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From New York to Los Angeles and from the White House’s backyard to classrooms across the country, education is weighing on the minds of many Americans. Four new books tackle some of the key challenges that continue to stir debate. Confronting the effects of standardized testing, racial disparity, child poverty, teacher morale and quality teaching, these books offer no-holds-barred accounts of the state of education.

NEVER GIVE UP

Rafe Esquith—who has spent 30-plus years teaching fifth and sixth graders at Los Angeles’ impoverished Hobart Boulevard Elementary School and is known for transforming his students through Shakespearean performances (as depicted in the documentary film The Hobart Shakespeareans)—returns with his signature wit and wisdom in Real Talk for Real Teachers: Advice for Teachers from Rookies to Veterans: “No Retreat, No Surrender!” Esquith’s focus in his fourth book is more on morale than teaching tips. Dividing the book into sections for new teachers, mid-career teachers and classroom veterans, Esquith keeps it real, indeed, as he begins with his best advice: “You are going to have bad days.” Using humorous and memorable anecdotes from his own time in the classroom, he recognizes the isolation, exhaustion, jealousy, blame and guilt that come with teaching and encourages teachers not to give up. Whether discussing out-of-touch administrators, confrontational parents, apathetic students or the current era of high-stakes testing, the best-selling author reminds teachers to choose their character over their reputation and find balance in their professional and personal lives. Ever inspirational, Esquith shows educators that the best teaching is a journey, not a race to the top.

Respect for teachers and higher expectations for students are among the keys to success.

ONE SCHOOL’S PROUD PAST

Once touted as “The Greatest Negro High School in the World” by the NAACP, Dunbar High School of Washington, D.C., was recently categorized as a failing school. Inspired by her parents (both Dunbar graduates), award-winning journalist Alison Stewart traces the school’s path from prestige to decline in First Class: The Legacy of Dunbar, America’s First Black Public High School. Upon its opening, Dunbar became synonymous with academic rigor, graduating such notable alums as Eva Dykes, the first African-American woman to receive a doctoral degree, and Edward Brooke, the first African American popularly elected to the Senate, as well as prominent scientists, artists, musicians, playwrights and civil rights activists. Its faculty included some of the most highly educated black teachers of the era, since Jim Crow laws barred them from working at other institutions. But as the neighborhoods surrounding Dunbar suffered economic and social woes, so, too, did the high school. When the author visited Dunbar, she was staggered to discover the faded glory of a building in disrepair and low-performing students with few dreams of college. Her detailed account of the school’s history firmly situates Dunbar in the broader context of the country’s educational reform and struggle for racial equality. As Dunbar looks to rebuild itself with a new building, new teachers and new students, Stewart sees a hopeful future.

A YEAR ON THE FRONT LINES

Formerly a senior vice president in publishing, John Owens traded a comfy office for a classroom in one of New York City’s tough South Bronx neighborhoods because he wanted to make a difference in the lives of young people. Based on an article he wrote for Salon.com, which immediately went viral, Confessions of a Bad Teacher: The Shocking Truth from the Front Lines of American Public Education recounts Owens’ first—and only—year in a high school he calls Latinate. He explains how, within days, he became a victim of his “crazed visionary manager” (aka the principal he refers to as Ms. P.) who set unattainable school-wide goals, terrorized teachers with threats of “unsatisfactory” rankings and filled folders with hard-working teachers’ presumed misdeeds. Owens uses vignettes from his teaching experience to introduce problems in the American educational system, most notably how teachers are blamed for today’s failing public schools and how the “witch-hunt” for bad teachers is destroying classrooms. He also emphatically addresses how the data-driven school reform movement leaves principals with all the power (even turning some into cheating “Bernie Madoffs of test scores”) and teachers with ineffective evaluations. His concluding lessons are a heartfelt call to action.

GLOBAL PERSPECTIVES

When the U.S. scored 26th in critical thinking in math, below the average for the developed world, acclaimed journalist Amanda Ripley wondered why some students learned more and others less than their global counterparts. The result is The Smartest Kids in the World: And How They Got That Way, in which the author follows three teens in different parts of the world through a year of high school. She purposely selected Finland, South Korea and Poland, nations that recently ranked much lower among their developed peers but now rank well above the U.S. In Finland, Ripley found teacher preparation programs as selective as those for U.S. medical schools. In Korea, parents acted as coaches to their children, compared to American parents who act more like cheerleaders. While poverty has been cited as a factor in America’s failing schools, Poland, with an even higher poverty rate than the U.S., delayed tracking students until the end of their school careers. Although Ripley observed three different approaches, she also observed commonality and perhaps the key to success: respect for teachers and higher expectations for students.

Ripley’s stirring investigation debunks many tenets of current education reform—but are U.S. leaders listening?

From New York to Los Angeles and from the White House’s backyard to classrooms across the country, education is weighing on the minds of many Americans. Four new books tackle some of the key challenges that continue to stir debate. Confronting the effects of standardized…

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As anyone who’s ever raised a child will tell you, they don’t come with instructions. Well, that may be true, but this fresh new crop of parenting guides offers stellar advice to help you raise healthy, happy, creative and productive kids.

CREATIVITY FOR LIFE

Julia Cameron has sold millions of copies of The Artist’s Way, her seminal book on how to find and embrace your creativity. In The Artist’s Way for Parents, Cameron helps parents unleash their children’s creativity and sense of wonder.

The beauty of Cameron’s advice is that she offers very specific, undaunting exercises for the, shall we say, less artistically inclined among us. For example, she suggests spending an entire evening with no screens: no iPads, no TV, no movies. That’s it. Don’t force watercolors and canvases on your child. Just spend time together and see what happens. “This may cause a great deal of resistance and anxiety, but if you can power through, the connection you will ultimately make with yourself and your family members will be deeper for it,” she says.

There is definitely a spiritual bent to Cameron’s work—readers of her memoirs know she is a Christian. But hers is a gentle, ecumenical approach, and she is never off-putting. Rather, her interest is in supporting calm, loving environments where children are free to explore and express themselves.

WHAT DO YOU SAY?

I’ve been dreading certain questions since my first child was born nine years ago, so I was happy to find some guidance for navigating those tricky conversations. Mom, I’m Not a Kid Anymore by Sue Sanders offers funny and useful advice on how to answer everything from “Do you believe in God?” to “You and Dad do that?”

Sanders has a teenage daughter, which I’d say is pretty much the only expertise required of someone writing this kind of book. She takes on bullying, materialism and slang (which she calls “the lingua franca of adolescence”) with a firm, positive and loving approach. She unflinchingly examines her own foibles in the service of making a larger point (like the time her daughter, then 4 years old, skipped down the city street shouting, “Mommy loves wine!”).

Sanders, who is based in Portland, Oregon, clearly loves parenting and has her eye on the end goal: raising a daughter who will become a productive and independent adult. But not too quickly: “She will soon be pulling away, literally, down the driveway and seeing us and her childhood in the rearview mirror. I know that one day in the not too distant future, I’ll give her the keys and let go. Or maybe not. Our city does have a fine public transportation system, after all.”

REAP THE REWARDS

It’s hard to beat advice from the director of the Yale Parenting Center.

In The Everyday Parenting Toolkit, Alan E. Kazdin starts with the premise that “you have to know what behaviors you would like, and when you want them. . . . That also gets you out of the habit of just noticing what you don’t want, and unwittingly reinforcing it with your exasperated attention.”

Kazdin’s method begins with the use of “antecedents,” a fancy word for anything that prompts a specific behavior. It could be verbal instructions, a note on the refrigerator door or the demonstration of a certain skill, such as using a fork. When the antecedent brings about the behavior you want, give your child positive reinforcement. Eventually, when the desired behavior appears regularly, you can fade out your use of the antecedent.

Lest you get the impression that Kazdin equates parenting with training a puppy, rest assured that he does not suggest using biscuits as rewards. He clearly relishes his work and is intrigued and excited by child and family dynamics, using real examples from his work with families at Yale to demonstrate his advice. This toolkit is jam-packed with solid advice any parent can use.

