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With incandescent prose and vibrant imagery, André Aciman evokes the rich, kaleidoscopic and sensual experiences of his coming-of-age in his memoir, Roman Year.

Just before the Six Years War broke out between Israel and Egypt, 16-year-old Aciman fled Egypt with his deaf mother and younger brother. Packing all their belongings in 31 suitcases, the once prosperous family moved from an Egyptian mansion to a former brothel on an ill-lit, noisy Roman street. During their first afternoon in that shabby apartment in a strange place, “waves of gloom” wash over the family, and the young Aciman feels a “persistent, undefinable numbness that eventually overtakes you and won’t let go.” Aciman doesn’t like the street, Via Clelia, nor does he like Rome: “I belonged elsewhere, but I didn’t know where.” 

While his brother and his mother adapt to their new lives, Aciman buries himself in books and spends much of his year reading: Proust, Woolf and Joyce are among the authors who enchant him. Eventually, as he and his brother explore Rome, Aciman’s affection for the city starts to develop. After he spends Christmas break in Paris, wandering the streets of the City of Light, whiling away time in cafes, visiting Shakespeare and Company and doing research for a study of literary existentialists, Aciman feels as if he might have found his elsewhere. He reluctantly returns to Rome, where he is surprised to find that his love for the Eternal City blossoms, in part because of his intimacy with several women and his connection to the texts that he reads.  

The Call Me By Your Name author glories in the little moments when “there were colors everywhere, everything and everyone was beautiful.” At the end of the year, as he and his family prepare to move to New York City, he finds that “Rome never asked to be loved . . . and I wouldn’t know that I loved it or wanted to love it until I was about to lose it.” Roman Year is a gem of a memoir that sparkles with light that reflects off every facet of Aciman’s pivotal year.

Call Me By Your Name author André Aciman recounts his pivotal coming-of-age in Rome in his sparkling memoir, Roman Year.

There have been other iterations of The 1619 Project, the groundbreaking reframing of American history that centers the Black experience. It was first a series of essays published in the New York Times Magazine in 2019, and it’s also been a podcast, an anthology, a children’s picture book and a documentary TV series. With The 1619 Project: A Visual Experience, the project’s original editor, Nikole Hannah-Jones, presents its definitive version. This new volume combines seven powerful essays from the original series with visual elements that deepen their message and, as Hannah-Jones writes in the preface, create “an experience for the reader, a wanting to reflect, to sit in both the discomfort and the joy, to contemplate what a nation owes a people who have contributed so much and yet received so little, and maybe even, to act.” 

It’s one thing to read about the slave trade, for example, but another to see a high-resolution photograph labeled “A child’s iron shackles” with this stark explainer: “Because governments determined by the ton how many people could be fitted onto a slave ship, enslavers considered children especially advantageous: they could fill the boat’s small spaces, allowing more human capital in the cargo hold.” A chapter titled “Fear” includes an essay co-written by historian Leslie Alexander and her sister, The New Jim Crow author Michelle Alexander, that reframes police brutality as a result of the same white fear that can be traced back to the very beginnings of American history. The essay is intercut with various photographs from demonstrations, including photojournalist Robert Cohen’s shot of a Black man in a stars-and-stripes shirt throwing a container of tear gas back at the police in Ferguson, Missouri. Woven throughout the book’s 288 pages are 13 original artworks from celebrated visual artists like Carrie Mae Weems, multiple archival photographs of happy Black families and a vibrant spread of a Beyoncé concert. This visual history is an invaluable addition to a revelatory project and an essential selection for any American classroom or family library.

The 1619 Project: A Visual Experience complements the storied New York Times series with visual art and photography that deepens our understanding of how slavery has profoundly shaped American life.
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It all began with a T-shirt. On her 32nd birthday, Glory Edim was surprised by a gift from her ex-partner, a custom-made T-shirt emblazoned with the words “Well-Read Black Girl.” When she wore it on the streets of Brooklyn, she was again surprised: People stopped her to talk about books.

