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NonfictionBiography

The Rulebreaker

Review by Henry L. Carrigan Jr.

Barbara Walters may forever be remembered as Barbara Wawa, thanks to Gilda Radner’s 1976 performance on “Saturday Night Live.” Radner, Rachel Dratch and Cheri Oteri played the character for the next four decades, illustrating that Walters and her contributions to television journalism had become enduring features of popular culture. Indeed, her presence would dominate television from the late 1960s to the early years of the new millennium.

Drawing on over 150 interviews and on extensive archival research, biographer Susan Page paints a colorful portrait of Walters in her compulsively readable The Rulebreaker: The Life and Times of Barbara Walters. Tracing Walters’ life and career from her childhood through her three failed marriages, her estrangement from her daughter and her groundbreaking interviews with celebrities and political figures, Page reveals an ambitious woman who reached the pinnacle of her profession, even as she was dogged by insecurities and fear of failure. Page describes how both Walters’ ambition and her fear were fueled by her father, an entrepreneur and impresario who opened several high-profile nightclubs in Boston, New York City and Miami, but whose gambling and often extravagant spending resulted in his professional failures. Page traces Walters’ early career, cutting her teeth as a publicist, Redbook staffer and host of the “Today” show. Her big breakthrough came in 1976 when ABC offered her a $1 million salary to co-anchor its evening news program. But she didn’t stay for long. Three years later, she became co-host of “20/20.” The rest is history. 

Walters is best known for penetrating interviews of political and entertainment figures, never shying away from asking probing, and sometimes regrettable, questions. She asked Ricky Martin about his sexuality before he came out publicly; pushed Fidel Castro to admit the impoverished state of Cuba when the leader touted his role in the country’s prosperity; and asked Monica Lewinsky how she planned to explain the Clinton scandal to her children. Walters pioneered the tell-all interview and took it to new heights with “The View,” which premiered in 1997. 

The Rulebreaker explores the cultural history in which Walters and her career developed and flourished. Readers will be compelled by this story of an American icon who shaped the expectations that viewers have of television news programs, and whose flair and penetrating approach revealed the private lives of the powerful and famous.

Biographer Susan Page paints a colorful portrait of trailblazer Barbara Walters in her compulsively readable The Rulebreaker.
FictionLiterary Fiction

The Silence of the Choir

Review by Eric A. Ponce

Cliche tells us that reading a work in translation is like taking a shower in a raincoat. Some stories, however, are powerful enough to permeate that language barrier, to bypass the cliche and completely pierce us. Mohamed Mbougar Sarr’s The Silence of the Choir, translated by Alison Anderson, is one such powerful book. Taking place in a small town in Sicily, this story lives up to its title, bringing together a rich and varied group of voices. This polyvocality allows Sarr to explore the main issue of the book, immigration, without becoming either heavy-handed or diminishing: In an increasingly metropolitan world, immigration is an issue that impacts everyone, and all voices have something to say about it, whether we want to hear them or not.

The story centers around the ragazzi (Italian for “guys”), a group of 72 immigrant men who have arrived in a small town in the Sicilian countryside called Altino. A group of workers from the Santa Marta Association has taken them in, though each worker has different feelings about the ragazzi and their fate. For one, Dr. Salvatore Pessoto is a cynic who finds it hard to have empathy for the ragazzi, especially considering how unlikely it is that any of them will be allowed to stay in the country. The doctor is chastised by his coworkers: a nun, Sister Maria, and her childhood friend, a lawyer named Sabrina, both of whom have devoted their lives to helping people, though in different and sometimes conflicting ways. Meanwhile, we also hear from the ragazzi themselves, like Fousseyni Traoré, who, upon first awakening in Altino, is unsure whether he is actually alive. Once the ragazzi realize they have reached safety, they rejoice, having completed the arduous, deadly journey across the Mediterranean.

There are many other characters in Altino whom Sarr introduces us to, each adding to The Silence of the Choir’s complex diorama of immigration. One of the most enjoyable is old Giuseppe Fantini, a retired, reclusive poet who hasn’t written in over a decade. From Giuseppe, we get a beautiful, delicate view of Altino and its people, reminding us that no matter who currently calls a certain place home, no one and nothing is ever fixed. Sarr delivers a moving, dynamic story, shedding light on the joys and consequences of contemporary immigration.

