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A tiny Minnesota town, an Irish golf course and an abandoned New England home are all host to murder most foul in this month's cozy column.

★ Death on the Green

Megan Malone’s job as a limo driver allows her to explore Dublin with fascinating clients like champion golfer Martin Walsh. But when she spies a man facedown in a water hazard, her U.S. Army medic training has her jumping in straightaway to help. It’s Martin’s friend and rival, and his death was no accident. There is so much to like about the cozy perfection that is Catie Murphy’s Death on the Green, from the lush Irish travelogue to the precise balance between comic relief and crime. Megan’s friendships and romantic life—dating a woman but also crushing on a male detective—give the story a lived-in feel. And while murder is nasty business, there are cuddle sessions with the Jack Russell pups that Megan keeps telling herself she’s fostering, not adopting. All this plus seeing justice done? Megan (which is to say, Murphy) makes it look easy.

15 Minutes of Flame

Nantucket candle-shop owner Stella Wright is transforming a friend’s abandoned house into a Halloween wonderland, with help from the local Girl Scouts. A separate building on the property reveals an old chandlery . . . and a skeleton. Christin Brecher’s 15 Minutes of Flame combines a historical mystery with present-day murder, all against the spooky backdrop of New England in autumn. The deep bench of suspects includes an ambitious producer who wants to film the skeleton for a Netflix special and a local woman who claims to speak for the spirits of the dead. The history of candle clocks (and the way they feature in the story’s conclusion) is a fascinating bonus.

In a Midnight Wood

Ellen Hart’s 27th Jane Lawless mystery finds Jane and BFF Cordelia headed to Castle Lake, Minnesota, to meet up with an old friend. But while they’re there, a grave exhumation reveals a second set of remains stashed beneath a coffin, belonging to long-missing local Sam Romilly. In a Midnight Wood flashes back to when Sam disappeared in 1999 and slowly reveals what actually happened to him. The shifts between storylines let the pressure build, and an impending high school class reunion means many characters are confronting many different ghosts at once. Jane and Cordelia, both lesbians, tread lightly in conservative Castle Lake, but Jane is able to earn the trust of a few suspects . . . and maybe find love.

A tiny Minnesota town, an Irish golf course and an abandoned New England home are all host to murder most foul in this month's cozy column.

★ Death on the Green

Megan Malone’s job as a limo driver allows her to explore Dublin with…

Two historical mysteries steeped in autumnal gloom give new meaning to the phrase “curl up and die.”

Perhaps the best way to describe these two historical mysteries bound for bookshelves this October comes from Detective Inspector St. John Strafford, hero of Booker Prize winner John Banville’s new novel, Snow. Musing about finding patterns in crimes and trying to make the pieces fit, Strafford says, “The pieces don’t stay still. They tend to move around, making patterns of their own, or what seem to be pat- terns. Everything is deceptive.” Both novels are steeped in secrets and intrigue that will keep readers guessing right along with the detectives, perfect for the time of year when shadows grow longer and darker by the day.

In Snow, set in 1957 Ireland, Strafford responds to the death of Father Tom Lawless, whose body has been found in the library of Ballyglass House, the estate of wealthy aristocrat Colonel Osborne. Osborne is convinced the death is the result of a break-in gone awry, while the archbishop of Dublin wants to deem the death an accident, despite obvious evidence to the contrary. A Protestant in predominantly Catholic Ireland, Strafford isn’t convinced either way, and the pursuit of the killer is on. When one of Strafford’s deputies goes missing during their inquiry, the stakes ramp up exponentially.

Centuries earlier, in the chaotic 16th-century Paris of S.J. Parris’ vibrant new mystery, Conspiracy, philosopher Giordano Bruno becomes embroiled in the hunt for the murderer of Father Paul Lefèvre, whom he had hoped would help him get back into the church’s good graces.

Bruno is soon swept into plots and counterplots wrought by King Henry III’s rivals, the Queen Mother Catherine de Medici and the king’s archnemesis, the Duke of Guise. Bruno stumbles onto one murder after another and is on the verge of being blamed for the entire trail of death when help comes from an unanticipated source: Charles Paget, an English Catholic and enemy of Queen Elizabeth I.

Snow follows a more traditional approach to its mystery, with Strafford reflecting that the case seems straight out of an Agatha Christie novel. Conspiracy, meanwhile, is a much denser, historically rich novel complete with palace intrigue and a vividly rendered setting. Both books offer intricate puzzles, a paucity of clues and an array of potential suspects, all of whom have motive to do the deed. Further complicating things is pressure from outside forces to cover up the crimes from the public.

Ultimately, as Strafford points out, the culprits’ undoing lies in their very plans. “A plan always has something wrong with it,” he reflects. “There’s always a flaw.”

Two historical mysteries steeped in autumnal gloom give new meaning to the phrase “curl up and die.”

Perhaps the best way to describe these two historical mysteries bound for bookshelves this October comes from Detective Inspector St. John Strafford, hero of Booker Prize winner…

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Wild and wicked women—long may we praise them. Long may we be them.

Three magical tales mine the rebellion and persecution of willful women in America’s past and present to chilling effect. If you have any feminist leanings, these books will inflame them. If you don’t, these books may incite them.

