Cat, Deputy Editor

We may not know what autumn will bring, but we do know it’ll come with some truly stellar audiobooks. Read on for the 11 audiobooks we’re most excited to listen to this fall.


Lying Life of Adults audiobook coverThe Lying Life of Adults by Elena Ferrante, translated by Ann Goldstein, narrated by Marisa Tomei
Random House Audio | September 1

The audiobook production for Elena Ferrante’s intimate standalone novel is as exciting a release as the book itself, as Academy Award-winning actor Marisa Tomei steps to the mic for her first solo audio narration.


Eat a Peach audiobook coverEat a Peach by David Chang with Gabe Ulla, narrated by the author
Random House Audio | September 8

The host of Netflix’s “Ugly Delicious” narrates his own audiobook to tell the inspiring story of his journey to becoming a superstar chef.


Conditional Citizens audiobook coverConditional Citizens by Laila Lalami, narrated by the author
Random House Audio | September 22

In her own words, Pulitzer Prize finalist Laila Lalami invites listeners to share in her experiences as an immigrant in America.


The Cold Millions audiobook coverThe Cold Millions by Jess Walter, narrated by a full cast
HarperAudio | October 6

The audiobook for Jess Walter’s new Western is one of the most exciting cast productions of the season, with narration by well-loved voices you’ll recognize, including Edoardo Ballerini, Marin Ireland, Cassandra Campbell, Frankie Corzo and more.


The Invisible Life of Addie LaRue audiobook coverThe Invisible Life of Addie LaRue by V. E. Schwab, narrated by Julia Whelan
Macmillan Audio | October 6

Talk about perfect casting: Julia Whelan’s smooth, sweeping voice reading Victoria "V. E." Schwab’s century-spanning tale of immortality, resilience and memory. We couldn’t ask for more.


Keep Moving audiobook coverKeep Moving by Maggie Smith, narrated by the author
Simon & Schuster Audio | October 6

There can be such an impact when a wise and thoughtful person, going through hell, shares their experiences and affirmations online. That's what poet Maggie Smith did while going through a divorce, and her book compiles those accounts along with short essays. It’ll be a special treat to hear her read these words.


Memorial audiobook coverMemorial by Bryan Washington, narrated by the author and Akie Kotabe
Penguin Audio | October 27

Bryan Washington’s first novel, following his extraordinary story collection, Lot, unfolds through the dual perspectives of two young men in a relationship that may be nearing its end. The voices of Washington’s characters are uniquely vibrant, so it’ll be wonderful to hear the author and Akie Kotabe bring them to life.


Short Stories audiobook coverThe Best American Short Stories 2020, edited by Curtis Sittenfeld, narrated by a cast
HMH Audio | November 3

We don’t yet know who will compose the cast of this collection, but we’re excited nonetheless to hear stories from some of our favorite writers, like Emma Cline and Kevin Wilson, and to discover so many new voices.


The Best of Me audiobook coverThe Best of Me by David Sedaris, narrated by the author
Hachette Audio | November 3

In this special collection, David Sedaris has selected what he believes are his funniest and most memorable works from a career that has spanned more than 25 years. Come November, we’ll be begging for his big humor and signature irreverence.


Dolly Parton audiobook coverDolly Parton, Songteller: My Life in Lyrics by Dolly Parton, narrated by the author
Recorded Books | November 17

Country music legend and one of our all-time favorite humans Dolly Parton takes readers and listeners behind the lyrics of 150 of her songs.


I Want to Be Where the Normal People Are audiobook coverI Want to Be Where the Normal People Are by Rachel Bloom
Hachette Audio | November 17

We cordially invite the very hilarious Rachel Bloom, co-creator and star of "Crazy Ex-Girlfriend," to speak and sing her essays, poems and any other words directly into our ears, thank you.

 

ALSO IN BOOKPAGE: Discover more great audiobooks.

We may not know what autumn will bring, but we do know it’ll come with some truly stellar audiobooks. Read on for the 11 audiobooks we’re most excited to listen to this fall.

With these novels on the horizon, it’s easy to feel excited about what’s to come in 2021. From all-time favorites like Kazuo Ishiguro to buzzy up-and-comers like Zakiya Dalila Harris, we can’t wait to check out these fiction releases.


The Four Winds by Kristin Hannah
St. Martin’s | February 2

After the runaway success of The Nightingale and The Great Alone, we have high expectations for any historical fiction from Hannah. We know we can trust her to serve fine drama, easy-reading prose and a vivid historical milieu, and we also expect her to make us cry over one or multiple characters. This time she’s taking us to the Great Depression and the Dust Bowl, and we’ll follow a family of women as they find a home among workers’ rights activists.


Milk Fed book coverMilk Fed by Melissa Broder
Scribner | February 2

In her 2018 debut novel, The Pisces, Broder brought us intimate moments with a merman; now she’s back with a Sapphic Jewish love story about all different appetites, especially for food and sex. In Broder’s hands, the strange can be supremely sexy and the obsessive can be deeply comforting, so we’re especially excited about her second novel, which is about a woman named Rachel who lives a restricted life due to a dysfunctional relationship with her mom. But after a beautiful, fat yogurt shop employee begins sharing some over-the-top sundaes with her, Rachel quickly finds that her desire has been there all along.


My Year Abroad by Chang-rae Lee
Riverhead | February 2

A new book from award-winning author and Pulitzer Prize finalist Lee is always cause for celebration, not least because each of his books is so different from the last, and it’s a thrill to see where he’s headed next. This one has a classic premise: A young man is swept up by a charming businessman and comes of age during their globetrotting travels, but what happens on those travels is wilder than anything you’ve read before.


The Removed book coverThe Removed by Brandon Hobson
Ecco | February 2

Hobson’s 2018 novel, Where the Dead Sit Talking, was a National Book Award finalist, and from the sound of this follow-up, it’s clear he’s only getting started. Drawing on real historical figures and Cherokee folklore, the novel explores grief and trauma within a family mourning the loss of their son. Hobson is a citizen of the Cherokee Nation Tribe of Oklahoma, and his perspective on the nature of home for Native Americans is essential reading this winter.