Mohamed Mbougar Sarr’s The Silence of the Choir sheds light on the joys and consequences of contemporary immigration as it follows a group of immigrant men in a small town in Sicily.
NonfictionScienceAnimals

The Internet of Animals

Review by Kelly Blewett

The Internet of Animals: Discovering the Collective Intelligence of Life on Earth is a bonkers, delightful read if you are interested in any of the following: space and satellites, animal migration and behavior, analog versus digital technology, and the many complications that come from following through on the whiff of a very good idea.

Scientist Martin Wikelski had such an idea decades ago: Tag large numbers of animals and track them digitally via satellite. He envisioned a global community of animal researchers all pursuing projects using the same satellite and tracking technology, and making some portion of the reams of resulting data public. In a moment of either brilliance or dark insight into the troubles ahead, he dubbed the project ICARUS: International Cooperation for Animal Research Using Space. From the beginning, this was a project that aimed to fly near the sun and see the world anew.

But like the mythic story of Icarus, there were unforeseen complications: identifying the technology needed to create a satellite, fine-tuning the technology needed to tag the animals effectively, and finding global collaborators. This story of scientific advancement is also, like so many others, tied up in cultural differences, funding, politicking and geopolitics. A project that Wikelski thought would take only a few years has taken decades, and it’s still unfolding. Still, his good idea remains as captivating as ever.

Wikelski probes the mysteries of the animal world and shares vivid anecdotes of field research, from unusually sociable rice rats in the Galapagos Islands, to a wandering egret who made friends with a family in Bavaria (when he was supposed to be migrating to a different continent). Wikelski situates these stories within the big questions about animals and how they live on Earth—what they know innately and what they could tell us, if they only had a way. He convincingly argues that these questions should animate us all, and his vision of creating a way for animals to communicate what they are remains a vital, galvanizing example of how human ingenuity and persistence can make a difference in how we understand the world around us.

The bonkers and delightful The Internet of Animals tells the story of author-scientist Martin Wikelski’s efforts to connect animal researchers across the globe, and understand animals anew.
Science Fiction & FantasyScience Fiction

The Ministry of Time

Review by Laura Hubbard

The Ministry of Time tells the story of a British agency with a singular mission: to determine whether time travel is safe, feasible and practical. Using civil servants known as “bridges” as expert live-in companions and aids for individuals forcibly relocated through time (called “expats”), the ministry seeks to study not just the effects of time travel, but whether these time refugees can integrate into modern British life.

One bridge, a nameless former translator, is paired with Graham Gore, a British officer and explorer from a doomed 1845 mission to the Arctic. Gore is the embodiment of the 19th century: proper, reserved and dedicated to the British Empire. His bridge, meanwhile, is the biracial daughter of a British man and a Cambodian refugee, and sometimes struggles with the relationship between her identity and her position. As they navigate Gore’s integration into the 21st century together, cautious regard turns into something more precious. But a shadowy conspiracy within the ministry itself is threatening Gore’s life as well as the lives of all the expats whom the bridge has come to care for.

Kaliane Bradley is about to turn us all into Arctic explorer fangirls: Read our Q&A.

A fantastical combination of time-travel novel, spy thriller and slow-burn romance, The Ministry of Time uses its fish-out-of-water story to explore cultural identity and the legacy of British imperialism. Thoughtful and deliberately paced, Kaliane Bradley’s debut novel mainly focuses on the relationship between the nameless bridge and her charge, from the explanation of the last 170 years of history to the evolution of feminism, relationships and racism. These careful, often gentle moments between bridge and expat are complicated by their respective backgrounds: One is the product of an imperial world, the other of a post-colonial one. Even as they fall in love, they find no easy answers as to how to navigate a century and a half of history or their cultural divide. Instead, The Ministry of Time shows people who are doing their best, even as the world around them is changing, knowing there is honor in the struggle itself.

A fantastical combination of time-travel novel, spy thriller and slow-burn romance, The Ministry of Time uses its fish-out-of-water story to explore cultural identity and the legacy of British imperialism.
Science Fiction & FantasyFantasy

The Honey Witch

Review by Nicole Brinkley

Marigold Claude is the least talented woman in her artsy family. She’s resigned to her fate as a spinster, flouncing away from suitors and fleeing balls to dance barefoot with spirits beneath the full moon. So when her grandmother offers Marigold the chance to be the next Honey Witch, the protector of the isle of Innisfree, the decision feels easy. Marigold doesn’t feel like she belongs in her town, but Innisfree, with its magical guardians and abundant plant life, could be home.