There’s a fascinating interplay of past and present, and fiction and reality, in Plain Bad Heroines, Emily M. Danforth’s debut novel for adults. Two stories unfold in parallel. One begins shortly after the turn of the 20th century, when the scandalous and not-so-subtly titled bestselling book I Await the Devil’s Coming—an incredible, quotable and, best of all, real piece of queer history—ignites a dangerous fervor at a tony Rhode Island school for girls. The book’s author, Mary MacLane, writes about ambition, sensuality and lust, including her attraction to other women. Two girls in particular, Clara and Flo, become gloriously, passionately entangled with the book and with each other. They see themselves in the text in ways they never have before, and they form a club to honor MacLane. When MacLane writes, “Do you think a man is the only creature with whom one may fall in love?” and “I wish someone would write a book about a plain, bad heroine so that I might feel in real sympathy with her,” it is easy to see the appeal.

But the book becomes both talisman and curse. Soon Flo, Clara and another classmate end up dead, all three found with the same copy of the infamous red book, leaving the school’s principal and her partner to sort through what happened and manage both the guilt and the ongoing threat.

Alas, the curse doesn’t end there. A century later, another rebellious teenager becomes obsessed with MacLane, as well as with Flo and Clara’s story, and writes a history that gets optioned for film. This second storyline focuses on the conflicts and passions surrounding the film’s production, which is plagued by some of the same omens that bedeviled Clara and Flo.

Plain Bad Heroines is smart, feminist and funny (as well as beautifully illustrated by Sara Lautman), and invites more psychological reflection than fright despite its significant body count. A sense of dread builds, then dissipates and builds again, without ever truly finding release. Danforth propels her story not with scary moments but with beautiful writing, indelible characters and complex relationships.

In contrast to Danforth’s metafictional take, Alix E. Harrow’s second novel, The Once and Future Witches, is a more traditional witches’ tale. Magic and history abound in this suspenseful saga, which boasts an impressively rich and notably inclusive cast of secondary characters.

In 1893, put off by the elitism and stodginess of the local suffragists, three long-estranged sisters reunite to form a more inclusive movement for women’s rights, one that encourages the embrace of their magical powers. In doing so, the Eastwood sisters make an enemy of a dangerously overzealous politician who is both more and less than he seems. Witchcraft is far from the only activity Gideon Hill wants to suppress. He criminalizes suffragists, unionists and all manner of “unnatural women” and threatens anyone who would give them aid. The only thing the women he targets have in common is their refusal to cooperate with the powers that be. Still, they unite against the common threat, sparking a magical battle royal in the town of New Salem. Fairy-tale elements and the sisters’ tentative, tender steps toward forgiving past wounds add depth to the struggle.


ALSO IN BOOKPAGE: Alix E. Harrow discusses being caught between fairy-tale magic and real-world rage.


Magic Lessons, Alice Hoffman’s new prequel to her beloved 1995 bestseller, Practical Magic, organizes its strong feminist themes organically. Heartbreaking and heart-healing, this intense and gorgeous novel answers a unique question: How does a bastard and orphan, criminal and daughter of a witch, dropped in the middle of a forgotten spot in the Caribbean, grow up to become a heroine and mother in Massachusetts? Lush and enchanting, Magic Lessons reveals the nearly tragic but ultimately triumphant origin story of Maria, matriarch of the illustrious Owens clan introduced in Practical Magic.

As an infant, Maria was found abandoned in a field. By the age of 19, she had witnessed ample evidence of love’s destructive power in the lives of countless women who were beaten, betrayed, bought and sold by men who should have protected them. Maria’s birth mother had to give up her child to protect her from her father, who supposedly loved her too much. Maria’s adoptive mother, Hannah, was accused of being an abomination by a man she thought loved her. So when Maria meets the right man, a good man who only wants to love her, she doesn’t trust him. Plus, she’s already met the wrong one, who cemented her distaste for romantic love.

This is an impressive tale—equal parts love story, history and horror. One of the novel’s most terrifying aspects is that, much like Nathaniel Hawthorne’s The Scarlet Letter, this fictional tale is grounded in the well-documented persecution of women in 17th-century New England. Eventually love wins out, but that is only one part of a broader story in which an abused, neglected and discounted woman rises, finding a way to save herself, safeguard her family for generations and make systemic change for others along the way. The whole thing is absolutely riveting and rewarding from start to finish.

Three magical tales mine the rebellion and persecution of willful women in America’s past and present to chilling effect. If you have any feminist leanings, these books will inflame them. If you don’t, these books may incite them.
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For readers who enjoy immersing themselves in memoirs and true crime, the comic book format offers even more to devour.

In a world saturated with superhero media, it bears repeating that comic books are a medium, not a genre. There’s nothing wrong with capes and tights and giant robots, of course, but to reduce the wide world of comics to such a narrow view does a disservice to the medium’s vast possibilities. Through tales of darkness, recovery and self-discovery, three towering works of graphic nonfiction reveal the full breadth of comic books’ expressive power.

In Happiness Will Follow, longtime superhero comics fixture Mike Hawthorne turns the full force of his talents on his own struggle to understand where he comes from and how he grew into the man and artist he is now. This stunning graphic memoir begins with an old shoe in a doorway, a sign to Hawthorne’s Puerto Rican mother that a curse is upon them, and then catapults through years of poverty, violence and psychological and physical trauma, as Hawthorne comes to grips with a heritage from which he feels removed.