Thus began an evolving conversation, first with her fledgling book club, Well-Read Black Girl, which soon attracted acclaimed authors like Tayari Jones (An American Marriage) and Angela Flournoy (The Turner House); then with her premiere virtual literary festival, attended by more than 800 people. Her podcast, Well-Read With Glory Edim, followed. Now, in her plucky, intimate memoir, Gather Me: A Memoir in Praise of the Books That Saved Me, Edim offers her own story, tethering the books and authors she has found and loved to her own rocky journey of self-discovery. It’s reader catnip. 

Edim begins each chapter with a list of the authors and books that most influenced her as she came of age, from childhood (My Book of Bible Stories, The Berenstain Bears) through experiencing romantic love for the first time (Romeo and Juliet, Beloved) to her fraught relationship with her aging mother (Jamaica Kincaid’s At the Bottom of the River). She finds solace, wisdom, grace, humor and, especially, support in these tomes as she navigates hard times, and her own writing grows more poignant. 

Yet Gather Me is more than an ode to writers spun from a respectful distance: This is a hands-on guidebook to getting by in good (literary) company. Through reading, Edim found stable ground within her fracturing Nigerian immigrant family, and later as a single mom. Writers like Maya Angelou, Alice Walker, Sonia Sanchez, bell hooks, James Baldwin and Zora Neale Hurston became her community. 

The title borrows a quote from Toni Morrison’s Beloved: “She is a friend of my mind. She gather me, man. . . . It’s good, you know, when you got a woman who is a friend of your mind.” Edim writes, “I am never alone. The T-shirt, the books, the authors, the club, the community: Those things are now my bright and roaring fire, my blessed and beautiful universe.” Gather Me is a powerful invitation to join her there.

In her plucky, intimate memoir, Glory Edim, the creator of the Well-Read Black Girl book club, tethers the books and authors she has found and loved to her own rocky journey of self-discovery—it’s reader catnip.
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Born in the American South to a banking family, Jennifer Neal has been traveling across continents, reinventing and reimagining herself for most of her life. Her migration story spans the American South, Japan, Australia and Germany in My Pisces Heart: A Black Immigrant’s Search for Home Across Four Continents. Neal (Notes on Her Color) is both a lyrical writer and an astute historian, studying the complexities of race and Blackness with tenderness and reverence in each place she has lived. 

Neal unpacks imperialism through a queer, Black, American lens as she navigates love, friendship and career. Some of the best essays in My Pisces Heart describe her college years in Japan and her search for solidarity among Black and Japanese people. She finds allies and mentors in academia, connects with a coalition of Black studies enthusiasts and visits the Hiroshima Peace Memorial Museum. She explores how racist Western philosophies were brought to Japan, yet doesn’t shy away from Japan’s problematic history of colorism. Other heartbreaking and nuanced essays follow her time in Australia, where she battles casual racism and experiences a difficult romantic relationship. Here, she explores how the Aboriginal people of Australia keep their communities alive through protests and demonstrations. While white Australians often sought to isolate Neal from this community, she felt a kinship with them due to the similar histories of Australia’s and America’s anti-miscegenation laws. 

In lovely astrology interstitials that appear as vignettes before each section, Neal analyzes her birth chart to provide a framework through which to view the world beyond herself, without borders. These sections inspire the reader to look outward—and up—in search of their own guiding light. 

Throughout, Neal is quick to direct the reader to the hidden histories of Black people all over the world. Though racial homogeneity is accepted as the norm in places like Japan and Germany, Neal proves that Black people exist everywhere and, in many cases, always have. In an age when we can see the devastating impacts of colonialism on devices in the palms of our hands, My Pisces Heart is an essential read for anyone curious about cultural differences and eager to explore what it means to be in solidarity with those oppressed across the globe.