The title of Honey Witch, however, comes with consequences: An Ash Witch wants the isle for herself and has cursed the Honey Witches to live without romantic love. It isn’t until her grandmother dies that Marigold realizes how lonely a curse that can be—especially once Lottie, a beautiful, grumpy skeptic who refers to magic as “mythwork,” arrives in her life and upends everything she thought about love.

But the Ash Witch is waiting for a moment of weakness. If Marigold doesn’t learn how to control her magic and break the curse, her island, her family and the feisty woman who holds her heart are all at risk.

“Wild women are their own kind of magic” in Sydney J. Shields’ The Honey Witch. The pacing of this ambrosiac fantasy might leave diehard romance fans wanting more—Lottie is not involved in the first third, which rushes the sweetly erotic love story—but the whimsical world is more than enough to keep most readers enthralled. Shields’ descriptions of elements such as the landvaettir spirits that guard Innisfree and the blossoming gardens of Marigold’s familial home are impeccably lush. The coziness of the setting is offset by grief and a sense of impending disaster. Marigold spends much of her time reminiscing on loneliness and lost love, and even as the book buzzes towards its predictable, happy finale, the curse and the Ash Witch’s arrival bring destruction and terror.

At its heart, however, The Honey Witch focuses on the internal strength of its characters and how “anyone can be capable of something impossible.” Shields’ warmhearted fantasy will satisfy readers of sapphic romances who love the alternate historical world of “Bridgerton” or who grew up rewatching Halloweentown and Practical Magic.

The Honey Witch will satisfy readers of sapphic romances who love the alternate historical world of “Bridgerton” and grew up rewatching Halloweentown and Practical Magic.
FictionHistorical Fiction

The Hazelbourne Ladies Motorcycle and Flying Club

Review by Sarah McCraw Crow

For her third novel, The Hazelbourne Ladies Motorcycle and Flying Club, Helen Simonson returns to the English seaside, this time in the summer of 1919. The Great War has ended, the flu epidemic has passed and the men have returned. But for Constance Haverhill, the war’s end has brought an end to the work she’d loved: keeping the books for an estate. Now her prospects are uncertain; her mother died of the flu, her brother is pointedly unwelcoming and she’s stuck serving as a companion to the elderly Mrs. Fog at a seaside hotel. 

But soon, Constance’s lonely summer is interrupted by the trouser-wearing, motorcycle-riding Poppy Wirrall and her brother, Harris. The siblings and their mother are staying at the hotel while their grand house is renovated. During the war, Poppy and other young women delivered messages and supplies via motorcycle, and now they’re trying to build a motorcycle taxi business. Harris, a veteran who lost a leg flying bombing missions, is suffering and moody; he wants to fly again, but the world is telling him he can’t. 

The story follows Constance, her new friends and a large cast of secondary characters through the summer, as they struggle to find their way in a culture that’s still shocked by women riding motorcycles, despite all the changes the war brought. Throughout, the novel weaves in issues like racism, jingoism, the repercussions of war and the limitations that class expectations put on women. Which is not to say that this is a heavy novel; the flatly villainous characters who cause trouble—several upper crust Brits and a late-arriving American—add levity to some scenes, although the novel’s tone is generally more introspective, without the comedic punch of Simonson’s debut novel, Major Pettigrew’s Last Stand. Readers may wish that the novel spent more time with the Motorcycle Club women and their hopes and efforts and discontents, rather than with subplots that meander away from the motorcycles and aeroplanes of the title. Still, The Hazelbourne Ladies Motorcycle and Flying Club brings to life a historical moment when both everything and nothing had changed, along with a summer’s worth of fresh seaside descriptions, romantic entanglements and a bittersweet, fitting ending.