Hawthorne’s narration is candid, raw and precise, but the memoir soars on the strength of his art as he zooms out to offer us a sense of isolation amid the crush of New York City, then zooms back in to depict haunting, bold close-ups of the key figures in his life. Chief among those figures is his mother; their relationship roots the book in a powerful, unflinching exploration of what it feels like to anchor yourself to another person, especially when that person is a harmful presence in your life. As Hawthorne takes us through the past and present, the cultural and personal, the painful and beautiful, he tells his story with empathy and vulnerability, and that makes Happiness Will Follow an essential graphic memoir.

Coming-out narratives are too often depicted in popular culture as a linear decision-making process followed by a single crystallizing moment when all becomes clear and a pure sense of self is achieved. But this is definitely not always the case. Coming-out journeys are just as often bumpy, messy and full of false starts, as British artist Eleanor Crewes reminds us through her beautifully rendered, endlessly witty graphic storytelling in The Times I Knew I Was Gay.

Drawing on memories from childhood, early adulthood and beyond, Crewes tells the story of her own journey to coming out fully and for good. Her memoir defies the conventional forms of graphic storytelling; there are no panel borders here, no defining boundaries to keep Crewes confined to a certain time or place at any given moment. Sometimes her gorgeous pencil drawings pause the narrative altogether so she can break the fourth wall and reflect on the tale as she’s telling it.

The Times I Knew I Was Gay began as a short zine, and that DIY ethos is still present in these pages, reminding us that our most personal stories are often best told in the simplest and most direct way. There’s an elegance to this simplicity that makes it feel like a friend is opening up to you as you read, creating an intimate connection between book and reader.

Maids
From Maids by Katie Skelly. Used with permission from Fantagraphics.

Of course, graphic nonfiction isn’t limited to memoirs. Sometimes the comics medium is also the perfect vehicle for a stylized retelling of a true crime story, as Brooklyn-based cartoonist Katie Skelly proves with her dazzling Maids.

Using a simple grid layout that she manipulates to great effect, and with art that blends Eastern and Western styles, Skelly tells the story of the infamous Papin sisters, who worked as maids for a wealthy French family until they murdered their employer’s wife and daughter in 1933. The story of Léa and Christine Papin has been told many times before, but never quite like this. Maids draws striking power from the way Skelly fully embraces the potential of her format.

The narrative unfolds slowly and suspensefully, giving ample space to build a visually and emotionally symbiotic relationship between the two sisters. The way they seem to float through the panels together, moving through the world in a way the other characters do not, contributes to a growing sense of dread. Even if you know this story intimately, you’ll be itching to know what happens next. That Maids pulls off this particular trick is a testament to both Skelly’s talent and to the power of graphic narratives.

For readers who enjoy immersing themselves in memoirs and true crime, the comic book format offers even more to devour.

Although we’re now living through a time of all-access Zoom weddings, marriage throughout history wasn’t always so easily achieved. For some, it was celebrated; for others, it was withheld. These books explore the complicated history of marriage in two very distinct ways.

Access to marriage means access to equality. Dianne M. Stewart, professor of African American studies at Emory University, investigates the complex conditions that have led to low marriage rates among Black heterosexual women in the United States in Black Women, Black Love: America’s War on African American Marriage.

Stewart notes that 70% of Black American women are not married—many not by choice but because of centuries of injustices that continue into the present day. She begins this powerful and wholly original work by discussing how slavery made it impossible for Black women to control their own bodies, much less their families and relationships. Even after emancipation, lynching, terror and the stress of poverty continued to threaten the stability of Black communities. In the 20th century, the scars of Reconstruction still controlled Black women’s upward mobility through systemic restrictions like federal “man-in-the-house” policies, which stripped Black women of public assistance if they lived with a boyfriend or husband. Combined with a lack of access to well-paid jobs, these polices caused marriage rates to decline in Black communities. But the most devastating barrier to Black marriage is modern-day mass incarceration, which continues to pull families apart.

Scholarly and moving, with deeply personal notes and references to pop culture, Stewart’s eye-opening analysis reveals how marriage is an enduring civil rights issue for Black women in the United States.

Matrimony, Inc.: From Personal Ads to Swiping Right, a Story of America Looking for Love explores a very different type of relationship history. In this book, Francesca Beauman delves into the quirky history of the romantic personal advertisement and reveals how it has aided Americans’ never-ending search for love and companionship throughout the centuries.

This entertaining and well-researched account begins with the very first known personal ad, placed in a Boston newspaper in 1759. Beauman, a bookseller and historian, curates the archival materials in a witty and accessible way, and both history buffs and readers of romance will find her to be a dependable yet amusing guide. She writes authoritatively on American courtship through a historical lens, touching on different examples of the personal ad over the past 250 years.

Advertisements written by soldiers in the middle of the Civil War were circulated through “penny presses” designed for a middle-class public who was becoming more literate and refined. As the popularity of personal ads flourished in the 19th century, so did scams, deceptions and danger. Behind the ads were faceless strangers who might be bigamists, or worse. At the turn of the 20th century, Belle Gunness, one of the most prolific serial killers of all time, lured more than 40 men to her farm in Indiana by promising marriage though personal ads in newspapers. The threat of meeting a similar end, however, has never stopped the public from searching for love through the personals.

