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October wouldn’t be the same without a bit of spine-tingling fun! These three books offer spooktacular thrills and chills for readers with a wide range of reading abilities. Whether they read along with a grown-up or they’re confidently reading solo, youngsters will be spellbound by these supernatural selections.

Gustavo the Shy Ghost

Rookie readers will adore Flavia Z. Drago’s Gustavo the Shy Ghost, a frightfully delightful picture book about building confidence, making friends and—oh yes—monsters. Though ghosts are considered generally unpleasant, unwelcome presences, Gustavo is a singular exception. His rosy cheeks and unwavering grin positively radiate good cheer. He also harbors secret feelings of love for Alma, an invisible girl who belongs to a group of ghouls he longs to befriend. Alma’s spooky squad includes a mini-Bride of Frankenstein (there’s no mistaking her high-voltage hairdo) and a little soccer-playing devil clad in a team jersey (he’s number 13, of course).

Gustavo is too shy to talk directly to the crew, so he tries—through a variety of guises—to get their attention. He morphs into a soccer ball, assumes the shape of a balloon and masquerades as a lampshade while Alma reads a book. But thanks to his otherworldly pallor, poor Gustavo is overlooked. He blends right in with the scenery!

Gustavo is feeling down when inspiration strikes: “I have to be brave,” he thinks. “I have to let others see me!” When he concocts a plan involving a musical concert on the Day of the Dead, his efforts to connect with Alma and the others are finally rewarded.

Through Gustavo’s haunting hijinks, Drago gently explores the importance of being yourself and sharing the qualities that make you unique with others. She pairs easy-to-follow text with silly monster scenes that young kiddos will adore. Inspired by her native Mexico, her mixed-media illustrations feature powerful pops of color that make her book bright and inviting. Gustavo’s story will be in high demand at storytime long after Halloween has passed. Here’s to making new friends, no matter how spooky!


ALSO IN BOOKPAGE: Three Halloween reads for scaredy-cats


The Haunted Lake

More experienced readers will find ghostly thrills in P.J. Lynch’s The Haunted Lake, an atmospheric story that’s just right for a chilly, cozy October night. When a dam is built across a river near the town of Spetzia, the town floods and a new lake is formed in its place. The residents relocate, but Jacob and his father, Reuben, remain in their hilltop home and take up fishing to make ends meet. Each day, when they go out on their boat, they see the town’s old clock tower, just tall enough to emerge from the water. The rest of Spetzia, meanwhile, remains submerged. Small wonder that the lake is rumored to be haunted.

Then Jacob falls in love with a girl named Ellen, and they plan to marry. But one night while out fishing alone, Jacob meets Lilith, a beautiful ghost. She introduces Jacob to the murky world beneath the lake’s surface, where he finds the village of Spetzia still intact and populated by phantom townsfolk. With the passage of time, it becomes clear that Lilith intends to trap Jacob into staying forever. “We need you, Jacob of the living,” she tells him ominously. “You remind us of ourselves . . . our old selves.” Jacob is soon caught up in a nightmare, and only with Ellen’s help can he hope to escape.

Lynch narrates these uncanny proceedings in a style that’s crisp and lucid. He creates a mood of suspense in part through his breathtaking illustrations. His realistic watercolors are dominated by a spectral palette that serves the story well, full of misty shades of gray and blue and a deep, aquatic green. Readers can make out the ethereal depths of the lake and what lies under its surface: the houses and other structures of what once was Spetzia. Lynch’s beautifully composed scenes support a story of classical dimensions. The Haunted Lake is an eerie tale that feels timeless.


ALSO IN BOOKPAGE: Halloween frights and delights


The Girl and the Ghost

Advanced readers comfortable with independent reading will be transported by Hanna Alkaf’s The Girl and the Ghost. Set in Malaysia, a country rich in supernatural legends, according to the author’s introductory note, the novel tells the story of young Suraya and her pelesit friend, Pink.

As a pelesit, a mischievous figure from Malaysian folklore who usually appears in the form of a grasshopper, Pink is dedicated to serving Suraya. The granddaughter of Pink’s previous mistress, who was a witch, Suraya lives with her mother in a “wooden house on the edge of green, green paddy fields, a house that rattled and shook when the monsoon winds blew.” They don’t have much money—Suraya is ashamed of her baju kurungs, the long tops and bottoms her mother sews—and she gets bullied at school. When Pink first enters her life, she’s in need of a companion.

Suraya learns what real friendship feels like after she hits it off with Jing Wei, a new student in class. But Pink is jealous of their connection and deploys his supernatural powers to frightening ends. Shocked by the nature of his devotion, Suraya orders Pink to leave, but he’s not so easy to get rid of.

Suraya and Pink’s complex relationship and mutual need for one another are convincingly rendered by Alkaf, who enriches the book with elements of Malaysian myth, including a chilling array of evil creatures they must contend with during the novel’s climax. Even as she spins a fabulous tale of enchanted beings and adventure, Alkaf never loses sight of her central themes: family ties, loyalty and friendship, and the risks and rewards of love. The Girl and the Ghost is an out-of-the-ordinary story that’s just right for readers who are ready to expand their horizons, and a true treat for Halloween.

October wouldn’t be the same without a bit of spine-tingling fun! These three books offer spooktacular thrills and chills for readers with a wide range of reading abilities. Whether they read along with a grown-up or they’re confidently reading solo, youngsters will be spellbound by…

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What makes a fairy tale? Is it the presence of witches and demons, magic mirrors and secret spells? Are fairy tales always stories about finding one's true love, righting the wrongs of previous generations or navigating the cost of meddling in powers beyond your understanding? Are wishing wells and dark forests required? What about a magic . . . spoon? These three YA novels explore, stretch and expand our notions of what a fairy tale can be.

The Mirror: Broken Wish

When a package from their neighbor arrives at Agnes' doorstep in the winter of 1848, her husband Oskar warns her to ignore it: Everyone in their small German village knows that their neighbor is a witch. But what could be wrong with honey cake, lavender tea and an offer of friendship? Agnes longs to have a family, and Mathilda offers her a potion she promises will end Agnes’ childlessness. But magic comes with unexpected consequences, and associating with Mathilda comes with unexpected costs. Agnes makes her decisions and hopes for the best.

Seventeen years later, Elva pins sunflowers in her hair for the dance, hoping to catch the eye of handsome farmhand Willem. Her parents, Agnes and Oskar, have warned her never to share her secret—when she looks into water, she sees visions of the future—but maybe telling Willem will be fine. Besides, she'll need his support: A frightening vision and the discovery of a stash of hidden letters has led Elva to seek out the only other person she knows of with magical powers, the witch Mathilde, who's rumored to kidnap children as they play in the woods.

Julie C. Dao’s Broken Wish is the first in an innovative quartet of novels called The Mirror. Each book will be written by a different author, but the four authors will share notes and ideas throughout the creative process. Together, the four books will follow four generations of a family—and a magic mirror—from 19th-century Germany to New Orleans in the 1920s, then to San Francisco in the 1960s, before finally resolving in New York City in the early 2000s.