The Hazelbourne Ladies Motorcycle and Flying Club brings to life a historical moment, just after WWI, when both everything and nothing had changed for women in England—plus a summer’s worth of fresh seaside descriptions and romantic entanglements.
NonfictionHistoryAmerican History

The Demon of Unrest

Review by Stephen Elliott

There’s no such thing as a spoiler alert when a story’s subject is taught in most every American history class across the country. Injecting hold-your-breath suspense into a narrative history, particularly one in which we already know the story’s ending, is a task that Erik Larson has mastered. In the Garden of the Beasts took on Nazi Germany on the cusp of war; The Splendid and the Vile explored Winston Churchill’s stewardship of under-siege England. In his new book, The Demon of Unrest: A Saga of Hubris, Heartbreak, and Heroism at the Dawn of the Civil War, Larson turns his attention to the immediate aftermath of the election of Abraham Lincoln and the unlanced boil where the war began: Fort Sumter.

Larson covers just a few months of American history—but perhaps the most consequential few months. Lincoln, Jefferson Davis and other well-known figures from the period play key roles, but so too do a British journalist on assignment, a young private stuck in the besieged fort and a Southern society woman watching the events unfold. They aren’t key characters in the grand arc of the Civil War or the country’s history, but they did write a lot down. Their accounts help Larson propel the narrative without relying entirely on the stories of people who have already been the subject of hundreds or thousands of other books.

There are obvious parallels to the current moment: a refusal to accept the results of a presidential election, threats to march on the Capitol, a tendency toward civility and appeasement in the face of existential threat and other more subtle links to the present. Some of the connections are unavoidable and necessary; others, Larson perhaps injects as a result of recency bias.

Even after a century and a half of books about the subject, it remains remarkably unclear what course of action key figures should or could have taken to avoid America’s bloodiest war. Maybe we’ll never figure that out, but The Demon of Unrest is a damn good read.

In The Demon of Unrest, Erik Larson crafts a tale of hold-your-breath suspense about the crucial three months leading up to the Civil War.
NonfictionMemoir

The Dead Don’t Need Reminding

Review by mónica teresa ortiz

Julian Randall’s The Dead Don’t Need Reminding: In Search of Fugitives, Mississippi, and Black TV Nerd Shit is a dazzling ghost story that braids intimate narratives with cultural commentary to explore the author’s own past, present and future.

Randall, a Chicago-born poet and author, opens The Dead Don’t Need Reminding in Oxford, Mississippi, where he is attending an M.F.A. program. There, living in the South for the first time in his life, he reflects on the origins of plantation-style architecture in the university’s modern-day fraternity houses and endures violent encounters with racists. He seeks out the history of his Southern-born great-grandfather who “fled his home under threat of tar and feather.” Throughout, he riffs on Miles Morales, Jordan Peele, “BoJack Horseman” and many more cultural touchstones to tell stories of his lineage, of himself and of the places that shaped his family. 

These are the “stories that shape us. The stories we turn to out of scarcity, the cousins we make out of characters.” While there are tender notes in his writing, Randall never avoids the violence of our American history and present, writing that “white supremacy is a death cult, a religion for the feral.” And, “America is a gaping mouth with an insatiable appetite for Black suffering, Black labor, Black cool, Black flex, Black silence, Black death.”

This is a story not just about a Black man surviving a visit to the Deep South, but about him staying alive long enough to learn where he came from. Our narrator invites us to witness his vulnerability and imagination, shepherding us through time and place from Chicago to the South and back again as he shares his research into his lineage and the depths of his depression. Through smart cultural critique to rich poetic imagery, Randall’s writing moves at a quick pace that reflects his city roots; but when he slows down to describe the lands and people that haunt him, we witness a gifted Southern storyteller. And so we gather on the porch, waiting to hear this story, low and soft, drifting through the kudzu.  

In The Dead Don’t Need Reminding, Chicago poet Julian Randall braids memoir, history and cultural criticism, revealing himself to be a gifted storyteller.
FictionLiterary FictionFamily Drama

The Alternatives

Review by Freya Sachs

Caoilinn Hughes’ third novel, The Alternatives, follows four sisters, all doctors of various sorts. When one of the four goes missing, the others set out across the Irish countryside to find her.

With the COVID-19 pandemic and general global instability in the background, the Flattery sisters have a lot to navigate. Haunted by their childhood and the early death of their parents, they all feel isolated and alone, each finding her way in the world as a single woman in her 30s. When the oldest sister, Olwen, goes missing, the other three come together on a quest to find her. In the process, they discover more of who they are, the values they share and how they can connect.