Primary source materials play a prominent role in Matrimony, Inc. As readers see antiquated, sexist language in action, they will laugh at how far we’ve come, and sigh at how far we still have to go.

Although we’re now living through a time of all-access Zoom weddings, marriage throughout history wasn’t always so easily achieved. For some, it was celebrated; for others, it was withheld. These books explore the complicated history of marriage in two very distinct ways.

Access to marriage…

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Ordinary city life becomes extraordinary when seen through the eyes of talented author-illustrators Chris Raschka and Christy Hale.

Two-time Caldecott Medalist Chris Raschka’s In the City celebrates the joys of newfound friendship. Two girls, one Black and one white, make their way separately through a city while pigeons circle overhead. “Could a friend be waiting for me?” they each wonder.

As the girls walk, pigeons soar above and settle down to roost on a statue in a park. The girls sit on the same park bench and watch the birds. “Now we see them one for one,” the text says, highlighting differences among the birds, including gleaming rainbows of colored feathers. A turn of the page finds the girls facing each other, reaching out to hold hands as the flock takes flight around them. Raschka asks, “How do two friends find each other?”

Raschka’s watercolor city teems with color and movement. Reddish buildings give way to park trees in myriad shades of green. He unites the girls and the birds through a similar shade of blue, seen on one girl’s glasses, the other girl’s hair scrunchie and the pigeons’ neck feathers. Raschka’s plain-spoken prose forms rhyming couplets that never feel forced, and his refrain evokes the coos of pigeons and is sure to be echoed by engaged young readers.

Combining all the ingredients for a perfect read-aloud picture book, In the City is a visual feast and an introspective meditation on the rewards of noticing what’s right in front of us.

The streets of Brooklyn snap into focus on the very first page of Christy Hale’s Out the Door, a salute to the daily routines that define our lives. A girl walks down the front steps of her home, heads down the sidewalk with her father and rides the bustling subway to school. Minimal text and bright, cheerful illustrations reveal every step of the journey. Tree branches arc overhead as she walks down her street. She crosses beneath a traffic light, walks down the subway station stairs, waits on a crowded platform and strolls past shops and skyscrapers.

The book’s prose is spare. “Through a tunnel in the dark” is the only text on a page with a cross section of the city, depicting the girl’s train as it travels beneath the streets. Hale styles prepositions in bold and uses different colors to set them off from the rest of the words, emphasizing the motion of the girl’s journey. Her collage illustrations initially appear as deceptively sparse as her prose, but a closer look reveals skillful use of pattern, texture and detail that brings the city to life as the girl travels through it to school and back home again.

There’s great comfort to be found in such routines, and youngsters will be riveted by the sights and sounds of Hale’s city. Out the Door is a charming read that will prompt readers to reflect on their own daily rituals.

Ordinary city life becomes extraordinary when seen through the eyes of talented author-illustrators Chris Raschka and Christy Hale.

Two-time Caldecott Medalist Chris Raschka’s In the City celebrates the joys of newfound friendship. Two girls, one Black and one white, make their way separately through a…

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Tips for Teachers is a monthly column in which experienced teacher and children’s librarian Emmie Stuart shares book recommendations and a corresponding teaching guide for fellow elementary school teachers.


In his sometimes overlooked but oh-so-good collection, On Stories: And Other Essays on Literature, C.S. Lewis writes,

“The value of the myth is that it takes all the things we know and restores to them the rich significance which has been hidden by ‘the veil of familiarity.’ The child enjoys his cold meat, otherwise dull to him, by pretending it is buffalo, just killed with his own bow and arrow. And the child is wise. The real meat comes back to him more savory for having been dipped in a story . . . by putting bread, gold, horse, apple, or the very roads into a myth, we do not retreat from reality: we rediscover it.”

The lives of the protagonists in these three picture books are changed when they are visited by the fantastical. Children understand that an alien spaceship will never land in a forest. They know that unicorns don’t exist and that the likelihood of a bear befriending a balloon is slim. But it’s through these mythical elements, through story, that truth is uncovered. The veil of familiarity lifts, and by looking through the lens of the imaginary, children can see the impact that one individual can have on the life of another. Each of us can add light, beauty and direction to someone else’s path, whether they’re someone we see every day or someone just passing through our life for a short season.


Lights on Wonder Rock
by David Litchfield

Young Heather, who has “read all about outer space, and how sometimes aliens came down to Earth and took people away in their spaceships,” longs to be taken away herself, so she sits on Wonder Rock and beams her flashlight into the night sky. Her wish is fulfilled when a flying saucer, bursting with light and radiant color, descends, and a friendly alien shuttles her off into space. But when she catches a glimpse of her worried parents on the ship’s monitor, Heather decides to return home. But she can’t forget her extraterrestrial encounter, and for decades, Heather continues to visit Wonder Rock in the hopes of reuniting with her alien friend. She tries various methods of signaling to the vessel, but all her attempts are unsuccessful. Just when Heather, who is now a grandmother, has lost almost all hope, the flying saucer reappears. As she catches the alien up on all the ways her life has changed since childhood, Heather realizes that hiding behind the veil of familiarity is the true magic of family and the love of her children and grandchildren.

