in Ruby Todd’s dazzling debut, Bright Objects.

Young widow Sylvia Knight is recovering from the car accident that killed her husband and left her with serious injuries, both physical and psychological. Profoundly lonely, Sylvia works at the local mortuary, keeps her husband’s grave tidy and puts on a cheerful face for her mother-in-law, Sandy. But she is haunted by sketchy memories of the night of the accident.

When a rare comet appears, Joseph Evans, local meditation teacher and the heir of a wealthy family, sees the comet as a divine messenger and begins a series of mystical lectures that attract a cultlike following. He is eager to involve both Sylvia and Sandy, and Sylvia is distressed to see her mother-in-law drawn in by his promises. Wrestling with suicidal ideation, Sylvia finds her obsession with uncovering her husband’s killer pushing her to the edges of her sanity.

Bright Objects is a riveting literary thriller of obsession, vengeance and astronomy, but its most poignant gift may be its depiction of trying to make sense of life after tragedy.

—Lauren Bufferd

 

Pearl

First line:Adam and Eve and Pinch-Me Went down to the river to bathe. Adam and Eve were drowned Who do you think was saved?

Read if you enjoyed: Interesting Facts About Space by Emily Austin, or Wintering by Katherine May

Sian Hughes’ debut novel, Pearl, offers a coming-of-age story set in rural England, one that reverberates with grief and longing, but also a wry humor.

As the novel opens, narrator Marianne is taking part in an ancient mourning ceremony and fair called the Wakes in her home village in Cheshire. It’s a ceremony that Marianne always attends, one that leads her to ponder the loss of her mother. When Marianne was 8, her mother walked out into the rain one fall day, forever leaving behind Marianne and the rest of their family.

Pearl was longlisted for the 2023 Booker Prize, and is based in part on a medieval poem of the same title. Hughes, who is a poet herself, brings an attention to language and to the natural world that lends a beautiful vibrancy to her sentences. But there’s a droll sensibility here, too: Humor brightens grief-filled and difficult moments, such as an episode of postpartum psychosis. Pearl is also full of the gentle landscape and hallowed folklore of English village life, sometimes with a slightly gothic cast, and to that end, each chapter opens with part of a nursery rhyme or nonsense poem.

Hughes has written a tender debut novel which, at its end, brings the reader back around to the grown Marianne at the Wakes, imbuing the festival with a lovely, redemptive new meaning.

—Sarah McCraw Crow

 

Between This World and the Next

First lines: “Open your eyes. Empty your mind. What’s happening in the present will pass. This is what Song tells herself. It’s dark and hot and the middle of the night. Through the light that comes from the open door, she sees a bead of sweat on the tip of his nose.”

Read if you enjoyed: Age of Vice by Deepti Kapoor or Hunted by Abir Mukherjee

As Praveen Herat’s gripping debut political thriller, Between This World and the Next, opens, Joseph Nightingale, a British war photographer nicknamed Fearless after a moment of heroism during the Bosnian conflict, has accepted his old friend Alyosha Federenko’s invitation to Cambodia.

Federenko stashes Fearless at the Naga, a gathering place for the gangs and soldiers of fortune set loose upon the world after the collapse of the Soviet Union. One of the chilling pleasures of this book is Herat’s vivid, knowledgeable portrait of this threatening netherworld, from outposts like the Naga to breakaway states like Transnistria. Also at the Naga is Song, a young Cambodian woman enslaved as a cleaner. Song cares for the young children who are brought to the Naga by adult predators and whose gruesome abuse is recorded on video. The existence of one of these videos, handed off to Fearless, sets the elaborate plot rolling with increasing velocity.

The final chapters of Between This World and the Next are breathtaking in their descriptive power and imaginative reach, and the novel’s ending is very satisfying. But some threads still dangle and not all questions are answered—which makes one hope for a sequel.

—Alden Mudge

 

They Dream in Gold

First lines: “His pillow ruptures between her knees. Feathers plucked from the breasts of live geese burst into the darkness of the room. She watches them by the flashes of the storm’s lightning.”

Read if you enjoyed: Village Weavers by Myriam J.A. Chancy or True Biz by Sara Novic.

Playwright and director Mai Sennaar’s debut novel, They Dream in Gold, crackles. Her prose is elemental, flowing like a river at times, then burning like fire, heightening the reader’s senses until all five mingle into one.

Mansour, a child first of Senegal and then of the world, exudes music and wants to make his mark as a musician. Mama Eva, who raised Mansour and keeps her own secrets, aspires to culinary heights. And Bonnie, an only child raised by her grandmother, is entranced by Mansour’s sound on a demo CD before she ever meets him. They all have, as Sennaar writes, “a need for a life of wonder.” After Mansour goes missing while on tour in Spain, the lives of the women who love him are strung painfully taut as they wait for news: Back in her crumbling mansion in Switzerland, Mama Eva worries as she cooks for her long-awaited restaurant’s opening day, while pregnant Bonnie broods and paces.

They Dream in Gold wends from Mama Eva’s 1940s youth in Dakar to Bonnie and Mansour’s first meeting in 1960s New York City, to a Brazilian music festival in the middle of Carnival where Mansour’s star is born. Unreserved and confident, Sennaar’s piercing narrative voice reverberates through a novel pulsing with all the intensity it takes to compose a life and make it sing.

—Melissa Brown

These vibrant novels from first-time fiction writers grabbed our attention right from the opening lines.