While all four sisters are concerned with the future of the Earth, each has her own particular sphere of expertise: cooking, philosophy, geology and politics. They also share a concern about the patterns within their family history. Each sister’s voice is clear, purposeful, realistic and hopeful. When the sisters come together, The Alternatives becomes even more engaging as their stories overlap, growing increasingly complex and intertwined.

The prose is strong, with narrative shifts that allow the reader both internal and external access to these women and their concerns. A true strength of the novel is the way Hughes balances ordinary details with those that surprise and raise the stakes, keeping the reader hooked.

In Caoilinn Hughes’ The Alternatives, the Flattery sisters have a lot to navigate. When the oldest, Olwen, goes missing, the other three come together on a quest to find her.
Science Fiction & FantasyFantasy

The Dead Cat Tail Assassins

Review by Chris Pickens

I know what you’re thinking. It’s the first thing I thought when I picked up P. Djeli Clark’s heart-pounding and quick-witted new fantasy, The Dead Cat Tail Assassins: “What the heck is a dead cat tail assassin?” Thankfully, the author gives us some explanation in the opening lines. “The Dead Cat Tail Assassins are not cats. Nor do they have tails. But they are most assuredly dead.” Maybe that doesn’t clear up all of your questions. But if you’re like me, it’s more than enough to draw you into this fun, fast thriller that’s well worth your time.

Eveen the Eviscerator is dead. Specifically, undead. Brought back from the grave with no memory of her past life, she’s the city of Tal Abisi’s deadliest contract killer. She’s efficient, professional and full of deserved swagger. Being undead brings some distinct perks, too. She’s faster, stronger and better than any mark of hers could ever be. When Eveen comes face-to-face with her latest target, a girl named Sky, she knows something is wrong: The goddess of assassins forbids killing kids. But that’s the least of Eveen’s worries. Sky’s face sparks a memory, something an undead assassin isn’t supposed to have. Who is this girl and why was Eveen contracted to kill her? It’s a race against time to find the answers because if Eveen doesn’t kill her mark in 24 hours, the rest of the Dead Cat Tail Assassins will come for her, ready to hunt one of their own.

In a genre dominated by long, epic fantasies, the under 300-page Dead Cat Tail Assassins is a breath of fresh air. From the first chapter, Clark gets right to the point, then picks up the pace and never slows down. Eveen’s desperation drives the urgency of the prose, each complementing the other. Snappy, sometimes hilarious dialogue keeps things light, and the simple, clear problems facing the lead characters work with the pacing rather than against it. However, the conspiracy that brings Eveen and Sky together is very cleverly constructed, and Clark doesn’t skimp on atmosphere, world building or any of the other goodies fantasy fans expect. He cuts out anything unnecessary in order to focus on his heroines and their journey. Eveen and Sky might be in a race against time, but you’ll wish their quest would go on forever.

In a genre dominated by long, epic fantasies, P. Djèlí Clark’s The Dead Cat Tail Assassins is a breath of fresh air.
Children's & YAPicture BookChildren's

Terrible Horses

Review by Sara Beth West

Celebrated Deaf poet Raymond Antrobus originally resisted the idea of writing children’s books because of what he called “snobbery” in a 2021 interview with The Guardian. Thankfully, Antrobus came to see the immense importance of these stories, and released a tremendous debut picture book, Can Bears Ski? Readers will delight at his latest offering, Terrible Horses, which features a protagonist with hearing aids who fights with his older, much cooler sister. 

The picture book form is a wonderful vehicle for Antrobus’ poetry, which shines through each lovely line in the use of poetic devices such as alliteration and repetition. Despite these higher-level literary elements, the narrative is instantly relatable, conveying the tensions of sibling rivalry and all the associated emotions. Declarative sentences combine to form poetic yet authentically childlike stanzas that sing. Though Terrible Horses is not overtly about the Deaf experience, Antrobus provides thoughtful and gentle representation by expressing the little brother’s unique type of isolation. 

Ken Wilson-Max’s whimsical mixed media illustrations unite with Antrobus’ careful word choice to show the explosiveness of the siblings’ fights and the healing power of words as the protagonist retreats to write “stories about terrible horses” in which he is a lonely little pony “that can’t compete / that can’t speak / that can’t sleep.” These stories comfort the young narrator, but they also serve to heal the sibling relationship once his sister reads them and starts to better understand her little brother. The energy of Wilson-Max’s colorful line drawing enhances this rich story, creating the perfect combination for children and their caregivers and storytellers.