The ingredients are all here for a quintessential fairy tale (including a reference to the Brothers Grimm), but be prepared for some surprises too. Elva's watery visions are always true, they're not always truly complete. The familiar fairy tale elements of Broken Wish never once feel derivative, thanks in part to Dao’s effortless prose and heartfelt characters. It’s an important reminder that, done well, even tales as old as time can feel fresh and enjoyable.

The Puppetmaster’s Apprentice

How would the story of Pinocchio be different if the eponymous child had a talent for woodcrafting—and if she was a girl? In The Puppetmaster's Apprentice, Piro and her father Gep own a woodworking shop and are hard at work on a special order—a hundred life-sized wooden soldier marionettes, each with a unique face, for the ruling Margrave's sickly son. A secret attic cubbyhole connects Piro and Gep’s home above their shop to the shop next door, where Bran, the tailor's son, is trying to find the courage to tell his parents that he'd rather make clocks than clothes. He longs to help the town clockmaker repair a long-broken glockenspiel clock, another project also recently commissioned by the Margrave.

Because magic is banned on penalty of death, no one must ever know that Piro came to life after a spell recited under a blue moon. But it’s hard to keep the secret because of the trace the magic left behind: A wooden splinter bursts from her skin whenever Piro tells a lie. When the Margrave summons Piro to the palace for a special commission, she'll need all of her skill as a puppet-maker—and as a magical creature herself—to defeat the frightened tyrant's twisted imagination.

Debut author Lisa DeSelm proves herself just as much of a talented maker as her characters. She uses detailed imagery to craft an imaginative world of wooden assassins and princesses, metal gears and glass eyes. Fairy tale staples including an enchanted forest, a rhyming spell and a mysterious crone join elements of dark fantasy, romance and political intrigue as Piro works together with her fellow makers to save her town and break her curse. Amid the pounding of hammers and the scraping of chisels, the magic of the blue moon reminds Piro of her father's favorite maxim: "A maker will always prevail.”

The Way Back

Just about everyone knows the tales of Snow White's magic mirror, Hansel and Gretel's child-eating witch and Pinocchio's extendable nose. But how many teens are familiar with the gilgul, the Sisters of Lileen or the demon Belial? In Gavriel Savit’s The Way Back, a 19th-century Eastern European village becomes the departure point for two teens' tour through the demonology of Jewish mysticism.

Yehudah, hiding from a mysterious stranger who may be responsible for his father's long-ago disappearance, follows a crow to a treasure house run by a bargain-making demon whose agreements never quite turn out well for his petitioners. Bluma, meanwhile, flees a dark spirit in her house that leaves behind a very strange spoon, stumbles into a graveyard and is soon surrounded by the vengeful demon Lilith and her cat-like entourage. Yehuda and Bluma’s paths cross and they find themselves in the Far Country beyond the living lands. There’s a ferryboat operator who must be paid, a red scarf whose protective value is much more than mere warmth and a magical library that returns answers to visitors' questions in their own handwriting. Back in the everyday world, a famous Rebbe is about to host his youngest granddaughter's wedding, and everyone is invited—guests from the world of the living and from the world of the dead.

Told in repetitive rhythms reminiscent of the oral storytelling tradition, The Way Back is a quiet and contemplative tale. Like more familiar fairy tales, the story contains magical incantations, talking animals and dark hooded figures. But bring your tissues, because this one is a tearjerker—especially one scene in which Death appears to each character in the guises they’ll understand best. By striking bargains, serving demons, stripping away their identities and asking themselves whether what they seek is truly what they want, Yehudah and Bluma, lost among creatures of the dark, haltingly attempt to find their way back.

What makes a fairy tale? Is it the presence of witches and demons, magic mirrors and secret spells? Are fairy tales always stories about finding one's true love, righting the wrongs of previous generations or navigating the cost of meddling in powers beyond your understanding?…

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For lovers of Scottish brogues and dashing tartan, these historical romances combine dangerous action and fiery heroines while oozing tropey goodness. Kerrigan Byrne’s All Scot and Bothered follows its heroine as she tries to keep her identity a secret while running a recently inherited gaming hell. Meanwhile, a gruff highlander’s best friend’s sister becomes his unlikely rescuer in The Highland Laird by Amy Jarecki.

All Scot and Bothered is the second book in the Devil You Know series, featuring a trio of redheaded women (the Red Rogues) with a lasting friendship. Lord Chief Justice of the High Court Cassius Gerard Ramsay (a stuffy title for a stoic man) has launched an investigation against London’s gaming hells amidst the rumors that the most scandalous of them is run by a woman.

Cecelia Teague has always felt like a rug is about to be pulled out from under her. Her life as an orphan took a drastic turn after an enigmatic benefactor sent her to an affluent boarding school, entering her into high society. But now, she’s living a double life following her surprise inheritance of a gambling hall. Caught between her persona as a respectable lady of the ton and her new role as owner of a notorious establishment, Cecelia knows that the man she’s falling in love with is the same one looking to close her hall’s doors forever. Unfortunately, he doesn’t know she’s the mysterious owner he’s sworn to hunt down.

There never was a heroine more adaptable than Cecelia, who takes every drastic turn of her life with aplomb. She always seems to land, cat-like, on her feet; readers will applaud her willingness to tackle a problem and throw herself into a sticky situation. Fearless and fearsome, Cecelia’s quick thinking and breadth of experiences on her journey from rags to riches make her a great foil for the arrogant Cassius.

Cassius is a frustrating hero, with his walled emotions and frankly judgmental interactions. He has a long road to travel on his way to both opening himself up to those around him and broadening his opinions of society (and those who do and don’t get to participate in it in the ways he does). It’s a redemption arc worth reading; readers’ patience is definitely rewarded by the happily ever after.

Byrne makes her couples work for their relationship. She rarely makes it easy on them or on readers. Her historical romances feel almost epic in scope with the number of physical and emotional obstacles needed to be overcome by the heroes and heroines, but by the end of them, you’re left breathless at how she managed to pull such a story off—again. Pick up All Scot and Bothered for a roller coaster ride of smoldering glances, sniffly moments and steamy, sigh-worthy romance.

A dashing forbidden romance is at the heart of Amy Jarecki’s The Highland Laird, the eighth installment in her Lords of the Highlands series. Laird Ciar MacDougall has been imprisoned and is suspected of having murdered a British soldier. Emma Grant has carried a torch for Ciar for the longest time, but there are several reasons why their romance is off-limits. For one, Emma is the sister of Ciar’s best friend, a frequent complication in many romance novels. Secondly, Emma has lived in a rather protected circle of family and friends. Emma has been blind since birth, and was never afforded the same freedoms as her clansmen and women. When she hears of Ciar’s capture, she (and her trusty dog, Albert!) make haste to set him free. It’s a move no one quite expected from the demure Emma, certainly not Ciar.