CULTURAL EXCHANGE

Effective parenting knows no nationality, according to Christine Gross-Loh, who, in Parenting Without Borders, shares what we can learn from families worldwide. Gross-Loh knows whereof she writes—she and her husband moved to Japan when their sons were 5 and 3, and they subsequently had two daughters while living there. They quickly found that what they had assumed were universal traits of good parents were, in fact, cultural. Japanese moms were more lax about sweets, television and behavior, and yet, Gross-Loh found, their children were just as mature and well-adjusted as hers.

Christine Gross-Loh explores what good parenting looks like in cultures all over the world.

Intrigued, Gross-Loh dove into researching parenting practices around the world, and culled the most interesting and surprising examples of how parents are succeeding. For instance, despite the stereotype of rigid and robotic Japanese schools, recess is actually as much a part of their curriculum as math and reading. Kids go outside as frequently as every hour. She visits one of some 700 “forest kindergartens” in Germany, where preschool children spend hours outdoors singing, building, playing and—horror of horrors for American parents—whittling with knives, which they have been taught to use safely.

She also examines schools in other parts of the world that promote healthy eating, in contrast to our tater tot and pizza-heavy cafeteria fare. “In Korea, a child at school would be served spicy chicken, noodles, soup, seasoned vegetables, and persimmon,” she writes. Gross-Loh finds schools in America that have begun emulating the fresher and veggie-heavy meals of foreign countries, concluding, “We can help our kids be ‘good at eating’ just as we’d teach them any other life skill, so that they can share in a world of food as love, as nurturance, and health.”

Gross-Loh offers an inspiring argument that we can all learn a lot from each other when it comes to the toughest job there is.

As anyone who’s ever raised a child will tell you, they don’t come with instructions. Well, that may be true, but this fresh new crop of parenting guides offers stellar advice to help you raise healthy, happy, creative and productive kids.

CREATIVITY FOR LIFE

Julia Cameron has…

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In the art of the short story, every word is a nerve ending. In these four new collections of stories, words are put to their best use.

CALL TO ARMS

A foreign war buzzes constantly in the minds of the male characters in Saïd Sayrafiezadeh’s first collection, Brief Encounters with the Enemy. Each of these young men is in a desperate place, working a dead-end job and trying to shake his stagnancy. By enlisting, they hope to align themselves with society’s central focus, to be the tip of the knife, but just as the weather in these stories is always out of season (it’s hot when it should be cold, cold when it should be hot), these expectations are never met.

In the crucial, climactic “A Brief Encounter with the Enemy,” a young soldier finds his deployment to be as pointless as the jobs back home. His restlessness becomes so unbearable that he kills a man, just for something to do. War offers the illusion of choice and action, but ultimately leaves the boys without the sense of purpose they so desperately desire.

And just when it seems that an entire generation is hopeless, the collection wraps with “Victory,” the story of a janitor who discovers happiness in the smallest, most harmless of rebellions.

Sayrafiezadeh first burst onto the literary scene with his 2009 memoir, When Skateboards Will Be Free. Accelerating through the curve with characters who are colossally misguided and still likable—reminiscent of Junot Díaz’s Yunior—this is an astounding first collection.

THEY LOOK LIKE ANTS

In Bobcat and Other Stories, North Carolina writer Rebecca Lee expertly navigates the lives of characters—often academics—who are deeply and wonderfully flawed. Perception and desire—the kind of pure, single-minded desire Rilke wrote of—drive them, and they only gain control over their lives when given the opportunity to judge the lives of others. In these moments, Lee slows her pace to wade in the beauty and tragedy of it all, producing stories that are by turns languorous and unsettled.

In the subtly executed “Bobcat,” a hostess warily surveys her dinner party—wondering if one woman knows her husband is cheating on her, or if the guest who claims she was attacked by a bobcat is lying—yet never sees what is actually going on. In the bizarre “Slatland,” a creepy professor teaches a young girl how to exit her body—literally stare down upon herself—and this otherworldly trick morphs from a defensive tool to one that leaves her powerless.

Through these stories, the reader becomes a hunter, stalking the most dangerous sides of ourselves—often revealing something good underneath it all.

NEW MYTHOLOGY

The stories in Aimee Bender’s latest collection, The Color Master, are linked through a pervading sense of the writer’s experimentation. As with the works of Gabriel García Márquez, they render the phrase “fairy tale” forgettable: Bender approaches her strange tales with restrained, self-aware observation and looks upon her characters with as much wonder as the reader.

In the arresting “Mending Tigers,” two sisters travel to Malaysia, where tigers with great lacerations down their backs appear from the jungle and lie at the feet of women trained to sew them back together. In “The Color Master,” a protégé is tasked with making a dress the color of the moon. And in “The Red Ribbon,” a woman indulges in a prostitution fantasy with her husband, and afterward begins to imagine commodifying all elements of her life.

The wallop packed by each story begs for each one to be consumed individually, but though Bender’s natural prose makes for easy reading, these are not bite-sized tales. They are undeniably filling, with a wealth of imagination that transforms each one into a compact novel.

HOME IS NOWHERE

In the mind of Ethan Rutherford, there’s something ludicrous and sparkling to our existence. In his debut story collection, The Peripatetic Coffin and Other Stories, he reveals it has always been this way by exploring moments of isolation, loss and homesickness.

In “The Peripatetic Coffin,” young Confederates volunteer to man the submarine Hunley, fully aware that it is a doomed mission from the start. “The Saint Ana,” the story of a Russian ship locked in an Arctic sheet of ice, opens with a man shouting, “Who’s peeing on me?” And seemingly out of the blue comes “John, for Christmas,” the story of a couple dreading the return of their son, which unfolds with all the restraint of Raymond Carver.

Tempered by Rutherford’s humor in the face of unavoidable tragedy, these imaginative stories are vital, present and alive. Rutherford—who is also a guitarist for the band Penny­royal—hasn’t landed on the exact story he wants to tell, as demonstrated by the fact that these tales jump from sleepaway camp legends to whaling expeditions. It would be no surprise if elements from these stories worked their way into a larger work—so pay close attention and hope for a novel both great and hilarious.

In the art of the short story, every word is a nerve ending. In these four new collections of stories, words are put to their best use.

CALL TO ARMS

A foreign war buzzes constantly in the minds of the male characters in Saïd Sayrafiezadeh’s first collection,…

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Belief in a higher power has been part of the human experience across time and cultures, and it can permeate fiction as well. In a small town or during a world war, within both romantic attachments and friendships, Christian faith forms the framework and the core of these inspirational stories.

Set in Holland during World War II, Snow on the Tulips finds Cornelia de Vries and her 20-year-old brother, Johan, swept up in the action as Dutch Resistance fighters push back against Nazi occupation.

Cornelia has sworn to keep Johan from being rounded up to fight for Hitler, but protecting him becomes more difficult when the conflict enters her home in the form of a half-dead Resistance fighter named Gerrit. He’s a threat to their carefully constructed neutrality—and to her heart, long shuttered since her husband’s death on their wedding night.

In an adventurous tale that reads like a movie script, Liz Tolsma weaves faith in seamlessly, moving the reader with her characters’ convictions to create a captivating debut novel. Their heartfelt prayers show that faith can grow even in times of unspeakable hardship and fear.

GOTHIC CHARM

The first in a planned trilogy, Jessica Dotta’s Born of Persuasion blends all things Gothic and romantic into a winding tale of intrigue in early 19th-century England.

The fortunes of young Julia Elliston, orphaned after her mother’s suicide, depend upon the charity of men. Some may be villains and others saints—but the novel is slow to reveal who is which.

Julia’s position in society is fragile, and her naiveté and vulnerability contrast sharply with the novel’s foreboding setting and the hazy motives of those she meets, including her mysterious guardian and the brooding, charismatic Mr. Macy, who seems to know all but shares little. Julia has been betrothed since childhood to Edward, who complicates matters further when he takes orders to become a vicar—Julia’s father was a well-known and ardent atheist who passed his beliefs on to his daughter.

Though verbose at times, Dotta’s style is clearly influenced by the Brontës, and manages to keep the reader engaged through every twist and turn.

A SOUTHERN JOURNEY

Competition for oil-drilling rights collides with an eclectic artists colony’s vow to hold onto their land in Sweet Olive, a Southern tale by Louisiana author Judy Christie.

Camille Gardner finds herself exiled (in a manner of speaking) to Sweet Olive, Louisiana, after botching a previous job for the oil company owned by her uncle. It’s painfully near the town where her father left her and her mother behind years before, never to return—a fact that brings this old hurt to the surface.

