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If you want to take your children to an exotic planet and show them alien monsters worthy of Jurassic Park, you don't need to go back in time or book a family jaunt to Alpha Centauri. You don't even have to visit a movie theater. All you need to do is aim a magnifying glass at any insect on its home turf. Grains of sand become boulders; mosses tower like Cretaceous ferns; and wonderful, terrible creatures prowl for prey.

Four recent books for young children—three nonfiction and one story—capture this Lilliputian world in all its glory. The largest, bearing a frightening close-up of a grasshopper's big-eyed face, is Theresa Greenaway's Big Book of Bugs. In this oversized hardback, children will learn some fascinating tidbits queen bumblebees frequently nest in the abandoned burrows of voles (common mouse-like rodents); even the tiny shield bug has enough maternal instinct to guard its own children; the water boatman clings upside down to the surface film of ponds. The photo and text about the flower mantis alone are enough to impress the reader. This camouflaged killing machine is a praying mantis whose body is mottled pink and green to blend with flowers, while its front legs resemble an unopened bud. All of the photos, as usual with DK's books, are excellent, lushly textured against crisp white backgrounds.

Another hardback stuffed with color photographs zooms in even more closely and stares bugs right in the eye. Darlyne A. Murawski's Bug Faces. It begins, "Chances are you've seen a bug today." Yes, the odds are good. But you've probably never been this close to them before. All those compound eyes and viselike mandibles can be pretty scary and, for that reason, fascinating. Many children will find this book irresistible.

Slightly older readers will enjoy a paperback that is illustrated with handsome line drawings, Sally Kneidel's StinkBugs, Stick Insects, and Stag Beetles. By examining 21 insects or kinds of insects from burying beetles to army ants, from tsetse flies to the Madagascan giant hissing cockroach Kneidel provides a comprehensive introduction to the insect world. She uses recurring sidebars in categories such as "That's Strange!" and "Why Do They Do That?" to compare various kinds of insects. Perhaps the most fun is each insect's treatment in the category "What You Can See and Do." This is a perfect hands-on way for children to learn how to listen to musical insects such as cicadas and katydids or how to watch for "a parade of ants carrying green parasols." And now for the fiction among the facts. Janell Cannon, author and illustrator of such beloved picture books as Stellaluna and Verdi, is back with a suspenseful and amusing new tail, the story of a cockroach named Crickwing. Barely escaping from a hungry toad, a young cockroach is left with a twisted wing and the nickname Crickwing. (We never learn what his name was before his disfiguring accident. Bob? Irving?) Despising his nickname, he becomes reclusive, avoiding his acquaintances and spending his time creating sculpture out of parts of plants. A root here, a leaf there and voila another Crickwing masterpiece. As always with Janell Cannon, the illustrations made with acrylics and colored pencils on illustration board are splendid, bursting with color, life and energy. No wonder both children and adults love her books.

At first Crickwing is not a pleasant fellow and seeks revenge on creatures smaller than himself. In time, of course, like a certain glowing-nosed reindeer and other misunderstood outcasts, Crickwing redeems himself and turns his talent to the good of his comrades. The most realistic aspect of this book might be Crickwing's constant near-death experiences with monkeys, ocelots and other creatures determined to either eat him or torment him. The lesson of all of these insect books is clear: It's a jungle out there.

And these books also pose a question: Are entomologists just children at heart, people who never lost their fascination with insects? Or are children natural-born entomologists who eventually lose their sense of wonder and become accountants?

If you want to take your children to an exotic planet and show them alien monsters worthy of Jurassic Park, you don't need…

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Mother’s Day (or Mothers’ Day, if you have more than one) is the aw-shucks holiday of choice for young children. Teachers go crazy with big colorful cards, painted flowerpots and handprints pressed onto everything that is not nailed down. And the books! Around February, books about mothers start arriving and this year is no exception. Don’t miss these particularly stellar offerings celebrating mothers and their families.

NO ONE LIKE MOM

In the sweet department, we have There’s No One I Love Like You by Jutta Langreuter and illustrated by Stephanie Dahle. Brayden Bunny loves his mom but bristles at some of her rules. When she lets him know it's time to get out of bed, he wishes aloud that he could go and live with his friends. His mother overhears, and soon Brayden tries living at a number of his friends’ houses. Missy Mouse’s house is fun—but messy. The Badger family smells of unwashed badgers. The Squirrel family lives so high up that Brayden instantly knows it will not work out. He loves being with Auntie Grace, but still . . . something is not right. What is missing? Of course, it’s Mommy Bunny’s big hug and her special way of scratching his ears. Dahle’s sweet watercolors, filled with the kinds of details that will invite young readers to slow down and explore, elevate this story beyond the expected. On one spread, the text page is framed with daisy fabric which careful observers will see again on the opposite page as the rug under Brayden’s bed. Lettuce lamps adorn the living room, and Easter eggs hang from the children’s room. This charmer is sure to become a family favorite.

A CLASSIC LULLABY

More sophisticated, but no less loving, is Sean Qualls’ treatment of Langston Hughes’ poem Lullaby (For a Black Mother). Collage and watercolor play well together here, inviting little ones to sleep while introducing them to the poetry of Langston Hughes. Qualls’ palette is calm and filled with overlapping circles, mirroring the repeating nature of the poem itself. The mother is front and center, wearing her lace dress, collaged with words from books. She is always looking right at her beloved diaper-clad baby, which is just where children expect their mother's gaze to fall. I especially loved the winding musical notes with the chubby baby singing in delight. The repeating words, displayed in a pleasing, stylized large font, will invite older brothers and sisters to read right along with baby—always a plus!

MOMS IN THE MILITARY

When I saw Melinda Hardin's Hero Mom, I thought, “Finally, someone has written about mothers in the military.” Magazines and newspapers have been running stories about women in combat, but there has been little to offer for children, who are impacted so much. In this companion book to her earlier Hero Dad, Hardin addresses the issue through the straightforward voice of children. Without much fanfare, the children talk about their mothers as superheroes. Six children, holding six photographs of moms in uniforms, are the narrators of this winning book. The moms fly planes, build buildings, fix and drive trucks, aid the injured and lead a battalion. We see the modern face of the army where moms video chat with their children, taking a little of the pain out of deployment. The children and mothers are painted wearing their uniforms, and both the soldiers and their children are from no particular ethnic group, making this universally appealing. Simple. Direct. Honest. Just like these soldiers.

GIFTS FOR HER SPECIAL DAY

A funny take on Mother’s Day will keep the youngest listeners chuckling and making up their own ideas about What Not to Give Your Mom On Mother’s Day. Martha Simpson and illustrator Jana Christy introduce a sassy little boy with red rainboots and hands on his hips who's ready to let the reader know what Mom does not want for her big day. The fun starts with “Do NOT give her a bucket of big, fat worms . . . unless she is a bird.” The pages that follow are a recitation of a number of items that would work just fine for a dog or spider or salamander with hilarious mixed media illustrations. The mother can hardly contain her glee and later, horror, as her little boy suggests more and more unexpected gifts. Little ones will treat this book as a riddle book, and parents will enjoy making them guess at the punchline on each page. Just hope your children don’t bring you a bucketful of mosquitoes . . . unless you are a bat!

DON'T MESS WITH MOM

The world’s most protective squirrel lives in a heart-shaped hole in the city in David Ezra Stein’s newest offering, Ol’ Mama Squirrel. With a loud “Chook! Chook! Chook!” she lets any creature know that she will protect her babies. It’s hard not to laugh when Stein draws Mama with so many menacing faces and stances, her little arm raised in a fist to scold a dog that got too close or let an airplane know who’s in charge. It's as if she is channeling the classic old man chasing kids off his lawn, only funnier. Readers will see Mama from multiple perspectives, demonstrating that she is always on the job. When one HUGE grizzly bear tries to move in on Mama’s territory, it looks like she might have finally met her match. The babies’ eyes, poking out of their hole, show terror, but Mama knows just what to do. When all the mama squirrels get together to beat back the interloper, the little ones will know for sure that they are always safe as long as their mother is there to protect them! Ink, watercolors and crayons come together in a loose, energetic style, and I know I will never look at squirrels at the park quite the same way again! Chook! Chook! Chook!