No One Is Talking About This by Patricia Lockwood
Riverhead | February 16

From the author of the singularly hilarious memoir Priestdaddy comes a social media novel unlike anything you’ve ever read before. If you live for the fragmented comedy afforded to a writer by Twitter, then this is the next step up.


The Kitchen Front book coverThe Kitchen Front by Jennifer Ryan
Ballantine | February 23

This is the third novel from the bestselling author of The Chilbury Ladies’ Choir, and it’s hitting all the right notes: World War II and a BBC cooking show. Considering how much “Great British Bake Off” we’ve watched in the last year, this is high on our list of cozy, comforting reads for 2021.


The Committed by Viet Thanh Nguyen
Grove | March 2

Vietnam-born author Nguyen’s 2016 Pulitzer Prize-winning debut novel, The Sympathizer, was an instant classic, starring an unnamed double agent whose ability to hold starkly opposing worldviews causes a division of self. This year Nguyen returns with the long-awaited sequel, promising philosophical deep dives and a unique look at Vietnamese refugee life in 1980s Paris.


Klara and the Sun book coverKlara and the Sun by Kazuo Ishiguro
Knopf | March 2

This is Ishiguro’s eighth novel and his first since he won the Nobel Prize for Literature in 2017. (He was also knighted in 2019!) A return to the first-person narrative style for which we adore him, this novel has a narrator we can’t wait to meet, like something out of a slightly creepy fairy tale: an “Artificial Friend” who observes humans from her place in a department store, where she hopes to be purchased for a child.


Good Company by Cynthia D’Aprix Sweeney
Grove | March 2

Sweeney’s 2016 debut novel, The Nest, became an instant bestseller, and no wonder—she’s got a clear knack for family drama. She’s back in the landscape of lifelong relationships with her second book, the story of a woman who’s trying to make sense of her husband’s long-ago lie about a lost wedding ring. We can’t wait for these bonds to unfold before us.


What's Mine and Yours book coverWhat’s Mine and Yours by Naima Coster
Grand Central | March 2

Afro-Dominican American author Coster’s debut novel, Halsey Street (published by Amazon Publishing’s imprint Little A), was a finalist for the 2018 Kirkus Prize. She was also one of the National Book Foundation’s 5 Under 35 honorees for 2020, where she was in great company with some of our favorite new authors (C Pam Zhang! Raven Leilani!). Her second novel is an exploration of school integration and family in North Carolina, beginning in the 1990s and spanning 20 years.


How Beautiful We Were by Imbolo Mbue
Random House | March 9

Feeling deja vu? No wonder! Mbue’s second novel was one of our Most Anticipated Books of 2020, but like so many novels that were shifted to later pub dates due to the COVID-19 pandemic, this one got moved—all the way to 2021. But if we’ve learned anything from the grim year that was 2020, it’s that patience is the best thing you can have. We know this novel will be worth the wait.


Eternal book coverEternal by Lisa Scottoline
Putnam | March 23

This is the internationally bestselling author’s first foray into historical fiction, and it’s been a long time coming. She’s been wanting to write about the Italian Holocaust since her college days, when she studied under Philip Roth at the University of Pennsylvania. (He gave her an A!) Now she’s diving into the world of Mussolini and the horrific events that occurred in October 1943 in the Jewish Ghetto of Rome.


Libertie by Kaitlyn Greenidge
Algonquin | March 30

Greenidge received a coveted Whiting Award for her major debut, We Love You, Charlie Freeman, and now she’s back with her second novel, this one inspired by the life of one of the first Black female doctors in the U.S. It’s about a Black girl in Reconstruction-era Brooklyn whose mother, a practicing physician, has a specific vision for her daughter. With themes of generational obligation and colorism, it sounds like a must-read for everyone who adored Brit Bennett’s The Vanishing Half.


Caul Baby book coverCaul Baby by Morgan Jerkins
Harper | April 6

Jerkins was one of our 16 Women to Watch in 2020, and her essay collection Wandering in Strange Lands was an illuminating exploration of tracing Black heritage. This year she makes her fiction debut with a novel about tradition and inheritance, both familial and regional, that centers on the folk magic of the caul, a membrane that covers the heads of a Harlem-based Black family’s newborn babies.


Hummingbird Salamander by Jeff VanderMeer
MCD | April 6

The Annihilation author spins another yarn of climate disaster with his latest, in which a woman is burdened with a taxidermied hummingbird and salamander, which turn out to both be endangered species, and soon finds herself on the run.


PeacesPeaces by Helen Oyeyemi
Riverhead | April 6

British author Oyeyemi’s surreal, imaginative fiction holds a place in our hearts that only she can fill, and her seventh book joins the grand literary tradition of tales set aboard unusual, mysterious trains. It follows a couple, Otto and Xavier, and their pet mongoose after they board the Lucky Day, a bizarre locomotive that meets their every desire.


Great Circle by Maggie Shipstead
Knopf | May 4

The author of Seating Arrangements and Astonish Me aims high, swings for the fences—whatever your metaphor may be, she’s going all out—with an epic tale about a female aviator who set her sights on circumnavigating the globe by way of the North and South Poles, unfolding in tandem with the story of a Hollywood actor cast to play her in a film a century later. Watch this one—it could be major.


Second Place book coverSecond Place by Rachel Cusk
FSG | May 4

Literary genius Cusk, memoirist and author of the groundbreaking Outline trilogy, will dive into cerebral questions of privilege, fate, gender and the human spirit through the story of a woman who invites an artist to visit her remote coastal home.


Sorrowland by Rivers Solomon
MCD | May 4

Solomon’s been steadily making a name for themselves in the fantasy realm, racking up awards for their debut, An Unkindness of Ghosts, and Lambda Award-winning second novel, The Deep. We’re predicting they’ll reach a whole new batch of readers with this genre-blending latest, a mixture of Gothic and speculative fiction about a woman who’s hiding in the woods from an authoritarian religious community.