Jennifer Neal’s essential memoir and travelogue, My Pisces Heart, proves that Black people exist all over the world and, in many cases, always have.
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Justene Hill Edwards’ incisive Savings and Trust: The Rise and Betrayal of the Freedman’s Bank examines a noble idea destroyed by corruption. The idea emerged at the end of the Civil War when John Alvord, a Congregational minister and antislavery activist, realized that newly emancipated people would need a banking institution they could trust. Drawing on examples of military banks established for formerly enslaved Union soldiers, Alvord formed the Freedman’s Bank in March 1865. At its height, Edwards notes, “freed people had opened over one hundred thousand accounts and deposited over $75 million ($1.9 trillion today).” But within nine years, the bank failed.

Edwards, whose previous book, 2021’s Unfair Markets, examined the internal workings of enslaved people’s private economic activity, is a trustworthy guide through details concerning the early promise of the Freedman’s Bank, its improper transactions and the host of institutional and individual failings that led its collapse. 

She lays primary (but not sole) blame at the feet of railroad executive Henry D. Cooke (brother of 19th-century finance titan Jay Cooke) who headed the bank’s finance committee. Cooke and his committee moved the bank’s headquarters from New York City to Washington, D.C., opening it to political influences; approved illegal loans; altered its charter; and loaned Black depositors’ money without due diligence, primarily to white bank trustees and other insiders, and only infrequently to Black depositors. As the bank failed, trustees fled responsibility and brought in the great Black activist Frederick Douglass, to his eternal regret, to do damage control.

Edwards also points out that Alvord and other well-meaning supporters were ill-equipped to oversee such an institution. More tellingly, Edwards questions the underlying assumptions of the bank. It promoted the virtue of saving to the newly freed population, but it included no Black founders, advisors or early trustees. The white bankers assumed the depositors would be wage earners; but most of the Black savers wanted to own and work their own land independently and thus needed a broader, more flexible array of financial services than the bank ever offered.

The collapse of Freedman’s Bank has reverberated throughout U.S. history: “Black people’s generational distrust of financial institutions can be traced to the founding, plunder, and failure of the Freedman’s Bank,” Edwards points out. And white Americans used the failure “to fuel stereotypes about Black people’s laziness and their lack of fitness for . . . political and economic inclusion.” Savings and Trust adds materially to our understanding of the racial wealth gap and our long legacy of social injustice.

Justene Hill Edwards’ incisive Savings and Trust chronicles the formation and failure of the Freedman’s Bank, and reveals the deep history of the racial wealth gap.
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The crusading savant with messy hair and scattered papers is a common protagonist in legal thrillers. The archetype—played by Mark Ruffalo or Julia Roberts or Matt Damon in films over the years—comes to life in attorney Jim Scott, the center of gravity in Valley So Low: One Lawyer’s Fight for Justice in the Wake of America’s Great Coal Catastrophe. Here, Tennessee-based journalist Jared Sullivan chronicles a yearslong battle in the wake of one of America’s worst environmental disasters. 

In December 2008, a dike ruptured at a power plant in East Tennessee, deluging the surrounding rivers and landscape with more than 1 billion gallons of coal waste. The Tennessee Valley Authority, a federally owned electric utility corporation, pledged to clean up its mess, and hired engineering conglomerate Jacobs Engineering to oversee the work. 

It didn’t take long before the cleanup workers started falling ill. Though they’d been told repeatedly the site was safe and the air was clean, the workers began to suspect the coal ash they were cleaning up was to blame for their new ailments and faltering health. They alleged that Jacobs was preventing them from wearing protective gear and tampering with air quality sensor data in an effort to avoid further public scrutiny and speed the lucrative project along. 

Sullivan tells the story of the workers, the TVA and Jacobs officials in charge and, centrally, Scott and his collaborators, who took on the workers’ case in an effort to extract justice from the tragic disaster. The author paints vivid portraits of key characters; love lives and family dramas help render the victims in color, making their plight all the more upsetting. 