The scene in which Emma becomes Ciar’s rescuer is both surprising and sweet, and becomes the catalyst for her to start expressing herself as a woman with her own wants and needs. The Highland Laird is as much a story of self-love and identity as it is a romance novel. Full disclosure: I am not a historian and I do not know if the ways Emma has trained Albert to support her are historically accurate. However, any books that include a helpful and/or adorable animal (see my review of A Touch of Stone and Snow by Milla Vane) get bonus points from me.

Though not as dark or angsty as All Scot and Bothered, there is still a delightful push and pull between this main couple. Ciar is particularly tormented, caught between the duty to his clan and the feelings he has for Emma. Is loving her a betrayal of his friendship with her brother? Will it jeopardize clan politics? Will his escape from prison only put her in further danger? These are all questions he faces while on the run with Emma, though their close proximity only muddles things more.

Since the Highlands of Jarecki’s books are teeming with hot Scots, you’d think they’d all start to blur together, but there’s always something new to be found in her leading men and women. Come for Emma’s grand rescue plans and her valiant hound, stay for Ciar absolutely melting for his leading lady.

For lovers of Scottish brogues and dashing tartan, these historical romances combine dangerous action and fiery heroines while oozing tropey goodness. Kerrigan Byrne’s All Scot and Bothered follows its heroine as she tries to keep her identity a secret while running a recently inherited gaming…

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Tips for Teachers is a monthly column in which experienced teacher and children’s librarian Emmie Stuart shares book recommendations and a corresponding teaching guide for fellow elementary school teachers.


The books we read in childhood hold immense power. True, many will be forgotten, but some stay lodged in the heart and forever influence the way we see the world, even as we grow into adulthood. In the words of You’ve Got Mail’s Kathleen Kelly (a character created by the inimitable screenwriters Nora and Delia Ephron), “When you read a book as a child, it becomes a part of your identity in a way that no other reading in your whole life does.”

Four childhood books that formed my identity are Emily Arnold McCully’s Mirette on the High Wire, Charlotte Zolotow and James Stevenson’s I Know a Lady, Michael Bedard and Barbara Cooney’s Emily and Cynthia Rylant and Kathryn Brown’s The Old Lady Who Named Things. Each of them extended my understanding of childhood friendship by helping me see that I could be friends with a talented acrobat, the elderly lady next door, a community eccentric or the dog down the street.

Unexpected and unconventional friendships are also at the heart of the three picture books below. Through words and pictures, they tell stories that show children the daily joys and comfortable companionship of serendipitous friendships.


Starcrossed
by Julia Denos

Eridani is a human girl “made of blood and bones.” Her best friend Acamar is “more of a constellation than a boy . . . made of space and stars.” Every evening, the two friends share their longings and questions with each other. Eridani wonders about comets and flying while Acamar wonders about sunsets and sand. Curiosity sparked, they make wishes upon each other and embark on an altogether magical experience. Alight with warmth and wonder, Starcrossed is a story of intergalactic friendship and cosmic wishes. An author’s note in which Julia Denos explains that Acamar is an actual star within the constellation Eridanus is sure to delight students.

  • Stories behind the stars

Read the author’s note aloud, then show students photographs of Eridanus and the star Acamar. Explore the scientific story of the stars, then explore the connections between constellations and mythology.

  • Night sky art

Denos’s full-bleed watercolor, ink, pencil and digital collage illustrations capture stunning nightscapes that set off luminous constellations that explode with astronomical energy. Give students an opportunity to emulate Denos’s striking night skies with a resistance watercolor exploration. Watercolor sets or liquid watercolors work best for this activity.

Provide students with watercolor paper, white crayons or oil pastels and various star-shaped and round stickers. The inexpensive foil star stickers and punch-hole reinforcements I bought at a local office supply store worked wonderfully.

Using the crayons and stickers, ask students to create constellations or a starry design on the watercolor paper. Then show them how to use a foam brush or thick watercolor paintbrush to paint over their design in shades of blue, green and purple. Incorporate color theory by telling students how to mix colors to create different shades, as well as how to control color intensity by using water.

After the paint is dry and the stickers are peeled off, the constellation designs will pop against the darker watercolor skies.

  • World-crossed reflection

Eridani and Acamar dream of a life far different from their own. Ask students to think of a place, anywhere on Earth, that fascinates them. Provide atlases and other books with strong photographs as well as geographical and cultural information, or use Google Earth to show unique places around the world. Once students have decided on their world-crossed location, give them time to research it further.

Next, invite them to create a dialogue that resembles the conversation Eridani and Acamar share. What would they tell a friend about their current home? What do they most want to experience about their world-crossed location?


Neighbors
by Kasya Denisevich

“I know my new address by heart,” explains a little girl who has just moved to a new apartment building in the heart of a big city. Excited about her new room, she reflects, “My ceiling is someone’s floor and my floor is someone’s ceiling.” As she continues to muse about her new surroundings, the black and white illustrations shift to a cutaway view of the apartment building that reveals its tenants engaged in their daily various activities. The little girl’s thoughts head in a philosophical direction, until she finally wonders, “Do they even exist? Or maybe my building is my only neighbor. What if there is nothing at all beyond the walls of my room?” The next morning, another little girl emerges from the apartment next door. As the pair head to school, color floods the black and white illustrations, signaling the hope of new friendship. Many children will see their own thoughts and questions reflected in the little girl’s honest ponderings of the public-private dichotomy that’s part of life in a big city.

  • Reminders of home

As soon as the little girl moves into her new apartment, she begins unpacking her special objects. Show students some personal items that make your classroom or house feel like home for you. Give time students time to reflect on some objects or nontangible things (for example, a particular scent, or a type of music) that make a place feel like “home” for them.

Lead a discussion to help students understand that these things can be comforting when they find themselves in a new place. Invite students to bring one of their “home objects” to share with the rest of the class. This reflection exercise will be particularly helpful for children who struggle with homesickness when they are away from home.

  • Cutaway comparison

Neighbors includes three double-page cutaway illustrations of the apartment building. Define “cutaway” for students and show them a few cutaways from other books. Lead them in a discussion about the purpose of these type of illustrations, then compare Neighbors’ first two cutaways illustrations. The first shows the apartment building’s residents in their various routines. The second reimagines the neighbors as storybook characters, woodland creatures or fantastical entities. The comparison will delight students. If it’s not possible for the illustrations to be enlarged or shown on a projector, create a small center in the classroom and let students study the illustrations up close.

  • Address addresses

The book’s opening lines—"I know my new address by heart: 3 Ponds Lane, Building 2, Apartment 12”—are not as simple as they might initially seem. Last fall, one of our school’s buses broke down at the beginning of its afternoon route. A new bus had to come pick up the students and take them home. A few of us went to go help with the details of the transition. I was shocked to discover that most of the students did not know their home addresses!

On a Monday, announce a class address challenge. Give each student an index card with their name and full address. Provide younger children with multiple opportunities to practice reciting their address throughout the day. Older children can practice writing their address. At the end of the week, celebrate the students who have memorized their address.