The Host

Stephenie Meyer mastered the love triangle in her famous Twilight Saga, but Edward and Jacob aren’t the only Meyer heartthrobs. In her lesser-known sci-fi thriller, The Host, an equally intriguing love triangle (parallelogram?) forms between bad-boy Jared, sensitive Ian and Melanie—plus the parasitic alien borrowing Melanie’s body. After Earth is invaded by aliens, most humans become hosts before they can even begin to fight back, but a small group resists. When Melanie is captured, the alien Wanderer is placed in her body to to shut down the human rebellion. But Melanie won’t cooperate, and Wanderer finds herself inside a body that still desperately loves another. Wanderer and Melanie become unlikely allies as Wanderer begins to understand why humans fight for love. I find myself returning to The Host often and urge Twilight lovers (or haters) to give another Meyer story a try. When you do, let me know . . . Team Jared or Team Ian?

—Meagan Vanderhill, Production Manager

Thunderstruck

Most people know Erik Larson for his dual-narrative history, the deservedly omnipresent The Devil in the White City, or, my personal favorite, In the Garden of Beasts. However, 2006’s Thunderstruck deserves just as much praise. Like Devil, Thunderstruck centers a shocking, sensational crime—Hawley Harvey Crippen’s murder of his wife in 1910—within a historical event. But in this case, the event is more of a paradigm shift: Guglielmo Marconi’s attempts to patent and popularize radio communication. In a previous era, Crippen may very well have vanished before justice could be served. But thanks to radio, Crippen’s attempted escape to Canada was instead the first true crime news story to unfold in real time for a breathless readership. Larson weaves these tales together with his signature novelistic flair, producing highly entertaining portraits of the loathsome Crippen and the obsessive, passionate and at-times hilariously obtuse Marconi.

—Savanna Walker, Managing Editor

The Shuttle

Reading The Secret Garden (1911) has been a rite of passage for generations. But did you know that Frances Hodgson Burnett first earned fame and fortune by writing for adults? Burnett began her career selling romantic tales to magazines, publishing her first novel in 1877. Dozens more adult novels followed, the best of which is 1907’s The Shuttle. New York City heiress Bettina Vanderpoel has always wondered why her gentle older sister, Rosalie, cut ties to the family after marrying an English peer. Once she’s old enough, Betty crosses the Atlantic to get answers. Her adventure features a dastardly villain, a surly yet handsome lord, a crumbling estate (and an ensuing renovation to delight HGTV fans)and the most charming typewriter salesman in literature, plus plenty of trenchant observations on the differences between the English and Americans that still ring true. If you loved Downton Abbey or wish the works of Edith Wharton were a little less mannered, put The Shuttle on your reading list.

—Trisha Ping, Publisher

Outer Dark

Long before venturing southwest with Blood Meridian and All the Pretty Horses, his most famous titles, Cormac McCarthy plumbed his native Appalachia for visceral cruelty and mythological beauty. Outer Dark may be the most eerie, devastating book in his flawless oeuvre. After falsifying the death of his newborn son—the product of incest with his sister, Rinthy—and abandoning him in the wilderness, Culla Holme wanders through a dreamlike, nebulous Southern landscape populated with bizarre characters. Meanwhile, Rinthy uncovers the empty grave and sets off in search of her child. Alternating between the two siblings’ perspectives, the novel reveals the staggering violence and deep tenderness within the human soul, both of which McCarthy captured with peerless acuity over his seven-decade career. Each scene in Outer Dark has a torrential fluidity: As you drift through this haunting, remarkable creation, remember to breathe.

—Yi Jiang, Associate Editor

A breakout success can bring new attention to an author’s body of work—or, one book can so define them that it overshadows earlier titles that are just as excellent. Here are four overlooked books from great authors that deserve their own moment in the limelight.
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R. Eric Thomas reflects on the experience of returning home in his funny, forthright Congratulations, The Best Is Over!. Accompanied by his partner, David, a Presbyterian minister, Thomas leaves Philadelphia and goes back to Baltimore, Maryland, where he grew up, only to find a once-familiar landscape very much altered. In this inspired collection, he showcases his gift for comedy, but he also takes on serious topics, like mental health. Reading groups can dig into a variety of themes, including connection, community and the meaning of home.

In She’s Nice Though: Essays on Being Bad at Being Good, cultural critic Mia Mercado trains her keen observational eye on her identity as an Asian American woman from the Midwest, tackling gender and cultural stereotypes as she tussles with the promises and perils of modern life. Over the course of this expansive collection, Mercado muses on a variety of topics, such as social media etiquette, power dynamics and the nature of performing niceness. A funny and companionable narrator, whether she’s writing about crossword puzzles, tasteless TV shows or life during the COVID-19 pandemic, Mercado ably balances comedic commentary with moments of profound insight.

Amanda Turner chronicles the highs and lows of contemporary experience in her stellar How to Be Awkward. Embracing her inner misfit, Turner mines her own peculiarities to wonderful effect in essays about childhood mishaps, odd health issues, her lack of enthusiasm for exercise and her devotion to David Sedaris. Throughout, she writes with good humor while pondering the unique challenges of navigating the world. Turner’s compassionate treatment of important concepts like body image and self-esteem makes this a rewarding selection for book clubs.

Erika L. Sánchez’s Crying in the Bathroom is a personal, probing group of essays enlivened by the author’s bold voice and unapologetic narrative style. Looking back at her days as a teen in 1990s Chicago, where she was brought up by Mexican immigrant parents, S&aacutenchez documents her struggles with self-acceptance. She writes with thoughtfulness and sensitivity about feminism, beauty standards, motherhood, her literary career and her experience with depression. S&aacutenchez establishes a sense of camaraderie with readers, as if she’s opening the bathroom stall door to share her savvy observations. This welcoming spirit is sure to get book club members comfortable.