Horrifying details and anecdotes pile up as the story unfolds, and it’s easy to understand how righteous anger could fuel a lengthy legal quest with no promise of financial reward. Propulsive and written with flair, Valley So Low is a valuable addition to the pantheon of legal thrillers. 

Jared Sullivan’s Valley So Low chronicles an environmental disaster in Tennessee with the flair of a propulsive legal thriller.

Lucy Ives writes with a madcap intellectualism—think David Sedaris with a Ph.D. Her new collection of essays, An Image of My Name Enters America, sutures together such heterogeneous topics as fetal consciousness, unicorns, the medieval mystic Margery Kempe and the end of the world. Much like in Ives’ fiction (Impossible Views of the World), her meticulously crafted prose weaves these disparate threads into beautiful essays that surprise and delight with their interconnecting patterns. 

The five essays in this collection are linked by Ives’ experience of pregnancy and childbirth during the COVID-19 pandemic. In “Of Unicorns,” her midwife recounts a dream (or memory?) of being perfectly happy in a smooth enclosed place, perhaps her own mother’s uterus. Ives then pivots to her own childhood obsession with the My Little Pony toys of the 1980s, before turning to Zoroastrianism and the Renaissance unicorn tapestries that hang in New York City’s Cloisters museum. The lines Ives draws between these elements are astonishing and moving, and “Of Unicorns” is one of the best essays I’ve read in a long time. 

The titular essay returns to the theme of memory, both individual and cultural. Childhood memories also play a role, but so too does anamnesis—the recollecting of knowledge from before birth—prompting Ives to explore her family’s immigration story, which began with the Assyrian genocide of the 1910s. Although this violent historical event long precedes Ives’ own birth, it “refuse[s] to be forgotten,” and she feels its presence even before she is consciously aware of it. Questions of memory and identity persist across each of the essays grouped in this volume, lending a satisfying sense of cohesion to the collection. 

In the final essay, Ives links Cixin Liu’s science fiction novel The Three-Body Problem with the difficulty of finding words to accurately depict childbirth. Is the experience of giving birth, of moving from a pre- to post-natal state, akin to a holy state of nothingness, a place where language fails? The body-in-labor may be the ultimate testing ground for Ives’ thoughts on identity and language. 

An Image of My Name Enters America carries its scholarship lightly and with a wink. While each essay is scrupulously footnoted, the notes can be ignored (although interested readers will find further reading suggestions galore). Readers are advised to sit back and enjoy the many splendors of Lucy Ives’ magpie brilliance.

An Image of My Name Enters America shows Lucy Ives’ magpie brilliance in essays that weave together My Little Pony, childbirth, her family’s immigration story and much more.

Arizona horticulturalist Noelle Johnson, sometimes known as the “AZ plant lady,” shares her expertise and longtime passion for gardening in a hot, dry climate in this informative guide to gardening in our changing climate. The Water-Smart Garden: Techniques and Strategies for Conserving, Capturing, and Efficiently Using Water in Today’s Climate . . . and Tomorrow’s, of course, is not simply for those living in or near the desert, but also has practical use for gardeners elsewhere. As Johnson notes at the outset, “shrinking water supplies also are occurring in more temperate regions.” 

Johnson’s clear, accessible text begins with some basic information about how plants use water. Throughout, she aims to assuage concerns that a waterwise garden only consists of rocks and cacti. She includes chapters on plant choices, building drought-resistant soil and watering efficiently—in other words, giving gardeners essential tools and techniques to plan, make changes and maintain a sustainable garden. Johnson’s chapter on capturing rainfall and passive water harvesting is especially useful, as precipitation patterns shift. Tips, graphics and photographs demonstrate how to maximize available water throughout the year. 