Christie writes in an inviting, colloquial style, full of great turns of phrase that make her characters’ speech feel true to life. It’s Camille’s job to get these artists to sign over the rights to drill on their land, but once she meets them and sees their work, she’s drawn in. As Camille falls for the beauty around her—and the lawyer who opposes her at every turn—the journey leads her somewhere surprising.

A LOVE THAT LASTS

A sweet story of enduring love and faithfulness, Forever Friday by Timothy Lewis shares the unique romance of Pearl “Huck” Huckabee and Gabe Alexander. For decades, Gabe sent his beloved a weekly postcard inscribed with a simple poem extolling his devotion.

Lewis, a playwright, paints a convincing portrait of the couple, and their voices are spot-on and beautiful. Seeing their relationship evolve on paper is almost like watching it unfold in real life. Hope and faith are the hinges of all their plans, from the night they meet and fall instantly in love in 1926 and through the years as they grow old together.

The narrative moves between Huck and Gabe’s relationship at different stages and 2006, when Adam Colby discovers the postcards while handling their estate sale. Colby studies the archive, hoping to find healing after his divorce. As he immerses himself in their story, he begins to find his way.

While the religious thread of the story is kept in the background, the love between Huck and Gabe is the heart of Forever Friday, and their steadfastness, though fictional, will inspire.

Belief in a higher power has been part of the human experience across time and cultures, and it can permeate fiction as well. In a small town or during a world war, within both romantic attachments and friendships, Christian faith forms the framework and the…

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Fifty years after gunshots rang out in Dallas’ Dealey Plaza, the collective memory continues to celebrate the life and achievements of John F. Kennedy, and to ponder his death. Authors and publishers are also remembering the November 22nd anniversary with dozens of new books on Kennedy’s assassination and legacy. We’ve pored through the stacks to point readers toward some of the best.

James Swanson, author of the riveting 2006 bestseller Manhunt: The 12-Day Chase for Lincoln’s Killer, brings his storytelling acumen and research skills to the event he calls “the great American tragedy.” Swanson’s End of Days begins with Lee Harvey Oswald meticulously planning a killing. He has maps, surveillance photos, a planned escape route and more. His intended target: General Edwin A. Walker, a Dallas-based ultra-conservative who considered JFK a political foe. But Oswald’s assassination attempt fails; his bullet comes within an inch of Walker’s head.

Oswald isn’t a suspect in the Walker incident. It’s only after he succeeds at his next assassination attempt—on the life of JFK—that investigators make the connection. Swanson’s linear narrative positions all this as it happens. He does the same in detailing the forces that bring Kennedy and his wife Jacqueline to Texas, ultimately putting them in the crosshairs of Oswald’s rifle, and the reader in a “you are there” edge-of-the-seat thriller.

Dallas 1963 masterfully describes the sociological and political forces that made the city a hotbed of reactionary activism. Bill Minutaglio—whose Texas-themed books include biographies of George W. Bush and Molly Ivins—and Texas scholar Steven L. Davis vividly describe the collision of the colorful characters who gave Dallas its foreboding renown. Among them: Gen. Walker, the once-celebrated military leader who went rogue; oil baron H.L. Hunt; Dallas Morning News publisher Ted Dealey; and incendiary congressman Bruce Alger. At odds with JFK’s foreign policies, they also resented the president’s domestic agenda, notably on civil rights. Into this toxic atmosphere came Oswald, an avowed Marxist who had resentments of his own.

As authoritative as it is readable, Dallas 1963 is a significant addition to the JFK canon.

A RESTLESS ASSASSIN

Peter Savodnik, who once reported from Moscow, is no conspiracy theorist. He believes Oswald did it—and acted alone. The nagging question is, why? To find the answer, Savodnik traces Oswald’s time in the Soviet Union from 1959 to 1962. The Interloper gets its title from Oswald’s lifelong efforts to escape his old life and insert himself into a new one.

Oswald’s youth was chaotic, in large part because of his hectoring mother, Marguerite. After dropping out of high school, he joined the Marines. He also discovered Marxism. Seeking a more fulfilling life, he journeyed to the Soviet Union where he perplexed the KGB (as a defector, he had little to offer), enjoyed success with women (who found him exotic) and ultimately married.

But as Savodnik details, the lifelong outsider didn’t fit in; returning to America with his Russian bride, his anger and frustrations festered. Over the next 17 months, Oswald moved nine times, eventually making his way to Dallas. Ever the interloper, his disconnectedness led to his actions on November 22, 1963. In a sense, says Savodnik, it was as much a suicide attempt as it was a murder.

EYEWITNESS TO HISTORY

In Five Days in November, Clint Hill and co-author Lisa McCubbin, who previously teamed up for Mrs. Kennedy and Me, focus on a timeframe that begins just before the trip to Texas and ends with a nation in mourning.

As the Secret Service agent in charge of the first lady’s detail, Hill is known for leaping onto the back of the car that carried the injured JFK, pushing Jackie back into the seat.

Five Days in November includes a reproduction of the trip agenda, a plan of Air Force One and a chart of the Dallas motorcade—as well as seldom-seen photos. But the highlights are Hill’s personal remembrances, like hearing the first lady practicing her Spanish while en route to San Antonio, in anticipation of a speech to Latino constituents.

The text is straightforward; the embellishments come from the heart, as when Hill relates the backstory of John-John’s famed salute at his father’s funeral. Or when the first lady takes Hill’s hand, during the somber flight carrying the president’s body from Dallas to D.C., and asks, “What’s going to happen to you now, Mr. Hill?”

Other first-hand observers of the events in Dallas include the medical professionals who have been quoted in a spate of books over the years about what took place at Parkland Memorial Hospital, where the mortally wounded president was rushed. At long last, there is a single volume of remembrances, compiled by Dr. Allen Childs, who was on the scene. We Were There includes accounts of more than 40 Parkland staff members.  Some are tearful, some insightful, some strictly by the book; all underscore the sense of urgency—and the craziness—that resonated throughout the hospital. 

There’s Jackie, silently circling the emergency room, holding something in her cupped hands. Nudging a doctor, she hands him “a large chunk of her husband’s brain tissue.” In the halls, angry Secret Service agents brandish machine guns. Outside, a medical student watches as an ornate casket is carried in.

It’s at Parkland that the seeds of conspiracy theories take root, beginning with professional differences over where the bullets entered the president’s body. In one startling recollection, a doctor says a Warren Commission representative admitted to him that witnesses were prepared to testify that “they saw somebody shoot the president from the front,” but the commission didn’t want to interview them.

No wonder Skyhorse, the publisher of We Were There, has a number of conspiracy titles among the 26 JFK assassination books it is publishing this year, including The Man Who Killed Kennedy: The Case Against LBJ and They Killed Our President: 63 Reasons to Believe There Was a Conspiracy to Assassinate JFK.

Another probe of conspiracy theories is History Decoded: The 10 Greatest Conspiracies of All Time, a lively and cleverly packaged exploration. Adapted from the History Channel program “Brad Meltzer’s Decoded,” the book presents conspiracies in countdown format: 10, 9, 8 . . . with Kennedy’s assassination in the number-one spot.

Authors Meltzer and Keith Ferrell review the top 10 theories pointing to a conspiracy in JFK’s death. Among them (at #9): the fact that the findings of the U.S. House of Representatives’ Select Committee on Assassinations, released in 1979, differed from those of the Warren Commission. 

The book comes with envelopes of removable facsimile documents for each conspiracy; for JFK, the envelope contains the order form for Oswald’s $19.95 rifle that may—or may not—have changed history.

Weighing in at more than five pounds, the striking commemorative LIFE The Day Kennedy Died: 50 Years Later recalls the iconic magazine’s illustrious relationship with the Kennedys, as well as the dark days in Dallas. 

A foreword by historian David McCullough assesses JFK’s significance. (It was JFK’s passion for history that triggered McCullough’s professional calling.) There are biographical pages, family portraits—including Cecil Stoughton’s wonderful shots of Caroline and John-John cavorting in the Oval Office—and sections on the murder and its aftermath. ?It was LIFE that first published images from Abraham Zapruder’s legendary 26-second 8mm home movie. Here, all 486 frames are reproduced in an eight-page fold-out. The book also includes a removable reprint of the original LIFE issue that followed the assassination.