R. Eric Thomas, Mia Mercado and more spill their secrets and make savvy observations.
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A Refiner’s Fire

Hard to believe though it may be, Commissario Guido Brunetti has survived 32 hair-raising adventures thus far, and is back for number 33 in Donna Leon’s sophisticated police procedural series set in Venice, Italy. As A Refiner’s Fire opens, members of two rival gangs have been herded into the police station following a late-night dust-up in a town square. One by one, the parents of the teenagers pick up their unruly offspring until only one boy is left. Orlando Monforte explains to Commissario Claudia Griffoni that his father never answers his phone when sleeping. In the interest of expediency, Griffoni decides to accompany the boy home; it is a decision that will come back to bite her. Meanwhile, Brunetti has been tasked with the vetting of one Dario Monforte, a onetime hero of the Carabinieri, the Italian military police, and, coincidentally, the father of the aforementioned Orlando. As his investigation proceeds, Brunetti is troubled by the ambiguities of Monforte’s supposed heroism, most particularly by the fact that he never received any sort of medal or commendation, seemingly because he was under investigation for antiquities theft. Tangentially, Brunetti’s friend and co-worker Enzo Bocchese, a collector of antiquities, is badly beaten and his collection is vandalized, likely by a particularly nasty gang member who lives in his building. The cases begin to dovetail as Brunetti and Griffoni uncover disturbing connections to the highest levels of the government. The grand finale is truly inspired, explosive in every sense of the word and perhaps the best of Leon’s long career. 

The Night of Baba Yaga

The Night of Baba Yaga, the English language debut of Japanese writer Akira Otani, features all the elements you could hope for from a crime thriller set in the Land of the Rising Sun: a heroine spiritually descended from samurai stock; two pairs of lovers on the run; a beautiful and spoiled young woman treated like a hothouse flower by her doting father; and a yakuza presence that is gloriously, gratuitously violent, well beyond the traditional chopping off of a pinky finger for perceived insubordination. Both the dialogue and the prose, translated by Sam Bett, are staccato and to the point; there are no wasted words. In that regard, the story is very akin to Japanese illustrated novels (only without the illustrations, which would almost certainly be too graphic for Western sensibilities). Baba Yaga, for those of you unfamiliar with her, is a legendary Russian witch who lives in the forest, in a house built on gigantic chicken legs that would raise and lower upon her command. She is noted for her cruelty, her rather bizarre sense of humor and her occasional kindness to those who are pure of heart, few though they may be. She figures strongly in Otani’s narrative, which is nicely done, indeed.

Think Twice

When the feds pay a visit to sports agent Myron Bolitar, he is more than a little surprised by the reason: They want to know the whereabouts of Myron’s nemesis-turned-friend, former basketball star Greg Downing. Problem is, Greg Downing has been dead for three years; Myron delivered the eulogy. The second problem is that Downing’s DNA has been found under the fingernails of someone who was just murdered, so now Myron is a person of interest in the investigation. Think Twice is the 12th installment of Harlan Coben’s popular series featuring Myron and his uber-wealthy and mysterious sidekick, Windsor Horne Lockwood III (aka “Win”), and the mystery is much more than a possible case of a faked death. The authorities suspect that the recent murder was but one of a series of homicides all perpetrated by the same person, a serial killer who then artfully and seamlessly framed someone close to the victim. The difference with this latest case is that the perp apparently got a bit sloppy and left DNA at the scene: Greg Downing’s DNA. And now the FBI is closing in on Downing (who may indeed be dead) and his known associates. First-person accounts by the as-yet-unidentified murderer appear here and there throughout the narrative, with “How I did it” details that are both inventive and jarring. Cool story, cool characters, tasty twist ending. What’s not to like?

Like Mother, Like Daughter

Anyone who ever had issues with a controlling and overprotective mother will empathize with Cleo, and anyone who ever had issues with a rebellious teenage daughter will certainly empathize with Cleo’s mother, Kat. But their fraught relationship is about to change in ways neither could predict, within pages of the opening of Kimberly McCreight’s new thriller, Like Mother, Like Daughter. It’s been a while since they met; they’re not exactly estranged, but are nonetheless distant. Kat has extended an olive branch, however, in the form of a homemade dinner and a promise not to be contentious. But when Cleo arrives, Kat is nowhere to be found. Food is burning on the stovetop and in the oven, and a bloody canvas shoe suggests foul play of some sort. Chapters alternate between Kat’s and Cleo’s perspectives, sometimes in flashback to each of their childhoods, but more often cutting back to the week leading up to Cleo’s discovery that her mom has gone missing, and then moving through the investigation. We learn that Kat’s law firm job was quite a bit more convoluted than she lets on, that Cleo was a part-time drug courier, that several million dollars have mysteriously gone missing from Kat’s bank account, and that Cleo’s exceptionally bad choices in lovers threaten to bring things to a very unpleasant denouement. And we also learn that Kat’s rigidity has at times been tempered by a dangerous rebellious streak, while Cleo’s fierce individuality can be overshadowed by an equally fierce protective urge, given the right circumstances. Like Mother, Like Daughter is intense, thought-provoking and completely unputdownable.

Akira Otani makes her English language debut with The Night of Baba Yaga, plus the latest from Donna Leon and Harlan Coben in this month’s Whodunit column.

Broken Harbor

In addition to her beautiful language and intricately constructed characters, one of Tana French’s great skills is her knack for an evocative setting. Think the deceptively quaint mountain village of Ardnakelty in The Searcher and The Hunter, or the siren call of cozy, idyllic Whitethorn House in The Likeness. But Broken Harbor is perhaps French’s finest achievement in terms of the setting as microcosm for the work at large. A luxury seaside development, Brianstown was supposed to represent the ultimate in upper-middle-class achievement for the Spain family, most of whom were murdered in their home by an unknown intruder. But a burst housing bubble left Brianstown’s construction only halfway completed: The neighborhood looks more like the decrepit cityscapes of Inception than the idyllic capitalist dream on the brochure, and instead of being part of a thriving community, the Spains were some of the only inhabitants of the urban equivalent of a sandcastle disintegrating on the beach. Things get even eerier when you get inside their house, which is literally full of holes, some of which have baby monitors placed next to them. There is an answer as to what the Spains were looking for, but the point is that they couldn’t stop searching, that materialistic striving can so quickly turn into paranoia, even as the walls literally crumble around you.