Not much of a gardener? The Water-Smart Garden will also be a great choice for those who don’t wish to spend much time or money on their yard and want to keep water bills low. Johnson’s book includes charts to help gardeners and homeowners choose the best trees, shrubs, vines and plants for their region. Simply put, if you’re a gardener concerned about the climate, this book is for you.

Noelle Johnson’s book includes charts to help gardeners and homeowners choose the best trees, shrubs, vines and plants for their region.

Based in Melbourne, Australia, permaculture expert Connie Cao brings a joyful exuberance to her book about growing and enjoying Asian vegetables, herbs and fruits. Whether you’re an expert or new to Asian culinary traditions, Cao’s enthusiasm is contagious. Cao is the daughter of immigrants from Shanghai, who moved to Australia in 1988, and she grew up watching her dad tend his garden. Cao notes, “The thing that got me into gardening is the magic that happens from seed to food.” Your Asian Veggie Patch: A Guide to Growing and Cooking Delicious Asian Vegetables, Herbs and Fruits provides an excellent introduction for anyone wishing to experience that magic for themselves.

Cao’s well-organized, easy-to-follow book provides guidance on growing, harvesting and cooking Asian veggies. Many of the recipes that appear were inspired by her own family’s traditions. Cao is trained in permaculture, and also includes principles and practices of this sustainable, regenerative approach to gardening and agriculture.

Cao has an easy, conversational style. In Part 1, she covers many gardening basics, including a page on plant families that is especially helpful for gaining a better understanding of vegetables and herbs. Part 2 features plant profiles organized by season. For instance, Asian mustards come first in cool-season veggies, while vegetables like eggplant and long beans appear in the warm-season section. Each plant’s profile includes photographs that show how to plant, grow, harvest and cook it. 

Interested but not sure where to start? Browse through all the gorgeous, mouthwatering pictures of finished dishes in this delightful book: You won’t go wrong picking any of these options to grow and cook yourself.

Connie Cao’s well-organized, easy-to-follow book provides guidance on growing, harvesting and cooking Asian veggies.

In the innovative Garden Wonderland: Creating Life-Changing Outdoor Spaces for Beauty, Harvest, Meaning, and Joy, garden designer Leslie Bennett teams up with writer and editor Julie Chai to explore how to create outdoor spaces that nurture family, friends and community. 

At the outset, the authors suggest that readers grab a blank notepad to jot down ideas and goals as they go along. And that’s wise advice, as this book is replete with helpful tips as well as the fundamentals. Part 1 focuses on the practical, which will be appreciated by those new to gardening or garden design. The authors share four principles that ground their approach to gardening: making plants part of your daily life; surrounding yourself with beauty; making space for connection; and fortifying your sense of belonging. Most importantly, they stress that rather than conforming to someone else’s idea of what a garden should be, individuals and families should create spaces that work for them. Bennett and Chai also discuss considerations such as space allotment, seating arrangements and sun exposure. There’s also helpful information on design concepts, with tips about selecting plants for foliage and color.

The second part of the book focuses on inspiration. This section features garden “wonderlands” that celebrate edible and floral landscapes, along with gardens designed to serve as gathering places or to spotlight cultural heritages. Full color photographs throughout show gardens, plants, and the individuals and families who treasure them. With its seamless integration of gardening principles with advanced design ideas, Garden Wonderland is the perfect gift for new gardeners—or anyone in need of a little inspiration.  

With its seamless integration of gardening principles with advanced design ideas, Garden Wonderland is the perfect gift for new gardeners—or anyone in need of a little inspiration.