Nothing in Common
by Kate Hoefler,
illustrated by Corinna Luyken

Two children live in adjoining apartment buildings, but each assumes they have “nothing in common,” so they never acknowledge each other. However, they both love watching an elderly man play with his dog. When the dog goes missing, the two neighbors are pulled out of their solitude and united in their quest to help find the dog. Finding much more than the dog, the two children discover that they share more than just an apartment view. The search for a beloved pet will resonate with children, as will the warm reminder that reaching out can be hard, but often results in genuine connection.

  • New window views

The two children live in different buildings, but when they look out their windows, they share a similar view. Show students a glimpse of what people around the world see when they look out their window by visiting the website Window Swap. It’s a simple platform that lets viewers peek out windows around the world. Each view is a small video with the name of the window’s owner in the top left-hand corner and their location in the top right-hand corner.

  • Finding common ground

So often children (and adults) gravitate to children who are most like them. They quickly become friends with those who share the same interests and temperament. Before class, purposefully pair students who are not friends with each other. Give them 10 to 15 minutes to talk to each other, then ask them to write down a list of their similarities. For the next few weeks, let these pairings work together for other classroom activities. Students will discover that working together on a common goal can create a unique bond and an unexpected friendship.

Experienced teacher and children’s librarian Emmie Stuart shares three picture books about the joys of unexpected friendship and suggests activities to incorporate them into the classroom.
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They say the best relationships begin as friendships. In the case of this spotlight on two friends-to-lovers romances, it’s easy to see that the old adage was as true in the Regency era as it is today. In a delightful twist on the beloved formula, both of the soon-to-be-couples fall in love while fighting against toxic masculinity. 

Learning to open up to your own potential is as important as learning to open up to the person you love, and when you start as friends, it makes the whole process a lot less frightening. That's the lesson learned by the protagonists of Megan Frampton's second book in her Hazards of Dukes series, Tall, Duke, and Dangerous. Despite her noble birth, Lady Ana Maria Dutton was treated as a servant by her stepmother. When her half-brother, Sebastian, becomes her guardian after the deaths of her father and stepmother, he is determined to reinstate Ana Maria to her rightful place in society. A dutiful, respectful woman of the ton should hold such a position in high regard. Right? But nowhere on Ana Maria's list of new, genteel responsibilities is room to discover herself, or to fall in love. And after years of subjugation, Ana Maria is bursting with a colorful lust for life.

Sebastian and Ana Maria’s childhood friend, Nash, grew up with a physically and emotionally abusive father and is now a solemn, quiet man who feels like he’s one heightened emotion away from becoming his sire. His grandmother wants him to marry so that his violent cousin won’t inherit the dukedom, but Nash’s upbringing has left him terrified of emotional intimacy.

Due to their abusive pasts, Ana Maria and Nash came to adulthood with no overarching sense of self. They've never been asked what they want. And sadly, they have never even asked themselves what they want . . . until now. Because of their longstanding friendship, Nash sees Ana Maria, just as she sees him. Nash enjoys how Ana Maria challenges his willpower and pulls him out of his hermitage, and Ana Maria knows that Nash will protect her while giving her free rein. But she wants to marry for love, and he refuses to loosen the leash on his emotions enough to let love become a possibility. Hidden behind the cravat is a man wrestling to escape the chains of toxic masculinity who loves a proudly progressive woman.

Lyssa Kay Adams delivers a contemporary friends-to-lovers tale in the third installment of her Bromance Book Club series, Crazy Stupid Bromance. The leads have gone step further than in Frampton’s period piece, delivering a modern man who’s already ascended, and a modern woman who’s already found herself.

Noah Logan is a man after my own heart, with a rebellious teenage-hacker past and current life as a computer security expert. He’s a likable nerd with a penchant for romance novels, as evidenced by his membership in the Bromance Book Club, and a deep love for his best friend, Alexis Carlisle. When a woman shows up at Alexis’ cat cafe claiming to be her sister, Noah is her go-to guy for guidance (and a discreet background check).

Alexis’ cafe, ToeBeans, has become a safe haven for women who have been victims of sexual harassment. It’s no surprise when customers confide in her, given the publicity afforded to Alexis’ own harrassment suit against a celebrity chef, but the reveal of her supposed-sister is different. Personal. So she puts any romantic inclinations she may feel toward Noah on the back burner until she can figure out what’s up.

This book is packed with likable characters who propel the fun, flirty story at an enjoyable pace. Noah and Alexis have terrific, very plausible chemistry, and with the contemporary setting, they have fewer hurdles to overcome than Ana Maria and Nash. But it’s not all glitter and rainbows, because Alexis is still dealing with the very real fallout of being in the public eye as well as recovering emotionally from her ordeal.

Frampton and Adams have written a favorite trope with the exact joie de vivre that readers expect from the romance genre, regardless of the era. It’s especially cathartic to read uplifting, hopeful stories that validate why the guy or the gal you like is also the person you love.

They say the best relationships begin as friendships. In the case of this spotlight on two friends-to-lovers romances, it’s easy to see that the old adage was as true in the Regency era as it is today. In a delightful twist on the beloved formula,…

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A mystery can unfold anywhere at all, but there’s something about England—with its fascinating history, class divisions, that ever-present fog—that makes it a consistent favorite setting. Two books cover three eras in England between them, and you can be confident that things get dark and stormy throughout.

Moonflower Murders, Anthony Horowitz’s sequel to Magpie Murders, opens with Susan Ryeland living on Crete and running a hotel with boyfriend Andreas, having retired from her career in publishing and with England well behind her. She’s done and happy. Or is she? When a couple visit the hotel and ask her to investigate a disappearance that may be linked to a novel by her old client Alan Conway, she agrees to travel back to England. She needs the money, and the job includes a stay in a much fancier hotel than her own. From there, this nested mystery only gets more twisted.

The neat trick of clues to a current dilemma being salted away in a fictional novel is as delightful here as it was in Magpie Murders. This split narrative keeps the reader hyperalert as they bounce between Susan’s investigation and the Conway mystery that might hold the key to it all. Susan has mixed feelings about Crete, the hotel, maybe even Andreas, and is nostalgic for the world of publishing. Revisiting her old haunts and connecting with friends lifts her spirits, and that high sometimes blinds her to red flags. Alan Conway based the Atticus Pünd mystery in question on the owners and guests at the hotel where Susan is now staying—and where a grisly murder once sent a young employee to prison. His brutal caricatures of an already twisted cast of characters made nearly everyone angry, and Susan makes a handy target for that rage, since her edits to the novel did not soften the blow.

Both stories play dead straight, but there’s glee under the surface in the way Horowitz uses the tropes of modern and cozy mysteries. The pursuit of justice gets rather messy, but in both stories, unraveling means and motives leads to satisfying, highly traditional reveals, one by a seasoned fictional detective, the other by a woman in midlife, weighing her future options.