—Savanna, Managing Editor

Still Life

Still Life, the first mystery in Louise Penny’s beloved Armand Gamache series, draws Chief Inspector Gamache of the Sureté du Québec to Three Pines, a remote village in the mountains of Québec, whose eclectic residents cherish their solitude. What more does one need than a bistro owned by a lovable gay couple, a solid boulangerie, a musty used bookstore and a volunteer fire department headed by a misanthropic old poet with a penchant for cursing out her adoring neighbors? Here, one of these neighbors is found dead in the forest—a hunting accident, say the authorities, as one does when death visits a woman in the woods. Rather than view Three Pines as a backwater town that time forgot (even connecting to the internet becomes a plot point), the morals-driven leader and ruthlessly clever Gamache is eager to get to know a community that is much more than the sum of its parts. As seen through his eyes, readers will be taken by the wholesome charms and stark beauty of the village, despite murder after murder occurring in the next 17 books of the series. The audiobook, read by the exceptional Ralph Cosham, is as delicious as the bistro’s warm ham and brie baguette. 

—Erica, Associate Editor

The Secret History of Twin Peaks

Speaking as a born-and-raised Washingtonian, there’s no place like the Pacific Northwest. In particular, there’s no place like the Pacific Northwest for setting a mystery. There’s something about the towering old-growth Douglas firs and the ever-present mist and drizzle that makes a cup of good diner coffee and a great slice of pie that much more comforting—and makes an unsolved case that much more bone-chilling. If you haven’t had the pleasure of experiencing the eerie beauty of western Washington in person, Mark Frost and David Lynch’s Twin Peaks will just about transport you there. And if you’re a super fan who’s already seen every episode more than once, you can move on to Mark Frost’s book The Secret History of Twin Peaks. It’s written as a dossier compiled by a mysterious “Archivist” with commentary from the FBI agent assigned to review the file and determine the Archivist’s identity. The photos, newspaper articles and journal entries begin in the 1800s and continue through the action of the TV series in 1989. Read it to feel a misty northwestern chill creep up your spine.

—Phoebe, Associate Editor

House of Roots and Ruin

The sequel to Erin Craig’s House of Salt and Sorrows, House of Roots and Ruin is a story of introspection, deception and supernatural enigmas. Verity Thaumas has struggled to find her place in the shadows of her successful older sisters, especially Camille, the duchess of their family estate, Highmoor. When Verity is offered a job from the Duchess of Bloem to paint a portrait of her son, Alexander, Camille panics and confesses that Verity sees ghosts and can’t differentiate them from real people, making her a liability to the family name if she were to go out on her own. Consumed with doubt, fear and resentment, Verity flees Highmoor later that night. With nowhere to go, she makes her way to Bloem, an ethereal region of lush scenery and bright colors; it’s a stark difference from the salty, dreary mood of her homeland. But it doesn’t take long for the dreamy Bloem estate, Chauntilalie, to expose its dark side, from Duke Gerard’s poisonous botanical experiments to the ghosts stuck in a time loop. Amid her growing love for Alexander, Verity confronts the challenges of her new home, all while trying to keep her abilities hidden. But if Verity isn’t careful, she might not only reveal her identity, but also uncover family secrets that could threaten Chauntilalie as a whole. Readers will relish how Craig juxtaposes eerie details with her extravagant setting in this gothic, fantastical and romantic story.

—Jena, Sales Coordinator

All good mysteries must have a fiendishly compelling plot, but truly great mysteries place their central puzzle in an equally fascinating setting.
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A Shore Thing

In Joanna Lowell’s Victorian romance A Shore Thing, dashing bicycle store owner Kit Griffith teams up with botanist Muriel Pendrake for a multi-day biking contest to prove that women can ride as well as men. While this premise is delightful enough on its face, the story gains complexity and poignancy when the reader learns that Kit is trans, having recently left a sisterhood of female artists behind to live life true to himself. Muriel is surprised, but that doesn’t stop her from falling hard for the charming Kit, who swears he’s an affairs-only kind of lover. Through discussions of art, nature, community and identity, these fascinating characters grapple with the obstacles of their time and circumstances—all while on a one-of-a-kind road trip. Thought-provoking, heartwarming and possessing an entertaining cast of secondary characters, this romance is a winner all-around.

Just One Taste

Just One Taste by Lizzy Dent is a love letter to Italy and its cuisine as much as it is a love story between two Brits on a research trip to the sun-drenched country. When Olive Stone’s estranged father dies, he upends her world by leaving her his Italian eatery in London and the task of finishing his cookbook. That means a four-week trip alongside her dad’s sous-chef, the gorgeous Leo Ricci, who had reason to expect the inheritance to come his way. Dent takes the readers on a sensual vacation to four regions of Italy as Olive and Leo absorb the sights, smells and tastes of their surroundings while mulling over what to do about the struggling restaurant and their growing feelings for each other. This pleasure-filled, delicious romance will inspire dinner reservations at a fave Italian place—if not a food-centered trip abroad.

The Au Pair Affair

Tessa Bailey offers up another smiley, swoony and supremely sexy romance with The Au Pair Affair. Readers of Fangirl Down, the previous entry in Bailey’s Big Shots series, will already know pro hockey star Burgess Abraham, who enjoys his reputation on the ice as “Sir Savage,” his relationship with his 12-year-old-daughter, Lissa . . . and not much else. That is, until the titular au pair—Tallulah Aydin—enters his life. Grad student Tallulah is 11 years younger than Burgess, and has big trust issues for a very good reason. But Bailey makes the pages burn as usual, with a gruff, rough-talking man who surprises the heroine with the lust he inspires—and the love. In order to find their happy ending, the pair must consider Lissa’s feelings, whether the non-sporty Tallulah could ever become a rabid hockey follower and, most of all, if Burgess can envision a full, adventure-filled life off the ice. The Au Pair Affair is an energetic romp with wisecracking friends, but it also has a sizzling, distinctly sexual energy. Don’t be surprised if you need to fan yourself.