  • Gratitude jars

The Stoic philosopher Epictetus is said to have written, “He is a wise man who does not grieve for the things which he has not but rejoices for those which he has.” Share this with students and ask them to share their thoughts. Define the words grieve and rejoice for younger students. Ask open-ended guiding questions to help students form connections between Epictetus’ sentiment and Lights on Wonder Rock.

Invite students to create a gratitude jar. Provide ribbon, buttons, markers and other art supplies so they can personalize their jars. Designate “gratitude jar” time each day. Turn on soft music and let students write something they are grateful for on a small slip of paper. Provide examples so that students understand they can write something big and intangible, like the love of a family member, or something small and tangible, like finding a special rock during recess. Encourage children to write something different each day. At the end of a month, let students open their jars and read all their slips. This daily exercise will cultivate a mindset of thankfulness that will last students a lifetime.

  • Illustration narration

Several of the pages in Lights on Wonder Rock are wordless, so readers must “read” the illustrations. If possible, display a few panels or wordless spreads and let students narrate aloud what they think is happening in the illustration. Invite them to elaborate using prompts such as, “What makes you say that?” or “Tell us more about . . .” This simple organic visual thinking exercise build students’ oral, comprehension and inference skills.

  • Extra-extraterrestrial

Provide time for older students to research aliens and society’s endless fascination with all things extraterrestrial. With younger students, read additional science fiction picture books that feature UFOs and aliens.


Margaret’s Unicorn
by Briony May Smith

When her family moves “to a faraway place, to a cottage in the mountains, to be near Grandma,” Margaret is unsure about her new home with its different smells and empty spaces. While her parents unpack, Margaret ventures out to explore the area around the cottage. On her return journey, she discovers a baby unicorn tangled in the weeds and takes it home. Over the next year, Margaret and the young unicorn become close companions, experiencing all the delights of their small mountain village together. They chase waves along the rocky beach, decorate a Christmas tree, build snow unicorns and enjoy picnics under the apple tree. With each passing season, Margaret feels less lonely and becomes happier in her new home. When spring returns, the unicorn’s mother comes back for him and the two friends must say goodbye. As she hugs her small friend, Margaret whispers, “Please don’t forget me.” Readers will be delighted to discover that he doesn’t. Margaret’s Unicorn is a warmhearted and timeless story that shimmers with the magical power of companionship.

  • Relationship reflection

The baby unicorn helped Margaret adjust to her new surroundings. Ask students to think about a time when they felt lonely or scared and they were comforted by a family member, friend or animal. Begin a discussion that leads children to understand how loneliness or fear of the unknown can be assuaged by the presence of a companion. Pair students up and let them share a time when someone or something else helped them feel less alone.

  • Imaginary adventures

Living in the country and finding a baby unicorn who eats flowers and drinks water touched by moonlight was the stuff my dreams were made of when I was in elementary school (and let’s be honest, are still). Invite students to create the imaginary friend of their dreams.

Use this as a creative writing exercise for older students. Encourage them to include details about their friend’s appearance, appetite, sleeping habits and personality. For younger students, provide a plethora of art supplies and let them create a visual representation of their friend. Extend the activity by asking students to describe four meaningful seasonal activities they will do with their friend.


The Bear and the Moon
by Matthew Burgess,
illustrated by Catia Chien

A red balloon catches the attention of a young black bear cub. Fascinated by its light, buoyant movement, the bear grabs hold of the balloon’s string and ties it to a stone. When the sun rises, the bear gives his new friend “a tour of his whereabouts.” After the pair climbs a tree, rolls down a hill and sits next to a waterfall, the bear hugs the balloon and it pops. Grief-stricken, the bear feels guilt and shame (“Bad Bear, he thought”) until he is touched by the light of the moon and the moon tells him, “Good bear. Kind bear. Don’t worry, bear,” and his heavy heart is lifted. Simply told but deep with transcendent truth, The Bear and the Moon demonstrates the value of shared grief and the importance of forgiving ourselves.

  • Balloon play

The Italian physician and educator Maria Montessori famously declared, “Play is the work of the child.” Provide a helium-filled red balloon on a string to each student and have some fun emulating the bear’s balloon play.  

  • Paired reading

After sharing The Bear and the Balloon, share Komako Sakai’s Emily’s Balloon. Ask younger students to articulate first some similarities between the two books, then some differences between them. Create Venn diagrams with older students and ask them to compare the two books independently.

  • Mindfulness

Bear’s grief turned into feelings of guilt and shame and negative internal dialogue. Begin a discussion by asking, “Why is being kind and forgiving of ourselves important?” and “How can we practice overcoming negative thoughts about ourselves?”

Bear’s internal thoughts are reset and his spirit is restored by the moon. Remind students that sometimes self-doubt and despair can’t be overcome solely through our own efforts, and when we have a “heavy heart,” it’s important to reach out to a family member or a friend. “Good bear. Kind bear. Don’t worry, bear” is the moon’s message for the bear. Help students create a short mantra they can recite to themselves when they are feeling self-doubt or sadness.

Tips for Teachers is a monthly column in which experienced teacher and children’s librarian Emmie Stuart shares book recommendations and a corresponding teaching guide for fellow elementary school teachers.