In Death and the Maiden, Adelia Aguilar, Mistress of the Art of Death, has also comfortably retired and is teaching her daughter, Allie, the trade—a combination of anatomy, forensics, and the subtleties of detection, medieval-style (1191, to be exact). Allie excels at the work and bristles at her parents' pressure to marry. When a family friend becomes ill, she’s honored to be able to help and unaware of a matchmaking scheme that leads her to meet the dashing Lord Peverell. There’s scarcely time for romance, though, as the village is being terrorized by the serial kidnapping and murder of young women. Masterfully written, this series closer is a creepy wonder.

Samantha Norman has finished the series begun by her mother, Ariana Franklin, based on ideas Franklin had laid out prior to her death. The story has some poignant mother-daughter moments that resonate even more powerfully in context. But even beyond that, it’s a stellar bit of storytelling. Allie’s family ties are strong and part of why she’s in no rush to marry. That independence can make her cocky, though, and when she sees evidence on the body of a victim that is disregarded, following the lead means putting herself in danger. The village is having other problems as well: Visiting royalty and religious edicts that won’t allow burials for the dead (who are then left in trees or by the side of the road) give a real sense of the gulf between rich and poor.

While this is a true nail-biter of a mystery, many of its best moments are quiet ones, when characters have a moment alone to talk while waking up in the morning or gathering plants for medicine. Series fans will love this volume even as they grieve Franklin’s passing. Norman has done her mother proud.

A mystery can unfold anywhere at all, but there’s something about England (maybe it's the ever-present fog?). In two books, things get dark and stormy indeed.
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“You see, Arthur is my dog,” I told the vet as she prodded yet another conspicuous lump, this time on my dog’s belly. Arthur has developed benign lipomas since he was 4, each of which is rigorously checked upon discovery. “I got him the day after I graduated from college, and my life was kind of a mess, and well . . . He’s just my dog. Does that make sense?”

The vet peered into Arthur’s eyes with her scope and then fed him another treat for being the excellent boy that he is. “Of course," she said. "Arthur has to live forever.”

“Yes, exactly,” I said. “I’m so glad you understand.”

If you’re a dog person like me, you will understand this exchange. Dogs are and have always been an irreplaceable part of humans' lives. Simon Garfield’s Dog’s Best Friend: The Story of an Unbreakable Bond explores this connection, beginning with the development of the dog-human hunting companion relationship and following the changes that have led us to today's world of designer dogs and designer dog accessories.

Though Garfield often questions the ethics of said changes, he returns throughout the book to his own dog, Ludo, admitting, “We would do almost anything to ensure his continued happiness.” Garfield uses his relationship with Ludo to explore a myriad of delightful doggy topics, from the queen’s corgis and their odd names to dogs who follow their owners' funeral processions. Full of quintessentially British humor, Dog’s Best Friend is a heartwarming read for anyone who wants to know more about why they love their dog.

Similarly, Kelly Conaboy’s The Particulars of Peter: Dance Lessons, DNA Tests, and Other Excuses to Hang Out With My Perfect Dog explores her personal story through her relationship with her dog, Peter. For writerly dog lovers, Conaboy’s book feels familiar. After all, so much of our lives are colored by how we care for our dogs; how could we possibly tell our stories without them?

Hilariously crass, Conaboy speaks aloud the thoughts of us all. Too in love with her dog and defensive of anything that might diminish his reputation in her eyes, she answers questions about Peter’s unknown age and lineage with “ageless, poet,” glorifying his humble beginnings as an abandoned shelter pup.

Both books end with the authors reflecting on their present states, engaged in the process of writing and simply being with their beloved pups. Interestingly (or perhaps not), that is exactly where I am now. Arthur, head on his pillow next to me; me, typing away. Despite knowing our obsession with our dogs is absurd, these moments convince us that no other way of being is possible. “We’re always impossibly happy when we’re together,” ends Garfield. And so we are.

These two books offer heartwarming, hilarious insight for anyone who wants to know more about why they love their dog so much.

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Two magical romances highlight the power of women through their depictions of witty, intelligent and powerful heroines.

G.A. Aiken returns with The Princess Knight, the daring second book in the Scarred Earth Saga. I loved the saga’s first installment (The Blacksmith Queen), in which Queen Keeley fulfilled a prophecy to become queen of the western lands—and rival to her youngest sister, Queen Beatrix, the selfish queen of the east. Gemma Smythe, the middle sister of the family, is the proverbial black sheep because she joined a warrior guild rather than becoming a blacksmith like the rest of her mother’s people.

Two years into Queen Keeley’s reign, the battles are bloody, the stakes are high and the tension is through the roof. Both queens are first on the battlefield, leading by fearless example. And readers, they are brutal. Gemma has spent the time since Keeley’s coronation training her sister’s supporters to fight ferociously, executing fast and hard attacks that prevent Queen Beatrix’s army from defending or retaliating. Even among the other warriors and magical beings, Brother Gemma of the Order of Righteous Valor war monks is ruthless.

She sets off on her true hero’s journey when she embarks on a quest to avenge a slaughter at another monk’s monastery, only to realize Queen Beatrix is stealing religious artifacts that will give her unimaginable power. At Gemma’s side is the Amichai warrior Quinn, who can shape-shift into a centaur. He’s a brave man in general, but especially so when he dares let down his guard enough to evolve from being Gemma’s friend to her lover.

This is an elaborate, richly developed world with a robust cast of characters. Though it’s a technically a standalone novel, you would still do yourself a service by starting with the first book, because there’s a lot going on in Aiken’s fun fantasy romance.

Nalini Singh returns to her Guild Hunters series with Archangel’s Sun. This is an epic saga that depicts the battle between lightness and darkness, where angels aren’t the little pudgy pink cherubs of Raphael’s imagination. No, these angels are avengers and bringers of death. They’re dark and intense and so sexy you need to look over your shoulder to make sure karma won’t zap you for giving into the temptation they pose.

This 13th book in the series centers on Sharine, an angel known as “The Hummingbird” who is treasured for her legendary kindness. When Raan, the love of her immortal life, died, she was both emotionally and practically unprepared, because angels do not die unless they are slain in battle. And yet, her archangel did. For centuries, Sharine has mourned Raan’s death with such heartbreaking intensity that her mind fractured and her entire being was nearly overwhelmed by sorrow. Insidious voices inside her mind bombarded her, telling her that everyone she loves dies and no one could stand her—harsh self-criticism for such a peaceful, artistic soul.


ALSO IN BOOKPAGE: Read all our reviews of Nalini Singh’s work.


When the ruling group of archangels requests that she step in to help Titus, Archangel of Africa, nobody is more surprised than Sharine herself. He’s a powerful and respected warrior with a short fuse who insists on getting his way—especially since he’s battling zombies known as the reborn who are multiplying at catastrophic rates. At 3,500 years old, Sharine is still millennia older than Titus. Her period of mourning made her vulnerable, but it’s not long before she begins to prove her determination and strength, becoming a formidable complement to Titus’ own power. Sharine’s self-confidence returns as she recognizes how fortunate she is to have loved and been loved fiercely in return, and realizes that a second, equally passionate romance may be in the cards with Titus.

Aiken and Singh are two of the finest writers of fantasy and paranormal romance working today. Whatever intensity level you prefer when it comes to love and magical warfare, Romancelandia’s got you covered.