Plus, two swoony trips (a Victorian seaside bike ride! a food tour of Italy!) round out this month’s romance column.
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Diane Marie Brown’s Black Candle Women tells the story of three fierce Black women united by the spells and elixirs that have been passed down in their family. Willow, Augusta and Victoria Montrose lead a quiet existence in California until Victoria’s teenage daughter, Nickie, becomes involved with Felix. Unaware of the family curse—that anyone a Montrose woman falls in love with is doomed to die—Nickie risks everything for her new relationship. Richly atmospheric, Brown’s moody, magical novel is a profound exploration of family, legacy and love.

In Thao Thai’s Banyan Moon, Vietnamese American artist Ann Tran struggles with the loss of her grandmother, Minh. After unexpected events jeopardize her romance with Noah, a professor, Ann goes to Florida for a difficult reunion with her mother. As they work to heal their frayed relationship, they learn that Minh has bequeathed them Banyan House, their old family home—an inheritance that may help them find a way forward. Thai’s poignant portrayal of three women connected by the bonds of family offers many discussion topics, including the immigrant experience and the nature of grief.

Hula, Jasmin ‘Iolani Hakes’ moving multigenerational novel, takes place in Hilo, Hawaii. Hi’i Naupaka has a deep interest in hula and hopes to win the Miss Aloha Hula contest, a competition her mother triumphed in years ago. But painful questions haunt Hi’i. She doesn’t know who her father is, and her grandmother—a formidable figure in the community—has nothing to do with her. When the truth about her parentage comes to light, Hi’i’s world is turned upside down. Hakes uses elements of Hawaiian history and culture to create a transportive tale of family and community.

With Burnt Sugar, Avni Doshi probes the complexity of the mother-daughter tie. In Pune, India, newly married Antara is disturbed by the behavior of her mother, Tara, who seems to be suffering from dementia. A headstrong, free-spirited woman who walked out on her marriage, Tara was a less than ideal mother throughout Antara’s childhood. Now she and Antara must come to terms with the past as they face an uncertain future. With themes of memory, forgiveness and aging, Doshi’s multilayered novel is a rewarding reading group pick.

Four powerful novels chronicle the drama and intensity of mother-daughter relationships.
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The Last Murder at the End of the World

In Stuart Turton’s post-apocalyptic thriller, The Last Murder at the End of the World, the world as we know it came to a cataclysmic end some 90 years back, when a malevolent insect-infested fog engulfed the globe, killing everything in its amorphous path. Only a handful of survivors on a remote Greek island are still alive. The leader of the island is an older (17 decades’ worth of older) woman named Niema, who developed the means to keep the fog at bay, albeit too late for everyone in the world save for the island’s 122 villagers and two of her fellow scientists. And there they sit, living out the peaceful existence that somehow eluded humanity in all the millennia leading up to the end times. But there is trouble in paradise, as the narrator (a disembodied female voice eerily reminiscent of HAL the computer from 2001: A Space Odyssey) lets the reader know from early on. The unthinkable is about to happen on the island—a murder, the resolution of which is key to saving the island from the fog, which has begun to penetrate the defenses that Niema set up all those years ago. If you like some sci-fi with your murder, or conversely, some murder with your sci-fi, you have come to the right place. It’s a locked-room mystery expanded to island-sized dimensions, with a narrator who may be putting a finger on the scale that will determine the continuing existence of humankind: Y’all ain’t seen nothin’ like this before.

The Last Note of Warning

Call it the Jazz Age, the Prohibition era, the Roaring ’20s; whatever you call it, it’s Vivian Kelly’s golden ticket to the naughtiness and revelry denied by her strict Irish upbringing before she emigrated to America. Her venue of choice is the Nightingale speak-easy, where she works pouring drinks for the high society clientele. The Last Note of Warning marks Vivian’s third appearance in Katharine Schellman’s popular series, in which atmosphere doubles as a character and murder abounds. This time out, the murder hits rather closer to home: The prime suspect is none other than Vivian Kelly herself, the damning evidence being wealthy businessman Buchanan’s dried blood on her hands. Luckily for her, some well-placed friends come to her rescue, but the best deal they can broker puts Vivian in the unenviable position of having to serve up the real killer within seven days’ time. The mystery grows, um, mysteriouser when Vivian starts to suspect that someone intentionally framed her for Buchanan’s death. And heaven knows there is no shortage of shady types hanging around the Nightingale. The characters are colorful, the story is deliciously well-spun and the ambiance will make you wish that you too had been a-struttin’ in the Jazz Age.

When We Were Silent

Auspicious debut alert: Fiona McPhillips’ When We Were Silent is the strongest first novel I have read in ages, right up there with Attica Locke’s Black Water Rising, my go-to example of first-timer excellence. If you attend Dublin’s prestigious Highfield Manor private school, the first thing you learn is “What happens at Highfield stays at Highfield,” even if it involves episodes that border on the unspeakable. Louise Manson is haunted by one such episode, even though it’s been nearly 40 years since her time at the school. By most measures, she didn’t really belong at Highfield. She was working class, inhabiting the same hallowed halls as the elite by virtue of a scholarship, not old money and familial connections. And she was not there for the prestige: She was there to exact revenge for her best friend’s suicide and to take down those she deemed responsible. Not to give away anything here, but this endeavor did not go too well. Spectacularly badly, in fact, and decades later Louise is still dealing with the fallout. But now in the modern day, thanks in part to that unwritten Highfield code of silence, she may have a second chance at retribution—or she may face fallout that far surpasses that first time around. When We Were Silent is not always a comfortable read, but you didn’t come here for comfortable, did you?