Whereabouts book coverWhereabouts by Jhumpa Lahiri
Knopf | May 8

Pulitzer Prize-winning author Lahiri’s fifth work of fiction is her first since 2013’s The Lowland. It’s also the first book she has written in Italian and translated into English. The synopsis seems to defy easy explanation, as the tale follows a woman throughout the mundane and transformative events of a year.


Malibu Rising by Taylor Jenkins Reid
Ballantine | June 1

Wonderful news for readers who loved Daisy Jones & The Six! Reid’s latest is set during one late-summer night in 1980s Malibu, where four celebrity siblings, the children of a legendary singer, throw a huge party that ends in flames. Send all the secrets and summer drama this way, please.


The Other Black Girl book coverThe Other Black Girl by Zakiya Dalila Harris
Atria | June 1

The seven-figure acquisition deal for former Knopf assistant editor Harris’ debut novel, about a young Black woman employed by a publishing house, was announced amid the American Dirt controversy, which was only the beginning for a year that pushed publishing to reckon with its lack of diversity in a major way. Shining a light on microaggressions and racism in the workplace like Mateo Askaripour’s Black Buck, Harris’ perspective on the publishing industry deserves all our attention.


Animal by Lisa Taddeo
Avid Reader | June 8

Taddeo’s Three Women, a glimpse into the sex lives of three different women, isn’t an easy read, but it certainly was one of the most provocative books we read in 2019, sparking discussion about the way we think and write about women’s sexuality. She moves to fiction in 2021 with that same fearlessness to tell the story of a woman who sheds her victimhood to become a predator.


The Hidden Palace book coverThe Hidden Palace by Helene Wecker
Harper | June 8

There are few novels we’ve more patiently waited for a follow-up to than 2013’s The Golem and the Jinni, and the moment has finally come. Wecker brings her formidable imaginative powers back to the world of Chava the golem and Ahmad the jinni, and this new novel will span the years from the turn of the century to early World War I.


One Two Three by Laurie Frankel
Holt | June 8

Frankel’s novel This Is How It Always Is was one of our favorites of 2017, and it has continued to reach readers as a Reese Witherspoon Book Club pick, so we know many of you will join us in squealing for her latest big-hearted family drama. It centers on the Mitchell triplets, sisters who live in a small town that’s been devastated by a chemical plant’s poisoning of their water supply.


The Great Mrs. Elias book coverThe Great Mrs. Elias by Barbara Chase-Riboud
Amistad | June 22

Chase-Riboud is a powerhouse: She’s a celebrated visual artist and sculptor, award-winning poet and the author of seven books, including the important 1979 novel Sally Hemings, which revealed the spirit of the real woman hidden in Thomas Jefferson’s shadow. With her new novel, Chase-Riboud is giving voice to another little-known Black figure: Hannah Elias, an American sex worker who became one of the wealthiest Black women in the world.


Beautiful World, Where Are You by Sally Rooney
FSG | September 7

Rooney knows the way to our hearts with her emotional entanglements that sneak up on you and then completely destroy you, whether in novel form or in limited series adaptation (as with her second novel, Normal People, which you simply must watch on BBC/Hulu, if you haven’t already). Her third novel follows a quartet of young people in Dublin, which means our feelings will be played with at double the intensity.


The Matrix by Lauren Groff
Riverhead | September 7

We’ve waited six years, and Fates and Furies author Groff is finally back with a tantalizing historical fiction release, about a 17-year-old girl who is cast out of her royal court and sent to England to serve as the prioress of an abbey.


Bewilderment by Richard Powers
Norton | Fall 2021

Powers’ jaw-dropping, Pulitzer-winning tree opera, The Overstory, is unsurpassed in environmental fiction—but there’s always room for more. His next novel examines a world “both perilous and imperiled that we are leaving for our children to inhabit” through the story of a father and his son.


Harlem Shuffle by Colson Whitehead
Doubleday | Fall 2021

The novel we’re most excited to read in 2021 is easily this one from two-time Pulitzer Prize winner Whitehead. Coming off the utterly necessary emotional devastation of The Nickel Boys, we’re thrilled to hear his latest is a tale of heists and hijinks in 1960s Harlem.

 

ALSO IN BOOKPAGE: Discover all of BookPage’s most anticipated books of 2021.

With these novels on the horizon, it’s easy to feel excited about what’s to come in 2021. From all-time favorites like Kazuo Ishiguro to buzzy up-and-comers like Zakiya Dalila Harris, we can’t wait to check out these fiction releases.

In recent years, we’ve seen an uptick in stellar novels of the immigrant experience—from Behold the Dreamers to Americanah, from The Book of Unknown Americans to The Buddha in the Attic—and 2017 continues that trend, with an even greater emphasis on refugees’ tales. It seems every month so far this year has offered a handful of stories that give a voice to the displaced, the fishes out of water, the strangers in strange lands. These are 12 of our favorites.


Lucky Boy by Shanthi Sekaran

Fans of The Light Between Oceans will enjoy the moral dilemmas and tremendous heart of Sekaran’s second novel, the story of one boy tangled up in two families. When Soli, an illegal Mexican immigrant, is put in immigration detention, her 1-year-old son, Ignacio, enters the foster care system. He is placed with Kavya and Rishi Reddy, successful Indian-American immigrants. But as much as they may love him, Ignacio is not their son. Read our review.


Pachinko by Min Jin Lee

Already one of the best books of the year, this multigenerational epic from Lee (Free Food for Millionaires) is a powerful account of one of the world’s most persecuted immigrant communities—Koreans living in Japan. This heartbreaking historical novel spans the entire 20th century through four generations and three wars, as a Korean family struggles to find a sense of belonging in a culture that regards them as aliens. Read our interview with Lee.


American Street by Ibi Zoboi

Don’t mind the YA label: Adult readers should read Zoboi’s debut as well as teens. Fabiola Toussaint, an American citizen by birth, is separated from her Haitian mother while going through Customs, and so she must travel by herself to Detroit, where her American cousins introduce her to a very new world. It’s an unforgettable story of what happens when cultures, nationalities, races and religions collide. Read our interview with Zoboi.