Ken Wilson-Max’s whimsical mixed media illustrations unite with Raymond Antrobus’ careful word choice to show the explosiveness of fights between siblings and the healing power of words.
Children's & YAYA FictionYA

Song of the Six Realms

Review by Annie Metcalf

Xue is a talented musician of unfortunate background, who hopes to use her skill at playing the qin to earn her place in society. Years ago, her uncle brought her to Wudan’s famous House of Flowing Water to hone her skills in music, courtly manners and the arts, in order to secure a patron or other opportunity once she comes of age. Xue’s quiet life of study and performance is punctuated by visits from her beloved uncle, until tragedy strikes and all she has left of the only family she remembers is a qin he gifted her. 

When an inscrutable new customer, Duke Meng, asks to purchase the instrument, Xue barely has time to process his odd request before danger strikes, in the form of an attack by a strange beast. In the aftermath, the Duke offers a bargain: journey to his estate to work with him, and afterward he will reward Xue with admission to any music academy she wishes. Apprehensive but hopeful, Xue accepts and is thrust into a world of courtly intrigue, godly squabbles, ancient grudges and interplanar consequences. Xue’s music might be the key to helping the Duke unravel the plots swirling around his family.

Judy I. Lin’s Song of the Six Realms, is both a love letter to the power of music and a heady tour through a setting inspired by Chinese mythology and legend. Xue’s quest, which mostly takes place through her explorations of the estate and research on songs, poetry and the legendary Celestial realm, is told with elegant prose that complements the courtly formality of her world. Thoughtful and introspective, Xue learns more about her uncle’s past and the strength of his love, gets to know the Duke and his family, and picks up on small clues that become big payoffs. 

Much of the novel is slowly paced—even contemplative—despite its high stakes, mirroring the tranquil beauty of the verses Xue and other characters turn to for inspiration. This unusual prioritization of interiority and introspection bucks expectations of the young adult fantasy genre in a refreshing way, while still delivering an action-packed climax that feels all the more earned after the slow buildup. With a smart, steadfast heroine, a charming love interest and compelling side characters, Song of the Six Realms is a dazzling, dreamlike escape into a world of powerful poetry, godly magic and humble heroism.

With a smart, steadfast heroine, a charming love interest and compelling side characters, Song of the Six Realms is a dazzling, dreamlike escape into a world of powerful poetry, godly magic and humble heroism.
FictionLiterary Fiction

skin & bones

Review by Chika Gujarathi

Celebrated children’s and young adult author Renée Watson’s first novel for adults is set in Portland, Oregon. skin & bones follows 40-year-old protagonist Lena Baker, who wears many hats as the daughter of a pastor; a priceless friend to Aspen and Kendra; the Director of Diversity, Equity and Inclusion for the county library system and the loving mother of 8-year-old Aaliyah.

We first meet Lena at a doctor’s appointment. Ignoring the symptoms she came to them about, the medical staff insist on taking her blood sugar and blood pressure. Even after the tests come back normal, they keep returning to her weight instead of the issue she needs help with. As a Black woman with a large body, Lena has been through similar situations countless times before, where peoples’ assumptions about her overshadow everything else.

Lena knows she is brilliant and radiant. However, her power to push through the noise of others’ biases finally falters when heartbreak from a serious romance makes her second-guess her beauty and self-worth. When these negative feelings start affecting her daughter too, Lena gets a wake-up call. But how do you mend a broken heart? And more importantly, how do you mend a broken system in which standards for beauty and success are so narrowly defined?

Narrated in the first person, Lena’s journey unfolds in short chapters that are lyrical and poetic. The intertwining of Portland’s Black history, thanks to Lena’s job as the Director of DEI, adds tremendous depth to the story. Watson’s supporting characters build a strong sense of family and community, collectively showcasing the importance of passing down knowledge from one generation to the next. For anyone intrigued by stories that highlight experiences with race, gender, self-love, family and friendship, skin & bones will resonate in more ways than one.

For anyone intrigued by stories that highlight experiences with race, gender, self-love, family and friendship, skin & bones will resonate in more ways than one.

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