Farewell, Amethystine

Easy Rawlins is 50?? How the hell did that happen? When we think of him, we think of a young Denzel Washington from the film Devil in a Blue Dress, adapted from the book that introduced Walter Mosley’s iconic private investigator to the world way back in 1990. But hey, even Denzel is past 50 now. As Farewell, Amethystine opens, the 50-year-old Ezekiel “Easy” Rawlins of 1970 is, by comparison to his younger days at least, less the firebrand and more the respectable businessman. That said, when a gorgeous young Black woman with a sad story enters his office, an event that has taken place with some regularity over the years, he can still be coaxed into action, and it is a fair bet that he will acquit himself much as he did in his younger days. Amethystine Stoller is missing one husband, and she appears convinced that Easy Rawlins is the go-to guy to find him. Which, of course, he does in short order, but the husband is sadly quite dead. Normally, Easy would tap his cop buddy, Melvin Suggs, to give him a hand with the parts of an investigation that only the police have access to. But at the moment, Suggs is in the wind with problems of his own. Do those problems include another beautiful woman? Well, yes. And will those disparate story lines have some points of connection? Seems likely. And will Mosley wrap it all up better than pretty much anyone else in the field? A resounding yes on that.

The iconic author’s latest Easy Rawlins mystery is another winner, plus our mystery columnist crowns the best new thriller writer since Attica Locke.
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Birding With Benefits

Birding with Benefits by Sarah T. Dubb is a refreshing love story about growing, changing and the natural resistance to both. Fortysomethings Celeste and John are a bit tattered by life. They’re prepared to walk their paths alone until a mutual friend asks Celeste to partner with John at a bird-watching event. On a whim, Celeste decides to continue doing so for the entire six weeks of a contest John’s entered. He’s undeterred by her inexperience and delighted by her enthusiasm, and the commitment-wary pair grow closer, finally succumbing to their attraction. Can their friends-with-benefits relationship end painlessly once the contest is over? Filled with everyday moments and a marvelous sense of place—the author’s hometown of Tucson, Arizona—readers will lose their own hearts to playful Celeste and solid John, both authentic, well-meaning people you’d like to join for a coffee or a hike. Middle-aged characters don’t star in a lot of romances; how fabulous that these two get top billing in this top-notch romance.

Wake Me Most Wickedly

Felicia Grossman’s Wake Me Most Wickedly is a genderswapped spin on Snow White set in the Jewish community of 1832 London. Hannah Moses has dedicated herself to giving her younger sister a better life, and is building a sizable dowry for her by selling secondhand goods and information to unsavory characters. Simon Weiss is similarly loyal to his brother, a banker trying to secure a spot in the gentile world through baptism and marriage. When Hannah and Simon meet, sparks fly and trouble begins. Simon is sure of himself and his feelings, but Hannah knows she can be nothing to him beyond an occasional lover thanks to her criminal activities. Grossman’s second Once Upon the East End romance is a wonderful story filled with adventure, love and, above all, passion.

All’s Fair in Love and War

A Regency governess gets a man in Virginia Heath’s All’s Fair in Love and War. Continually passed over for employment due to her plain-spoken ways, Georgina Rowe can only say yes when a desperate naval officer needs someone to watch over his rambunctious nephew and nieces. Harry treasures order and stability and Georgina provides—well, not that. Not only does she have unconventional views about how children should learn, she’s personally challenging his vow to never fall for a woman again. After a career-disrupting engagement years before, Harry savors his solitary state and how it allows him to pursue his ambitions unfettered . . . until he realizes how much he enjoys family life and the irrepressible Georgina. Readers never tire of a down-on-her-luck heroine and a hero who needs to lighten up, and Heath provides both in this entertaining romp along with puckish children, busybody servants and mischievous dogs.

Sarah T. Dubb’s charming, mature romance delights our columnist, plus the latest from Felicia Grossman and Virginia Heath.
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Raised by genteel, churchgoing parents, actress Geena Davis was a shy young woman while she was growing up, but over time, she found her true self as an artist and feminist. She chronicles her personal evolution in her companionable memoir, Dying of Politeness. With wit and honesty, Davis takes stock of her time as a model, key film roles (including Thelma & Louise), important relationships and motherhood. She also considers the difficulties of being a woman in Hollywood. Throughout this vivid book, Davis proves a skillful storyteller with hard-won wisdom to share

Singer and actor Billy Porter opens up about his difficult childhood in Unprotected. As a gay Black kid in 1970s Pittsburgh, Porter was harassed at school and abused at home. But he found empowerment in performing and—thanks to his remarkable talents—went on to achieve professional success. From living with HIV to starring on Broadway, Porter candidly covers personal tests and triumphs. His frankness as he delves into topics like gay rights, racism and the redemptive power of art make his memoir a rewarding book club pick.

Comedian Jo Koy explores his biracial background in Mixed Plate: Chronicles of an All-American Combo. From an early age, Koy—the son of a white father and Filipina mother—struggled to find a sense of self. Inspired by figures like Richard Pryor, he decided to become a comedian. On the path to success, Koy contended with racism and his own sense of uncertainty. In this bold yet vulnerable book, he shares fascinating details about his creative methods and growth. Themes of identity, the immigrant experience and racial stereotyping will kickstart lively dialogue among readers.

With Finding Me, Oscar winner Viola Davis offers an unflinching account of her difficult journey to stardom. One of six children, Davis grew up in a poor family with an abusive father. At Rhode Island College and the Juilliard School, she studied acting and laid the groundwork for an acclaimed career on stage and screen. In her memoir, she traces her development as an actress, reflecting on the challenges of being typecast and the lack of substantial film roles for Black women. Inspired and revealing, Finding Me gives readers insights into the mindset of a legendary actress.