REASSESSING KENNEDY

Historian Thurston Clarke delves into the final chapter of Kennedy’s presidency in JFK’s Last Hundred Days. This compelling page-turner follows JFK from August 1963—just after the death of his two-day-old son, Patrick Bouvier Kennedy—to that fateful day in Dallas. The mystery Clarke sets out to solve is not who killed JFK, but rather, who the president was and where he might have led us.

Clarke makes a convincing argument that, had he lived, JFK would have opted for a 1964 running mate other than Lyndon Johnson—dubbed Uncle Cornpone by Kennedy and his crowd—and that, following his re-election, he would have gotten the U.S. out of Southeast Asia. Domestically, Clarke contends, Kennedy would have pursued a strong civil rights agenda. (One anecdote finds JFK watching Martin Luther King Jr.’s “I Have a Dream” speech on the White House’s only TV, a 13-inch black and white with rabbit ears—on which Caroline regularly watched “Lassie.”)

Detailed in both political and personal revelations, JFK’s Last Hundred Days does not delve into the assassination, though the stage is set. The morning they left for Dallas, JFK warned Jackie, “We’re heading into nut country today.” 

After the assassination, Jackie and some Kennedy cabinet members promoted a romanticized vision of the late president. It started with Jackie’s interview with LIFE magazine, in which she compared the Kennedy White House to King Arthur’s Court. A spate of glowing biographies followed.

Myths are one thing; facts are another. Camelot’s Court is an unvarnished account of JFK’s inner circle (nicknamed the “Ministry of Talent”). Robert Dallek, author of An Unfinished Life: John F. Kennedy, 1917-1963, goes behind closed doors as JFK deals with the communist advance and the foreboding possibility of nuclear war. Cuba and Vietnam dominate Kennedy’s agenda, as well as this book—especially as the conflict in Southeast Asia grows. But Dallek has cleverly spiced up his scholarly reporting. In doing so, he humanizes the sometimes brittle politician who—when facing the Cuban missile crisis—confided to a lover, “I’d rather my children be red than dead.”

Dallek takes a measured view of what might have happened had JFK not been killed. Perhaps he’d have been re-elected; it’s “plausible” he would have gotten the U.S. out of Vietnam.

Today, what’s certain is Kennedy’s hold on the American psyche. No assassin’s bullet could snuff that out.

ALSO IN BOOKPAGE:
Speculative takes on Camelot.

Fifty years after gunshots rang out in Dallas’ Dealey Plaza, the collective memory continues to celebrate the life and achievements of John F. Kennedy, and to ponder his death. Authors and publishers are also remembering the November 22nd anniversary with dozens of new books on…

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Whether written by an iconic Southern author in 1947 or compiled from emails written by a young pastor to the president in 2010, these gift books explore the enduring themes of spirituality and faith, reminding us that contemplating the divine can confirm our very humanity.

Spiritual thinking has been with us from the beginning, as The Religions Book: Big Ideas Simply Explained reminds readers in its opening sentences. While it may be difficult to come up with a definition for the concept of religion, “cave paintings and elaborate burial customs of our distant ancestors and the continuing quest for a spiritual goal in life” indicate its timelessness. This book offers a remarkable overview of major world religions through recorded time. Though the introduction acknowledges the difficulty of covering such an unwieldy topic, the subsequent pages are easily comprehensible, and even feel nearly comprehensive. Organized chronologically, the book opens with prehistory, moves through the ancient and classical beliefs (devoting the longest sections to Hinduism, Buddhism, Judaism, Christianity and Islam), and closes with a selection of modern religions (such as Mormonism and Scientology). The material is both dense and broad, yet the book’s reader-friendly layout and clever graphics invite lingering. An impressive board of contributors (mostly academics) shaped this content. The result is a book at once egalitarian and open-minded, ideal for a visually oriented student of religion or anyone interested in scrambling up the mountainside of human spirituality and taking in the panoramic views.

GRACE AND ART

We move from the lushly panoramic to the intensely personal with Flannery O’Connor’s A Prayer Journal. Penned by the Southern Gothic legend when she was just 22 years old and a student at the University of Iowa, these pages reveal O’Connor at the very beginning of her professional writing career. She prays to get something published, to understand God better and to be free of an ever-present concern that she is simply mediocre. Anyone interested in creative writing or literature will be thoroughly charmed by lines like this: “I am too lazy to despair. Please don’t visit me with it Lord, I would be so miserable.” Though O’Connor is delightfully glib, she worries about some of the big questions of faith and finds few answers. The journal illustrates her complexity of feeling. She criticizes certain sentences because they sound “too literary” and strikes out others altogether. A facsimile of the original diary in O’Connor’s own hand lets readers in on her process and makes the book feel very intimate. The volume is quite short, but that isn’t a drawback. The material that is here is well worth reading. I especially loved the last lines, written in September of 1947: “Today I have proved myself a glutton—for Scotch oatmeal cookies and erotic thought. There is nothing left to say of me.”

AN ECLECTIC REIMAGINING

During a 2011 retreat in Utah, a group of Jewish artists and writers found themselves hotly discussing Abraham’s binding of Isaac. Several admitted, though, that it had been a long time since they had really read a biblical text. Dialogue ensued and, luckily for us, so did Unscrolled: 54 Writers and Artists Wrestle with the Torah, edited by Roger Bennett. After the Torah was divided into 54 sections—which reflects the annual reading pattern of many synagogues—each contributor created his or her own Dvar Torah (“word of the Torah”) for an individual slice. Their creations range from short stories to poems, from personal essays to imaginary recipes for “bloody guilt offerings.” There’s even a drawing detailing how the Tabernacle could fit in modern-day Manhattan. (Spoiler alert: It would have to be tilted on its side.) I especially like when contributors cleverly juxtapose the Torah and their response, as in Aimee Bender’s piece on the Tower of Babel. She celebrates how language defines individuality rather than lamenting the loss of shared consciousness. Brief biblical summaries preceding each Dvar Torah feel contemporary and edgy, and unify the collection. In short, these artists and writers can certainly now say that they’ve read—yes, even wrestled—with a biblical text recently, and readers can be counted among the lucky beneficiaries.

DAILY DOSE OF INSPIRATION

The President’s Devotional began as correspondence between a White House staffer and President Obama, and has since become a public daily devotional. Obama appointed author Joshua DuBois to be the executive director of the White House Office of Faith-Based and Neighborhood Partnership in 2008. Since then, DuBois has emailed Obama a spiritual reflection every morning. The book pulls content from the best of these, providing readers one for every day of the year. DuBois opens each month with a personal essay. Some of these tell heartrending stories about our nation’s leader, as in DuBois’ account of Obama’s interaction with families of the victims of the Sandy Hook shootings. Other essays are more personal, as when the president encouraged DuBois to propose to the nice girl he’d been dating (he did). The devotions themselves are a diverse bunch. Some feature national heroes like Jackie Robinson and Johnny Cash, while others take inspiration from theological texts. The reader cannot help but wonder what was going on in the nation when certain devotions were emailed—like the one that extols the value of having a well-prepared army. Whatever the initial context, faith-filled fans of the president will want to add The President’s Devotional to their nightstands.

Whether written by an iconic Southern author in 1947 or compiled from emails written by a young pastor to the president in 2010, these gift books explore the enduring themes of spirituality and faith, reminding us that contemplating the divine can confirm our very humanity.

Spiritual…

Hitting the shelves this fall are several new biographies and autobiographies of rock, country and jazz stars that reveal never-before-heard refrains of personal anguish, as well as triumph.

In 1969, Crosby, Stills & Nash emerged as a supergroup, showcasing sweet harmonies and tight arrangements. One year later, Neil Young joined the band, and the quartet rocketed to superstardom on the strength of Graham Nash’s song “Teach Your Children.” Behind the scenes, though, life wasn’t so harmonious. In his honest and well-crafted memoir, Wild Tales: A Rock & Roll Life, Nash reveals the fierce struggles between Stills’ and Young’s titanic egos that eventually destroyed the group (although they have never officially broken up). With the lyrical flights of his best songs (“Carrie Anne,” “Our House,” “Chicago”), Nash carries readers on a journey from his often difficult childhood in the industrial north of England and the formation with Allan Clarke of the band that eventually became the Hollies, to his encounters with Mama Cass Elliot (who introduced him to David Crosby), Joni Mitchell, the Everly Brothers and Bob Dylan. While Nash holds back little, unveiling his disappointments with his own work and that of others, his love of songwriting and harmony remains: “I am a complete slave to the muse of music.”