The Story of Perfume: A Lavishly Illustrated Guide successfully pulls off one of my favorite literary tricks: It takes something extremely specific—in this case, perfume—and gets so immersed in it that all manner of connections among seemingly disparate worlds begin to take shape. From ancient Greek mythology to traditional Indian medicine, from the French Revolution to the sexual revolution, from Salvador Dali to Christian Dior, perfume was there through it all. And although fragrance is an area of study that is traditionally skipped by scholarly treatment, historian Élisabeth de Feydeau takes her subject seriously. The Story of Perfume is much more scholastic than you might expect. For example, the chapter “The First Iconic Perfumes” includes an entry about the 16th-century French king Francis I, whose edict to treat gunshot wounds with an elixir made from aromatic plants became so popular among the general public that it helped forge a path for legendary perfume house Guerlain. The stories Feydeau tells are fascinating, and they’re matched with a slew of equally compelling visual elements, like an ancient Roman fresco that depicts a seated woman decanting perfume, photographs of fragrant herbs and more elaborately detailed glass bottles than I was able to count. This is a great reference for fragrance lovers, but might also be an unexpected supplement for students of history—from ancient times through the Industrial Revolution, in particular.

The Story of Perfume is a sumptuous reference for fragrance lovers and an unexpected supplement for students of history.

James Beard Award-winning author Alexander Smalls includes 120 recipes from 33 chefs, restaurateurs, caterers, cooks and writers in The Contemporary African Kitchen: Home Cooking Recipes From the Leading Chefs of Africa. It’s a massive undertaking that spans an entire continent filled with innumerable culinary styles. But that breadth is important to Smalls, who writes in the book’s foreword that “our culture has been kept alive in great part through our culinary currency and traditions.” The book is organized into broad geographic segments: Northern, Eastern, Central, Southern and Western Africa are all represented. The Northern African section includes a particularly interesting recipe for Egyptian okra stew, which is loaded with garlic, basil, cilantro and mint and looks at once lush and hearty. In his description of the stew, chef Mostafa Seif writes, “Some foods are as much for nourishment as they are a tool for showing off.” He goes on to describe how people would hang okra from their balconies on the days that it was on the menu as a kind of demonstration of abundance. This book is great for adventurous eaters from all backgrounds, but that’s not to say an experimental palette is a prerequisite; if you’re more comfortable with traditionally American fare, you may be surprised by how familiar some of these dishes are: from Ethiopian deviled eggs and a chocolate cake recipe from Uganda to a buttery, garlicky recipe for South African mashed potatoes with spinach.

 

James Beard Award-winning author Alexander Smalls’ The Contemporary African Kitchen collects recipes that span an entire continent filled with innumerable culinary styles and traditions.

For anyone who’s ever perused a bulb catalog and been overwhelmed trying to choose among the many varieties of daffodils, tulips or amaryllises, this book by British garden designer and author Lucy Bellamy is for you. With bright, full-color photographs by Jason Ingram, A Year in Bloom: Flowering Bulbs for Every Season takes the guesswork out of selecting bulbs that will brighten your yard year-round. 

A Year in Bloom is clear and well-organized. Bellamy provides a helpful introduction, then introduces her featured 150 bulbs by season, beginning with late winter/early spring. Bellamy’s text and selections are especially helpful for gardeners seeking to adapt to climate change and focus on sustainability. For instance, she notes a new emphasis on bulbs that are perennial over single-use hybrids. The selections here also recognize the desire of many gardeners to support pollinators and encourage biodiversity. 

As a former editor of Gardens Illustrated magazine, Bellamy made her selections by calling on her network of international garden designers, landscape architects and head gardeners. These recommendations add depth and interest to the text. For instance, in recommending the snowdrop called “E.A. Bowles,” Bellamy consulted British nurseryman Joe Sharmon, known as “Mr. Snowdrop.” Bellamy includes a complete list of those who nominated their favorites in the back matter, along with an indexed list of bulbs by function, conveying which are best for shade, for planting in pots, naturalizing, for cut flowers, etc.

Planting bulbs usually means planning ahead. A Year in Bloom is a practical, beautiful handbook that will find a place in any gardener’s library.

Planting bulbs usually means planning ahead. A Year in Bloom is a practical, beautiful handbook that will find a place in any gardener’s library.

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