Waking Lions by Ayelet Gundar-Goshen

The chilling and provocative debut from Israeli author Gundar-Goshen opens with a hit-and-run, when Israeli neurosurgeon Eitan Green accidentally kills an illegal Eritrean immigrant. The victim’s wife, the enigmatic Sirkit, blackmails Eitan into treating sick Eritreans in the desert. With ruminations on pain and medicine woven throughout, this is a superb exploration of how we see—or fail to see—each other. Read our review.


Exit West by Mohsin Hamid

Hamid adds a dash of gentle magic to his tale of refugees and matters of the heart. In a Middle Eastern country on the brink of civil war, Nadia and Saeed fall in love. But soon they must flee their ruined homeland, passing through a doorway that acts as a portal to another city. As they journey around the world, the bonds of love are both forged and tested by displacement and survival. A must-read for 2017. Read our review.


The Leavers by Lisa Ko

Ko’s timely, assured debut received major critical acclaim before it was even published, as Barbara Kingsolver awarded it the 2016 PEN/Bellwether Prize for Fiction (given to a novel that addresses issues of social justice). It’s the coming-of-age tale of 11-year-old Deming, who is adopted by a pair of white professors after his mother, an undocumented Chinese immigrant, doesn’t return from work one day. Read our review.


No One Can Pronounce My Name by Rakesh Satyal

That wry title is only a glimmer of the wonderful sense of humor that permeates the second novel from Satyal. The lives of three Indian Americans living in Ohio unfold with compassionate comedy and a nuanced look at sexuality and gender identity. It’s hard to categorize a book that tackles so many things so well, and the result can only be described as the new American novel. Read our review, and don’t miss our Q&A with Satyal.


Salt Houses by Hala Alyan

Alyan’s debut is a sweeping family tale told through multiple perspectives, and it all begins with the Six-Day War in 1967, when the Yacoub family is uprooted and forced to scatter across the globe. Alyan’s own parents met in Kuwait City and, after Saddam Hussein’s invasion, were forced to seek refuge in the United States. This spectacular novel, touching on questions of home and heritage, was our May Top Pick in Fiction. Read our review.


Live from Cairo by Ian Bassingthwaighte

Bassingthwaighte tapped his own experiences as a legal aid worker to craft his debut, set in 2011 Cairo. Four characters are at the heart of this remarkable novel: an Iraqi refugee who is denied her request to join her husband in the U.S.; the Iraqi volunteer assigned to her case; a lawyer for the Refugee Relief Project; and his translator. There is so much to like about this book, from brilliant characterization to exceptional writing. Coming July 11.


Refuge by Dina Nayeri

Nayeri moved to America when she was 10 years old, and the protagonist of her second novel makes a similar move, except she leaves her father behind. Over the course of 20 years, the daughter and father build a relationship through four visits, each in a different city. The more their lives diverge, the more they come to rely on each other—especially when the daughter becomes involved in the present-day refugee crisis. Coming July 11.


What We Lose by Zinzi Clemmons

Perfect for fans of Americanah, the much-anticipated debut from Clemmons unfolds through poignant vignettes and centers on the daughter of an immigrant. Raised in Philadelphia, Thandi is the daughter of a South African mother and an American father. Her identity is split, and when her mother dies, Thandi begins a moving, multidimensional exploration of grief and loss. Coming July 11.


Home Fire by Kamila Shamsie

From acclaimed novelist Shamsie comes the story of two Muslim sisters: Isma, who has just left London to attend grad school in America; and the headstrong, politically inclined Aneeka, who stayed behind. Their brother, Parvaiz, is seeking his own dream in the shadow of his jihadist father. And then the son of a powerful political figure enters the girls’ lives, setting in motion a tale of complicated loyalty. Coming August 15.


Plus one more: It’s not a novel, but we have to mention Viet Thanh Nguyen’s exceptional collection of short stories, The Refugees. The nine stories, set within California’s Vietnamese community or in Vietnam, are dedicated to “all refugees, everywhere.”

In recent years, we’ve seen an uptick in stellar novels of the immigrant experience—from Behold the Dreamers to Americanah, from The Book of Unknown Americans to The Buddha in the Attic—and 2017 continues that trend, with an even greater emphasis on refugees’ tales. It seems every month…
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Author of more than 15 books, Colleen Gleason chatted with us to introduce the next installment of her Regency Draculia series, The Vampire Narcise. Fraught with betrayal and passion, her newest historical vampire novel is dangerous and fiery — just what her fans hope for! It’s no wonder why it’s our top June romance pick, chosen by fellow romance author Christie Ridgway.

Gleason gave us a sneak-peek of what’s to come, plus a little bit about favorite books and sexiest characters.

Describe your book in one sentence:
The Regency Draculia series can best be described as Jane Austen meets J. R. Ward, or Jane Austen’s version of Twilightfor grown-ups.

Of all the characters you’ve ever written, which is your favorite?
That’s such a tricky question to answer because it depends on the day. But probably the majority of the time, the answer has to be Max Pesaro (of the Gardella Vampire Chronicles). But a close second is Dimitri, the Earl of Corvindale (of The Vampire Dimitri).

What is the best thing about writing?
Being able to indulge my imagination and go on a journey with the voices in my head.

What is the best writing advice you’ve ever received?
You can’t fix a blank page. Write something and fix it later.

What books inspire you?
In general, a well-written book will always inspire me to work on my own. Ones that have influenced me in particular include mysteries by Elizabeth Peters (because she is a mistress of subtlety) and The Writer’s Journey.

If you had to be stranded on a desert island with one fictional character, who would it be?
Dang. That’s almost as bad as asking me who my favorite character is that I’ve ever written. I guess I’d have to say Iron Man because…well, because he looks like Robert Downey Jr. And because I figure he’d be able to get us off the island! (When I was ready.)

What’s next?
I’m looking forward to doing more of the Regency Draculia, picking up the stories of some characters introduced in the first three books. Also, I’m working on the fifth book in the contemporary/futuristic paranormal romance series I write as Joss Ware, as well as the second book in the Marina Alexander adventure series (the first one is Siberian Treasure).