Two magical romances highlight the power of women through their depictions of witty, intelligent and powerful heroines.

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Tips for Teachers is a monthly column in which experienced teacher and children’s librarian Emmie Stuart shares book recommendations and a corresponding teaching guide for fellow elementary school teachers.


I recently found myself feeling uncharacteristically blue. In fact, to borrow the words of my literary heroine, Anne Shirley, “I was in the depths of despair.” My tried-and-true mood lifters had done little to raise my spirits, so I did the unthinkable: I opened the music app on my phone and scrolled down to my playlist of Christmas tunes. As soon as the familiar opening notes of one of my favorite seasonal songs filled my living room, I could feel the burden on my heart lightening as the melody restored my sense of hope.

Music has the power to carry our souls through our darkest times. It can be a companion when we are alone or a motivator to keep going in the face of disappointment and discouragement. In 2020, many students have faced a year of unique disappointments, uncertainty and fear, yet a moment my students and I shared this week reminded me how much joy children can experience through music.

My first graders and I have been working our way through a unit on our home state of Tennessee, and we were wrapping up by learning about eastern Tennessee and one of its patron saints, Dolly Parton. We ended our lesson by reading the picture book adaptation of her song, "Coat of Many Colors," and then I put on my playlist of Parton’s music while my students browsed to select their new library books. A few minutes later, I looked up from my book scanner to see my students dancing blissfully around the library to “I Will Always Love You.” It’s a scene I’ll never forget and a reminder of music’s transcendent gifts.

These three books will make hearts sing as they offer musical moments, melodious memories and merry moods.


Eugene and the Sounds of the City
by Sylvie Auzary-Luton

Eugene, a city-dwelling bear, loves to dance. Dancing “all the time, anywhere, to any noise,” Eugene hears the natural rhythms of urban life and longs to share his dancing joy, “but the busy city folks aren’t interested.” Even his sidewalk pirouettes don’t garner much attention from hurried bystanders. When his uninhibited dancing causes a traffic jam, animals emerge from their cars to express their indignation. Eugene is dejected and confused by their reactions. As he trudges home, he notices that his footsteps are becoming quieter. He looks up to see snow “covering the city’s noises in a blanket of stillness.” The peace of the newly fallen snow prompts him to start dancing slowly. Soon the other animals join him and “in the silence of a winter evening,” they all experience the rhythm of the city. Ringing with a cheerful sense of community, Eugene and the Sounds of the City will prompt children to listen for the rhythms to be found in their daily routines.

  • Dance party

Purposeful movement in the classroom is always a good thing. Remind students that Eugene could not stop himself from dancing. As a class, write down Eugene’s dance moves and then perform them together. Afterward, play different types of music and let students dance and move in response to however the music makes them feel.

  • Onomatopoeia

Provide students with a simple definition of the word “onomatopoeia.” I explained that it’s “a word that names a sound, but also sounds like the sound.” Ask students to think of an example of onomatopoeia to share with the class.

Reread Eugene and the Sounds of the City and write down all of the onomatopoeias in the text (there are many!). Point out how author Sylvie Auzary-Luton uses typography to highlight each sound. For example, the bicycle bell’s “ting ting ting” is delicate, while the traffic jam’s “BOOOM” is bold and big.

Provide colored pencils, crayons, markers and three index cards per student. Write an onomatopoeia on the board and invite students to rewrite it in accordance with how it sounds and/or how makes them feel.

  • Daily rhythms

Eugene hears rhythm and music in everything. Just before dismissal for the day, challenge students to listen for musical rhythms or melodies in their afternoon or early morning routines. Repeat this exercise every afternoon for a week and collect a list of the sounds of life.


The Story Orchestra: Carnival of the Animals
by Katy Flint,
illustrated by Jessica Courtney-Tickle

The latest book in the Story Orchestra series presents composer Camille Saint-Saëns’ “Carnival of the Animals” in a picture-book format. Bored indoors on a rainy afternoon, brothers Thomas and James pick up a book of animals and discover a secret door in the bookcase. They go through the door and embark on a fantastical musical journey. As they travel across hot deserts, through tropical forests, among bright coral reefs and inside dusty museums, they encounter many different animals. At each stop in the brothers’ journey, readers can press a button on the page and hear a 10-second excerpt from the “Carnival of the Animals” that coordinates to what’s happening in the scene. Vintage-style illustrations fill the book’s oversized pages and aptly convey a sense of wonder. The book’s final spread includes information about Saint-Saëns, a musical glossary and a succinct guide to each of the musical excerpts. Accessible, informative and downright magical, The Story Orchestra: Carnival of the Animals provides an unforgettable introduction to this well-known piece of classical music.

  • Introducing: the orchestra!

Some students may not have a concept of what an orchestra is. Before reading The Story Orchestra: Carnival of the Animals, read some books that introduce the orchestra aloud. I highly recommend Karla Kuskin and Marc Simont's The Philharmonic Gets Dressed and Carolyn Sloan and James Williamson's Welcome to the Symphony.

If possible, consider arranging a videoconferencing visit with a member of a local orchestra, or show clips from a local symphony performance. The New York Philharmonic has excellent introductory digital resources. Providing this background information will give students a foundation for the more in-depth experience of The Story Orchestra: Carnival of the Animals.

  • Musical matching

Read the story once and listen to the coordinating musical clips on each page. Next, play the clips individually and out of order. Can students match each clip with its page in the book?

  • Story extensions

“Carnival of the Animals” has 14 movements, and The Story Orchestra: Carnival of the Animals includes clips from nine of those movements. Play excerpts from the other five movements not included in the book. Inviting younger students to close their eyes while they listen to the music may help them focus. Play each excerpt twice, then instruct studunts to let the music inspire them to create a new piece of the book’s story. Be sure to allow time for students to share their story extensions with the class.


The Oboe Goes Boom Boom Boom
by Colleen AF Venable,
illustrated by Lian Cho

Mr. V addresses his new band students with excitement. “There is a perfect instrument for everyone. Let’s find yours!” he says. With accurate, precise imagery, he introduces eight instruments to his students. He describes each instrument’s history (“Armies used to charge into battle to the sounds of triumphant trumpet toots!”), sound ("Listening to a clarinet is like eating rich chocolate cake, bold and sweet at the same time”) and mechanics (“You blow ACROSS it, like when you make music by blowing across the top of an empty glass bottle”). But when it comes time for a student to demonstrate each instrument, young Felicity interrupts by banging, “Boom! Boom! Boom!” on a large red drum. Each member of the band is named after a real-life musician, and brief biographies are included in the book’s back matter. Venable’s pitch-perfect prose pairs with Cho’s lively illustrations to create an entertaining and memorable read-aloud experience.

  • Cover conversation

Show students the book’s front cover and read the title aloud. Point out the oboe in the top left corner of the cover and ask, “Does the oboe actually go boom boom boom?” Allow time for discussion, then play a short clip of an oboe so that students can hear what the oboe sounds like. Ask students to consider why Venable decided to title her book The Oboe Goes Boom Boom Boom when the oboe does not actually make that sound.