Book clubs will be swept away by 4 rewarding autobiographies by Viola Davis, Geena Davis, Billy Porter and Jo Koy.

A Series of Un/Natural/Disasters by Cheena Marie Lo

If you were pressed to categorize a book of poetry on your bookshelf as fiction or nonfiction, would you choose fiction? Most people probably would. Poetry has a reputation for being airy and fantastical, for dwelling in the realm of emotions and dreams, not in the “real world.” Yet there is a strain of poetry that is explicitly concerned with informing readers about real events: documentary poetry. Cheena Marie Lo’s A Series of Un/Natural/Disasters (Commune Editions, $16, 9781934639191) is an excellent contemporary example, using statistics and phrases pulled from the news to trace human responsibility for the outcomes of devastating “natural” events like Hurricane Katrina and Hurricane Sandy. Lo compares ecological processes like seasonal migration with the movement of evacuees in response both to the destruction caused by a storm and the failure of systems expected to provide help. At the same time, Lo points to the recovery of nature as a model for community recuperation through mutual aid. This is a great collection to read alongside Patricia Smith’s Blood Dazzler—another powerful documentary book of poems that chronicles state failure and human resilience during and after Katrina.

—Phoebe, Associate Editor


The Best We Could Do by Thi Bui

I was introduced to The Best We Could Do (Abrams ComicArts, $19.99, 9781419718786) in a college English class, which admittedly isn’t the most exciting way to find a book. But as a 20-something with lots of emotions about parenting and intergenerational trauma, I found author-illustrator Thi Bui’s story at exactly the right time. This graphic memoir flows between present and past. In the frame story, Bui is anxious that her flawed relationships with her parents will define how she interacts with her newborn son. In an effort to alleviate her anxiety, she sits down with her parents and attempts to figure out how they became who they are, journeying with them through their childhoods in war-torn Vietnam, their harrowing migration as refugees and their imperfect restart in America. Told through beautiful watercolor illustrations and sparse, emotionally-wrought text, Bui’s memoir does not offer easy answers to questions about trauma, immigration and family. However, The Best We Could Do is a tremendous lesson in empathy and a testament to healing through human connection.

—Jessica Peng, Editorial Intern


One Last Stop by Casey McQuiston

Casey McQuiston’s sophomore novel, One Last Stop (Griffin, $16.99, 9781250244499), is a clever, emotionally resonant take on a timeslip romance with an utterly dreamy love interest: 1970s punk feminist Jane Su, who is mysteriously trapped outside of time on the New York City subway. As they proved in their already-iconic 2019 debut, Red, White & Royal Blue, McQuiston understands that in order for readers to wholeheartedly invest in a heightened scenario, it helps to have characters who are going through things that are eminently relatable. And so, recent New Orleans transplant August Landry’s quest to rescue Jane is balanced by the travails and triumphs of her job at Pancake Billy’s House of Pancakes (one of the best fictional diners ever?) and the slow blossoming of her relationships with her roommates into something like family. It’s an achingly sweet portrait of a closed-off loner finding community for the very first time, and an ode to being young, broke and happy in NYC. It all culminates in a perfect finale, where August must draw on her new connections to pull Jane free and secure their happily ever after.

—Savanna, Managing Editor


The Wandering Earth by Cixin Liu

Our whole planet is migrating in the title story of The Wandering Earth (Tor, $19.99, 9781250796844) a collection by Cixin Liu, renowned author of The Three-Body Problem. Faced with proof of the sun’s imminent death, humanity collectively seeks to escape obliteration by installing giant plasma jets to propel the Earth toward a new solar system. As mankind’s home is transformed into one massive spaceship, an unnamed protagonist watches decades of his life pass, narrating with straightforward melancholy as he witnesses tragedy and chaos. As changes to Earth’s orbit cause boiling rain to fall and oceans to freeze, the cataclysmic, sublime journey of “The Wandering Earth” will batter you with alternating waves of immense beauty and terror. And don’t expect a chance to surface for air after finishing this first story: The next nine continue to pummel the reader with Liu’s staggering imagination and rare talent for combining grandiose backdrops with personal stories suffused with aching emotion, such as that of a man climbing a mountain made of water, or a peasant boy growing up to become a space explorer. Liu’s eye for detail and mind for the poetic add a profundity to The Wandering Earth, elevating it to stand among the best science fiction.

—Yi Jiang, Associate Editor

Does warmer weather and the approach of summer have you feeling restless? Pick up one of these stories featuring journeys great and small.
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My Season of Scandal

Julie Anne Long exquisitely captures sensuous, romantic longing in My Season of Scandal. Country miss and physician’s daughter Catherine Keating is embarking on a London society husband hunt from the charming Grand Palace on the Thames boardinghouse. Living one floor above her is Lord Dominic Kirke, a fiery, justice-seeking politician with a notorious reputation. They should have nothing in common, and yet they find in each other like minds and hearts. Dominic tries to keep clear of Catherine, believing his worldliness and tarnished past will hurt her prospects, but they are drawn together at every ball. The resolution will induce sighs and perhaps a few happy tears, as what romance reader can resist a tale starring a jaded hero and an innocent but plucky heroine?

The Good Ones Are Taken

The ever-popular friends-to-lovers trope is front and center in Taj McCoy’s The Good Ones Are Taken. Maggie’s full life is only lacking one thing: a man to love. Well, that’s not entirely true. There’s Garrett, her best friend, but back when they were teenagers, they decided not to cross the line into romance. But with Maggie’s duties as maid of honor for her two besties coming up, she feels pressured to find a Prince Charming and determinedly puts herself out there. She doesn’t quite fit with anyone until she takes a closer look at Garrett—yet can she risk ruining what they have? Set in Los Angeles, The Good Ones Are Taken is fun, fresh and filled with good food, great clothes and scorching love scenes. Readers will want to hang out with Maggie and company while rooting for her happy ending.