Mother’s Day (or Mothers’ Day, if you have more than one) is the aw-shucks holiday of choice for young children. Teachers go crazy with big colorful cards, painted flowerpots and handprints pressed onto everything that is not nailed down. And the books! Around February, books…

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Father’s Day 2013 brings with it memoirs, nostalgia pieces, books on child-rearing (specifically from Dad’s POV) and also interesting volumes related to golf’s singular, imaginative hold on the father-son bond. We can’t review every item that made it over the transom, but here’s a sampler of our favorites.

SEEKING TO UNDERSTAND

In an epic mix of sprawling journalism and personal memoir, veteran magazine writer Stephen Rodrick presents The Magical Stranger: A Son’s Journey into His Father’s Life, in which he searches for clues to the mystery of his dad, a U.S. Navy pilot who crashed into the Indian Ocean in 1979 during maneuvers that were part of America’s response to the Iranian hostage crisis of that year. Rodrick, only 13 at the time, here acknowledges the resulting emotional gaps and confusion in his family’s life, and sets out to grapple with his own dysfunction while also investigating his father’s past to gain perspective on the man and on the military lifestyle in general, especially as it affects spouses and children. Rodrick’s approach is nothing if not frank, and at the risk of alienating those he loves, he emerges triumphant, purging some personal demons and seeming to gain a better understanding of what family means.

There are some interesting thematic similarities to Rodrick’s work in The Wolf and the Watchman: A Father, a Son, and the CIA, in which former Newsweek foreign correspondent Scott C. Johnson recounts his curiously peripatetic upbringing and makes an effort to understand his father and his unlikely profession. It wasn’t until he was a teenager that Johnson learned his dad was a CIA agent. Looking back, Johnson recounts the veil of deception that always seemed to shroud his father’s attitudes, demeanor and social activities. Questions remain unanswered for years, yet some clarity emerges right before 9/11, when son elicits from father an understanding of his notions of patriotism and morality. Later, while working as an international reporter in places like Iraq and Afghanistan, Johnson begins to find parallels in his own work, mainly in its secretive nature and its reliance on a certain kind of trust. With a scope spanning the Cold War and the war on terror, Johnson’s father-son memoir offers a rare glimpse of family, from separation to hard-won reconciliation.

LIFE ON THE LINKS

In Loopers: A Caddie’s Twenty-Year Golf Odyssey, professional golf caddy turned journalist John Dunn offers an engaging and surprisingly gritty approach to the sport’s literature. Against his father’s wishes, Dunn takes up the life of an itinerant caddy, and this volume essentially covers his episodic, two-decade journey across the U.S. working at golf courses great and small. Dunn makes it inside Augusta National Golf Club, manages to cross paths with celebrities and titans of industry, even travels across the pond to St. Andrews. It’s a gypsy existence that sometimes demands a scrappy persistence and a lot of compromises, yet Dunn’s account makes clear that his “a breed apart” personality is a good match for the vagabond lifestyle, which includes its fair share of fun and adventure. The book comes full circle when Dunn must confront his father’s imminent death from cancer. Closure occurs as the book reaches its poignant end, and golf’s linkage to the relationship between fathers and sons resonates once again.

TWO BIG DADDIES

Actor Steve Schirripa has had some great roles. Formerly the entertainment director of the Riviera Hotel in Las Vegas, he then parlayed his connections there into both TV and big-screen roles, mainly on “The Sopranos” as Bobby Bacala. Fact is, Schirripa is bigger than life. And while his new book, Big Daddy’s Rules: Raising Daughters Is Tougher Than I Look, written with Philip Lerman, definitely has a tongue-in-cheek feel to it, the tough-guy approach he espouses to child-rearing is heartfelt and refreshingly commonsensical. For Schirripa, it’s about protection—plus it’s his conviction that when parents assert an authoritative stance, kids will push boundaries more reasonably (and hence maybe end up with fewer tattoos!). This is parenting the old-school way, laced with tales from the trenches and committed advice on how to bring kids through the tough years, including discussion of topics like dating and sex, drinking and drugs, the value of money and hard work, and more.

“Today, big families are like waterbed stores; they used to be everywhere, and now they are just weird.” So says popular comedian and actor Jim Gaffigan, the author of Dad Is Fat but more tellingly the father of five young children, who, as of this writing, live with him and his “very fertile wife, Jeannie” in a two-bedroom apartment in New York City. Unsurprisingly, Gaffigan’s new book reads like one big extended stand-up routine about family life in general and the challenges of parenting a large brood in particular. Fans of the author’s sharp, dry wit will definitely be amused. The book is peppered with warm, candid photos of Gaffigans young and old.

AN AMERICAN ICON

Finally, there’s John Wayne: The Genuine Article, a coffee-table book suitable for the movie legend’s fans. Wayne was a dad, of course—son Ethan provides the preface here—and certainly was an authoritative film figure who epitomized the rugged American male. Michael Goldman’s text offers a welcome rundown of Duke’s life, from his almost accidental entry into the movies to his iconic rise in celluloid and later status as patriotic figure, with concluding chapters sharing a glimpse into Wayne’s personal moments and memories as a father. The plentiful graphic material includes reproductions of rare personal documents, family photos, letters to and from Hollywood stars and politicians, shooting-script excerpts from various Wayne flicks and other memorabilia.

Father’s Day 2013 brings with it memoirs, nostalgia pieces, books on child-rearing (specifically from Dad’s POV) and also interesting volumes related to golf’s singular, imaginative hold on the father-son bond. We can’t review every item that made it over the transom, but here’s a sampler…

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War is a complex subject with many aspects to explore, but one thing is clear: It makes for good books. Four new releases examine the American experience in three wars through the remarkable stories and objects that survived them.

A GENERATION PASSES

Richard Rubin (Confederacy of Silence) roamed the country to interview The Last of the Doughboys, the only surviving American veterans of World War I. Just a few dozen of them remained when he began his research, including a man who transferred bodies to Meuse-Argonne American Cemetery and another who regretted not serving in combat. Though not all of the subjects are chatty, their remembrances give Rubin the opportunity to provide dignity to the elderly and show how a simpler time was actually quite complicated.

Rubin reminds us that 1.3 million men were killed in just one battle, the Somme. The era of WWI saw segregation as the norm, as well as the marginalization of women, who could not serve in combat. Immigrants were a significant presence in America, but the culture of the day was to support the U.S.—or else. Those are among several themes explored by Rubin, who is so determined to detail the battles and tasks of his interview subjects—while discussing other topics such as the challenges of interviewing 100-year-olds—that he’s nearly foiled by his own ambition. Still, he manages to fashion a nice ode to a generation whose role in shaping modern-day America is fading from public consciousness.

HITLER’S ART HEIST

Robert M. Edsel’s Saving Italy examines the United States’ attempt to save valuable artistic works in WWII-ravaged Italy. Bombings and gunfire were not the only threats: The Nazis were smuggling art from various Italian cities, including works by the most famous artists of the Renaissance. Salt mines in Austria were converted into a hideout for thousands of pieces of art, some of which belonged to Adolf Hitler himself.

Saving Italy works best in showing how a picture is worth more than a thousand words. For the Nazis, the paintings and sculptures were spoils of war. For the Italians, art was a crucial part of their history, one that the Americans recognized. Out of that concern rose “a new kind of soldier charged with saving, not destroying, what lay in the path of the conquering army.” Among these soldiers were the book’s two protagonists, “Monuments Men” Deane Keller and Fred Hartt.

Though some readers may grow impatient with the book’s structure, which loads the story with a detailed accounting of military strategy (including the Nazis’ surrender), Edsel tells a readable and ultimately triumphant story.

WRONG PLACE, WRONG TIME
Junius and Albert’s Adventures in the Confederacy: A Civil War Odyssey possesses the juiciness of a beach read. Peter Carlson’s excellent book covers the plight of two reporters from the New York Tribune, Junius Browne and Albert Richardson, who were captured by Confederate troops in the Battle of Vicksburg.

Since both men were non-military personnel, they were quickly paroled. But getting released was another matter entirely. Because the Confederacy so loathed the Tribune and prisoner exchanges between the North and the South had stopped, Browne and Richardson were stuck in purgatory. After 20 months, escape on foot and horseback to Union territory near Knoxville, Tennessee—a 340-mile journey laden with potential enemies—was their only option.