Author of more than 15 books, Colleen Gleason chatted with us to introduce the next installment of her Regency Draculia series, The Vampire Narcise. Fraught with betrayal and passion, her newest historical vampire novel is dangerous and fiery -- just what her fans hope…
Interview by

Håkan Nesser’s newest thriller, The Inspector and Silence, is “expertly crafted” and an “absolute must.” Fourteen years after its original publication, it has now been translated to English to tell the story of Chief Inspector Van Veeteren’s investigation of the rape and murder of an adolescent member of a cultlike religious sect.

Clearly a man of few words, Nesser chatted with us ever-so-briefly about great books and his life as a writer.

Describe your book in one sentence.
Not a book for everybody, but probably four out of ten.

Name one book you think everyone should read.
Atonement by Ian McEwan.

What book are you embarassed NOT to have read?
One Hundred Years of Solitude.

What’s the best writing advice you’ve ever received?
There are no rules.

If you weren’t a writer, how would you earn a living?
Most likely I wouldn’t be earning a living.

What is your proudest moment as a writer?
Still to come. I don’t do pride.

What are you working on now?
Trying to keep my tomato plants alive.

Håkan Nesser's newest thriller, The Inspector and Silence, is "expertly crafted" and an "absolute must." Fourteen years after its original publication, it has now been translated to English to tell the story of Chief Inspector Van Veeteren's investigation of the rape and murder of…
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The Hypnotist, the debut thriller from author Lars Kepler, is proof that there is plenty of room for even more great Swedish crime writers. Our July Whodunit? column declares it “the mystery buzz-book of summer 2011,” with multiple grisly murders and a haunting dip into the mind of the sole survivor.

Some readers may not be aware that Lars Kepler is actually a pen name for Swedish couple Alexander Ahndoril and Alexandra Coelho Ahndoril. The Ahndoril duo talk about their alter ego and share some insight on being not just one, but two writers.

Describe your book in one sentence.
A hypnotist can find hidden truths in your subconscious, but some truths ought to stay in the dark forever – they are too dangerous to reveal.

What inspired the two of you to write together as a team?
We’ve been married for a long time and we just love watching movies together, especially thrillers. One day we started to discuss if it was possible to transfer that exciting feeling into a book. We are writers in our own right, but we have not been able to write together. Every attempt has ended in great quarrels. That’s the reason why we had to create a totally new writer and the truth is that since we became Lars Kepler we haven’t had a single fight – just a wonderful and creative time.

How would you describe Lars Kepler as an author?
He is obsessed with unsolved crimes, mysteries, cold cases, crime scene investigations, forensic medicine and police tactics. Lars Kepler takes part of the Scandinavian tradition, but tries to add a high, cinematic tempo. He thinks that crime fiction is an optimistic genre because when you close the book the mysteries are solved, the perpetrators stopped and order is restored.

What is the best writing advice you’ve received?
The only way to write is to write and keep on writing. It will not be perfect immediately, but just give it time and continue to write and rewrite. Don’t stop before you get scared yourself, before you’re crying yourself, before your heart beats faster.

Of all the characters you’ve ever written, which is your favorite?
Rich and complex characters is probably the most important task you have as a writer of crime fiction, because no matter how interesting plot you may create the story will not be exiting if you don’t care about the characters. We really love our Detective Inspector. He’s so stubborn and lovely but he fights with his painful past. In the first two books Joona Linna is something of a mystery, but in the third you will learn all about his past and in the forth novel his mystery is the main plot. But besides of him, in The Hypnotist, maybe the terribly annoying and deeply disturbed Eva Blau is our favorite.

What kind of hypnotism research did you do for your book?
Alexander’s brother is a professional hypnotist and writes books on the subject – so we had a perfect source very close to us. Alexander has even been hypnotized himself.

What does Lars Kepler have in store for us next?
The second book is about a special kind of contracts. A Paganini contract. Do not ever sign such a contract, because you can’t break it even with your own death. The story begins one summer night. The dead body of a woman is found on board an abandoned pleasure boat drifting around in the Stockholm archipelago. Her lungs are filled with brackish water, but there are no traces of this water on her clothes or other parts of her body. She has drowned on board a floating boat.

The Hypnotist, the debut thriller from author Lars Kepler, is proof that there is plenty of room for even more great Swedish crime writers. Our July Whodunit? column declares it "the mystery buzz-book of summer 2011," with multiple grisly murders and a haunting dip…
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Peter Spiegelman’s fourth novel, Thick as Thieves, is one hell of a heist thriller and one of our Whodunit? picks for August 2011. Our reviewer called it “a superbly crafted tale, pulsing with tension, twisty as a corkscrew and positively demanding to be read in one sitting.”

Spiegelman chatted with BookPage about mystery writing and great books:

Describe your book in one sentence.
It’s the story of a crew of highline thieves in the midst of the biggest job of their lives, and of their new and reluctant boss who, when he’s not managing this heist, is looking into his predecessor’s death, which he fears was arranged by one or more of the people in his crew. (That was one sentence, wasn’t it?)

What are you reading now?
Crime, a collection of stories by Ferdinand von Schirach. Grim, scary, and very moving.

What’s the best writing advice you’ve ever received?
No one will ever miss all the great writing you leave out.

Name one book you think everyone should read.
Dispatches by Michael Herr. Vietnam with an acid chaser. Lessons for today’s ongoing, too-easily-ignored wars.

If you could swap lives with one of your characters for a day, who would it be and why?
John March. I love his running routine.

What was the proudest moment of your career so far?
Finishing my first novel, Black Maps.

What’s next?
A new book, with new characters, set in a new city (Los Angeles).

Peter Spiegelman's fourth novel, Thick as Thieves, is one hell of a heist thriller and one of our Whodunit? picks for August 2011. Our reviewer called it "a superbly crafted tale, pulsing with tension, twisty as a corkscrew and positively demanding to be read…
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Our August 2011 Romance of the Month seriously smolders. It’s a double tap of sex and danger, and our romance columnist loved it: “Breathtaking suspense and pulse-pounding passion make this a wow of a read.”