In his sometimes overlooked but oh-so-good collection, On Stories: And Other Essays on Literature,…

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Some stories are just baked into our hearts. We search the night sky for the second star to the right, so we can fly straight on till morning. We find balconies to stand on just so we can ask wherefore art thou Romeo. And when we try on a new dress and spin in front of a mirror, feeling beautiful—suddenly beautiful, like a surprise—we half expect to see a fairy godmother standing behind us with a magic wand. Each of these two romances puts a twist on a timeless tale, giving readers fun of falling in love with some of their favorite stories all over again.

Dex MacLean has a smile like sin and a body like a Hemsworth—all wrapped up in a kilt. Forget eye candy, the man’s a whole eye meal, and he’s been Stacey Lindholm’s summer hookup at the Renaissance fair for the past two years. But when Ren fair season is over and Dex's band is back on the road, Stacey feels a little lonely and reckless—and kinda drunk—and ends up sending a message to his fan page that she’ll deeply regret in the morning. Yet when the reply comes, her regrets start to fade. Through emails and texts, she finds herself falling for a man she’d dismissed as a shallow but sexy playboy. Maybe there’s more to Dex, maybe he’s a man worth loving after all.

Or . . . maybe not. Because there’s someone else behind the emails that kickstart Jen DeLuca's second novel, Well Played—a certain band manager who has always been in the other MacLean’s shadow. There’s a good bit of Cyrano de Bergerac to Dex's cousin Daniel as he woos Stacey: his humor, his kindness, his passion for her and his honesty about everything except for his name. But the heroine, delightful as she is, reminded me less of the beautiful Roxanne and more of Sleeping Beauty. She’s been sleepwalking through life ever since her plans for the future got derailed, staying in her small town where everything’s always the same and the rest of the world speeds on without her. It isn’t until love wakes her up that she finds the courage to chase after the life she wants. Stacey and Daniel find love easily—it’s recognizing it that’s hard. It’s a lesson Cyrano de Bergerac taught us that still rings true as this warm, funny, sincere couple stumbles into love, making us believe it once more.

At the start of Brass Carriages and Glass Hearts by Nancy Campbell Allen, you might struggle to see the Cinderella story there. Bold, outspoken—loudly spoken—Emmeline Castle O’Shea seems worlds away from Disney’s demure princess, and not just because she’s living in a steampunk version of Victorian London. As an activist for supernatural shifters, the first interaction we see between her and the hero consists of him dragging her away from a protest so he can throw her into jail. He hauls her over his shoulder, kicking and screaming; she threatens to bite him. You don’t exactly hear “So This Is Love” playing in the background. 

But though Emmeline is vivid and daring, at her heart is a wellspring of courage and kindness, filled with a commitment to helping and protecting those society likes to target and torment. And while Detective-Inspector Oliver Reed doesn’t initially seem to fit the mold of a chivalrous hero, he’s driven by a code of duty and honor that most princes, no matter how charming, could only hope to match. This is a story that stands—jumps, leaps, flies, races—all on its own, with plenty of plot points to dazzle and amaze (including a murderous conspiracy and a number of deadly, damning secrets), but in the end, it keeps returning to the core of who the characters are and what the Cinderella story means. Courage and kindness are rewarded. A valiant man overcomes every obstacle. A brave, adorably wonderful Gus Gus saves the day. And at a ball, surrounded by the most important figures in the land, love conquers all. This story is a dizzying, madcap adventure that will have you looking at happily ever after in a whole new way.

Two romances put a twist on timeless tales, giving readers the fun of falling in love with some of their favorite stories all over again.
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Aging powerfully, stoking creativity and keeping the peace in "peace on earth"—this month's best lifestyles books cover all these topics and more.


The Power Age

Illustrations of luminaries such as Michelle Obama, Patti Smith and Zadie Smith are a delightful feature of The Power Age: A Blueprint for Maturing With Style, but it’s the interviews with a wide range of inspiring, accomplished women—all over 40 and most of them 50-plus—that make me want to buy a copy of this book for every one of my girlfriends. “Entering your second act is not so scary as it once seemed,” writes Kelly Doust in the introduction. “It takes years and years of trial and error, and life lessons, and loss, to come home to ourselves and figure out who we are.” Doust is an Australian writer, and many of the women she talks to are based in Australia or New Zealand, but their collective wisdom certainly knows no national boundaries and shines brightly enough to power a universe of its own.

Make Time for Creativity

In the world of creativity guides, Brandon Stosuy’s Make Time for Creativity feels fresh. Stosuy’s got impeccable creds as the co-founder of the excellent web publication The Creative Independent and a collaborator with countless artists of all stripes. From this fertile ground he delivers a four-part look at the creative process, from work-life balance to necessary downtime, girded by insights from the writers, musicians, visual artists and others he has interviewed over the years. I especially like the “Daily Rituals” section, designed to show “how rituals make you feel present for your creative practice and able to treat it like sacred time.”

Calm Christmas and a Happy New Year

I wasn’t ready to think about the holidays when I first picked up Calm Christmas and a Happy New Year, but now that I’ve read it, bring on the mulled wine and evergreen boughs. In soothing prose, Beth Kempton helps readers locate the elements they love most about the before, during and after of the season, with an emphasis on a hygge-type appreciation of the winter months. Kempton, the author of an excellent book on wabi sabi, helps us dial down the noise of what doesn’t appeal. She doesn’t urge us to celebrate Christmas any one way but encourages us to “savor the hush” of the very end of the year—“the fleeting pause when time bends and magic hovers between the bookends of the season.”