Invite students to consider the purpose of a book’s title and front cover. I tell my students, “The job of a book cover is to grab our attention, pull us in and make us really want to read the book.”

Next, slide the book’s dust jacket off with drama and flair, revealing an illustration on the book’s boards of a beaming Felicity holding two drumsticks while bursting out of sheets of musical scores. Ask students to imagine the connections between the dust jacket and this image and to predict what Felicity’s role in the story might be.

  • Musical similes

Introduce students to the literary device of the simile and read several examples from the book. Ask students to articulate how similes help us understand new concepts by comparing a new sound to a familiar sound. Play clips of instruments and invite students to come up with their own similes for each one. After generating five similes, let students illustrate their favorite one.

Invite the music teacher to the classroom (or visit the music room) for a musical guessing game. Students will read their similes aloud, and the music teacher will try to guess which instrument the simile describes.

  • Classroom concert

Use the biographical sketches in the book’s back matter to create a playlist of YouTube clips of musical performances. Replicate the concert experience in the classroom by reading each biographical sketch, then playing a clip of the musician.

Experienced teacher and children’s librarian Emmie Stuart shares three picture books about the transformative power of music and suggests activities to incorporate them into the classroom.

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Creativity, cheese and words—oh my! Curious minds of all stripes will find something wonderful to ponder in this month's best lifestyles books.

The Listening Path

Back in the early 1990s, a book called The Artist’s Way changed the creativity how-to scene forever and paved the way for countless guides to come. Author Julia Cameron preached the practice of “morning pages,” a daily stream-of-consciousness writing ritual. Since then, countless readers have found this practice to be a useful tool for self-understanding. If it ain’t broke, don’t fix it—and so we find morning pages and the six-week program framework from Cameron’s earlier book at the heart of her new one, The Listening Path. Designed for a world in which attention is our collective deficiency, The Listening Path focuses on tuning out cluttering noise and redirecting attention constructively to release creative blocks. Quotations from respected writers, thinkers and spiritual guides travel like softly shining stars alongside Cameron’s storytelling and prompts to nurture conscious listening. If this all sounds too woo-woo for you . . . then you probably need it.

Stuff Every Cheese Lover Should Know

One of my favorite comforts of quarantine has been a biweekly cheese box subscription, offered by a local cheesemonger. So it’s no surprise that I’m smitten by Stuff Every Cheese Lover Should Know by Alexandra Jones. This tiny book—it’s the size of a classic Moleskine journal—is like a nibble of an artisan bleu, rich and satisfying even in the smallest portion. You’ll learn about microbes, moisture and “cheese outerwear”; how to create the perfect cheese board and pair cheese with drinks; just what the heck raclette is; and more. If a cheese-loving friend is in the throes of the COVID-winter doldrums, perk her up by leaving this diminutive but delightful guide on her doorstep with a wedge of fromage.

So to Speak

I’m letting my word-nerd flag fly with this one: So to Speak is a compendium of 11,000 expressions organized into nearly 70 categories, including a bonus, “Our Favorite Family Expressions and Nana-isms” (e.g., “He’s a stick in the mud”). Why do you need this, you ask? First, it’s the largest collection of its kind. Second, it’s “a catalyst for endless conversations among people of all ages—and some of the most fun can be had by reading it aloud with friends and family,” writes co-editor Harold Kobliner, who worked steadfastly on this book with his wife of 65 years, Shirley, until she passed away in 2016. The result, he tells us, is a “true celebration of the love of language with the love of my life.” Third, 25 games such as a rhyming game, an expressions improv game and one based on “The Newlywed Game” are included. It’s a must-have for any language lover’s library.

Creativity, cheese and words—oh my! Curious minds of all stripes will find something wonderful to ponder in this month's best lifestyles books.

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A priest, a Regency lady and a snippy private investigator are all faced with fiendish puzzles in this month's cozy mystery column.

★ Hope, Faith & a Corpse

Laura Jensen Walker’s Hope, Faith & a Corpse begins a promising new series. Hope Taylor has moved to the quaint town of Apple Springs in Northern California to start over. The young widow is the first female pastor of Faith Chapel Episcopal Church, which not all parishioners are comfortable with. When she finds a widely disliked church elder dead on the grounds, she quickly becomes a suspect. After all, Stanley King had said a woman would preach there over his dead body. Walker makes great use of Hope’s job: Pastors are sworn to confidentiality when people share information, and a gossipy small town has plenty to share. By the end, justice has been served, along with English tea (for which recipes are provided) and several diner meals that are the stuff of dreams. Readers will finish this mystery already hungry for more.

Hot to Trot

If you’re a cozy fan, then you know how often a knitter or bookstore owner stumbles onto a crime and solves it, launching a new side hustle as a sleuth. So the beloved Agatha Raisin is a breath of fresh air simply because she’s an investigator by trade. Hot to Trot finds Agatha fuming as her friend (and ex) Charles Fraith prepares to marry a mean-spirited socialite. When the woman turns up dead, Agatha and Charles are both suspects. Agatha’s creator, M.C. Beaton, died in 2019, but prior to her passing, she worked with author R.W. Green to ensure the series would continue as she intended. Hot to Trot would have made Beaton proud, with no fewer than three brawls as Agatha flits between exes and new loves before returning to her cottage and cats. Brew a pot of tea and join her.

A Lady Compromised

Rosalind Thorne is on the move in A Lady Compromised, the latest entry in Darcie Wilde’s series set in Regency England. A trip to help plan a friend’s wedding also means a chance to visit old flame Devon Winterbourne, but Rosalind is soon investigating whether an aristocrat’s suicide was actually murder. Wilde writes about high society social codes the same way Phoebe Waller-Bridge makes cheeky asides in “Fleabag.” A storyline involving Rosalind’s faithful maid, Mrs. Kendricks, whose security relies upon the decisions of her impulsive, independent employer, is a harsh reminder of the class differences concealed beneath the period’s polite veneer.

A priest, a Regency lady and a snippy private investigator are all faced with fiendish puzzles in this month's cozy mystery column.

Three cat-and-mouse stories are served with a side of simmering rage.

We all know it’s not good to suppress our feelings. These thrillers offer deliciously terrifying examples of what can happen when unresolved grief, anger and longing collide.

In Ellery Lloyd’s People Like Her, the life of Britain’s biggest “mumfluencer” is a grand and glam one. Emmy Jackson’s million-plus followers compliment her every post as she adorably bumbles her way through new motherhood while capably juggling lucrative endorsements.

But Emmy’s online persona is, as her husband Dan puts it, “bullshit.” Unlike most influencers, Emmy doesn’t pretend her life is easier than it is. Instead, as @the_mamabare, she pretends it’s more difficult, because she realizes there’s big money in appearing more hapless and less polished.