Carlson works with wonderful efficiency, describing the political and social environment both men faced but never losing sight of the story and its momentum. The writing is compact and vivid as readers are escorted to the hell both men endured. “Freezing rain fell all night,” Carlson writes, “and in the morning the corpses piled outside the dead house glistened with a thin coating of ice.”

THE WEIGHT OF HISTORY
I’m guessing the New-York Historical Society doesn’t have corpses, but it probably has everything else. The Civil War in 50 Objects, written by Civil War historian Harold Holzer, is a fantastic museum tour of a book. Fifty items out of the Society’s nearly one million Civil War items are presented in mostly chronological order. Holzer provides historical background and context for each piece, which range from a pike used by John Brown’s freedom fighters to a footlocker belonging to Lt. Col. William H. Paine of the Fourth Wisconsin.

The beauty of the book is its format. Readers familiar with the Civil War can head to an item of particular interest—as a reformed beat reporter, I flipped right to the prison newspaper—while casual readers will enjoy an inviting atmosphere for a historically intimidating subject. With such an effective strategy, it’s no wonder that Holzer is an editor. Perhaps he should have been a general.

War is a complex subject with many aspects to explore, but one thing is clear: It makes for good books. Four new releases examine the American experience in three wars through the remarkable stories and objects that survived them.

A GENERATION PASSES

Richard Rubin (Confederacy of Silence)…

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Is there anything more nerve-racking than publishing a first novel? For authors and publishers alike, it’s a nail-biting moment of sink or swim. Here are 10 debuts from the year (so far!) that signal the start of promising careers.

THE HOUSE GIRL
By Tara Conklin
For fans of: Tracy Chevalier, Kathryn Stockett, Geraldine Brooks
First line: “Mister hit Josephine with the palm of his hand across her left cheek and it was then she knew she would run.”
About the book: The stories of a runaway slave and a modern-day lawyer intersect in a quiet, emotional and thought-provoking tale.
About the author: Conklin worked as a corporate lawyer before moving to Seattle with her husband and children to write this novel.
Read more: Interview from our February issue.

GHOSTMAN
By Roger Hobbs
For fans of: Michael Connelly, Robert Crais, Dan Brown
First line: “Hector Moreno and Jerome Ribbons sat in the car on the ground level of the Atlantic Regency Hotel Casino parking garage, sucking up crystal meth with a rolled-up five spot, a lighter and a crinkled length of tin foil.”
About the book: This thrilling heist novel is full of nonstop action and includes incredible detail on everything from casino operations to armored cars—as well as an unforgettable, amoral antihero.
About the author: Just 24 years old, Hobbs finished the novel while still attending Reed College in Portland.
Read more: Interview from our February issue.

THE SUPREMES AT EARL'S ALL-YOU-CAN-EAT
By Edward Kelsey Moore
For fans of: Maeve Binchy, Terry McMillan, Fannie Flagg
First line: “I woke up hot that morning. Came out of a sound sleep with my face tingling and my nightgown stuck to my body.”
About the book: The 40-year friendship of three women from the small town of Plainview, Indiana, is celebrated in a big-hearted story that’s full of laughs—and inspired by the “smart, and interesting, and not foolish” women in Moore’s own life.
About the author: Moore was an accomplished cellist and college professor when he decided to try writing at the age of 40 (he’s now 52).
Read more: Interview from our March issue.

A CONSTELLATION OF VITAL PHENOMENA
By Anthony Marra
For fans of: Téa Obreht, Adam Johnson, Jonathan Safran Foer
First line: “On the morning after the Feds burned down her house and took her father, Havaa woke from dreams of sea anemones.”
About the book: Set against the backdrop of the Chechen Wars, an exhausted doctor fights to protect a young girl whose father has been taken away by Russian soldiers for a crime he didn’t commit.
About the author: Currently a Stegner Fellow at Stanford University, Marra holds an M.F.A. from the Iowa Writer’s Workshop and has lived in Eastern Europe.
Read more: Review from our May issue.

THE GOLEM AND THE JINNI
By Helene Wecker
For fans of: Susanna Clarke, Deborah Harkness, Michael Chabon
First line: “The Golem’s life began in the hold of a steamship.”
About the book: A golem, a jinni and the evil wizard that links them star in Wecker’s imaginative blend of Jewish and Arabic folklore. The supernatural characters are grounded by the novel’s detailed, vibrant setting in 1899 New York City, where immigrants and wealthy citizens mingle on teeming streets.
About the author: Wecker spent seven years working in the corporate sector before attending Columbia University’s writing program.
Read more: Interview from our May issue.

THE OTHER TYPIST
By Suzanne Rindell
For fans of: Amor Towles, Zoë Heller, M.L. Stedman
First line: “They said the typewriter would unsex us.”
About the book: Rose, a prim and proper typist working in 1920s Manhattan, forms a friendship with mysterious, fun-loving Odalie that borders on obsession. With Rose as its sly and slightly unreliable narrator, this suspenseful story will keep you guessing.
About the author: A former employee of a literary agency, Rindell is finishing up a Ph.D. in modernist literature at Rice University.
Read more: Review from our May issue.

THE EXECUTION OF NOA P. SINGLETON
By Elizabeth L. Silver
For fans of: Lionel Shriver, Gillian Flynn, John Grisham
First line: “In this world, you are either good or evil.”
About the book: We know from page one that Noa is guilty of murder. Silver’s psychologically acute narrative probes the all-important question of why—and provides a breathtaking answer.
About the author: Silver earned her legal knowledge as a judicial clerk and research attorney for the Texas Court of Criminal Appeals. She also has an M.A. in literature.
Read more: Review from our June issue.

THE GHOST BRIDE
By Yangsze Choo
For fans of: Lisa See, Eowyn Ivey, Jamie Ford, Erin Morgenstern
First line: “One evening, my father asked me whether I would like to become a ghost bride.”
About the book: In 1893 Malaysia, Li Lan finds herself betrothed to a ghost—and in love with another man. Her quest for freedom takes her through the land of the dead.
About the author: Choo got a degree in sociology from Harvard before launching her writing career.  
Read more: Interview in this issue.

THE FIELDS
By Kevin Maher
For fans of: Roddy Doyle, Jennifer Haigh, Nick Hornby
First line: “When Jack died I was real young, younger than I am now, and I said, in a temper, that I would never let it happen again.”
About the book: This ambitious coming-of-age story set in 1980s Dublin is told in the memorable voice of Jim Finnegan, the youngest of six in a working-class family.
About the author: From Dublin himself, Maher now lives in England and is a film critic for several papers, including the Guardian.
Read more: Review in this issue.

THE PEOPLE IN THE TREES
By Hanya Yanagihara
For fans of: Donna Tartt, Ann Patchett, Barbara Kingsolver
First line: “I was born in 1924 near Lindon, Indiana, the sort of small, unremarkable rural town that some twenty years before my birth had begun to duplicate itself, quietly but insistently, across the Midwest.”
About the book: Told through the annotated journals of Dr. Norton Perina, this sprawling tale has an old-fashioned feel. Perina has discovered the key to longevity on a remote island—but at what price?
About the author: Yanagihara is an editor for Condé Nast Travel—which explains Perina’s fantastic descriptions of island paradise.
Read more: Review in this issue.

Is there anything more nerve-racking than publishing a first novel? For authors and publishers alike, it’s a nail-biting moment of sink or swim. Here are 10 debuts from the year (so far!) that signal the start of promising careers.

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From New York to Los Angeles and from the White House’s backyard to classrooms across the country, education is weighing on the minds of many Americans. Four new books tackle some of the key challenges that continue to stir debate. Confronting the effects of standardized testing, racial disparity, child poverty, teacher morale and quality teaching, these books offer no-holds-barred accounts of the state of education.