STAIRWAY TO HEAVEN

While Nash tells his own story in his own words, Led Zeppelin front man Robert Plant told journalist Paul Rees that he had no intention of writing a memoir because it was “too early in his career to do so.” Instead, Plant allowed Rees to have unparalleled access to his closest friends and associates to tell the story in Robert Plant: A Life. Rees chronicles Plant’s childhood as the son of an engineer in England’s industrial Midlands, where he would often hide behind the sofa and pretend to be Elvis. Deeply influenced by the blues (in particular the music of Robert Johnson), Plant began singing with local bands around Birmingham and left home at 17 to pursue a music career. But it was not until he teamed with Yardbirds guitarist Jimmy Page in 1968 that his ascension to rock-god status truly began. A few months later, after the band’s name was changed to Led Zeppelin, their rapid rise to fame exceeded even Plant’s wildest expectations. Rees traces the successes and excesses of Led Zeppelin, from limos, groupies and sudden wealth to plagiarism charges and “poisonous” reviews. He also explores Plant’s recent work, including his acclaimed collaboration with bluegrass fiddler Alison Krauss. Plant comes across as a confident but agreeable superstar, a “preening peacock” whose long locks and powerful voice secured his place in the rock pantheon.

HELLO, I’M JOHNNY CASH

Although Johnny Cash told his own story on at least two occasions—in Man in Black (1975) and, with Patrick Carr, Cash: The Autobiography (1997)—he nevertheless remains an enigmatic figure whose life story is surrounded by as much legend as truth. Until now. Drawing on previously unpublished interviews with Cash as well as previously unseen materials from the singer’s inner circle, former L.A. Times music critic Robert Hilburn gives us the definitive biography of the Man in Black in Johnny Cash: The Life. In intimate detail, Hilburn—the only music journalist at Cash’s legendary Folsom Prison concert in 1968—elegantly traces the contours of Cash’s life and career. After a hardscrabble childhood in Dyess, Arkansas, Cash built on his early love of music and made insistent attempts to get Sam Phillips’ attention at Sun Records. Hilburn chronicles Cash’s early hits such as “Folsom Prison Blues,” his foray into television in the late 1960s with “The Johnny Cash Show,” his failed first marriage and his deep love for June Carter, as well as his drug addictions. Most importantly, Hilburn compiles an exhaustive record of Cash’s enduring contributions as a songwriter and singer to both rock and country music.

TAKE THE “A” TRAIN

In the almost 40 years since his death, Duke Ellington has remained an enigmatic figure, even as his reputation as one our greatest and most culturally prominent orchestra leaders and jazz composers continues to grow. Following his acclaimed biography of Louis Armstrong, Pops, culture critic Terry Teachout draws on candid unpublished interviews with Ellington, oral histories of the orchestra leader and his times, and other little-known primary sources to tell a mesmerizing story in Duke: A Life of Duke Ellington. Teachout follows Ellington from his childhood in Washington—where he gained his name “Duke” because of his stylish dress—and the first band he formed at 20, to his move to Harlem at the beginning of the Harlem Renaissance and his emotional distance from family and friends for the sake of composing his music. Teachout traces Ellington’s deep influence on various cultural movements, from the Harlem Renaissance to the Duke’s own renaissance at the 1956 Newport Jazz Festival. Teachout brings Ellington to life in this richly detailed and engrossing biography.

OLD FRIENDS

We often remember our favorite album covers and photos of our favorite musicians as much as their music. For more than four decades, Columbia Records staff photographer Don Hunstein snapped memorable shots of figures as diverse as Aretha Franklin, Sly Stone, Miles Davis, Leonard Bernstein, Mitch Miller, Tony Bennett and Bob Dylan, catching rare private moments of public lives. A collection of gorgeous, never-before-seen photos from the Columbia Records archive, Keeping Time: The Photographs of Don Hunstein illustrates Hunstein’s ability to capture artists relaxing and being themselves. Photos of Johnny Cash on his family’s farm in 1959, a weary Duke Ellington talking to Langston Hughes at the 1956 Newport Jazz Festival, and Cassius Clay and Sam Cooke teaming up in the recording studio in 1964 are just a few of the gems included here. In the words of New York Times music writer Jon Pareles, who contributes the book’s brief text, Keeping Time is “a quietly revealing close-up of artists who graced and transfigured the twentieth century.”

Hitting the shelves this fall are several new biographies and autobiographies of rock, country and jazz stars that reveal never-before-heard refrains of personal anguish, as well as triumph.

In 1969, Crosby, Stills & Nash emerged as a supergroup, showcasing sweet harmonies and tight arrangements. One year…

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Holiday spirits are supposed to be high, not haute. But if the proliferation of cocktail “creations” and infusions and artisan mixers has you and your friends flummoxed, here are a handful of drinkers’ delights that could either adorn the coffee table or—just in time—restore your hostly confidence.

WINE-ING DOWN
Once upon a time, wine drinkers aspired to be connoisseurs. Then came the wine wonks—those who carried calculators for vintages and futures—and the geeks, who bought by the ratings. Now we have entered the age of wine nerds, who buy the wine equivalent of self-help books.

For example: Hello, Wine: The Most Essential Things You Need to Know About Wine by Melanie Wagner, a self-confessed former wine “bumpkin” turned Certified Sommelier. Like most such books, it begins with a confessional, then runs through a catechism of allure and reassurance to bring the reader resoundingly into the converts’ fold. Once Wagner hits her stride, her descriptions of varietals, tips on restaurant wine lists, tasting, hosting and food-matching, etc., are very good. And her picks for dependable producers—particularly those whose wines are under-$15 steals or fall in the “sweet spot” of $26 to $50—are spot on, so to speak.

This season’s best gag gift, perfect for pairing with a bottle, is the unexpectedly entertaining The Essential Scratch & Sniff Guide to Becoming a Wine Expert. Brevity is indeed the soul of wit: A scant dozen spreads illustrate the pithy tips from Master Sommelier Richard Betts. (A Certified Sommelier ranking is Level 2; a Master is Level 4, the highest.) “Wine is a grocery, not a luxury” is Betts’ mantra. He demystifies in guy-pal style: “In this case, size does not matter: We’ve all got a great schnoz.” The cartoons by Wendy MacNaughton contribute so much to the book that she really should have been acknowledged on the cover. Betts includes a pullout map to the “whole wine world” that attempts to match mood to olfactory method. While the scratch-and-sniff technology is in need of a little tweaking—the leather may be the best simulacrum—the illustrations, both literal and figurative, of the aromatic elements are memorable.

SIPPING SUDS
Although the title is a little man-cave chic, The Complete Beer Course: Boot Camp for Beer Geeks, From Novice to Expert in Twelve Tasting Classes is an accessible and impressively informed dissertation on beer styles and best labels. Longtime beer journalist Joshua M. Bernstein has traveled, tasted, interviewed and researched centuries of brewing lore. Like nearly all his colleagues, Bernstein is prone to the pun (“yeast of Eden,” “all is not white in the world,” etc.). His picks of breweries and beer-centric restaurants and festivals make this a consumer’s guide in both senses.

For those who want to go straight to the good stuff, World Beer: Outstanding Classic and Craft Beers from the Greatest Breweries, by veteran British beer critic Tim Hampson, disposes of brewing techniques, history, beer styles, tasting techniques and flavor pairings in a few high-gloss pages and launches headlong (sorry—the punning is contagious) into profiles of more than 800 fine craft beers organized by country and region. And Hampson does mean “world beer”: Who knew Namibia was a big microbrewery center? This is a serious coffee table book that could be the co-star of a fine beer-tasting party.

WHISKEY RIVER
Drinking mirrors pop culture, and having passed through the “Mad Men” martini renaissance, Americans are testing the “Breaking Bad” waters—which is to say, whiskey, derived from the Gaelic for “water of life.” In Drink More Whiskey: Everything You Need to Know About Your New Favorite Drink, Daniel Yaffe, founder and editor of Drink Me magazine, covers the wide world of whiskey from the U.S. to the U.K. to Japan (and beyond), from single malt to small batch to honey whiskey to moonshine. Like Wagner, he can flourish a bit too often: “If a single malt is a group of violinists with a brilliant tone, a blend might be the full orchestra.” “Like people, peat mellows with age.” (Clearly, he and I have not met.) But if the flash is weak, the spirit is indeed willing: Yaffe mixes history, trends, ingredients—both within the barrel and in the glass—and technique into a truly tasty cocktail.