Earls Trip

Jenny Holiday’s tongue-in-cheek Regency romance Earls Trip showcases her trademark charm, humor and well-developed characters. Three aristocratic friends (two earls and a viscount) depart London for their annual sabbatical. But after a last-minute request from an old family friend, Archibald Fielding-Burton, the Earl of Harcourt, rescues sisters Clementine and Olive Morgan from a conniving blackguard—and then brings the two women along on his getaway with the guys. Archie and Clementine, once childhood friends, soon discover a passion they didn’t expect and don’t particularly welcome, at least at first. While Holiday peppers the story with amusing set pieces and cute, anachronistic chapter titles, there is true heart to this tale of a man and woman coming to understand, appreciate and admire each other as much as they love each other.

Plus, two friends-to-lovers romances charm our columnist.
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Missing White Woman

Kellye Garrett’s stark Missing White Woman offers a Black woman’s perspective on the investigation of, and public reaction to, the disappearance and subsequent murder of a white woman. Jersey City, New Jersey, may not sound like a dream destination for a romantic weekend with your sweetheart, but it does serve up some lovely views of the Manhattan skyline after dark. At first, it is idyllic for Breanna Wright and her boyfriend, Tyler Franklin, offering Bree a break from her humdrum daily life in Baltimore. And then on the last day, the idyll is totally ruined: Bree pads downstairs and finds the bloodied, badly battered and quite dead body of a blond white woman, and Tyler is nowhere to be found. Then the investigation begins, recounted to us by Bree, and it becomes painfully clear that a) the attention and dedication put in to solving the disappearance and subsequent murder of a white woman is quite intensive, much more so than if the victim had been Black, and b) when there are Black people central to—or even peripheral to—the investigation, they receive a lot more unwanted attention from the police than white people. Clear-headed and opinionated, Breanna is a compelling guide through the morass. The troubling, eye-opening but still highly entertaining Missing White Woman would be a superb choice for a book club, guaranteed to stimulate lively discussion among the participants.

Death and Glory

One would not necessarily expect a detective novel set in 1894 London to be concerned with unfinished business regarding the U.S. Civil War, a conflict that had been over for the better part of 30 years. But author Will Thomas does not let any of that stand in his way in his latest historical mystery, Death and Glory. Private enquiry agents Cyrus Barker and Thomas Llewelyn have been called in by Scotland Yard and the crown. Their assignment? Arrange face time with the prime minister and four former Confederate leaders. Elements of the Confederacy are still alive and well in Central America, itching for a chance to rewrite history, and the four representatives hope to hold the prime minister to a past promise. In the closing months of the war, the Confederacy ordered and paid for an ironclad warship along the lines of the Merrimack and the Monitor; Great Britain was officially neutral, so it presented no diplomatic problems to take the order. However, the war drew to a close before delivery could be made. Now these so-called envoys must be dealt with in some form or fashion—a task riddled with pitfalls, some of which are deadly and not the least of which is determining if they truly are who they say they are. Fans of Thomas’ depiction of Victorian-era London and his delightful use of surprising, off-the-wall cameos by historical figures will have their expectations repeatedly exceeded.

Lost Birds

Anne Hillerman took over the Leaphorn & Chee mystery series after the death of her father, renowned Western author Tony Hillerman. The title of her latest, Lost Birds, refers to hundreds of Native American children who, under the midcentury Indian Adoption Project, were adopted by white families and separated from their tribal communities and heritage. Retired Navajo Tribal Police Lieutenant Joe Leaphorn, now a private investigator when the mood strikes him, has been retained to find the family and birth identity of a woman who possesses nothing more in the way of clues than an old photo of a Southwestern rock formation and a hand-woven baby blanket. (Note: Have a box of tissues ready. Seriously.) Meanwhile, married Navajo cops Jim Chee and Bernadette “Bernie” Manuelito pursue an investigation of their own: a huge explosion at a school and the concurrent disappearance of its caretaker, a longtime acquaintance of Leaphorn. Subplots abound, weaving the main characters together and displaying their near-supernatural bonds with one another, with their Navajo Nation home and with their history. Hillerman has shown endless respect for the work of her father in her writing, but also brings a female perspective to the stories, featuring Bernie more prominently and offering a look at the issues facing Native American women today. Tony’s legacy is in safe, loving hands.

Death of a Master Chef

Police Commissaire Georges Dupin returns in Jean-Luc Bannalec’s latest mystery, Death of a Master Chef. Dupin is visiting the Breton port town of Saint-Malo to attend an meeting about advancing cooperation among various local police forces (yawn). In a local food market where Dupin is judiciously sampling the wares, a murder takes place virtually right under the commissaire’s nez. Although he gives chase, he quickly loses sight of the suspect. But no matter; everyone knows that the murder victim was well-known chef Blanche Trouin, and everyone also knows that the killer was Lucille Trouin, Blanche’s sister and a famed chef in her own right. The pair had long stoked the fire of the longest running sister-feud since Joan Fontaine and Olivia de Havilland. This will not be the last murder: The victim’s husband meets his untimely demise soon after, followed in short order by a close friend. The case(s) will give the various Breton police departments a textbook opportunity to test out their skills at working together—let’s just say that Commissaire Dupin is not best pleased about that element of the investigation. French mysteries are like French cars (I know this from experience via my elderly but well-loved Peugeot convertible), cushy and tres confortable, a bit slow from a standing start, charmingly quirky. With Death of a Master Chef, Bannalec delivers on all counts.

A Black woman discovers the internet’s latest obsession dead in her vacation home in Missing White Woman. Plus, excellent new entries from Will Thomas, Anne Hillerman and Jean-Luc Bannalec in this month’s Whodunit column.

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