Aging powerfully, stoking creativity and keeping the peace in "peace on earth"—this month's best lifestyles books cover all these topics and more.
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Prank wars, a country house murder and a passel of irrepressible children add zing to three very sweet romances.

★ My Last Duchess

Eloisa James pens a truly delightful prologue to her popular Wildes of Lindow Castle series in My Last Duchess, the love story of the family’s patriarch and matriarch. Hugo Wilde has eight children from two duchesses and is now in need of a third wife. There’s all those children, after all, ranging in age from 2 to 18. He had planned to make a sensible choice until he took one look at widow Lady Ophelia Astley. In keeping with Wilde family tradition, he falls in passionate love at first sight. But what does he have to offer her except the stultifying life of a duchess, not to mention those eight children? Their path to happiness is mostly smooth—who can resist a sexy, kind, besotted duke?—yet the journey is great fun all the same. The banter is witty, the secondary characters are exquisitely well drawn, and the glimpses of the children will cause readers who have read their stories to smile and entice those who have not.


ALSO IN BOOKPAGE: Eloisa James reveals how she made instalove work.


A Lady’s Guide to Mischief and Mayhem

Manda Collins smoothly blends romance and an English country-house whodunit in A Lady’s Guide to Mischief and Mayhem. Newspaper owner Lady Katherine Bascomb pens an article critical of Scotland Yard’s investigation into the murders attributed to the “Commandments Killer,” causing Inspector Andrew Eversham to be pulled off the case. But he gets a second chance at stopping the villain when a similar killing occurs in a small village near the estate where the very curious and very stubborn Kate currently resides. Despite the class barrier between them, the pair realizes they have equally clever minds and an undeniable physical chemistry. The twists and turns of the plot will keep readers guessing, but Kate’s independent attitude and the interesting friends she gathers around her bring the story to vivid life.

The Cul-de-Sac War

Two neighboring houses, a big, slobbering dog without boundaries and one unwelcome attraction add up to a madcap romance in The Cul-de-Sac War by Melissa Ferguson. From the moment hunky, stubborn contractor Chip moves in next door to the home that free spirit Bree inherited from a relative, alarm bells go off. When Chip refuses to move a fence line, sparks fly and pranks ensue until they’re in a full-fledged war. But as these likable characters become better acquainted, they share serious thoughts about happiness, death, family and work. Love follows, but can they admit to it? This kisses-only inspirational romance is a sweet treat with a soft center.

Prank wars, a country house murder and a passel of irrepressible children add zing to three very sweet romances.

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Vikings, robotic spaceships and adventures in the multiverse—this month's SFF highlights have something for everyone.

★ The Doors of Eden

Adrian Tchaikovsky’s mind-bending The Doors of Eden melds Alice’s Adventures in Wonderland with The Lost World. After watching a blurry online video of a bird-man in the outer reaches of England, monster hunters Lee and Mal venture forth to discover the truth. But they find more than they bargained for as Mal goes missing in the gloom of the moors, and soon the fates of a group of people and a mysterious multiverse collide. The author of more than 30 novels, Tchaikovsky weaves Carl Sagan-esque interludes into this strange, funny and irresistible book, but these scenes of the primordial world are wildly different from the history of Earth’s living things. The sheer density of Tchaikovsky’s ideas is awe-inspiring, and his heady concepts pay off thanks to top-notch characters and a welcome dose of humor.


ALSO IN BOOKPAGE: How Adrian Tchaikovsky crafted an awe-inspiring trip through space and time.


Nucleation

As Kimberly Unger’s tight and thrilling Nucleation begins, Helen Vectorvich, the operator of a robot aboard a facility deep in space, is remotely piloting an important mission. Then the facility, her machine and the comm channel to her partner, Ted, all fail, and she is yanked from consciousness. When she wakes up, Ted is dead, and the company she works for is looking for answers. Distraught and grounded by her boss, it’s up to Helen to find out the sinister truth behind her mission’s failure and Ted’s death. Helen, a company woman starting to see cracks in the corporate facade, is an engaging heroine, and Unger’s experience producing virtual reality games lends verve and specificity to her depictions of the remote-operator experience.

Northern Wrath

There’s no scenario in which Vikings aren’t cool. But what’s really cool are Vikings plus magic. Fall headlong into a mystical world of runes, blood and rage in Northern Wrath, the first in a planned trilogy from debut author Thilde Kold Holdt. Einer, a young man with a mysterious power, and Hilda, a woman determined to become a warrior, are destined to walk two different paths. But when Southerners invade their lands, Einer, Hilda and their people must fight back and harness the power of the gods to avenge the dead. The action is, in a phrase, bloody brilliant; Holdt doesn’t hold back from the gore, which might make some readers squeamish, but it reinforces the hard and violent lives her characters lead. Sink into this one, and let it carry you away.

Vikings, robotic spaceships and adventures in the multiverse—this month's SFF highlights have something for everyone.

Two middle grade graphic novels navigate the hallways and hormones of tween life.

Ah, middle school. That time of great, exciting change we all must go through, willingly or not, when every day can be thrilling, terrifying or downright weird—all before lunchtime.