Holiday spirits are supposed to be high, not haute. But if the proliferation of cocktail “creations” and infusions and artisan mixers has you and your friends flummoxed, here are a handful of drinkers’ delights that could either adorn the coffee table or—just in time—restore your…

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If you’re looking for something out of the ordinary for the bibliophiles on your list, here’s a collection of notable new releases that includes books about books, artwork made from books, a richly illustrated classic and more. Because books really do make the best gifts!

The singular mind of Umberto Eco takes readers on a tour of fabled places in literature and folklore in The Book of Legendary Lands. In this lavishly illustrated book, Eco explores “lands and places that, now or in the past, have created chimeras, utopias, and illusions because a lot of people really thought they existed or had existed somewhere.” From Atlantis to Camelot, 21B Baker Street to Dracula’s castle, he contemplates why these places are invented and why our imaginations have embraced them. The more than 300 color illustrations range from the canvases of Bosch, Rossetti and Magritte, to illustrations by Arthur Rackham and N.C. Wyeth, to movie stills and book jackets. At once intellectually stimulating and visually stunning, The Book of Legendary Lands is a distinctive gift for the serious reader.

BOOKS INTO ART

Some book lovers may shudder at the prospect of their precious books being “altered, sculpted, carved, and transformed” into something other than, well, books, but there can be no denying that the creations made by artists and displayed in Laura Heyenga’s Art Made from Books are dazzling to behold. Twenty-seven artists who use books as their primary material have fashioned everything from jewelry to chess sets out of all different kinds of books. Some, like Cara Barer, transform the books themselves into sculptural objects, while others, such as Jennifer Collier, make mock household items like shoes and knives. Alex Queral carves celebrity faces into phone books. Better seen than described, Art Made from Books is whimsical and inspirational, and begs the question—could any of these gorgeous artworks be made with e-readers?

ILLUMINATING THE DARKNESS

From its very title, Joseph Conrad’s masterwork, Heart of Darkness, conjures the murky jungle of the Congo and Marlow’s dark passage deep into the human psyche. But, in the arresting artwork by Matt Kish in this new illustrated edition of the classic (a follow-up to his art-enhanced edition of Moby-Dick), there is as much light as darkness. When he was contemplating how to convey the story pictorially, Kish realized that “Conrad’s Africa, the scene of so much death, so much killing, so much horror, would not be a dark place in the literal sense.” The 100 drawings are awash with bright acid greens, diseased yellows and blood reds. The haunting images have a Day of the Dead quality, with skeletal figures and skull-like faces. The effect is at once unsettling and compelling, inviting readers to consider a fresh interpretation of this ageless, seminal work.

TALE OF A BELOVED GARDEN

Beatrix Potter’s first and most famous book originally bore the longer title of The Tale of Peter Rabbit and Mr. McGregor’s Garden, and as Marta McDowell makes abundantly clear in her lovely book, Beatrix Potter’s Gardening Life, the lure of the garden was an essential aspect of the writer’s life. Potter bought her beloved Hill Top Farm, in England’s Lake District, when she was nearly 40, and in time transformed it into her own version of paradise. This volume is a cornucopia of delights for anyone who shares Potter’s love of gardening, as well as those who simply love her enduring work. McDowell provides a congenial biography of Potter as observed through the prism of her gardens, and follows her through a year in the garden. There is valuable information for travelers planning to visit not only Hill Top, but also other English gardens that shaped Potter’s horticultural passions, and an appendix that details all of the plants Potter grew and those she featured in her books. Copiously illustrated with photographs and Potter’s own drawings, this charming work is a must for the book-loving gardener or garden-loving bibliophile.

COLLECTING THE COLLECTIVE

A Circus of Puffins? A Shiver of Sharks? What lover of words doesn’t relish the cleverness of collective nouns? A band of four friends who form Woop Studios (two of whom were graphic designers on the Harry Potter movies) offer the dazzling, richly colorful A Compendium of Collective Nouns. From an Armory of Aardvarks to a Zeal of Zebras—and everything in between—they have compiled some 2,000 examples. Full-page, full-color illustrations with a cheery retro feel are supplemented with dozens of smaller pictures scattered throughout the text. A Charm of Words to delight logophiles, for sure.

WHAT THE DOCTOR ORDERED

As a reader, you probably already know that books can be good for what ails you. Ella Berthoud and Susan Elderkin have taken this notion to the logical next step with The Novel Cure. Modeled on a home medical handbook, this witty compendium prescribes just the right book—751 different remedies in all—to combat both physical and psychological disorders. Lost your job? Read Bartleby, the Scrivener or Lucky Jim. Nauseated? Try Brideshead Revisited (if not for Sebastian’s nausea, the authors point out, Charles Ryder would never have gone to Brideshead). The Debt to Pleasure will help the gluttonous, and Crime and Punishment will help assuage guilt. For ailments without a simple cure—the common cold, fear of flying, snoring—the authors supply lists of the 10 best books to get you through.

If you’re looking for something out of the ordinary for the bibliophiles on your list, here’s a collection of notable new releases that includes books about books, artwork made from books, a richly illustrated classic and more. Because books really do make the best gifts!

The…

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Best-of collections and one-of-a-kind compilations are as abundant as twinkling lights this time of year, and we’ve rounded up a few of the best new volumes. Mysteries, poetry, witticisms, mythology and more—there’s something for all kinds of readers.

Whether writing about the intrusiveness of email or the futility of the war we all wage against aging, Nora Ephron infused her essays with a confidential tone—a comforting, we’re-all-in-this-together quality that made the reader feel select. Ephron, who died last year, was a writer of extraordinary range, a journalist, novelist and author of screenplays who also blogged regularly for The Huffington Post. Her many dimensions are generously represented in The Most of Nora Ephron, an expansive new collection that, once dipped into, quickly becomes addictive.

Along with choice cuts from her acclaimed collections I Feel Bad About My Neck and I Remember Nothing, the book includes Ephron’s best-selling novel, Heartburn; the never-before-published play Lucky Guy; and the complete screenplay of When Harry Met Sally. . . . What’s not to like about this terrific anthology? As a compassionate commentator on the absurdities of everyday experience, Ephron is unrivaled. To read her is to love her.

MERRY LITTLE MYSTERIES

Otto Penzler, the prime minister of crime fiction, delivers the goods once again with his latest anthology, a collection of holiday whodunits that’ll have you eyeing the department-store Santa with suspicion. The Big Book of Christmas Mysteries is the 12th discerningly curated collection from Penzler, who owns the Mysterious Bookshop in New York City.

The book features 60 Christmas capers, including a number of forgotten and hard-to-find chestnuts. Penzler has sorted the stories into clever categories—pulpy, scary, classic, uncanny . . . the list goes on (who knew that Christmas was such a prime time for crime?)—and the result is a well-rounded anthology that represents the many facets of the mystery genre. There are old-fashioned tales of Sherlockian sleuthing, dark noir dramas and unsettling yarns along the lines of A Christmas Carol. With contributions from Agatha Christie, Damon Runyon, Donald Westlake and Mary Higgins Clark, Penzler’s new compilation is a future classic. Can you crack these Christmas cases? We dare you to try.

THE CLASSICS + GRAPHICS

There’s no denying it: College skirmishes with the masterworks of modern literature left many of us permanently scarred. Fortunately, a corrective has arrived. An extraordinary anthology of art inspired by prime pieces of literature, The Graphic Canon, Vol. 3: From Heart of Darkness to Hemingway to Infinite Jest will make readers forget old grievances and contemplate the classics anew. 