NEVER GIVE UP

Rafe Esquith—who has spent 30-plus years teaching fifth and sixth graders at Los Angeles’ impoverished Hobart Boulevard Elementary School and is known for transforming his students through Shakespearean performances (as depicted in the documentary film The Hobart Shakespeareans)—returns with his signature wit and wisdom in Real Talk for Real Teachers: Advice for Teachers from Rookies to Veterans: “No Retreat, No Surrender!” Esquith’s focus in his fourth book is more on morale than teaching tips. Dividing the book into sections for new teachers, mid-career teachers and classroom veterans, Esquith keeps it real, indeed, as he begins with his best advice: “You are going to have bad days.” Using humorous and memorable anecdotes from his own time in the classroom, he recognizes the isolation, exhaustion, jealousy, blame and guilt that come with teaching and encourages teachers not to give up. Whether discussing out-of-touch administrators, confrontational parents, apathetic students or the current era of high-stakes testing, the best-selling author reminds teachers to choose their character over their reputation and find balance in their professional and personal lives. Ever inspirational, Esquith shows educators that the best teaching is a journey, not a race to the top.

Respect for teachers and higher expectations for students are among the keys to success.

ONE SCHOOL’S PROUD PAST

Once touted as “The Greatest Negro High School in the World” by the NAACP, Dunbar High School of Washington, D.C., was recently categorized as a failing school. Inspired by her parents (both Dunbar graduates), award-winning journalist Alison Stewart traces the school’s path from prestige to decline in First Class: The Legacy of Dunbar, America’s First Black Public High School. Upon its opening, Dunbar became synonymous with academic rigor, graduating such notable alums as Eva Dykes, the first African-American woman to receive a doctoral degree, and Edward Brooke, the first African American popularly elected to the Senate, as well as prominent scientists, artists, musicians, playwrights and civil rights activists. Its faculty included some of the most highly educated black teachers of the era, since Jim Crow laws barred them from working at other institutions. But as the neighborhoods surrounding Dunbar suffered economic and social woes, so, too, did the high school. When the author visited Dunbar, she was staggered to discover the faded glory of a building in disrepair and low-performing students with few dreams of college. Her detailed account of the school’s history firmly situates Dunbar in the broader context of the country’s educational reform and struggle for racial equality. As Dunbar looks to rebuild itself with a new building, new teachers and new students, Stewart sees a hopeful future.

A YEAR ON THE FRONT LINES

Formerly a senior vice president in publishing, John Owens traded a comfy office for a classroom in one of New York City’s tough South Bronx neighborhoods because he wanted to make a difference in the lives of young people. Based on an article he wrote for Salon.com, which immediately went viral, Confessions of a Bad Teacher: The Shocking Truth from the Front Lines of American Public Education recounts Owens’ first—and only—year in a high school he calls Latinate. He explains how, within days, he became a victim of his “crazed visionary manager” (aka the principal he refers to as Ms. P.) who set unattainable school-wide goals, terrorized teachers with threats of “unsatisfactory” rankings and filled folders with hard-working teachers’ presumed misdeeds. Owens uses vignettes from his teaching experience to introduce problems in the American educational system, most notably how teachers are blamed for today’s failing public schools and how the “witch-hunt” for bad teachers is destroying classrooms. He also emphatically addresses how the data-driven school reform movement leaves principals with all the power (even turning some into cheating “Bernie Madoffs of test scores”) and teachers with ineffective evaluations. His concluding lessons are a heartfelt call to action.

GLOBAL PERSPECTIVES

When the U.S. scored 26th in critical thinking in math, below the average for the developed world, acclaimed journalist Amanda Ripley wondered why some students learned more and others less than their global counterparts. The result is The Smartest Kids in the World: And How They Got That Way, in which the author follows three teens in different parts of the world through a year of high school. She purposely selected Finland, South Korea and Poland, nations that recently ranked much lower among their developed peers but now rank well above the U.S. In Finland, Ripley found teacher preparation programs as selective as those for U.S. medical schools. In Korea, parents acted as coaches to their children, compared to American parents who act more like cheerleaders. While poverty has been cited as a factor in America’s failing schools, Poland, with an even higher poverty rate than the U.S., delayed tracking students until the end of their school careers. Although Ripley observed three different approaches, she also observed commonality and perhaps the key to success: respect for teachers and higher expectations for students.

Ripley’s stirring investigation debunks many tenets of current education reform—but are U.S. leaders listening?

From New York to Los Angeles and from the White House’s backyard to classrooms across the country, education is weighing on the minds of many Americans. Four new books tackle some of the key challenges that continue to stir debate. Confronting the effects of standardized…

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As anyone who’s ever raised a child will tell you, they don’t come with instructions. Well, that may be true, but this fresh new crop of parenting guides offers stellar advice to help you raise healthy, happy, creative and productive kids.

CREATIVITY FOR LIFE

Julia Cameron has sold millions of copies of The Artist’s Way, her seminal book on how to find and embrace your creativity. In The Artist’s Way for Parents, Cameron helps parents unleash their children’s creativity and sense of wonder.

The beauty of Cameron’s advice is that she offers very specific, undaunting exercises for the, shall we say, less artistically inclined among us. For example, she suggests spending an entire evening with no screens: no iPads, no TV, no movies. That’s it. Don’t force watercolors and canvases on your child. Just spend time together and see what happens. “This may cause a great deal of resistance and anxiety, but if you can power through, the connection you will ultimately make with yourself and your family members will be deeper for it,” she says.

There is definitely a spiritual bent to Cameron’s work—readers of her memoirs know she is a Christian. But hers is a gentle, ecumenical approach, and she is never off-putting. Rather, her interest is in supporting calm, loving environments where children are free to explore and express themselves.

WHAT DO YOU SAY?

I’ve been dreading certain questions since my first child was born nine years ago, so I was happy to find some guidance for navigating those tricky conversations. Mom, I’m Not a Kid Anymore by Sue Sanders offers funny and useful advice on how to answer everything from “Do you believe in God?” to “You and Dad do that?”

Sanders has a teenage daughter, which I’d say is pretty much the only expertise required of someone writing this kind of book. She takes on bullying, materialism and slang (which she calls “the lingua franca of adolescence”) with a firm, positive and loving approach. She unflinchingly examines her own foibles in the service of making a larger point (like the time her daughter, then 4 years old, skipped down the city street shouting, “Mommy loves wine!”).

Sanders, who is based in Portland, Oregon, clearly loves parenting and has her eye on the end goal: raising a daughter who will become a productive and independent adult. But not too quickly: “She will soon be pulling away, literally, down the driveway and seeing us and her childhood in the rearview mirror. I know that one day in the not too distant future, I’ll give her the keys and let go. Or maybe not. Our city does have a fine public transportation system, after all.”

REAP THE REWARDS

It’s hard to beat advice from the director of the Yale Parenting Center.

In The Everyday Parenting Toolkit, Alan E. Kazdin starts with the premise that “you have to know what behaviors you would like, and when you want them. . . . That also gets you out of the habit of just noticing what you don’t want, and unwittingly reinforcing it with your exasperated attention.”

Kazdin’s method begins with the use of “antecedents,” a fancy word for anything that prompts a specific behavior. It could be verbal instructions, a note on the refrigerator door or the demonstration of a certain skill, such as using a fork. When the antecedent brings about the behavior you want, give your child positive reinforcement. Eventually, when the desired behavior appears regularly, you can fade out your use of the antecedent.

Lest you get the impression that Kazdin equates parenting with training a puppy, rest assured that he does not suggest using biscuits as rewards. He clearly relishes his work and is intrigued and excited by child and family dynamics, using real examples from his work with families at Yale to demonstrate his advice. This toolkit is jam-packed with solid advice any parent can use.

CULTURAL EXCHANGE

Effective parenting knows no nationality, according to Christine Gross-Loh, who, in Parenting Without Borders, shares what we can learn from families worldwide. Gross-Loh knows whereof she writes—she and her husband moved to Japan when their sons were 5 and 3, and they subsequently had two daughters while living there. They quickly found that what they had assumed were universal traits of good parents were, in fact, cultural. Japanese moms were more lax about sweets, television and behavior, and yet, Gross-Loh found, their children were just as mature and well-adjusted as hers.

Christine Gross-Loh explores what good parenting looks like in cultures all over the world.

Intrigued, Gross-Loh dove into researching parenting practices around the world, and culled the most interesting and surprising examples of how parents are succeeding. For instance, despite the stereotype of rigid and robotic Japanese schools, recess is actually as much a part of their curriculum as math and reading. Kids go outside as frequently as every hour. She visits one of some 700 “forest kindergartens” in Germany, where preschool children spend hours outdoors singing, building, playing and—horror of horrors for American parents—whittling with knives, which they have been taught to use safely.