Filled with empathy and humor, Jerry Craft’s Class Act is a warm hug of a book that chronicles a school year in the life of aspiring artist and eighth grader Jordan Banks. Jordan starred in Craft’s Newbery Medal-winning New Kid, which followed his first year at the private Riverdale Academy Day School in the Bronx. Now Craft’s focus expands to include Jordan’s best friend, Drew Ellis, and their classmate Liam.

Jordan and Drew deal with typical tween issues, such as Jordan’s insecurities about being smaller (and hilariously, less stinky) than the other kids and Drew’s discomfort with a classmate’s amorous attentions. But as Black kids at Riverdale, they must also contend with racist microaggressions and colorism. Class differences crop up, too. In their neighborhood, Jordan and Drew are teased for being too fancy, but at school, classmates comment on their relative poverty. In an especially compelling storyline, a visit to white, wealthy Liam’s home causes Drew to grapple with conflicted feelings about friendship with someone who lives in a mansion.

Class Act’s modeling of thoughtful communication and its celebration of friendship are appealing and heartfelt. Craft’s expressive characters, strong command of vibrant color and hits of visual humor—including references to popular books in the double-page spreads that open each chapter—are downright delightful.

Twins, written by Varian Johnson and illustrated by Shannon Wright, speaks to a younger experience, opening on the first day of sixth grade for twins Maureen and Francine Carter. Francine is ready to roll, complete with a funky new hat, a plan to run for class president and a determination to go by “Fran” from now on. In contrast, Maureen is anxious about middle school; she and Francine only have a few classes together, and she’s been assigned to Cadet Corps instead of gym class.

As the girls struggle to reconcile their fierce love and strong bond with a new desire to be recognized as individuals, they must also navigate “Jock Mountain” and the “Valley of Burps & Smells.” Maureen finds her footing and learns to stand up for herself, but her decision to run against Francine for class president throws the girls’ relationship even more off balance.

Wright’s art skillfully captures the emotion and physicality of tense car rides, anxiety-inducing classroom scenes and a variety of school hallway hijinks. In his first graphic novel, Johnson, author of the 2019 Coretta Scott King Honor book The Parker Inheritance (and a twin himself!), creates a cast of engaging characters, including a family that’s by turns supportive, frustrated and funny. The lead-up to the election is suspenseful, and Johnson’s depiction of the girls’ parents’ willingness to listen to their daughters is both moving and inspiring. Twins marks an auspicious start to a new series.

Two middle grade graphic novels navigate the hallways and hormones of tween life.

Ah, middle school. That time of great, exciting change we all must go through, willingly or not, when every day can be thrilling, terrifying or downright weird—all before lunchtime.

Filled with…

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Two picture books inspired by real-life community organizations demonstrate the great things we can achieve when we all pitch in.

Based on Jillian Tamaki’s experience of volunteering at a community kitchen in Brooklyn, Our Little Kitchen follows a mother and child who help a group of volunteers prepare and serve a meal for their community.

As the story begins, everyone springs into action to assemble ingredients from a garden as well as the kitchen’s cupboards and refrigerator. The group’s leader heats up day-old bread until it’s “soft and warm, as good as new!” then ponders what to do with canned beans for the third week in a row. Once the cooking starts, the pages burst with onomatopoeias in huge, sprawling letters (“glug glug glug” and “chop chop chop chop chop”). When the leader shouts “FIFTEEN MINUTES!” in a spiky speech bubble that nearly fills the whole page, the energy and urgency is palpable.

Every page sizzles and pops as Tamaki captures the kitchen’s hustle and bustle. Lively, detailed visuals abound, often depicted from unusual perspectives such as extreme close-ups and overhead angles. Even the book’s endpapers feature illustrated recipes. Tamaki’s thoughtful author’s note is the icing on this treat: “We are often told that a single person can change the world. Just think what many of us can accomplish—with our bodies, voices, votes, and hearts—together.” Our Little Kitchen is an inspiring call to action that will warm readers’ hearts and tummies.

Cooking a community dinner can be a haphazard, improvised affair, but stitching a community quilt is a measured and precise endeavor. Such contrasting processes make The All-Together Quilt the perfect counterpoint to Our Little Kitchen.

Lizzy Rockwell has more than 30 books to her name, but The All-Together Quilt is especially personal. Her author’s note describes her involvement with a Connecticut-based quilting group called Peace by Piece. Senior citizens, kids from the neighborhood and adult volunteers like Rockwell meet two afternoons each week at a senior housing facility to stitch. Their quilts hang in public libraries, a community college and a children’s museum.

Zeroing in on small acts of collaboration between kids and adults, Rockwell depicts the group making a quilt from start to finish. Her images are informative as well as narrative and include labeled diagrams of sewing tools and illustrations of classic quilt blocks. There’s even an explanation of the origins of each fabric used, from an African wax print to a Scottish plaid. The strong how-to component may encourage young readers to learn to make their own quilts.

The book’s communal spirit is epitomized in a glorious spread that shows a diverse group of people of all ages gathered around a quilting frame, working together to create something beautiful. “It takes a long time to quilt the quilt,” the text reads. “Everybody lends a hand.” The All-Together Quilt is an exemplary, colorful and moving blend of fact and fiction.

Two picture books inspired by real-life community organizations demonstrate the great things we can achieve when we all pitch in.

Based on Jillian Tamaki’s experience of volunteering at a community kitchen in Brooklyn, Our Little Kitchen follows a mother and child who help a group…

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