This remarkable anthology—the third in a series created by visionary editor by Russ Kick—focuses on 20th-century literature and features art by more than 70 contributors. It contains graphic adaptations of both time-tested works (“The Waste Land,” Ulysses) and contemporary fare (The Wind-Up Bird Chronicle). High points include Dame Darcy’s hallucinatory take on Blood Meridian: stark, black-and-white drawings that accurately capture the fever-dream quality of Cormac McCarthy’s classic; and selected scenes from Infinite Jest, a group of colorful, in-your-face outtakes by Benjamin Birdie that serve as teasers for David Foster Wallace’s monumental work. A heady trip through the land of high literature, this mad, inspired anthology is sure to lure new readers to the canon while arousing curiosity in those already acquainted with it. 

AN AMERICAN COLLECTION

The latest entry in the much-praised poetry series that started 25 years ago, The Best American Poetry 2013 is a can’t-go-wrong-with-this gift for the literature lover on your list. Guest editor Denise Duhamel, herself an acclaimed poet, chose 75 pieces for this powerful new collection, and many of them articulate unmistakably native mindsets. Stephen Dunn’s bull’s-eye observation that Americans “like to live in the glamour between exaltation and anxiety” is one of many revelatory moments in his poem “The Statue of Responsibility.”

Other selections evoke a distinct sense of place. Emma Trelles’ vivid “Florida Poem” describes the humid, overripe environment of her home state: “ Gardenias swell, / breathing is aquatic and travel / is a long drawl from bed to world.” War—perhaps unsurprisingly—is also a recurring theme in the book. Sherman Alexie’s chilling “Pachyderm” features a Vietnam veteran confined to a wheelchair that’s “alive with eagle feathers and beads and otter pelts” and who has lost a son in Iraq.

A contemporary chronicle of the American experience, this visionary collection also includes poems by Kim Addonizio, Billy Collins, Louise Glück, James Tate, Kevin Young and the late Adrienne Rich.

Here’s to another 25 years of amazing poetry!

ANCIENT STORIES REBORN

In the intriguing anthology xo Orpheus: Fifty New Myths, Aimee Bender, Heidi Julavits, Kevin Wilson and a host of other notable writers re-imagine timeless tales from around the world. Edited by Kate Bernheimer, the collection presents ingenious retellings of a wide range of archetypal narratives, from ancient coyote myths to the story of the Trojan Horse to the tale of Sinbad the Sailor.

Newly interpreted, these classic stories take on fresh resonance for the reader. In “Demeter,” Maile Meloy modernizes the well-known myth, setting it in present-day Montana and giving the heroine a pharmaceutical habit and an ex-husband named Hank. Joy Williams spins an unforgettable yarn from the perspective of Odysseus’ loyal dog in “Argos,” while Elizabeth McCracken updates the terrifying Greek tale of a child-eating demon in “Birdsong from the Radio.” This one-of-a-kind collection serves as a testament to the open-endedness and staying power of great stories—and also to the world’s enduring hunger for them.

Best-of collections and one-of-a-kind compilations are as abundant as twinkling lights this time of year, and we’ve rounded up a few of the best new volumes. Mysteries, poetry, witticisms, mythology and more—there’s something for all kinds of readers.

Whether writing about the intrusiveness of email or…

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If you’re reading BookPage, it’s a safe bet that at least someone on your holiday shopping list will be unwrapping a book this season, but it can be hard to match the perfect selection to its ideal reader. For your consideration, here are a few fascinating and quirky books that are sure to delight the right recipient.

Photographer Christopher Boffoli places tiny human statues amid food and creates a world unlike any other in Big Appetites: Tiny People in a World of Big Food. Each photo is offset by a caption that’s funny, thoughtful or both. The cover shot of a woman using a push mower to cut lengthy strings of peel from an orange takes on emotional zing inside the book: “It was so like Patty: right idea, wrong execution.” On other pages, impatient commuters wait for a late bus on a stalk of celery, and tourists marvel at a Stonehenge made of Rice Krispies treats. Organized into six courses, from breakfast through dessert plus drinks and a snack, Big Appetites blends the creative spark of single-panel comics with sculpture and photography to create something new and lively. You’ll have cause to laugh and think, and almost surely do a double-take the next time you open the fridge.

VINTAGE PLAYTHINGS

As a kid did you obsessively save your allowance to spend it on My Little Pony accessories? Crack open a Magic 8-Ball to see if the fluid inside was Windex? Or were you obsessed with the board game Mousetrap and its infuriatingly breakdown-prone 3-D board? If any of this rings a bell, you’re going to love Toy Time!. Author Christopher “The Toy Guy” Byrne highlights toys from the 1950s through the ’80s, looking at how they worked, what drove their popularity, and where they ended up. Many, from Crayola crayons to Play-Doh, LEGO blocks and Silly Putty, have endured and are still beloved. Some toys fell out of favor due to user injuries that may have been real, but might also have been the stuff of urban legend. While plastic “clackers” likely did cause a number of bruises, Byrne notes that there are still places to buy them online. (He covers himself by adding, “If you go there, you’re on your own.”) The gorgeous layout and glossy photos on retro pastel backdrops make every page pop, and Byrne’s thorough research and gum-snapping take on these treasures make for a fun time. Read it to your G.I. Joes on a frosty afternoon while baking something tiny in your Easy-Bake Oven.

BEHIND CLOSED DOORS

The Secret Museum takes readers into museums the world over, but not the parts that are open to the public. The treasures on display here are archived out of public view, but author Molly Oldfield gained access and got the skinny on these “secret” items. A Gutenberg Bible printed on vellum (calfskin) in New York City’s Morgan Library & Museum seems a sensible thing to keep out of harm’s way, but why is the New York Public Library bogarting a letter opener made from the paw of Charles Dickens’ cat? Oldfield, host of the BBC program “QI” (Quite Interesting), turns to the experts to place these items in historical context. As a result, The Secret Museum is chockablock with fun facts and trivia about everything from native Brazilian religious customs to Queen Victoria’s dental fetish. It’s a world tour and gazetteer in one, and a fine place to get lost for a day or two.

BURNING QUESTIONS

Would you rather read a book that educates and entertains, or one that provokes serious contemplation? If the latter is your cup of tea, here’s good news: The Book of Questions is back, in a revised and updated edition. The basic format’s the same—it’s literally a book with a question on each page—but the ethics and morals probed now reflect the impact technology has had in the 25 years since the book’s first appearance. Author Gregory Stock includes follow-ups below some questions for deeper rumination; after asking about the most outrageous thing you’ve ever done, there’s this: “Do you wish you’d been more or less cautious in your life?” The Book of Questions is a quick icebreaker when passed among new friends, but it can also take established relationships much deeper. You can read the book in order, tackling a question each day, or simply open at random and see where it leads you.

If you’re reading BookPage, it’s a safe bet that at least someone on your holiday shopping list will be unwrapping a book this season, but it can be hard to match the perfect selection to its ideal reader. For your consideration, here are a few…

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“High priestess of fashion” Diana Vreeland may have transformed Vogue into the bible of contemporary American style, but she is also known for her way with words. In Diana Vreeland Memos, Vreeland’s grandson Alexander has collected more than 250 memos and letters from her nine years as Vogue editor-in-chief to reveal the woman through her own voice. Nine chapters focus on Vreeland’s strengths and passions, from her management style to her vision of the future. Each chapter opens with notes from Vogue editors who worked with Vreeland, and images from Vogue complement the text. There is humor here, as in one particularly concerned note: “The sticky situation with fringe is, of course, extremely serious.” There is poetry as well, as in a short memo on the world’s “hidden anger,” manifesting itself on our skin and in our hearts. Who would have thought that glorified Post-Its would be this interesting? Memos is surprisingly appealing as an intimate look into the frivolity, vision and creativity of Vreeland’s Vogue.

NOT SUGAR AND SPICE

From the “shiny happy ladies” of Jezebel.com comes The Book of Jezebel, an encyclopedic guide to “lady things,” providing insightful and hilarious commentary on pop culture, politics, history and just about everything relating to women. This A-to-Z compendium of feminist “fact and opinion” contains more than a thousand entries ranging from abortion rights to zits, and is accompanied by funny, often shameless photographs and illustrations. There are also full-page taxonomies of nice guys and famous spinsters, the Periodic Table for your period, a brief history of pants and quite possibly the most accurate depiction of a tube top in all of recorded history. This book is serious fun, whether you’re flipping quickly for a snort-worthy one-liner (from the definition for librarian: “[I]n popular culture, a quiet brunette with glasses, hiding a slammin’ body and a libido set to eleven under that cardigan and tweed skirt”) or want to dig into the bio of a fearless performance artist.