She also examines schools in other parts of the world that promote healthy eating, in contrast to our tater tot and pizza-heavy cafeteria fare. “In Korea, a child at school would be served spicy chicken, noodles, soup, seasoned vegetables, and persimmon,” she writes. Gross-Loh finds schools in America that have begun emulating the fresher and veggie-heavy meals of foreign countries, concluding, “We can help our kids be ‘good at eating’ just as we’d teach them any other life skill, so that they can share in a world of food as love, as nurturance, and health.”

Gross-Loh offers an inspiring argument that we can all learn a lot from each other when it comes to the toughest job there is.

As anyone who’s ever raised a child will tell you, they don’t come with instructions. Well, that may be true, but this fresh new crop of parenting guides offers stellar advice to help you raise healthy, happy, creative and productive kids.

CREATIVITY FOR LIFE

Julia Cameron has…

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In the art of the short story, every word is a nerve ending. In these four new collections of stories, words are put to their best use.

CALL TO ARMS

A foreign war buzzes constantly in the minds of the male characters in Saïd Sayrafiezadeh’s first collection, Brief Encounters with the Enemy. Each of these young men is in a desperate place, working a dead-end job and trying to shake his stagnancy. By enlisting, they hope to align themselves with society’s central focus, to be the tip of the knife, but just as the weather in these stories is always out of season (it’s hot when it should be cold, cold when it should be hot), these expectations are never met.

In the crucial, climactic “A Brief Encounter with the Enemy,” a young soldier finds his deployment to be as pointless as the jobs back home. His restlessness becomes so unbearable that he kills a man, just for something to do. War offers the illusion of choice and action, but ultimately leaves the boys without the sense of purpose they so desperately desire.

And just when it seems that an entire generation is hopeless, the collection wraps with “Victory,” the story of a janitor who discovers happiness in the smallest, most harmless of rebellions.

Sayrafiezadeh first burst onto the literary scene with his 2009 memoir, When Skateboards Will Be Free. Accelerating through the curve with characters who are colossally misguided and still likable—reminiscent of Junot Díaz’s Yunior—this is an astounding first collection.

THEY LOOK LIKE ANTS

In Bobcat and Other Stories, North Carolina writer Rebecca Lee expertly navigates the lives of characters—often academics—who are deeply and wonderfully flawed. Perception and desire—the kind of pure, single-minded desire Rilke wrote of—drive them, and they only gain control over their lives when given the opportunity to judge the lives of others. In these moments, Lee slows her pace to wade in the beauty and tragedy of it all, producing stories that are by turns languorous and unsettled.

In the subtly executed “Bobcat,” a hostess warily surveys her dinner party—wondering if one woman knows her husband is cheating on her, or if the guest who claims she was attacked by a bobcat is lying—yet never sees what is actually going on. In the bizarre “Slatland,” a creepy professor teaches a young girl how to exit her body—literally stare down upon herself—and this otherworldly trick morphs from a defensive tool to one that leaves her powerless.

Through these stories, the reader becomes a hunter, stalking the most dangerous sides of ourselves—often revealing something good underneath it all.

NEW MYTHOLOGY

The stories in Aimee Bender’s latest collection, The Color Master, are linked through a pervading sense of the writer’s experimentation. As with the works of Gabriel García Márquez, they render the phrase “fairy tale” forgettable: Bender approaches her strange tales with restrained, self-aware observation and looks upon her characters with as much wonder as the reader.

In the arresting “Mending Tigers,” two sisters travel to Malaysia, where tigers with great lacerations down their backs appear from the jungle and lie at the feet of women trained to sew them back together. In “The Color Master,” a protégé is tasked with making a dress the color of the moon. And in “The Red Ribbon,” a woman indulges in a prostitution fantasy with her husband, and afterward begins to imagine commodifying all elements of her life.

The wallop packed by each story begs for each one to be consumed individually, but though Bender’s natural prose makes for easy reading, these are not bite-sized tales. They are undeniably filling, with a wealth of imagination that transforms each one into a compact novel.

HOME IS NOWHERE

In the mind of Ethan Rutherford, there’s something ludicrous and sparkling to our existence. In his debut story collection, The Peripatetic Coffin and Other Stories, he reveals it has always been this way by exploring moments of isolation, loss and homesickness.

In “The Peripatetic Coffin,” young Confederates volunteer to man the submarine Hunley, fully aware that it is a doomed mission from the start. “The Saint Ana,” the story of a Russian ship locked in an Arctic sheet of ice, opens with a man shouting, “Who’s peeing on me?” And seemingly out of the blue comes “John, for Christmas,” the story of a couple dreading the return of their son, which unfolds with all the restraint of Raymond Carver.

Tempered by Rutherford’s humor in the face of unavoidable tragedy, these imaginative stories are vital, present and alive. Rutherford—who is also a guitarist for the band Penny­royal—hasn’t landed on the exact story he wants to tell, as demonstrated by the fact that these tales jump from sleepaway camp legends to whaling expeditions. It would be no surprise if elements from these stories worked their way into a larger work—so pay close attention and hope for a novel both great and hilarious.

In the art of the short story, every word is a nerve ending. In these four new collections of stories, words are put to their best use.

CALL TO ARMS

A foreign war buzzes constantly in the minds of the male characters in Saïd Sayrafiezadeh’s first collection,…

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Belief in a higher power has been part of the human experience across time and cultures, and it can permeate fiction as well. In a small town or during a world war, within both romantic attachments and friendships, Christian faith forms the framework and the core of these inspirational stories.

Set in Holland during World War II, Snow on the Tulips finds Cornelia de Vries and her 20-year-old brother, Johan, swept up in the action as Dutch Resistance fighters push back against Nazi occupation.

Cornelia has sworn to keep Johan from being rounded up to fight for Hitler, but protecting him becomes more difficult when the conflict enters her home in the form of a half-dead Resistance fighter named Gerrit. He’s a threat to their carefully constructed neutrality—and to her heart, long shuttered since her husband’s death on their wedding night.

In an adventurous tale that reads like a movie script, Liz Tolsma weaves faith in seamlessly, moving the reader with her characters’ convictions to create a captivating debut novel. Their heartfelt prayers show that faith can grow even in times of unspeakable hardship and fear.

GOTHIC CHARM

The first in a planned trilogy, Jessica Dotta’s Born of Persuasion blends all things Gothic and romantic into a winding tale of intrigue in early 19th-century England.

The fortunes of young Julia Elliston, orphaned after her mother’s suicide, depend upon the charity of men. Some may be villains and others saints—but the novel is slow to reveal who is which.

Julia’s position in society is fragile, and her naiveté and vulnerability contrast sharply with the novel’s foreboding setting and the hazy motives of those she meets, including her mysterious guardian and the brooding, charismatic Mr. Macy, who seems to know all but shares little. Julia has been betrothed since childhood to Edward, who complicates matters further when he takes orders to become a vicar—Julia’s father was a well-known and ardent atheist who passed his beliefs on to his daughter.

Though verbose at times, Dotta’s style is clearly influenced by the Brontës, and manages to keep the reader engaged through every twist and turn.

A SOUTHERN JOURNEY

Competition for oil-drilling rights collides with an eclectic artists colony’s vow to hold onto their land in Sweet Olive, a Southern tale by Louisiana author Judy Christie.

Camille Gardner finds herself exiled (in a manner of speaking) to Sweet Olive, Louisiana, after botching a previous job for the oil company owned by her uncle. It’s painfully near the town where her father left her and her mother behind years before, never to return—a fact that brings this old hurt to the surface.

Christie writes in an inviting, colloquial style, full of great turns of phrase that make her characters’ speech feel true to life. It’s Camille’s job to get these artists to sign over the rights to drill on their land, but once she meets them and sees their work, she’s drawn in. As Camille falls for the beauty around her—and the lawyer who opposes her at every turn—the journey leads her somewhere surprising.

A LOVE THAT LASTS

A sweet story of enduring love and faithfulness, Forever Friday by Timothy Lewis shares the unique romance of Pearl “Huck” Huckabee and Gabe Alexander. For decades, Gabe sent his beloved a weekly postcard inscribed with a simple poem extolling his devotion.