It’s a strange state of affairs, and it’s taking a toll on their marriage. Although Dan knows that Emmy’s cleverly crafted fabrications pay the bills, he’s jealous that her posts garner more praise than his first novel (he’s struggling to complete a second) and uneasy about how she increasingly uses their kids as props. And Emmy wishes Dan were more appreciative of her business acumen. What’s the big deal if she posts photos of the kids, as long as she’s paying the bills and ramping up her career?

As readers gradually realize, Dan’s not the only one with doubts. Somewhere out in the real world, an unnamed person is planning to exact revenge on @the_mamabare for living a life she doesn’t deserve. There’s also a new Instagram account posting stolen photos, which feels like a threat: If they have access to her personal pictures, what else do they know about Emmy?

Lloyd (a pseudonym for husband and wife writing team Paul Vlitos and Collette Lyons, interviewed on the facing page) skillfully turns up the tension as the delectable creepiness intensifies. People Like Her is a smart and sobering wake-up call for the internet-dependent that makes an excellent case for keeping a sharp eye on the line between admiration and obsession.


ALSO IN BOOKPAGE: Paul Vlitos and Collette Lyons explore the anxiety-inducing allure of Instagram.


Lila Ridgefield lives with her husband, Aaron Payne, in a lovely house in a pretty town outside Ithaca, New York. Everyone in town loves Aaron, and they think Lila is . . . all right. She’s beautiful, but she’s a little stand- offish, they say, unaware that she’s barely keeping it together after years of Aaron’s controlling behavior and unrepentant gaslighting behind closed doors.

When Darby Kane’s Pretty Little Wife opens, Lila has just discovered that Aaron’s been doing something criminally terrible, and he violently attacks her after sneering that he feels no remorse. So, she kills him.

But that’s not the most shocking part of this story. First of all, Lila is nonplussed when Aaron is declared missing, not dead. Apparently, his body isn’t where she left it, and she has no idea if he’s still alive and plotting her demise. She struggles to appear distraught while eagle-eyed detective Ginny Davis questions her, knowing that one misstep could make her an even more viable suspect than she already is. Ginny knows something’s amiss with Lila, but she can’t prove it yet—and she suspects that Lila is using her skills as a former criminal defense lawyer to bury the investigation in red herrings.

Breathlessly short chapters keep things moving as various games of cat and mouse grow more complex and dangerous. A parade of suspects, all with plausible alibis and motives, will keep readers guessing as the book builds toward its disturbing, nay horrific, conclusion.

Pretty Little Wife explores the consequences of unacknowledged trauma and dares to ask whether murder is ever justified. It’s an exciting departure for HelenKay Dimon, the bestselling romance author for whom Darby Kane is a pseudonym. There’s certainly no guarantee of a happily ever after, though there is hope for hard-won redemption.

Readers who enjoy an atmospheric gothic tale will thrill to Emma Rous’ The Perfect Guests, in which orphaned 14-year-old Beth Soames arrives at Raven Hall in the summer of 1988. She’s been brought to the grand lakeside manor, which “smelled of wood polish and lavender and safety,” as a potential companion for Leonora and Markus Averell’s similarly aged daughter, Nina.

Beth is hopeful the arrangement will prove better than her group foster home, but she’s also exceedingly nervous. Will they like her? Will they let her stay? Those questions underlie her every interaction as she assimilates into the family. She’s constantly aware that one wrong move could mean she’ll be sent away, so she plays along, pretending not to notice when Leonora and Markus begin to act strangely and even acceding to their requests to participate in the occasional fraught charade.

In 2019, Sadie Langton’s acting career just isn’t paying the bills. Her mood lifts when she’s offered a gig at a murder mystery event held at fancy Raven Hall, which has stood empty on the Norfolk coast these last 30 years. High pay seals the deal, and she joins a motley group at the manse, where an elaborate scenario and a fancy meal are soon underway. There’s someone else orbiting the mansion, too, who feels that Raven Hall is destined to be theirs, no matter how they obtain it. Rous lays out clues to this person’s identity with tantalizing judiciousness.

Should Beth follow her instincts about the Averells and flee Raven Hall, or is she overreacting? Is Sadie silly for thinking the murder mystery feels a little too real? Who does Raven Hall belong to, really? Timelines collide and secrets are revealed in gasp-inducing fashion in this Clue meets Agatha Christie page turner from the bestselling author of The Au Pair.

We all know it’s not good to suppress our feelings. These thrillers offer deliciously terrifying examples of what can happen when unresolved grief, anger and longing collide.

The lead characters in Tessa Wegert’s The Dead Season and Paige Shelton’s Cold Wind are haunted by past traumas—men who forcibly held them against their will and mercilessly tormented them before their escape—and are facing new mysteries that require their unique set of skills. These suspense-filled novels may have uncannily similar concepts, but they are uniquely thrilling in their executions.

In The Dead Season, Shana “Shay” Merchant’s role as sheriff’s investigator is on temporary hold as she deals with the psychological ramifications of her previous ordeal, chronicled in the first book of the series, Death in the Family. But with a psych evaluation only days away and a pair of new mysteries begging to be solved, Shay is determined to prove she is still capable of doing the job.

She has the added fortune of her own personal mentor—affectionately nicknamed “Sensei Sam”—helping with her self-defense skills and getting her mind right. But while his lessons are helpful (and entertaining for the reader), Shay believes that staying busy with new cases will be more than enough to work through her trauma.

One of Shay’s cases involves the discovery of her long-lost uncle’s body in a remote forest near her hometown of Scranton, Vermont. Missing for 20 years, the remains show evidence of blunt force trauma to the back of the head, meaning he was likely murdered. But while Shay interviews possible suspects for clues, including estranged family members, a young boy goes missing in her new home in New York’s Thousand Islands. A cryptic note on the boy’s bloody hat seems to link both cases together and point to Shay’s cousin, Abe, as being the same man who kidnapped her a year ago, whom she knew as Blake Bram. Even as she relives her childhood memories with her cousin, Shay insists she’s not hunting or obsessing over Bram: “Bram is hunting me.” A confrontation between the two builds toward a thrilling crescendo.

Cold Wind, meanwhile, takes readers to the remote Alaskan wilderness where novelist Elizabeth Fairchild has started a new life as Beth Rivers, safe from the reaches of the obsessed fan who kidnapped her in St. Louis. Or so she thinks.

The sequel to last year’s Thin Ice, Cold Wind picks up shortly after its predecessor with Beth acclimating to life in Benedict, Alaska, where she serves as the town’s only journalist. When a pair of young girls are found, followed by the discovery of a frozen body at a remote cabin after a mudslide, Beth becomes obsessed with finding out the truth of what happened. Thanks to a highly cooperative police department, she’s able to quickly insert herself into the investigations.

While the interactions between the quirky characters of the community provides some lighthearted moments, Shelton, who is best known for her cozy mystery series, proves she is more than capable of crafting a darker, more mature tone.

The Dead Season and Cold Wind are both the sophomore efforts in their series. Reading the predecessors would be helpful but isn’t necessary, as both Wegert and Shelton ably weave backstory in where needed, while letting the chills and thrills flow freely.

These suspense-filled novels may have uncannily similar concepts, but they are uniquely thrilling in their executions.

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