Cindy Gerard chatted with us about writing and her newest Black Ops romantic suspense, With No Remorse.

Describe your book in one sentence.
HOT covert operative meets HOT super model and have a HOT time running from the bad guys who are HOT on their trail. (Do you see a theme here?)

Name one book you think everyone should read.
Everything I Need to Know I Learned in Kindergarten. The folks on Capitol Hill should give it a read.

What are the sexiest scenes to write?
It’s all about emotion. If the heart’s not involved then the heat just ain’t happenin’.

If you weren’t a writer, how would you earn a living?
I would be a trophy wife.

If you had to be stranded on a desert island with one fictional character, who would you choose?
A genie in a bottle. Then I could wish my way off the darn island.

Name one bad habit you have no intention of breaking.
Procrastination. I LIVE to waste time. And I’m damn good at it.

What are you working on next?
I’m not working. I’m procrastinating. :o) BUT, I just (as in yesterday) finished Last Man Standing, the final book in my Black Ops series featuring Joe Green – a good guy gone rogue – by an author gone wild! Oh, the humanity….

Our August 2011 Romance of the Month seriously smolders. It's a double tap of sex and danger, and our romance columnist loved it: "Breathtaking suspense and pulse-pounding passion make this a wow of a read." Cindy Gerard chatted with us about writing and her…
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Louise Penny’s newest thriller A Trick of the Light is our top Whodunit pick for September. The next adventure of Chief Inspector Gamache brings him back to Quebec to investigate a murder within the art scene.

Our reviewer said, “Penny’s characters are, to a one, rich and multifaceted, her plotting is intricately laced with backstory and her depiction of modern-day Quebec is spot on.” Read the rest of the review in the September 2011 Whodunit column.

Penny shared a little insight into Quebec and Chief Inspector Gamache, plus some valuable writing advice, in an interview with BookPage.

Describe your book in one sentence.
The book is about perceptions and duality, the difference between what we say and what we think, the look on our faces and the thoughts in our heads, how the same piece of art can be considered a masterpiece and a disaster, and how a glimmer of hope could simply be a trick of the light.

What do you consider to be the mark of an excellent murder mystery?
When the characters become people, and you care deeply about them. As a result, the main mystery becomes not who committed the crime, or how it was done, but why.

If you could take any one characteristic of CI Gamache for yourself, what would it be? 
Gamache stands up for what he believes in, he has the courage of his convictions. I have convictions, but I often lack courage, and sit in silence while mean things are said about others. It’s a part of myself I don’t admire and constantly try to change, and a trait I intentionally put into Armand Gamache. He’s the ‘better angel’ of my nature.

Why did you choose to set the CI Gamache novels in Quebec?
I love Quebec. It’s where I choose to live and for me location is a very strong character. Emily Dickinson described novels as frigates, that can take us to other places. I’d love for people to pick up one of my books as though it’s a passage to Quebec. To discover this amazing area, with the French language and cuisine and culture. Where the French and English intermarry and live as neighbours, but are not always at ease with each other. A place of rich history and deep passions. I wanted there to be absolutely no doubt, when people get on the frigate, that the destination is Quebec, and that is it an extraordinary place.

What is the best writing advice you’ve received?
When I was struggling with my second book, wrestling with near paralyzing fear, I went to a therapist. I could see that either writer’s block would settle in, or, perhaps worse, I’d write a book simply to please others. I’d play it safe, and lose my own voice. I could see that happening and it was turning writing into a desperately frightening and disappointing chore. The therapist listened to me then said, ‘The wrong person’s writing the book.’ Now, to be honest, that wasn’t immediately helpful.  Then she explained that my ‘critic’ was writing the book. I needed to thank the ‘critic’ and show her the door. Don’t lock it, because I’ll need her later, for the revisions. But I need my creative self to write the first draft. And if in that first draft I spend a day writing ten pages about a chair leg, then do it and don’t worry. Just move on. All the crap will be taken out by the ‘critic’ in the subsequent drafts.

This was hugely freeing because implied in that advice was that I’d never get it right in the first time – and that isn’t what the initial pass is for. It’s to explore, to take chances, to get out of my comfort and do something really scary or stupid. To give myself permission to just ‘try.’ And know there’s a safety net in the form of second, third, fourth drafts. So now my first drafts can be soft and smelly, but somewhere in there is a gem. And I spend the rest of the drafts shaping and polishing and digging deeper, and, I hope, finding the brilliance.

If you weren’t a writer, how would you earn a living?
Well, I was a journalist for many years, though perhaps not the best one. I’m genuinely interested in hearing people talk about their lives, but I’m not a political animal and I tend to be slightly credulous. Not cynical enough. If writing wasn’t an option and I had it to do over again I’d love to work in a museum. Ideally the British Museum. Or the Natural History museum in London. I spend hours there every time we visit.

What are you reading now?
An Agatha Christie! I love Christie and have been hugely inspired by her. Though I’ve tried to build on what Christie did, and not simply imitate. But I’m deeply grateful for their company throughout my life, especially the difficult and trying times.

Louise Penny's newest thriller A Trick of the Light is our top Whodunit pick for September. The next adventure of Chief Inspector Gamache brings him back to Quebec to investigate a murder within the art scene. Our reviewer said, "Penny’s characters are, to a one,…
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No one does sex, glam and drama like Jackie Collins. Her first novel, The World is Full of Married Men, scandalized the romance genre, and the Hollywood escapades of her signature character, the sexy Lucky Santangelo, quickly made Collins an international sensation. The seventh Lucky novel, Goddess of Vengeance, turns the heat to Vegas, where Collins introduces the younger generation of Santangelos. Money, power and passion are always on the line when it comes to this family.

Drop Dead Beautiful was supposed to be the last Lucky story. What made you bring her back for Goddess of Vengeance?

I will never be finished with Lucky. I love the character and so do my readers, so the Santangelo family will always be around. Lucky is like a James Bond for women!