Lewis, a playwright, paints a convincing portrait of the couple, and their voices are spot-on and beautiful. Seeing their relationship evolve on paper is almost like watching it unfold in real life. Hope and faith are the hinges of all their plans, from the night they meet and fall instantly in love in 1926 and through the years as they grow old together.

The narrative moves between Huck and Gabe’s relationship at different stages and 2006, when Adam Colby discovers the postcards while handling their estate sale. Colby studies the archive, hoping to find healing after his divorce. As he immerses himself in their story, he begins to find his way.

While the religious thread of the story is kept in the background, the love between Huck and Gabe is the heart of Forever Friday, and their steadfastness, though fictional, will inspire.

Belief in a higher power has been part of the human experience across time and cultures, and it can permeate fiction as well. In a small town or during a world war, within both romantic attachments and friendships, Christian faith forms the framework and the…

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Fifty years after gunshots rang out in Dallas’ Dealey Plaza, the collective memory continues to celebrate the life and achievements of John F. Kennedy, and to ponder his death. Authors and publishers are also remembering the November 22nd anniversary with dozens of new books on Kennedy’s assassination and legacy. We’ve pored through the stacks to point readers toward some of the best.

James Swanson, author of the riveting 2006 bestseller Manhunt: The 12-Day Chase for Lincoln’s Killer, brings his storytelling acumen and research skills to the event he calls “the great American tragedy.” Swanson’s End of Days begins with Lee Harvey Oswald meticulously planning a killing. He has maps, surveillance photos, a planned escape route and more. His intended target: General Edwin A. Walker, a Dallas-based ultra-conservative who considered JFK a political foe. But Oswald’s assassination attempt fails; his bullet comes within an inch of Walker’s head.

Oswald isn’t a suspect in the Walker incident. It’s only after he succeeds at his next assassination attempt—on the life of JFK—that investigators make the connection. Swanson’s linear narrative positions all this as it happens. He does the same in detailing the forces that bring Kennedy and his wife Jacqueline to Texas, ultimately putting them in the crosshairs of Oswald’s rifle, and the reader in a “you are there” edge-of-the-seat thriller.

Dallas 1963 masterfully describes the sociological and political forces that made the city a hotbed of reactionary activism. Bill Minutaglio—whose Texas-themed books include biographies of George W. Bush and Molly Ivins—and Texas scholar Steven L. Davis vividly describe the collision of the colorful characters who gave Dallas its foreboding renown. Among them: Gen. Walker, the once-celebrated military leader who went rogue; oil baron H.L. Hunt; Dallas Morning News publisher Ted Dealey; and incendiary congressman Bruce Alger. At odds with JFK’s foreign policies, they also resented the president’s domestic agenda, notably on civil rights. Into this toxic atmosphere came Oswald, an avowed Marxist who had resentments of his own.

As authoritative as it is readable, Dallas 1963 is a significant addition to the JFK canon.

A RESTLESS ASSASSIN

Peter Savodnik, who once reported from Moscow, is no conspiracy theorist. He believes Oswald did it—and acted alone. The nagging question is, why? To find the answer, Savodnik traces Oswald’s time in the Soviet Union from 1959 to 1962. The Interloper gets its title from Oswald’s lifelong efforts to escape his old life and insert himself into a new one.

Oswald’s youth was chaotic, in large part because of his hectoring mother, Marguerite. After dropping out of high school, he joined the Marines. He also discovered Marxism. Seeking a more fulfilling life, he journeyed to the Soviet Union where he perplexed the KGB (as a defector, he had little to offer), enjoyed success with women (who found him exotic) and ultimately married.

But as Savodnik details, the lifelong outsider didn’t fit in; returning to America with his Russian bride, his anger and frustrations festered. Over the next 17 months, Oswald moved nine times, eventually making his way to Dallas. Ever the interloper, his disconnectedness led to his actions on November 22, 1963. In a sense, says Savodnik, it was as much a suicide attempt as it was a murder.

EYEWITNESS TO HISTORY

In Five Days in November, Clint Hill and co-author Lisa McCubbin, who previously teamed up for Mrs. Kennedy and Me, focus on a timeframe that begins just before the trip to Texas and ends with a nation in mourning.

As the Secret Service agent in charge of the first lady’s detail, Hill is known for leaping onto the back of the car that carried the injured JFK, pushing Jackie back into the seat.

Five Days in November includes a reproduction of the trip agenda, a plan of Air Force One and a chart of the Dallas motorcade—as well as seldom-seen photos. But the highlights are Hill’s personal remembrances, like hearing the first lady practicing her Spanish while en route to San Antonio, in anticipation of a speech to Latino constituents.

The text is straightforward; the embellishments come from the heart, as when Hill relates the backstory of John-John’s famed salute at his father’s funeral. Or when the first lady takes Hill’s hand, during the somber flight carrying the president’s body from Dallas to D.C., and asks, “What’s going to happen to you now, Mr. Hill?”

Other first-hand observers of the events in Dallas include the medical professionals who have been quoted in a spate of books over the years about what took place at Parkland Memorial Hospital, where the mortally wounded president was rushed. At long last, there is a single volume of remembrances, compiled by Dr. Allen Childs, who was on the scene. We Were There includes accounts of more than 40 Parkland staff members.  Some are tearful, some insightful, some strictly by the book; all underscore the sense of urgency—and the craziness—that resonated throughout the hospital. 

There’s Jackie, silently circling the emergency room, holding something in her cupped hands. Nudging a doctor, she hands him “a large chunk of her husband’s brain tissue.” In the halls, angry Secret Service agents brandish machine guns. Outside, a medical student watches as an ornate casket is carried in.

It’s at Parkland that the seeds of conspiracy theories take root, beginning with professional differences over where the bullets entered the president’s body. In one startling recollection, a doctor says a Warren Commission representative admitted to him that witnesses were prepared to testify that “they saw somebody shoot the president from the front,” but the commission didn’t want to interview them.

No wonder Skyhorse, the publisher of We Were There, has a number of conspiracy titles among the 26 JFK assassination books it is publishing this year, including The Man Who Killed Kennedy: The Case Against LBJ and They Killed Our President: 63 Reasons to Believe There Was a Conspiracy to Assassinate JFK.

Another probe of conspiracy theories is History Decoded: The 10 Greatest Conspiracies of All Time, a lively and cleverly packaged exploration. Adapted from the History Channel program “Brad Meltzer’s Decoded,” the book presents conspiracies in countdown format: 10, 9, 8 . . . with Kennedy’s assassination in the number-one spot.

Authors Meltzer and Keith Ferrell review the top 10 theories pointing to a conspiracy in JFK’s death. Among them (at #9): the fact that the findings of the U.S. House of Representatives’ Select Committee on Assassinations, released in 1979, differed from those of the Warren Commission. 

The book comes with envelopes of removable facsimile documents for each conspiracy; for JFK, the envelope contains the order form for Oswald’s $19.95 rifle that may—or may not—have changed history.

Weighing in at more than five pounds, the striking commemorative LIFE The Day Kennedy Died: 50 Years Later recalls the iconic magazine’s illustrious relationship with the Kennedys, as well as the dark days in Dallas. 

A foreword by historian David McCullough assesses JFK’s significance. (It was JFK’s passion for history that triggered McCullough’s professional calling.) There are biographical pages, family portraits—including Cecil Stoughton’s wonderful shots of Caroline and John-John cavorting in the Oval Office—and sections on the murder and its aftermath. ?It was LIFE that first published images from Abraham Zapruder’s legendary 26-second 8mm home movie. Here, all 486 frames are reproduced in an eight-page fold-out. The book also includes a removable reprint of the original LIFE issue that followed the assassination.

REASSESSING KENNEDY

Historian Thurston Clarke delves into the final chapter of Kennedy’s presidency in JFK’s Last Hundred Days. This compelling page-turner follows JFK from August 1963—just after the death of his two-day-old son, Patrick Bouvier Kennedy—to that fateful day in Dallas. The mystery Clarke sets out to solve is not who killed JFK, but rather, who the president was and where he might have led us.

Clarke makes a convincing argument that, had he lived, JFK would have opted for a 1964 running mate other than Lyndon Johnson—dubbed Uncle Cornpone by Kennedy and his crowd—and that, following his re-election, he would have gotten the U.S. out of Southeast Asia. Domestically, Clarke contends, Kennedy would have pursued a strong civil rights agenda. (One anecdote finds JFK watching Martin Luther King Jr.’s “I Have a Dream” speech on the White House’s only TV, a 13-inch black and white with rabbit ears—on which Caroline regularly watched “Lassie.”)