HOMESPUN TALES

Knitting is no longer Granny’s game. Writes Ann Hood, author of The Knitting Circle and editor of Knitting Yarns: “Knitting is hot, and shows no signs of cooling.” During a period of great loss, Hood found a way to cope with her grief through knitting’s calming, steady rhythm. But that’s only Hood’s story, and in Knitting Yarns, she has collected original essays (and one poem) from 27 best-selling and beloved writers. Some are practical, like Sue Grafton’s “Teaching a Child to Knit,” while others tell stories of pain and hope, like Ann Patchett’s “How Knitting Saved My Life. Twice.” Others trace the bonds between mothers and daughters, as with Joyce Maynard’s “Straw into Gold.” And after reading, you can knit some super-cute fingerless gloves using one of the six knitting patterns included in the book.

LADIES OF LITERATURE

We all remember the first time we read about Catherine Earnshaw falling irreparably in love in Wuthering Heights or about Edna Pontellier approaching the water in The Awakening. We remember how our favorite female characters transformed us, terrified us and enchanted us. Painter Samantha Hahn shares her own vision of 50 of literature’s most beloved heroines in Well-Read Women. Hahn’s watercolor paintings, each accompanied by hand-lettered quotations, evoke the tragedy, fierceness or innocence of characters ranging from Anna Karenina to Jane Eyre. Anne Shirley from Anne of Green Gables holds the reader’s gaze, while Little Women’s Jo March couldn’t be bothered to put her shoes on. Other women nearly vanish into the soft bleed of watercolor, as with Middlemarch’s Dorothea Brooke, who is little more than the silhouette of her chin and one clever eye. Both a collection of striking artwork and classic quotations, Well-Read Women is a visual and literary delight.

AT HOME WITH LAUDER

Luxury and comfort blend perfectly in the gorgeous Beauty at Home. Aerin Lauder, granddaughter of Estée, takes readers into her office and her homes in Manhattan and the Hamptons to share classic inspiration from every inch of her life. Books this beautiful often feel dominated by the fantasy—who has the time or the money? But with Beauty at Home, Lauder tempers her extravagance with down-to-earth suggestions for mac’n’cheese and hostess gifts. Her boys’ rooms look refreshingly livable, with their artwork proudly displayed on the walls. After all, Lauder is a working mom, and while she clearly lives in a dream world, she still provides readers with the sense that clean simplicity can be incorporated into any woman’s life, no matter how busy. Lauder is as inspiring and savvy as her grandmother, but with a contemporary twist.

DANGEROUS HOUSEWIVES

The original bad girls of psychological suspense come together in Troubled Daughters, Twisted Wives, an anthology of 14 short stories edited by Sarah Weinman. From the 1940s through the ’70s, long before thriller fans fell in love with haunting tales by Gillian Flynn and Tana French, a generation of now-unknown female writers turned the male-dominated crime fiction genre into a stomping ground for stifled wives exploring their desperate domestic situations. Weinman introduces the stories with a fascinating history of female mystery writers and their connections to both the feminist movement and the evolution of the genre. These writers transformed ordinary life and “pesky women’s issues” into slow-burning thrillers that not only entertained but also announced a voice for the women of the mid-20th century.

This holiday season, make her laugh, make her cry or make her think. But certainly make her curl up with a great book.
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The 2013 holiday season brings a choice selection of gift books that appear tailor-made for basic male interests. Football? Comic books? Bikini-clad supermodels? Somebody’s dad, brother, husband or uncle is going to be very pleased this year.

The only gift item here devoid of pictures is The Book of Men: Eighty Writers on How to Be a Man. Curated by novelist Colum McCann, the editors of Esquire and Narrative 4—a literary nonprofit launched last spring—this collection features fairly offbeat, often unbelievably terse contributions that aim to shed light on male identity and behavior. Most of the writers are men—some well known, others not so much—but women are represented as well. The latter group includes Amy Bloom, who serves up a charming slice-of-life tale about a white man of modest means in romantic pursuit of a black jazz singer 20 years his junior. James Lee Burke, Salman Rushdie and former NYPD cop Edward Conlon are just a few of the many male contributors, with material touching on sexuality, war, ethics, race and the manly struggle for emotional growth.

FUNNY GUY

Photographer Matt Hoyle’s Comic Genius: Portraits of Funny People is one of the most appealing photo books in recent memory. After drawing up a wish list of his favorite comedians, Hoyle invited each of them to collaborate in a creative photo shoot that produced animated, often hilarious portraits. Ninety comedy icons are represented, including Steve Martin, Jim Carrey, Tina Fey, Mike Myers, Conan O’Brien, Eddie Murphy, Robin Williams, Mindy Kaling, Kristen Wiig and Steve Carell, plus legendary vets like Don Rickles, Joan Rivers and Mel Brooks. There’s also a welcome shot of the late, great Jonathan Winters. Produced in close studio quarters, these portraits capture less about the comedians themselves and more about their individual comedic styles.

MY HERO

Any guy who’s been keeping an eye on the PBS series “Superheroes: A Never-Ending Battle” will doubtless be enthralled by its companion volume, Superheroes! Capes, Cowls, and the Creation of Comic Book Culture. This rich history of the rise and development of the American comic book industry is written by NYU arts professor Laurence Maslon in collaboration with the documentary’s filmmaker, Michael Kantor. The book features interviews with the artists and writers responsible for conceiving and crafting comic books through the decades—especially in the popular superhero genre. Plus, there are hundreds of full-color illustrations that lead the reader through the Depression-era origins of the art form and on to its expanding pop culture importance. There’s also a good deal of material on how comic book art has changed with the times, reflecting war, social upheaval and shifting artistic tastes.

FOURTH AND GOAL

Produced under the auspices of the Library of Congress and with sharp text by writer Susan Reyburn, Football Nation: Four Hundred Years of America’s Game takes its place as an essential popular sports history. A surefire gift idea for that couch-potato football guy, this book deftly melds social history with a super-fan’s sensibility about great modern-day players and auspicious moments on the field. Coverage is comprehensive, from the sport’s nascent development in rural Colonial times, to its growth in colleges in the late 19th century, through its eventual explosion as a billion-dollar professional pursuit. The feast of archival material includes photos, drawings, reproduced magazine and newspaper excerpts, cartoons, advertising and more. This one should be under the Christmas tree just in time for the NFL playoffs.

MADE BY HAND

Even in our highly computerized modern world, there remains a deep respect for hands-on craftsmanship. With that in mind, photographer Tadd Myers set out for mostly rural outposts where dedicated men and women still rely on manual labor to achieve great things. The result is Portraits of the American Craftsman, a rare pictorial journey across America, with Myers visiting 30 small studios and workshops where handmade items such as hats, pipes, surfboards, knives, rifles, gun holsters, banjos, boots and brooms are lovingly produced by old-fashioned artisans. Small-town Texas and Vermont get paid multiple visits, as do Chicago and Nashville, and one surprising journey takes Myers to Colorado, where Billings Artworks metallurgy shop hand-renders each and every Grammy Award. Text by Eric Celeste provides background on these old-school industries and explains how the work is actually done.

COVER GIRLS

Finally, there is Sports Illustrated Swimsuit: 50 Years of Beautiful, a doorstopper of a volume that is loaded with personal testimony and historical narrative about Sports Illustrated’s famous swimsuit issues, as told by the editors, photographers and models who made it happen. It’s no surprise, however, that the engaging text is blown away by the gorgeously printed photos, which capture the moments when cover girls such as Cheryl Tiegs, Elle Macpherson and Heidi Klum moved from mere models to international icons. A subsection focuses on athletes as models (Danica Patrick, Lindsey Vonn), including husband-wife teams, notably golfer Phil Mickelson and his bikini-clad better half, Amy, in a charming 1998 shot that predates Phil’s rise as PGA great and the couple’s heroic, public battle with Amy’s breast cancer. The ladies emerge as timeless stunners, but so does this richly designed book, which celebrates glamour photography and SI’s commitment to doing it with class for half a century.

The 2013 holiday season brings a choice selection of gift books that appear tailor-made for basic male interests. Football? Comic books? Bikini-clad supermodels? Somebody’s dad, brother, husband or uncle is going to be very pleased this year.

The only gift item here devoid of pictures is…

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