Las Vegas is the new hot setting for Goddess of Vengeance. What is it about Vegas that creates such a perfect backdrop for this story?

What can I say about Vegas? It’s a magical city full of adventure and excitement. Lucky and Gino have built several hotels in Vegas, and Gino was right there at the beginning when Bugsy Segal and Meyer Lansky ruled. Chances was one of my favorite books to write, and I researched the early days of Vegas very carefully.

Recently the New York Times Magazine published an essay about how the “strong female character” could use a little more weakness. As the creator of strong female characters, what do you think about this assessment?

I think it was written by a man! Lucky is strong, but she also has a vulnerable streak which is certainly not the same as being weak! Strong women rule. And in Goddess of Vengeance, Lucky is right up there.

How are you and Lucky alike?

Lucky is the woman I would like to be in another life. Who wouldn’t? She’s strong, sexy, powerful, astute, beautiful and ballsy! She does and says all the things other women might not have the nerve to do or say. Lucky is a true heroine.

What has been the most Lucky-esque moment of your life?

I was held-up by a masked gunman in my car. “Don’t move, bitch, or I’ll blow your f***ing head off”—were his exact words. So . . . in true Lucky style—I fired my engine and took off!

If you could be trapped on a desert island with three people—celebrities, fictional characters, anyone—who would you choose?

Lucky of course! Jack Python from Hollywood Husbands. And Al King from Lovers and Gamblers.

If you could switch lives with any of your characters, who would it be?

Here we go again—Lucky Santangelo!!!

What is next for Lucky and her children, Bobby and Max?

Oh wow! Plenty! Max is 18 and a wild one. Bobby is hot hot hot! Many more Santangelo adventures to come!

 

Jackie Collins chatted with BookPage about kicking butt and taking names.
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The creepiest and oldest of legends have a way of prickling the spine and turning dark nights into the haunted unknown. In The Near Witch, the debut YA novel by Victoria Schwab, ancient ghost stories are the same as truth.

Lexi Harris lives in the village of Near, a place where the wind seems to speak and children are told the story of the Near Witch, who died long ago in the moors. It is a lonely place where strangers never venture—until one night, someone is spotted disappearing into the shadows. Lexi goes in search of the stranger, only to find a mysterious boy with a singed cloak and eyes the color of coal. Almost simultaneously, the children of Near begin to go missing, plucked from their beds without a trace. Lexi, with the help of the stranger, Cole, goes in search of the truth and the missing children, only to find that some legends have yet to be put to rest.

What drew you to a ghost story set in the moors?

I’ve always loved fairy tales, but the setting in many of my favorites was barely sketched out, little more than a strange gray space in which the characters moved. That absence of place helped make the stories timeless, but when I decided to try my hand at one, I wanted to have a true setting. More than that, I wanted to make the setting its own character, while still maintaining a timeless quality. The moors were a perfect place to start because they are vast and old and have at once so much character and yet when you’re on them, it’s easy to forget the year, the century. They are magical, in the old way, an elemental way, all fog and wind and wild earth. I knew they’d be the perfect place for Near.

There is no one cut-and-dried villain in The Near Witch; instead, danger comes from the townspeople’s fear, anger and confusion. Did you intend to write a book without a singular evil character? What effect do you think that has on the story?

Classically, fairy tales have a very clear source of good, and a very clear source of evil. I wanted to change that.

Most definitely. I don’t believe in absolute good and absolute evil, and similarly, I don’t believe in a total villain, because in most cases, villains are people, and people are complex, a product of their culture and their wants and fears, strengths and weaknesses. And, classically, fairy tales have a very clear source of good, and a very clear source of evil. I wanted to change that. I think the lack of one, single villain (you can argue there are none, or several) helps make the situation in Near more real. I like a healthy dose of realism in the middle of my magic.

Lexi’s relationship with her little sister Wren is even stronger than her connection to Cole. Why is this sisterhood so important in The Near Witch?

Truth be told, Wren started out as a very minor character, but over the story’s evolution, it became apparent that Lexi’s attachment to her sister would be her attachment to Near. Wren is the reason Lexi would never sever ties. Wren is her investment in Near, protecting Wren her biggest motivator and losing Wren her biggest fear. Wren keeps her from blindly trusting Cole, because she has a direct investment in the disappearances. Instead, Lexi must go in search of truth.

As a child, did you ever believe in witches or ghost stories?

I still do believe in one of them. I won’t tell you which 😉 But in all sincerity, I’m the kind of person that gives magic the benefit of the doubt.

Is there any myth or fairy tale that you wish were true?

Haha, well, most of the original fairy tales were pretty dark, so I wouldn’t wish them into being, but I would like a little more magic in the world, in some form.

What stories were your greatest influences in crafting the tale of The Near Witch?

I grew up with Silverstein and Grimm, and between the two language and lore both became incredibly important to me. I joke that growing up, I literally thought in rhyme, and would have to break it up before I spoke, so people wouldn’t think I was crazy. By the time I started writing, I thought in rhythm and fable and nested tales, the kind with stories tucked one within another.

Lexi Harris is one tough girl in a town where she isn’t always appreciated. How did you come up with her character, and did you have any particular goals in writing about her?

Her character was actually the very last part of the book I created. First came the stories told in the town, which then helped me understand the town itself, and then its residents and their attitudes/mindsets, and finally Lexi came in reaction to those mindsets. Cole might be the stranger, but she is an outsider in her own world.

Who is your favorite heroine in literature, and why?

Fire in Kristin Cashore’s Fire is one of my favorites. She is fierce and powerful, other and yet magnificent.

What do you hope readers will take from your story?

A want for more? But truthfully, I don’t have an answer for that. I hope people come TO the story with as little notion as possible. Notions get one into trouble 😉

What are you working on next?

My next project is called The Archived. I shouldn’t say too much about it yet, but I will say this: It’s kind of like “Buffy the Vampire Slayer” meets The Shining meets If I Stay. In a library.