Detailed in both political and personal revelations, JFK’s Last Hundred Days does not delve into the assassination, though the stage is set. The morning they left for Dallas, JFK warned Jackie, “We’re heading into nut country today.” 

After the assassination, Jackie and some Kennedy cabinet members promoted a romanticized vision of the late president. It started with Jackie’s interview with LIFE magazine, in which she compared the Kennedy White House to King Arthur’s Court. A spate of glowing biographies followed.

Myths are one thing; facts are another. Camelot’s Court is an unvarnished account of JFK’s inner circle (nicknamed the “Ministry of Talent”). Robert Dallek, author of An Unfinished Life: John F. Kennedy, 1917-1963, goes behind closed doors as JFK deals with the communist advance and the foreboding possibility of nuclear war. Cuba and Vietnam dominate Kennedy’s agenda, as well as this book—especially as the conflict in Southeast Asia grows. But Dallek has cleverly spiced up his scholarly reporting. In doing so, he humanizes the sometimes brittle politician who—when facing the Cuban missile crisis—confided to a lover, “I’d rather my children be red than dead.”

Dallek takes a measured view of what might have happened had JFK not been killed. Perhaps he’d have been re-elected; it’s “plausible” he would have gotten the U.S. out of Vietnam.

Today, what’s certain is Kennedy’s hold on the American psyche. No assassin’s bullet could snuff that out.

ALSO IN BOOKPAGE:
Speculative takes on Camelot.

Fifty years after gunshots rang out in Dallas’ Dealey Plaza, the collective memory continues to celebrate the life and achievements of John F. Kennedy, and to ponder his death. Authors and publishers are also remembering the November 22nd anniversary with dozens of new books on…

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Whether written by an iconic Southern author in 1947 or compiled from emails written by a young pastor to the president in 2010, these gift books explore the enduring themes of spirituality and faith, reminding us that contemplating the divine can confirm our very humanity.

Spiritual thinking has been with us from the beginning, as The Religions Book: Big Ideas Simply Explained reminds readers in its opening sentences. While it may be difficult to come up with a definition for the concept of religion, “cave paintings and elaborate burial customs of our distant ancestors and the continuing quest for a spiritual goal in life” indicate its timelessness. This book offers a remarkable overview of major world religions through recorded time. Though the introduction acknowledges the difficulty of covering such an unwieldy topic, the subsequent pages are easily comprehensible, and even feel nearly comprehensive. Organized chronologically, the book opens with prehistory, moves through the ancient and classical beliefs (devoting the longest sections to Hinduism, Buddhism, Judaism, Christianity and Islam), and closes with a selection of modern religions (such as Mormonism and Scientology). The material is both dense and broad, yet the book’s reader-friendly layout and clever graphics invite lingering. An impressive board of contributors (mostly academics) shaped this content. The result is a book at once egalitarian and open-minded, ideal for a visually oriented student of religion or anyone interested in scrambling up the mountainside of human spirituality and taking in the panoramic views.

GRACE AND ART

We move from the lushly panoramic to the intensely personal with Flannery O’Connor’s A Prayer Journal. Penned by the Southern Gothic legend when she was just 22 years old and a student at the University of Iowa, these pages reveal O’Connor at the very beginning of her professional writing career. She prays to get something published, to understand God better and to be free of an ever-present concern that she is simply mediocre. Anyone interested in creative writing or literature will be thoroughly charmed by lines like this: “I am too lazy to despair. Please don’t visit me with it Lord, I would be so miserable.” Though O’Connor is delightfully glib, she worries about some of the big questions of faith and finds few answers. The journal illustrates her complexity of feeling. She criticizes certain sentences because they sound “too literary” and strikes out others altogether. A facsimile of the original diary in O’Connor’s own hand lets readers in on her process and makes the book feel very intimate. The volume is quite short, but that isn’t a drawback. The material that is here is well worth reading. I especially loved the last lines, written in September of 1947: “Today I have proved myself a glutton—for Scotch oatmeal cookies and erotic thought. There is nothing left to say of me.”

AN ECLECTIC REIMAGINING

During a 2011 retreat in Utah, a group of Jewish artists and writers found themselves hotly discussing Abraham’s binding of Isaac. Several admitted, though, that it had been a long time since they had really read a biblical text. Dialogue ensued and, luckily for us, so did Unscrolled: 54 Writers and Artists Wrestle with the Torah, edited by Roger Bennett. After the Torah was divided into 54 sections—which reflects the annual reading pattern of many synagogues—each contributor created his or her own Dvar Torah (“word of the Torah”) for an individual slice. Their creations range from short stories to poems, from personal essays to imaginary recipes for “bloody guilt offerings.” There’s even a drawing detailing how the Tabernacle could fit in modern-day Manhattan. (Spoiler alert: It would have to be tilted on its side.) I especially like when contributors cleverly juxtapose the Torah and their response, as in Aimee Bender’s piece on the Tower of Babel. She celebrates how language defines individuality rather than lamenting the loss of shared consciousness. Brief biblical summaries preceding each Dvar Torah feel contemporary and edgy, and unify the collection. In short, these artists and writers can certainly now say that they’ve read—yes, even wrestled—with a biblical text recently, and readers can be counted among the lucky beneficiaries.

DAILY DOSE OF INSPIRATION

The President’s Devotional began as correspondence between a White House staffer and President Obama, and has since become a public daily devotional. Obama appointed author Joshua DuBois to be the executive director of the White House Office of Faith-Based and Neighborhood Partnership in 2008. Since then, DuBois has emailed Obama a spiritual reflection every morning. The book pulls content from the best of these, providing readers one for every day of the year. DuBois opens each month with a personal essay. Some of these tell heartrending stories about our nation’s leader, as in DuBois’ account of Obama’s interaction with families of the victims of the Sandy Hook shootings. Other essays are more personal, as when the president encouraged DuBois to propose to the nice girl he’d been dating (he did). The devotions themselves are a diverse bunch. Some feature national heroes like Jackie Robinson and Johnny Cash, while others take inspiration from theological texts. The reader cannot help but wonder what was going on in the nation when certain devotions were emailed—like the one that extols the value of having a well-prepared army. Whatever the initial context, faith-filled fans of the president will want to add The President’s Devotional to their nightstands.

Whether written by an iconic Southern author in 1947 or compiled from emails written by a young pastor to the president in 2010, these gift books explore the enduring themes of spirituality and faith, reminding us that contemplating the divine can confirm our very humanity.

Spiritual…

Hitting the shelves this fall are several new biographies and autobiographies of rock, country and jazz stars that reveal never-before-heard refrains of personal anguish, as well as triumph.

In 1969, Crosby, Stills & Nash emerged as a supergroup, showcasing sweet harmonies and tight arrangements. One year later, Neil Young joined the band, and the quartet rocketed to superstardom on the strength of Graham Nash’s song “Teach Your Children.” Behind the scenes, though, life wasn’t so harmonious. In his honest and well-crafted memoir, Wild Tales: A Rock & Roll Life, Nash reveals the fierce struggles between Stills’ and Young’s titanic egos that eventually destroyed the group (although they have never officially broken up). With the lyrical flights of his best songs (“Carrie Anne,” “Our House,” “Chicago”), Nash carries readers on a journey from his often difficult childhood in the industrial north of England and the formation with Allan Clarke of the band that eventually became the Hollies, to his encounters with Mama Cass Elliot (who introduced him to David Crosby), Joni Mitchell, the Everly Brothers and Bob Dylan. While Nash holds back little, unveiling his disappointments with his own work and that of others, his love of songwriting and harmony remains: “I am a complete slave to the muse of music.”