In a Q&A with BookPage, Schwab elaborates on ghost stories, sisterhood and her intriguing new project.
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The latest novel from Laura Griffin’s Tracers series has all the chemistry and forensic detail to make it an easy choice for our Top Romance Pick for September 2011. After surviving a campus shooting, Sophie Barrett finds herself in over her head. With an irresistible homicide detective by her side and a killer on her tail, Sophie must reveal the truth about the shooting–or else. An “especially compelling” read, Snapped is romantic suspense at its best.

New York Times best-selling author and former journalist Laura Griffin chatted with BookPage about her newest book.

Describe your book in one sentence.
Snapped
, the Twitter version: Girl Next Door gets caught in crossfire of deadly shooting & must convince Skeptical Detective that the random act of violence wasn’t random at all. (Did I stay under 140 characters?)

How has your background in journalism influenced your romantic suspense?
As a reporter, I always loved the hard news stories. I think that’s why my books tend to include lots of action. I like to throw the characters into a firestorm and see how they do!

What are the sexiest scenes to write?
The ones right AFTER everyone almost dies. Danger is a powerful aphrodisiac.

Of all the characters you’ve ever written, which is your favorite?
If I was going to hang out with someone, it would probably be Sophie from Snapped. She’s fun, opinionated and not afraid to stand up for herself. She’s the friend you call when you’ve had a lousy day and you want to go get TexMex and margaritas.

What was the proudest moment of your career so far?
Winning the RITA Award last summer was pretty mind-blowing for me. When they called my name, I was stunned. Cindy Gerard was presenting and she was kind enough to keep me from falling off the stage as I went up there on wobbly legs.

How do you conquer writer’s block?
Go jogging. Read a good book.

What is one book everyone must read?
Snapped by Laura Griffin. (Kidding! But please read it.) I have this tattered copy of The Catcher in the Rye that I re-read about once a year. Holden Caulfield’s voice is so clear, you feel like you’re having a conversation with him. I love books like that!

The latest novel from Laura Griffin's Tracers series has all the chemistry and forensic detail to make it an easy choice for our Top Romance Pick for September 2011. After surviving a campus shooting, Sophie Barrett finds herself in over her head. With an…
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It all began in 2004—a writer in Brooklyn created a blog to fill with her design ideas, never expecting it to become an online sensation. Today, Design*Sponge is one of the most popular sources of DIY inspiration.

It was only a matter of time before Grace Bonney, the genius behind D*S, released her first book, Design*Sponge at Home, which, like the blog, is filled with gorgeous photographs and easy instructions. With Bonney’s brilliant uses of space, color and texture, every room has the chance to be a showstopper.

What is your favorite aspect of the blog come to life in the book?
I really love the way we’ve managed to cross-reference so many different homes, skills, styling tips and projects in one book. For me, the best part of a blog is how you can link to so many different pieces of information in one post, so I wanted to find a way to carry that through to the book, and I think we did. I love that you can open the book to a home tour and then flip to different pages to learn how to make something you see in the home, learn more about its history, or see a flower arrangement inspired by the home’s color palette.

What was the biggest challenge in moving from a blog format to a book format?
For me it was most difficult to make the edits. I’m so used to having an infinite amount of room to publish online, so having to narrow things down (and lose some really special pieces that just wouldn’t fit) was a real learning experience for me. But I’m glad I did–in the end it really helped me solidify what Design*Sponge’s style and aesthetic is all about.

How did you choose which projects went into the book?
Just like the site, I chose based purely on my gut. I looked for homes, projects and makeovers that grabbed me and made me smile, want to learn more or inspired the best kind of jealousy. I wanted people to have those same gut level responses every time they turned the page.

I looked for homes, projects and makeovers that grabbed me and made me smile, want to learn more or inspired the best kind of jealousy.

In the book’s foreword, Jonathan Adler calls D*S a revolution. Do you consider your blog and book a part of a revolution?
That was an incredibly kind comment and kicked off a serious bout of blushing and appreciation on my end. I don’t often sit back and look at the work I do at D*S, but I think if I step back for a moment and look at our contribution to the community, I think our team has done something really special. There’s been a huge groundswell of change within the design (and publishing) community in the last 10 years and I’m proud to have played a part in it.

How has Brooklyn shaped D*S?
Brooklyn informs everything I do on a day-to-day basis. It’s the place I call home and the energy that exists here is hard to find elsewhere. People (artists and art-appreciators alike) here are so driven to follow their passion it’s hard not to get caught up in that and really follow your heart. Without that sort of community around me, I’m not sure how hard I would have pushed to do all the projects I have over the past seven years. But when you’re surrounded with so much talent it’s the best sort of inspiration to do your best.

What is the most daunting part of DIY, and what advice can you give inexperienced DIY-ers?
I think DIY projects can seem daunting when you’ve never really thrown yourself in and gotten your hands dirty. But it’s really about pushing past that fear and not being afraid to make mistakes. My advice is to spend as much time as it takes to set up a clean work space, get your supplies in order and prepped and clean as you work. Just like cooking, when your space is clear and your mise en place are right at your fingertips, things flow easily.

What is the one thing every room must have?
Texture. I always feel sad when I walk into a space and everything is cold and smooth. I want to feel some sort of warmth in a space to bring it to life and texture does that in a snap. A quilted throw, a knitted pillow or a great wool rug can really add dimension to a space without spending a ton of money.

If you could move into anyone’s home, who’s would you move into?
I’d move into one of the many Neutra homes in Silverlake (Los Angeles)—anyone’s will do. I love the way he integrated moving exterior walls into each space so the outdoors and indoors blended seamlessly.

What was your best ever yard sale/thrift store find?
Our old TV credenza was a serious online thrift score. It was part of an estate sale on eBay and was originally a $1,000+ piece, but I got it for $200. I sold it when we moved earlier this year, but it was one of my favorite pieces of furniture for years.

What’s next for you and for the blog?
I’m most excited to hit the road for the book tour! We so rarely get to break out from behind our laptops and meet people, so this is a huge treat for us. To interact with and meet our readers is going to be the biggest reward for all the hard work we put into the book.

Grace Bonney answered some questions about the little design blog that changed everything.

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