STAIRWAY TO HEAVEN

While Nash tells his own story in his own words, Led Zeppelin front man Robert Plant told journalist Paul Rees that he had no intention of writing a memoir because it was “too early in his career to do so.” Instead, Plant allowed Rees to have unparalleled access to his closest friends and associates to tell the story in Robert Plant: A Life. Rees chronicles Plant’s childhood as the son of an engineer in England’s industrial Midlands, where he would often hide behind the sofa and pretend to be Elvis. Deeply influenced by the blues (in particular the music of Robert Johnson), Plant began singing with local bands around Birmingham and left home at 17 to pursue a music career. But it was not until he teamed with Yardbirds guitarist Jimmy Page in 1968 that his ascension to rock-god status truly began. A few months later, after the band’s name was changed to Led Zeppelin, their rapid rise to fame exceeded even Plant’s wildest expectations. Rees traces the successes and excesses of Led Zeppelin, from limos, groupies and sudden wealth to plagiarism charges and “poisonous” reviews. He also explores Plant’s recent work, including his acclaimed collaboration with bluegrass fiddler Alison Krauss. Plant comes across as a confident but agreeable superstar, a “preening peacock” whose long locks and powerful voice secured his place in the rock pantheon.

HELLO, I’M JOHNNY CASH

Although Johnny Cash told his own story on at least two occasions—in Man in Black (1975) and, with Patrick Carr, Cash: The Autobiography (1997)—he nevertheless remains an enigmatic figure whose life story is surrounded by as much legend as truth. Until now. Drawing on previously unpublished interviews with Cash as well as previously unseen materials from the singer’s inner circle, former L.A. Times music critic Robert Hilburn gives us the definitive biography of the Man in Black in Johnny Cash: The Life. In intimate detail, Hilburn—the only music journalist at Cash’s legendary Folsom Prison concert in 1968—elegantly traces the contours of Cash’s life and career. After a hardscrabble childhood in Dyess, Arkansas, Cash built on his early love of music and made insistent attempts to get Sam Phillips’ attention at Sun Records. Hilburn chronicles Cash’s early hits such as “Folsom Prison Blues,” his foray into television in the late 1960s with “The Johnny Cash Show,” his failed first marriage and his deep love for June Carter, as well as his drug addictions. Most importantly, Hilburn compiles an exhaustive record of Cash’s enduring contributions as a songwriter and singer to both rock and country music.

TAKE THE “A” TRAIN

In the almost 40 years since his death, Duke Ellington has remained an enigmatic figure, even as his reputation as one our greatest and most culturally prominent orchestra leaders and jazz composers continues to grow. Following his acclaimed biography of Louis Armstrong, Pops, culture critic Terry Teachout draws on candid unpublished interviews with Ellington, oral histories of the orchestra leader and his times, and other little-known primary sources to tell a mesmerizing story in Duke: A Life of Duke Ellington. Teachout follows Ellington from his childhood in Washington—where he gained his name “Duke” because of his stylish dress—and the first band he formed at 20, to his move to Harlem at the beginning of the Harlem Renaissance and his emotional distance from family and friends for the sake of composing his music. Teachout traces Ellington’s deep influence on various cultural movements, from the Harlem Renaissance to the Duke’s own renaissance at the 1956 Newport Jazz Festival. Teachout brings Ellington to life in this richly detailed and engrossing biography.

OLD FRIENDS

We often remember our favorite album covers and photos of our favorite musicians as much as their music. For more than four decades, Columbia Records staff photographer Don Hunstein snapped memorable shots of figures as diverse as Aretha Franklin, Sly Stone, Miles Davis, Leonard Bernstein, Mitch Miller, Tony Bennett and Bob Dylan, catching rare private moments of public lives. A collection of gorgeous, never-before-seen photos from the Columbia Records archive, Keeping Time: The Photographs of Don Hunstein illustrates Hunstein’s ability to capture artists relaxing and being themselves. Photos of Johnny Cash on his family’s farm in 1959, a weary Duke Ellington talking to Langston Hughes at the 1956 Newport Jazz Festival, and Cassius Clay and Sam Cooke teaming up in the recording studio in 1964 are just a few of the gems included here. In the words of New York Times music writer Jon Pareles, who contributes the book’s brief text, Keeping Time is “a quietly revealing close-up of artists who graced and transfigured the twentieth century.”

Hitting the shelves this fall are several new biographies and autobiographies of rock, country and jazz stars that reveal never-before-heard refrains of personal anguish, as well as triumph.

In 1969, Crosby, Stills & Nash emerged as a supergroup, showcasing sweet harmonies and tight arrangements. One year…

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Holiday spirits are supposed to be high, not haute. But if the proliferation of cocktail “creations” and infusions and artisan mixers has you and your friends flummoxed, here are a handful of drinkers’ delights that could either adorn the coffee table or—just in time—restore your hostly confidence.

WINE-ING DOWN
Once upon a time, wine drinkers aspired to be connoisseurs. Then came the wine wonks—those who carried calculators for vintages and futures—and the geeks, who bought by the ratings. Now we have entered the age of wine nerds, who buy the wine equivalent of self-help books.

For example: Hello, Wine: The Most Essential Things You Need to Know About Wine by Melanie Wagner, a self-confessed former wine “bumpkin” turned Certified Sommelier. Like most such books, it begins with a confessional, then runs through a catechism of allure and reassurance to bring the reader resoundingly into the converts’ fold. Once Wagner hits her stride, her descriptions of varietals, tips on restaurant wine lists, tasting, hosting and food-matching, etc., are very good. And her picks for dependable producers—particularly those whose wines are under-$15 steals or fall in the “sweet spot” of $26 to $50—are spot on, so to speak.

This season’s best gag gift, perfect for pairing with a bottle, is the unexpectedly entertaining The Essential Scratch & Sniff Guide to Becoming a Wine Expert. Brevity is indeed the soul of wit: A scant dozen spreads illustrate the pithy tips from Master Sommelier Richard Betts. (A Certified Sommelier ranking is Level 2; a Master is Level 4, the highest.) “Wine is a grocery, not a luxury” is Betts’ mantra. He demystifies in guy-pal style: “In this case, size does not matter: We’ve all got a great schnoz.” The cartoons by Wendy MacNaughton contribute so much to the book that she really should have been acknowledged on the cover. Betts includes a pullout map to the “whole wine world” that attempts to match mood to olfactory method. While the scratch-and-sniff technology is in need of a little tweaking—the leather may be the best simulacrum—the illustrations, both literal and figurative, of the aromatic elements are memorable.

SIPPING SUDS
Although the title is a little man-cave chic, The Complete Beer Course: Boot Camp for Beer Geeks, From Novice to Expert in Twelve Tasting Classes is an accessible and impressively informed dissertation on beer styles and best labels. Longtime beer journalist Joshua M. Bernstein has traveled, tasted, interviewed and researched centuries of brewing lore. Like nearly all his colleagues, Bernstein is prone to the pun (“yeast of Eden,” “all is not white in the world,” etc.). His picks of breweries and beer-centric restaurants and festivals make this a consumer’s guide in both senses.

For those who want to go straight to the good stuff, World Beer: Outstanding Classic and Craft Beers from the Greatest Breweries, by veteran British beer critic Tim Hampson, disposes of brewing techniques, history, beer styles, tasting techniques and flavor pairings in a few high-gloss pages and launches headlong (sorry—the punning is contagious) into profiles of more than 800 fine craft beers organized by country and region. And Hampson does mean “world beer”: Who knew Namibia was a big microbrewery center? This is a serious coffee table book that could be the co-star of a fine beer-tasting party.

WHISKEY RIVER
Drinking mirrors pop culture, and having passed through the “Mad Men” martini renaissance, Americans are testing the “Breaking Bad” waters—which is to say, whiskey, derived from the Gaelic for “water of life.” In Drink More Whiskey: Everything You Need to Know About Your New Favorite Drink, Daniel Yaffe, founder and editor of Drink Me magazine, covers the wide world of whiskey from the U.S. to the U.K. to Japan (and beyond), from single malt to small batch to honey whiskey to moonshine. Like Wagner, he can flourish a bit too often: “If a single malt is a group of violinists with a brilliant tone, a blend might be the full orchestra.” “Like people, peat mellows with age.” (Clearly, he and I have not met.) But if the flash is weak, the spirit is indeed willing: Yaffe mixes history, trends, ingredients—both within the barrel and in the glass—and technique into a truly tasty cocktail.

Holiday spirits are supposed to be high, not haute. But if the proliferation of cocktail “creations” and infusions and artisan mixers has you and your friends flummoxed, here are a handful of drinkers’ delights that could either adorn the coffee table or—just in time—restore your…

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